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  1. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value."-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: Face of God in literature; European fiction / History and criticism; English drama / History and criticism
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Dostoyevsky, Fyodor / 1821-1881 / Criticism and interpretation; Hesse, Hermann / 1877-1962 / Criticism and interpretation; Lewis, C. S. / (Clive Staples) / 1898-1963 / Criticism and interpretation
    Umfang: 1 Online-Ressource (xii, 180 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: -- Preface I. The Judeo-Christian Heritage -- Chapter One: The Divine Face and the Face to Face in The Bible -- Inter-Chapter: St. Augustine's Incarnate Face of Christ -- Chapter Two: Christ-Like and Compassionate Faces in Shakespeare's Richard II, King Lear, The Tempest, and Julius Caesar -- Inter-Chapter: The Modern Face in Thomas Hardy's The Return of the Native -- Chapter Three: Christ's Face and its Adversaries in Dostoyevsky's The Idiot. The Pagan Heritage -- Chapter Four: Divine Faces and the Face to Face in Apuleius's Metamorphoses: The Tale of Psyche and Cupid -- Chapter Five: Syncretic Faces in Hermann Hesse's Demian -- Chapter Six: Pagan and Christian Faces in C. S. Lewis's Till We Have Faces -- Coda: Emmanuel Levinas's Ethics of the Face -- Works Cited
  2. A world elsewhere
    Autor*in: Berkoff, Steven
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Abingdon, Oxon

    "A World Elsewhere is Steven Berkoff's bold attempt to describe his multifarious theatrical works. Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright, and thirdly as theatre director, as well as those subtle... mehr

     

    "A World Elsewhere is Steven Berkoff's bold attempt to describe his multifarious theatrical works. Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright, and thirdly as theatre director, as well as those subtle connections in between, when one discipline melds effortlessly into another. He examines the early impulses that generated his works and what drove him to give them form, as well as the challenges he faced when adapting the work of other authors. Berkoff discusses some of his most difficult, successful, and unique creations, journeying through his long and varied career to examine how they were shaped by him, and how he was shaped by them. The sheer scale of this book offers a rare experience of an accomplished artist, combined with the honesty and insight of an autobiography, making this text a singular tool for teaching, inspiration, and personal exploration. Suitable for anyone with an interest in Steven Berkoff and his illustrious career, A World Elsewhere is the part analysis and part confession of an artist whose work has been performed all over the world"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000731927; 1000731928; 9781000731781; 1000731782; 9781000731644; 1000731642; 9780429341144; 0429341148
    Schlagworte: Dramatists, English / Biography; Theatrical producers and directors / Great Britain / Biography; Actors / Great Britain / Biography; English drama / History and criticism; Theater / Production and direction / Great Britain
    Weitere Schlagworte: Berkoff, Steven
    Umfang: 1 online resource (xi, 188 pages)
    Bemerkung(en):

    Includes index

    Description based on online resource; title from digital title page (viewed on December 18, 2019)
  3. British pirates in print and performance
    Autor*in: Burwick, Frederick; Powell, Manushag N.
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  4. A history of English drama 1660-1900, Volume 4, Early nineteenth century drama 1800-1850
    Autor*in: Nicoll, Allardyce
    Erschienen: 1955
    Verlag:  Cambridge University Press, Cambridge

    Allardyce Nicoll's History of English Drama, 1660–1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Allardyce Nicoll's History of English Drama, 1660–1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'. The History is reissued in seven paperback volumes, available separately and as a set. In volumes 1–5 Nicoll describes the conditions of the stage, actors and managers as well as dramatic genres. The sixth and seventh volumes offer a comprehensive list of all the plays known to have been produced or printed in England between 1660 and 1930, with their authors and alternative titles; it has thus independent value as well as providing an index to the earlier volumes

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511897764
    Weitere Identifier:
    Schlagworte: Geschichte; English drama / History and criticism; Theater / Great Britain / History
    Umfang: 1 online resource (x, 668 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. A history of English drama 1660-1900, Volume 6, A short-title alphabetical catalogue of plays produced or printed in England from 1660 to 1900
    Autor*in: Nicoll, Allardyce
    Erschienen: 1959
    Verlag:  Cambridge University Press, Cambridge

    Allardyce Nicoll's History of English Drama, 1660–1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Allardyce Nicoll's History of English Drama, 1660–1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'. The History is reissued in seven paperback volumes, available separately and as a set. In volumes 1–5 Nicoll describes the conditions of the stage, actors and managers as well as dramatic genres. The sixth and seventh volumes offer a comprehensive list of all the plays known to have been produced or printed in England between 1660 and 1930, with their authors and alternative titles; it has thus independent value as well as providing an index to the earlier volumes

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511897771
    Weitere Identifier:
    Schlagworte: Geschichte; English drama / History and criticism; English drama / Bibliography; Theater / Great Britain / History
    Umfang: 1 online resource (xi, 564 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. <<Las>> figuras paradójicas de César Aira
    un estudio semiótico y axiológico de la estereotipia y la autofiguración
    Autor*in: Decock, Pablo
    Erschienen: 2014
    Verlag:  Peter Lang, Bern, Switzerland

    Cesar Aira es uno de los autores mas importantes e influyentes de la literatura argentina contemporanea. En su obra prolifica la construccion del sentido ha sido desde el principio una coordenada problematica. Esta problematica central - descuidada... mehr

     

    Cesar Aira es uno de los autores mas importantes e influyentes de la literatura argentina contemporanea. En su obra prolifica la construccion del sentido ha sido desde el principio una coordenada problematica. Esta problematica central - descuidada por la critica - en su narrativa es la que constituye el nucleo de este estudio:?como interpretar una obra que distorsiona continuamente nuestro horizonte hermeneutico??Como se construye el sentido en una literatura que recicla, desarticula y abandona codigos muy heterogeneos y que, por ende, parece subvertir nuestras hipotesis de lectura? Este li

     
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    Quelle: Verbundkataloge
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    Format: Online
    ISBN: 9783035305791; 303530579X; 1306557275; 9781306557276
    Schriftenreihe: Hispanic Studies: Culture and Ideas ; Volume 36
    Schlagworte: English drama / History and criticism; Sex differences in literature; LITERARY CRITICISM / European / Spanish & Portuguese; Aira, César, 1949-; Aira, César, 1949- / Criticism and interpretation; English drama / (OCoLC)fst00910737; Sex differences in literature / (OCoLC)fst01114356
    Weitere Schlagworte: Aira, César / 1949- / Criticism and interpretation; Aira, César / 1949- / (OCoLC)fst00103823
    Umfang: 1 online resource (336 pages)
    Bemerkung(en):

    Print version record

    Includes bibliographical references and index

    Cover; Sumario; Introducción; Capítulo I Prolegómenos; Capítulo II Transfiguración y centrifugacidad en el barrio de Flores (estereotipos massmediáticos); Capítulo III Desfiguración y vacuidad (estereotipos culturales); Capítulo IV Autofiguración y efecto literario; A modo de conclusión; Bibliografía; Índice onomástico
  7. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    Zugang:

    Standort:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: English drama / History and criticism; European fiction / History and criticism; Face of God in literature
    Weitere Schlagworte: Dostoyevsky, Fyodor / 1821-1881 / Criticism and interpretation; Hesse, Hermann / 1877-1962 / Criticism and interpretation; Lewis, C. S. / (Clive Staples) / 1898-1963 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Criticism and interpretation
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references and index

    Also issued in print
  8. Money and magic in early modern drama
    Erschienen: 2022
    Verlag:  The Arden Shakespeare, London [England] ; Bloomsbury Publishing

    Standort:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Arden Studies in Early Modern Drama
    Schlagworte: Money in literature; Magic in literature; English drama / History and criticism
    Umfang: 1 online resource (288 pages)
    Bemerkung(en):

    Includes index
  9. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value."-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: Face of God in literature; European fiction / History and criticism; English drama / History and criticism
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Dostoyevsky, Fyodor / 1821-1881 / Criticism and interpretation; Hesse, Hermann / 1877-1962 / Criticism and interpretation; Lewis, C. S. / (Clive Staples) / 1898-1963 / Criticism and interpretation
    Umfang: 1 Online-Ressource (xii, 180 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: -- Preface I. The Judeo-Christian Heritage -- Chapter One: The Divine Face and the Face to Face in The Bible -- Inter-Chapter: St. Augustine's Incarnate Face of Christ -- Chapter Two: Christ-Like and Compassionate Faces in Shakespeare's Richard II, King Lear, The Tempest, and Julius Caesar -- Inter-Chapter: The Modern Face in Thomas Hardy's The Return of the Native -- Chapter Three: Christ's Face and its Adversaries in Dostoyevsky's The Idiot. The Pagan Heritage -- Chapter Four: Divine Faces and the Face to Face in Apuleius's Metamorphoses: The Tale of Psyche and Cupid -- Chapter Five: Syncretic Faces in Hermann Hesse's Demian -- Chapter Six: Pagan and Christian Faces in C. S. Lewis's Till We Have Faces -- Coda: Emmanuel Levinas's Ethics of the Face -- Works Cited
  10. Romantic Comedy
    Autor*in: Griffiths, Trevor R
    Erschienen: 2022; 2021
    Verlag:  Methuen Drama, London [England] ; Bloomsbury Publishing, [London, England]

    Standort:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    keine Fernleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Forms of Drama
    Schlagworte: Love in literature; English drama / History and criticism; Comedy / History and criticism; Comic, The, in literature
    Umfang: 1 online resource (184 pages)
    Bemerkung(en):

    Includes bibliographical references and index