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  1. Early modern playhouse manuscripts and the editing of Shakespeare
    Autor*in: Werstine, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Early Modern Playhouse Manuscripts and the Editing of Shakespeare argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions. Drawing on the work of the influential scholars A. W. Pollard... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Early Modern Playhouse Manuscripts and the Editing of Shakespeare argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions. Drawing on the work of the influential scholars A. W. Pollard and W. W. Greg, Werstine tackles the difficult issues surrounding 'foul papers' and 'promptbooks' to redefine these fundamental categories of current Shakespeare editing. In an extensive and detailed analysis, this book offers insight into the methods of theatrical personnel and a reconstruction of backstage practices in playhouses of Shakespeare's time. The book also includes a detailed analysis of nineteen manuscripts and three quartos marked up for performance - documents that together provide precious insight into how plays were put into production. Using these surviving manuscripts as a framework, Werstine goes on to explore editorial choices about what to give today's readers as 'Shakespeare'

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139103978
    Weitere Identifier:
    RVK Klassifikation: HI 3378
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual; English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts; English drama; English drama; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Textkritik; Theater; Handschrift
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William / 1564-1616 / Manuscripts; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xv, 430 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: reading W.W. Greg -- 1. The discovery of 'foul papers' -- 2. Redefining 'foul papers' -- 3. Playhouse MSS: what bookkeepers did not do -- 4. Playhouse MSS: what bookkeepers did -- 5. Behind the stage/in the tiring house -- Conclusion: empirical editing of Shakespeare -- The manuscripts -- Appendix A. Characteristics of Gregian 'foul papers' in playhouse texts -- Appendix B. Knight's placement of stage directions in Beleeue -- Appendix C. Physical evidence of dramatist-bookkeeper collaboration
  2. Shakespeare and manuscript drama
    canon, collaboration, and text
    Autor*in: Purkis, James
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses.... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses. Considering collaboration and theatre practice, this book explores manuscript plays by Anthony Munday, Thomas Middleton, and Thomas Heywood to establish new accounts of theatrical revision that challenge formerly dominant ideas in Shakespearean textual studies. The volume also reappraises Shakespeare's supposed part in the Sir Thomas More manuscript by analysing the palaeographic, orthographic, and stylistic arguments for Shakespeare's authorship of three of the document's pages. Offering a new account of manuscript writing that avoids conventional narrative forms, Purkis argues for a Shakespeare fully participant in a manuscript's collaborative process, demanding a reconsideration of his dramatic canon. The book will greatly interest researchers and advanced students of Shakespeare studies, textual history, authorship studies and theatre historians

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316344835
    Weitere Identifier:
    RVK Klassifikation: HI 3378
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual; English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts; Manuskript; Drama; Bearbeitung
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William / 1564-1616 / Manuscripts; Shakespeare, William / 1564-1616 / Authorship / Collaboration; Shakespeare, William (1564-1616); Middleton, Thomas (1580-1627); Heywood, Thomas (1574-1641); Munday, Anthony (1553-1633)
    Umfang: 1 online resource (xii, 312 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 06 Jun 2016)

    Introduction -- Text, collaboration, evidence. The theatrical text and the new bibliography: John a Kent and John a Cumber -- "Foul Papers", "Prompt Books", and Textual Sufficiency: The Captives -- Attribution, Collaboration, and The Second Maiden's Tragedy -- Shakespearean Coincidences. Curious Coincidences: The Collaborations of Sir Thomas More -- Singularly Shakespearean: Attributing the Hand-D Addition of More -- Canon, Apocrypha, and Sir Thomas More
  3. Early modern playhouse manuscripts and the editing of Shakespeare
    Autor*in: Werstine, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Early Modern Playhouse Manuscripts and the Editing of Shakespeare argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions. Drawing on the work of the influential scholars A. W. Pollard... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Early Modern Playhouse Manuscripts and the Editing of Shakespeare argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions. Drawing on the work of the influential scholars A. W. Pollard and W. W. Greg, Werstine tackles the difficult issues surrounding 'foul papers' and 'promptbooks' to redefine these fundamental categories of current Shakespeare editing. In an extensive and detailed analysis, this book offers insight into the methods of theatrical personnel and a reconstruction of backstage practices in playhouses of Shakespeare's time. The book also includes a detailed analysis of nineteen manuscripts and three quartos marked up for performance - documents that together provide precious insight into how plays were put into production. Using these surviving manuscripts as a framework, Werstine goes on to explore editorial choices about what to give today's readers as 'Shakespeare'

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139103978
    Weitere Identifier:
    RVK Klassifikation: HI 3378
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual; English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts; English drama; English drama; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Textkritik; Theater; Handschrift
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William / 1564-1616 / Manuscripts; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xv, 430 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: reading W.W. Greg -- 1. The discovery of 'foul papers' -- 2. Redefining 'foul papers' -- 3. Playhouse MSS: what bookkeepers did not do -- 4. Playhouse MSS: what bookkeepers did -- 5. Behind the stage/in the tiring house -- Conclusion: empirical editing of Shakespeare -- The manuscripts -- Appendix A. Characteristics of Gregian 'foul papers' in playhouse texts -- Appendix B. Knight's placement of stage directions in Beleeue -- Appendix C. Physical evidence of dramatist-bookkeeper collaboration