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  1. <<Las>> figuras paradójicas de César Aira
    un estudio semiótico y axiológico de la estereotipia y la autofiguración
    Autor*in: Decock, Pablo
    Erschienen: 2014
    Verlag:  Peter Lang, Bern, Switzerland

    Cesar Aira es uno de los autores mas importantes e influyentes de la literatura argentina contemporanea. En su obra prolifica la construccion del sentido ha sido desde el principio una coordenada problematica. Esta problematica central - descuidada... mehr

     

    Cesar Aira es uno de los autores mas importantes e influyentes de la literatura argentina contemporanea. En su obra prolifica la construccion del sentido ha sido desde el principio una coordenada problematica. Esta problematica central - descuidada por la critica - en su narrativa es la que constituye el nucleo de este estudio:?como interpretar una obra que distorsiona continuamente nuestro horizonte hermeneutico??Como se construye el sentido en una literatura que recicla, desarticula y abandona codigos muy heterogeneos y que, por ende, parece subvertir nuestras hipotesis de lectura? Este li

     
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    Quelle: Verbundkataloge
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035305791; 303530579X; 1306557275; 9781306557276
    Schriftenreihe: Hispanic Studies: Culture and Ideas ; Volume 36
    Schlagworte: English drama / History and criticism; Sex differences in literature; LITERARY CRITICISM / European / Spanish & Portuguese; Aira, César, 1949-; Aira, César, 1949- / Criticism and interpretation; English drama / (OCoLC)fst00910737; Sex differences in literature / (OCoLC)fst01114356
    Weitere Schlagworte: Aira, César / 1949- / Criticism and interpretation; Aira, César / 1949- / (OCoLC)fst00103823
    Umfang: 1 online resource (336 pages)
    Bemerkung(en):

    Print version record

    Includes bibliographical references and index

    Cover; Sumario; Introducción; Capítulo I Prolegómenos; Capítulo II Transfiguración y centrifugacidad en el barrio de Flores (estereotipos massmediáticos); Capítulo III Desfiguración y vacuidad (estereotipos culturales); Capítulo IV Autofiguración y efecto literario; A modo de conclusión; Bibliografía; Índice onomástico
  2. 'Dancing as if language no longer existed'
    dance in contemporary Irish drama
    Autor*in: Ojrzyñska, Katarzyna
    Erschienen: 2014
    Verlag:  Peter Lang, Oxford

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035306613; 3035306613
    Schriftenreihe: Reimagining Ireland ; 61
    Schlagworte: English drama / Irish authors / History and criticism; English drama / 20th century / History and criticism; Dance in literature; National characteristics, Irish, in literature; DRAMA / English, Irish, Scottish, Welsh; Dance in literature / (OCoLC)fst00887523; English drama / (OCoLC)fst00910737; English drama / Irish authors / (OCoLC)fst00910763; National characteristics, Irish, in literature / (OCoLC)fst01033453
    Umfang: 1 online resource
    Bemerkung(en):

    Print version record

    Includes bibliographical references and index

    Introduction: Investigating dance in Irish drama -- Irish dance and its transformations in the twentieth century -- Dance in pre-nationalist times -- Dance in nationalist times -- Dance in post-nationalist times -- Conclusion: The changing dynamics of Irish drama and tradition
  3. Community politics and the peace process in contemporary northern Irish drama
    Autor*in: Urban, Eva
    Erschienen: ©2011
    Verlag:  Peter Lang, Oxford

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035300659; 3035300658
    Schriftenreihe: Reimagining Ireland ; v. 31
    Schlagworte: English drama / Irish authors / History and criticism; English drama / 20th century / History and criticism; Politics and literature / Northern Ireland; Theater / Northern Ireland / History / 20th century; Theater / Political aspects / Northern Ireland; Theater and society / Northern Ireland; Northern Ireland / Drama; HISTORY / Europe / Great Britain; English drama / (OCoLC)fst00910737; English drama / Irish authors / (OCoLC)fst00910763; Politics and literature / (OCoLC)fst01069960; Theater / (OCoLC)fst01149217; Theater and society / (OCoLC)fst01149315; Theater / Political aspects / (OCoLC)fst01149276; Drama / (DE-603)085028231 / (DE-588c)4012899-4; Nordirlandkonflikt <Motiv> / (DE-603)086280740 / (DE-588c)4243531-6; Friedenspolitik <Motiv> / (DE-603)246696982 / (DE-588c)7745172-7; Gesellschaft <Motiv> / (DE-603)085673633 / (DE-588c)4157054-6
    Umfang: 1 online resource (303 pages)
    Bemerkung(en):

    Print version record

    Includes bibliographical references and index

    Acknowledgements 9; Introduction 11; Chapter 1 Political Purpose and Dramatic Alienation: Patrick Galvin's We Do It for Love and Tinderbox Theatre Company's Production of Convictions 43; Chapter 2 History Plays: Representations of the United Irishmen in Northern Star by Stewart Parker and Tearing the Loom by Gary Mitchell 91; Chapter 3 Remodelling Mythologies: Field Day's 'Fifth Province' and Frank McGuinness's Ulster Plays 131

    Chapter 4 Caricaturing Iconographies or Puppet Masters with Broken Strings in Tim Loane's To Be Sure or How to Count Chickens When They Come Home to Roost and Caught Red Handed or How to Prune a Whin Bush 167Chapter 5 The Politics of the Peace Process and Theatrical Imagination: Sole Purpose Productions 203; Chapter 6 Foucault's Looking Glass and Tongues of Flames: Pentecost, After Easter, Ourselves Alone, 'The Wedding Community Play', Massive 225; Conclusion 267; Bibliography 279; Index 291
  4. Shakespeare in the media
    from the Globe Theatre to the World Wide Web
    Beteiligt: Brusberg-Kiermeier, Stefani (Hrsg.); Helbig, Jörg (Hrsg.)
    Erschienen: 2004
    Verlag:  Peter Lang, Frankfurt am Main

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    Quelle: Verbundkataloge
    Beteiligt: Brusberg-Kiermeier, Stefani (Hrsg.); Helbig, Jörg (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783653009224; 3653009227
    Schriftenreihe: Britannia ; v. 9
    Schlagworte: Mass media and literature / English-speaking countries; English drama / Film adaptations; Film adaptations / History and criticism; PERFORMING ARTS / Film & Video / Guides & Reviews; PERFORMING ARTS / Film & Video / History & Criticism; English drama / (OCoLC)fst00910737; Film adaptations / (OCoLC)fst00924250; Mass media and literature / (OCoLC)fst01011353; Verfilmingen; Receptie; Massamedia; Adaptation cinématographique; Adaptation dramatique; Émission de télévision; Musique; Radio; Site Web; Mass-média; Intermedialität; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Film adaptations; Shakespeare, William / 1564-1616 / Adaptations / History and criticism; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William / 1564-1616 / (OCoLC)fst00029048
    Umfang: 1 online resource (256 pages), illustrations
    Bemerkung(en):

    On t.p. the symbol @ appears as the first vowel in "Shakespeare."

    Print version record

    Includes bibliographical references and indexes

    TABLE OF CONTENTS -- 5; Introduction -- 7; Duncan Salkeld (Chichester): Shakespeare staging Shakespeare -11; Stefani Brusberg-Kiermeier (Hildesheim): ""'Tis the curse of service"": The Royal Shakespeare Company -- 21; ""You can't ignore the fact that you're choosing to speak in a five-beat line"": An interview with Samuel West -43; Graham Holderness (Hertfordshire): Textual Shakespeare -55; Carol Banks (Lancashire): Picturing Shakespeare's plays -- 73; Christoph Clausen (Berlin): Shakespeare in opera -89; Maire Steadman (Stratford-upon-Avon): Audio Shakespeare -103

    ""I've written the occasional line"": An interview with Russell Jack son -115Sabine Schülting (Berlin): ""We can't hear a word!"" -- Shakespeare in silent film -127; Jörg Helbig (Klagenfurt): Cinematic intertextuality in contemporary Shakespeare films -143; Manfred Pfister (Berlin): ""If music be the food of comedy"": Screen music in recent film versions of Shakespearean comedy -153; ""Hopefully, the films will be seen again and remembered"": An interview with Sir Derek Jac obi -163; H.R. Coursen (Southern New Hampshire): Shakespeare on television -169
  5. Staging the other in nineteenth-century British drama
    Beteiligt: Morosetti, Tiziana (Hrsg.)
    Erschienen: [2015]
    Verlag:  Peter Lang, Oxford

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    Beteiligt: Morosetti, Tiziana (Hrsg.)
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035307771; 3035307776
    Schriftenreihe: Writing and culture in the long nineteeth century
    Schlagworte: English drama / 19th century / History and criticism; DRAMA / English, Irish, Scottish, Welsh; English drama / (OCoLC)fst00910737
    Umfang: 1 online resource (viii, 272 pages)
    Bemerkung(en):

    International conference proceedings

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    Includes bibliographical references and index

    'By a nose' or 'by a hair': bearding the Jew on the Georgian state -- The Jew on stage and on the page: intertextual exotic -- Edwin Forrest: the exotic American body on the nineteenth-century English state -- Constructing the Zulus: the 'African' body and its narratives -- 'An interest must be strong now-a days to raise much enthusiasm in an audience, but it may be, at the same time, of an umpleasant nature': Maori, New Zealand and empire on stage 1862-1864 -- Performing the other on the popular London stage: exotic people and places in Victorian pantomime -- Impressment, exoticism and enslavement: revisiting the theatre of ware through Tomas Hardy's The Trumpet-Major (1880) -- Transcultural operatics: India on the British stage in The Nautch Girl, or, The Rajah of Chutneypore -- Singing the exotic body across the Atlantic: from The Mikado to the Swing Mikado and beyond -- A progressive Othello: modern blackness in Chakrabarti's Red Velvet (2012)
  6. Authorizing Shakespeare on film and television
    gender, class, and ethnicity in adaptation
    Autor*in: Pittman, L. Monique
    Erschienen: 2011
    Verlag:  Peter Lang, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453900581; 1453900586; 1433106647; 9781433106644
    Schriftenreihe: Studies in Shakespeare ; v. 19
    Schlagworte: English drama / Film adaptations; English drama / Television adaptations; Film adaptations / History and criticism; Television adaptations / History and criticism; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; English drama / (OCoLC)fst00910737; Film adaptations / (OCoLC)fst00924250; Television adaptations / (OCoLC)fst01146645
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Film adaptations; Shakespeare, William / 1564-1616 / Television adaptations; Shakespeare, William / 1564-1616 / Film adaptations / Television adaptations; Shakespeare, William / 1564-1616 / (OCoLC)fst00029048
    Umfang: 1 online resource (xi, 257 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction : gestures that authorize -- Adaptations of the father: paternal authority goes imperial in Kenneth Branagh's Hamlet and As you like it -- The liberal-humanist Shakespeare in Michael Radford's The merchant of Venice: Ethnic tolerance and the Portia problem -- Deep-fried American dream: class striving under the heat lamp in Scotland, Pa. -- Teen Shakespeare and the trouble with gender: 10 things I hate about you and She's the man -- The Bard and the beeb : televisual authority and Shakespeare retold -- Tracing Hamlet in slings and arrows: Fathers haunt the theater -- It's not tv, it's Shakespeare: literary-historical adaptation in HBO's Rome