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  1. Becoming Christian
    Race, Reformation, and Early Modern English Romance
    Autor*in: Britton, Dennis Austin
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    Becoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Becoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology radically reconfigured how individuals acquire religious identities.Whereas Catholicism had asserted that Christian identity begins with baptism, numerous theologians in the Church of England denied the necessity of baptism and instead treated Christian identity as a racial characteristic passed from parents to their children. The church thereby developed a theology that both transformed a nation into a Christian race and created skepticism about the possibility of conversion. Race became a matter of salvation and damnation.Britton intervenes in critical debates about the intersections of race and religion, as well as in discussions of the social implications of romance. Examining English translations of Calvin, treatises on the sacraments, catechisms, and sermons alongside works by Edmund Spenser, John Harrington, William Shakespeare, John Fletcher, and Phillip Massinger, Becoming Christian demonstrates how a theology of race altered a nation’s imagination and literary landscape

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823257171
    Weitere Identifier:
    Schlagworte: Baptism; Church of England; Edmund Spenser; English literature; Jews; Muslims; Race; Romance; William Shakespeare; conversion; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Christians in literature; Conversion in literature; Conversion; English literature; Jews in literature; Muslims in literature; Race in literature; Religion and literature; Religion and literature
    Umfang: 1 online resource (272 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. Indecorous Thinking
    Figures of Speech in Early Modern Poetics
    Autor*in: Rosenfeld, Colleen Ruth
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823277940
    Weitere Identifier:
    Schlagworte: Decorum; Edmund Spenser; Eloquence; Epistemology; Figures of Speech; Form; Mary Wroth; Philip Sidney; Style; rhetoric; LITERARY CRITICISM / Renaissance; English language; English poetry; Figures of speech in literature; Figures of speech
    Umfang: 1 online resource (312 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. Becoming Christian
    Race, Reformation, and Early Modern English Romance
    Autor*in: Britton, Dennis Austin
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    Becoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Becoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology radically reconfigured how individuals acquire religious identities.Whereas Catholicism had asserted that Christian identity begins with baptism, numerous theologians in the Church of England denied the necessity of baptism and instead treated Christian identity as a racial characteristic passed from parents to their children. The church thereby developed a theology that both transformed a nation into a Christian race and created skepticism about the possibility of conversion. Race became a matter of salvation and damnation.Britton intervenes in critical debates about the intersections of race and religion, as well as in discussions of the social implications of romance. Examining English translations of Calvin, treatises on the sacraments, catechisms, and sermons alongside works by Edmund Spenser, John Harrington, William Shakespeare, John Fletcher, and Phillip Massinger, Becoming Christian demonstrates how a theology of race altered a nation’s imagination and literary landscape

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823257171
    Weitere Identifier:
    Schlagworte: Baptism; Church of England; Edmund Spenser; English literature; Jews; Muslims; Race; Romance; William Shakespeare; conversion; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Christians in literature; Conversion in literature; Conversion; English literature; Jews in literature; Muslims in literature; Race in literature; Religion and literature; Religion and literature
    Umfang: 1 online resource (272 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Indecorous Thinking
    Figures of Speech in Early Modern Poetics
    Autor*in: Rosenfeld, Colleen Ruth
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823277940
    Weitere Identifier:
    Schlagworte: Decorum; Edmund Spenser; Eloquence; Epistemology; Figures of Speech; Form; Mary Wroth; Philip Sidney; Style; rhetoric; LITERARY CRITICISM / Renaissance; English language; English poetry; Figures of speech in literature; Figures of speech
    Umfang: 1 online resource (312 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  5. The typographic imaginary in early modern English literature
    Autor*in: Stenner, Rachel
    Erschienen: 2018
    Verlag:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317012887
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Material readings in early modern culture
    Schlagworte: Book industries and trade; A Hundreth Sundrie Flowres; Beware The Cat; Christopher Plantin; Critical Mapping; Early Modern English Literature; Edmund Spenser; Gatekeepers Of The Press; George Gascoigne; Hieronymus Hornschuch; Imagined Typographic Space; Joseph Maxon; Mirrour Of The World; Paratexts; Pierce Penilesse; Printer-Author Dialogue; Print Symbolism; Protestant Printing; Recuyell Of The Historyes Of Troye; Richard Tottel; Robert Copland; The Faerie Queene; The Posies Of George Gascoigne Esquire; The Sepeardes Calender; The Teares Of The Muses; Thomas Blague; Three Proper, And Wittie, Familiar Letters; Typographic Imaginary; William Baldwin; William Caxton; English literature; Printing; English literature ; Early modern, 15 ; ; -17 ; History and criticism; Electronic books; Book industries and trade ; History; A Hundreth Sundrie Flowres; Beware The Cat; Christopher Plantin; Critical Mapping; Early Modern English Literature; Edmund Spenser; Gatekeepers Of The Press; George Gascoigne; Hieronymus Hornschuch; Imagined Typographic Space; Joseph Maxon; Mirrour Of The World; Paratexts; Pierce Penilesse; Printer-Author Dialogue; Print Symbolism; Protestant Printing; Recuyell Of The Historyes Of Troye; Richard Tottel; Robert Copland; The Faerie Queene; The Posies Of George Gascoigne Esquire; The Sepeardes Calender; The Teares Of The Muses; Thomas Blague; Three Proper, And Wittie, Familiar Letters; Typographic Imaginary; William Baldwin; William Caxton; Printing ; Great Britain ; History; English literature ; Early modern, 1500-1700 ; History and criticism; BUSINESS & ECONOMICS / Commerce; BUSINESS & ECONOMICS / Marketing / General; BUSINESS & ECONOMICS / Sales & Selling / General
    Umfang: 1 online resource (216 pages)
  6. The typographic imaginary in early modern English literature
    Autor*in: Stenner, Rachel
    Erschienen: 2018
    Verlag:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317012887
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Material readings in early modern culture
    Schlagworte: Book industries and trade; A Hundreth Sundrie Flowres; Beware The Cat; Christopher Plantin; Critical Mapping; Early Modern English Literature; Edmund Spenser; Gatekeepers Of The Press; George Gascoigne; Hieronymus Hornschuch; Imagined Typographic Space; Joseph Maxon; Mirrour Of The World; Paratexts; Pierce Penilesse; Printer-Author Dialogue; Print Symbolism; Protestant Printing; Recuyell Of The Historyes Of Troye; Richard Tottel; Robert Copland; The Faerie Queene; The Posies Of George Gascoigne Esquire; The Sepeardes Calender; The Teares Of The Muses; Thomas Blague; Three Proper, And Wittie, Familiar Letters; Typographic Imaginary; William Baldwin; William Caxton; English literature; Printing; English literature ; Early modern, 15 ; ; -17 ; History and criticism; Electronic books; Book industries and trade ; History; A Hundreth Sundrie Flowres; Beware The Cat; Christopher Plantin; Critical Mapping; Early Modern English Literature; Edmund Spenser; Gatekeepers Of The Press; George Gascoigne; Hieronymus Hornschuch; Imagined Typographic Space; Joseph Maxon; Mirrour Of The World; Paratexts; Pierce Penilesse; Printer-Author Dialogue; Print Symbolism; Protestant Printing; Recuyell Of The Historyes Of Troye; Richard Tottel; Robert Copland; The Faerie Queene; The Posies Of George Gascoigne Esquire; The Sepeardes Calender; The Teares Of The Muses; Thomas Blague; Three Proper, And Wittie, Familiar Letters; Typographic Imaginary; William Baldwin; William Caxton; Printing ; Great Britain ; History; English literature ; Early modern, 1500-1700 ; History and criticism; BUSINESS & ECONOMICS / Commerce; BUSINESS & ECONOMICS / Marketing / General; BUSINESS & ECONOMICS / Sales & Selling / General
    Umfang: 1 online resource (216 pages)
  7. [Spenser, Edmund] Edmund Spenser Home Page
    Erschienen: 2005

    Sites about Persons ; au "This set of pages is devoted to supporting the reading, study, and discussion of the words of Edmund Spenser. It aims to serve the needs of the scholar, of the student, and of the interested passer-by, offering resources and... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    AnglGuide

     

    Sites about Persons ; au "This set of pages is devoted to supporting the reading, study, and discussion of the words of Edmund Spenser. It aims to serve the needs of the scholar, of the student, and of the interested passer-by, offering resources and links of various level of specialization." The site offers a biography, a bibliography, online texts, a discussion list, the Spenser Society, Spenser studies, and links.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: Edmund Spenser; 1552-1599; English; literature; poetry; Renaissance; 16th century; Spenser, Edmund, 1552-1599; Authors, English; Authors, English; Authors, English
    Bemerkung(en):

    Source: SUB
  8. <<The>> Routledge companion to literature and emotion
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Erschienen: [2022]
    Verlag:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also

     
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    Quelle: Verbundkataloge
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367409159; 9781032219226
    Weitere Identifier:
    9780367409159
    RVK Klassifikation: EC 5410
    Schriftenreihe: Routledge literature companions
    Schlagworte: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin; Emotions in literature; Affect (Psychology) in literature
    Umfang: xvii, 495 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben