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  1. Shakespeare and the Hazards of Ambition
    Autor*in: Watson, Robert N.
    Erschienen: [1984]
    Verlag:  Harvard University Press, Cambridge, Mass.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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  2. Jonson and the Psychology of Public Theater
    To Coin the Spirit, Spend the Soul
    Autor*in: Sweeney, John Gordon
    Erschienen: [1984]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400857135
    Weitere Identifier:
    Schlagworte: Englische Literatur; Theater audiences / England / History / 17th century; Authors and theater / England; Drama / Psychological aspects; Authority in literature; HISTORY / General; Authors and theater; Psychology; Theater audiences; Geschichte; Psychologie; Psychologie; Publikum; Drama; Theater
    Weitere Schlagworte: Jonson, Ben (1572-1637)
    Umfang: 1 Online-Ressource (256p.)
    Bemerkung(en):

    This book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew FairOriginally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Acting like men
    gender, drama, and nostalgia in ancient Greece
    Autor*in: Bassi, Karen
    Erschienen: c1998
    Verlag:  University of Michigan Press, Ann Arbor, Mich.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  4. Staging depth
    Eugene O'Neill and the politics of psychological discourse
    Autor*in: Pfister, Joel
    Erschienen: ©1995
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585026491; 0807863858; 9780585026497; 9780807863855
    RVK Klassifikation: HU 4635
    Schriftenreihe: Cultural studies of the United States
    Schlagworte: Littérature et société / États-Unis / Histoire / 20e siècle; Théâtre bourgeois américain / Histoire et critique; Classes moyennes dans la littérature; Psychologie dans la littérature; Famille dans la littérature; DRAMA / American; Cultuurverandering; Verenigde Staten; Historisch kritische methode; Literatuursociologie; Middenklassen; Literatuurpsychologie; Psychologie / Dans la littérature; Littérature et société / États-Unis / Histoire / 20e siècle; Classes moyennes / Dans la littérature; Famille / Dans la littérature; Psychologie; Literatur; Domestic drama, American; Drama / Psychological aspects; Families in literature; Literature and society; Middle class in literature; Psychology; Psychology in literature; Geschichte; Psychologie; Wissen; Literature and society; Domestic drama, American; Drama; Middle class in literature; Psychology in literature; Families in literature; Psychologie; Mittelstand <Motiv>; Drama
    Weitere Schlagworte: O'Neill, Eugene / 1888-1953 / Et la psychologie; O'Neill, Eugene / (1888-1953) / Critique et interprétation; O'Neill, Eugene / (1888-1953) / Pensée politique et sociale; O'Neill, Eugene / (1888-1953) / Psychologie; O'Neill, Eugene; O'Neill, Eugene / 1888-1953; O'Neill, Eugene / 1888-1953; O'Neill, Eugene (1888-1953); O'Neill, Eugene (1888-1953)
    Umfang: 1 Online-Ressource (xxiv, 327 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 289-313) and index

    Foreword / Alan Trachtenber -- Introduction: the profession of "Depth" -- Beyond biography -- O'Neill and the making of the psychological family -- The psychological dyad in the "Land of the mother complex" the historicity of ambivalence -- "Depth" as a mass-cultural category -- Pop psychology, the professional-managerial class, and the aesthetic of depth -- The therapeutic playwright and therapeutic theatre -- The production of "Psychological" common sense for the professional-managerial class -- The psychological as a political and historical category -- O'Neill's critique of psychological discourse and iceman -- The ideological work of "Depth" O'Neill and the American left -- Workers, race, and psychological primitives -- O'Neill and the anarchist-feminist critique of personal life -- The propaganda of "Life" O'Neill, the left, and social depth -- Ah wilderness! and the reproduction of the middle class -- Possessors, self-dispossessed -- The trappings of theatre, gender, and desire
  5. Horton Foote and the theater of intimacy
    Autor*in: Wood, Gerald C.
    Erschienen: ©1999
    Verlag:  Louisiana State University Press, Baton Rouge

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585285446; 0807122955; 9780585285443
    Schriftenreihe: Southern literary studies
    Schlagworte: DRAMA / American; Drama / Psychological aspects; Drama / Religious aspects; Literature; Literatur; Psychologie; Religion; Drama; Drama; Drama
    Weitere Schlagworte: Foote, Horton; Foote, Horton; Foote, Horton; Foote, Horton (1916-2009)
    Umfang: 1 Online-Ressource (xii, 142 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 115-135) and index

    "Based in part on several interviews with Foote and also on an examination of his private papers, Horton Foote and the Theater of Intimacy argues persuasively that Foote's work is a personal form of southern psychological realism, grounded in the creative tension between his desire to report the stories of his region truthfully and his almost religious belief that love remains a source of meaning, identity, and order in twentieth-century life"--Jacket

    The playwright, dialectical writing, and intimacy -- Place and identity -- Belief, courage, and the female spirit -- The politics of intimacy -- Reality and myth -- The orphans' home -- Tender mercies -- The young man from Atlanta -- Personal writing and collaborative art -- Works by Horton Foote in the Horton Foote Collection -- Published works / Horton Foote -- Works about Horton Foote
  6. Euripides' use of psychological terminology
    Autor*in: Sullivan, Shirley Darcus
    Erschienen: c2000
    Verlag:  McGill-Queen's University Press, Montreal

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773520511; 0773568433; 1282858629; 9780773520516; 9780773568433; 9781282858626
    Schlagworte: Psychologie dans la littérature; Grieks; Tragedies; Taalgebruik; Psychologie; Psychologie; Terminologie; Psychologie; Terminologie; DRAMA / Ancient, Classical & Medieval; LITERARY CRITICISM / Ancient & Classical; Drama / Psychological aspects; Language and languages; Mythology, Greek, in literature; Psychology; Psychology in literature; Tragedy; Griechisch; Psychologie; Sprache; Sprachgebrauch; Wissen; Drama; Psychology in literature; Mythology, Greek, in literature; Tragedy; Terminologie; Psychologie
    Weitere Schlagworte: Euripide / Langue; Euripides; Euripides; Euripides; Euripides; Euripides; Euripides; Euripides (ca. 485/480 v. Chr.-406 v.Chr.)
    Umfang: 1 Online-Ressource (xii, 234 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [219]-228) and index

    Cover13; -- Contents -- Tables -- Preface -- Acknowledgments -- 1 Introduction -- 2 Phren in the Tragedies: Part One -- 3 Phren in the Tragedies: Part Two -- 4 Nous and Prapides in the Tragedies -- 5 Thumos in the Tragedies -- 6 Kardia and Kear in the Tragedies -- 7 Psyche: Traditional Uses -- 8 Psyche: Euripidean Uses -- 9 Conclusion -- APPENDICES -- A: An Overview of the Psychic Terms -- B: Psychic Terms in Each Tragedy -- C: Adjectives and Participles with Psychic Terms -- D: Cognate Verbs, Adverbs, Adjectives, and Nouns -- E: Hepar and Splanchna -- Notes -- Selected Bibliography -- Index of Passages Discussed -- A -- B -- E -- F -- H -- I -- M -- O -- R -- T -- General Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- S -- T -- W.

    Building on her previous works, Shirley Darcus Sullivan takes an in-depth look at Euripides' use of psychological terms - phr?n, nous, prapides, thumos, kardia, kear, and psych? - and compares his usage to that of both earlier and contemporary poets, most notably Aeschylus and Sophocles
  7. Mirror to nature
    drama, psychoanalysis, and society
    Autor*in: Rustin, Margaret
    Erschienen: 2002
    Verlag:  Karnac, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1849403600; 1855752980; 9781849403603; 9781855752986
    Schriftenreihe: Tavistock Clinic series
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Toneelstukken; Psychoanalyse; Drama / Psychological aspects; Psychoanalysis and literature; Drama; Psychologie; Psychoanalysis and literature; Drama
    Umfang: 1 Online-Ressource (x, 289 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 273-280) and index

    Introduction: theatre, mind and society -- Medea: love and violence split asunder -- Ion: an Athenian "family romance" -- Shakespeare's Macbeth: a marital tragedy -- Shakespeare's A Midsummer night's dream: further meditations on marriage -- What Ibsen knew -- Chekhov: the pain of intimate relationships -- Oscar Wilde's glittering surface -- Arthur Miller: fragile masculinity in American society -- Beckett: dramas of psychic catastrophe -- Psychic spaces in Harold Pinter's work
  8. The drama of the double
    permeable boundaries
    Autor*in: Burkman, Katherine H.
    Erschienen: 2016
    Verlag:  Palgrave Macmillan, New York, NY

    Standort:
    Bayerische Staatsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: What is theatre?
    Schlagworte: Doubles in literature; Identity (Psychology) in literature; Drama / Psychological aspects; Drama / History and criticism; Doubles in literature; Drama; Drama / Psychological aspects; Identity (Psychology) in literature; Psychologie; Drama; Doppelgänger
    Umfang: XV, 182 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    The drama of the double -- Narcissus and doubling: Conrad, Shepard, Mamet -- Narcissus and Dionysus: The Bacchae and The crying game -- Harold Pinter's Death in Venice and Life in Victoria Station -- Hedda Gabler, Jules and Jim and Taxi driver -- Orestes: Aeschylus and O'Neill -- Doubling in the mythic dreamscapes of Samuel Beckett's Happy days -- Not I, and Rockaby -- More on Demeter: Marsha Norman's 'night mother -- Oedipus and Demeter: Pinters A slight ache -- Coda
  9. Hamlet's absent father
    Autor*in: Erlich, Avi
    Erschienen: 1977; © 1977
    Verlag:  Princeton University Press, Princeton, New Jersey

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400868858; 1400868858; 9780691609256
    Schriftenreihe: Princeton legacy library
    Schlagworte: Hamlet (Shakespeare, William); DRAMA / Shakespeare; Domestic drama, English; Drama / Psychological aspects; Fathers and sons in literature; Hamlet (Legendary character); Psychoanalysis and literature; DRAMA / English, Irish, Scottish, Welsh; Psychologie; Array; Vater <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Hamlet
    Umfang: 1 online resource (322 pages)
    Bemerkung(en):

    Includes index

    Description based on print version record

    Avi Erlich finds that Hamlet deals not with repressed patricidal impulses but with a complex search, partially unconscious, for a strong father. Much more than he wants to have killed his father, Hamlet wants his father back and seeks a strong man with whom to identify. The playwright presents one ambivalent father figure after another, each an imitation or parody of the seemingly titanic king. Polonius, Osrick, Yorick, Old Fortinbras, Priam, Achilles, Horatio-these are a few versions ofthe father who bequeathed to his son his own ambivalence. Originally published in 1978. The Princeton Leg
  10. Jonson and the psychology of public theater
    to coin the spirit, spend the soul
    Autor*in: Sweeney, John Gordon
    Erschienen: [1985]; © 1985
    Verlag:  Princeton University Press, Princeton, New Jersey

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  11. A Jungian study of Shakespeare
    the visionary mode
    Autor*in: Fike, Matthew
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Basingstoke

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  12. Shakespeare on the couch
    on behalf of the United Kingdom Council for Psychotherapy
    Autor*in: Jacobs, Michael
    Erschienen: 2008
    Verlag:  Karnac Books, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 178049405X; 1849406359; 1855754541; 9781780494050; 9781849406352; 9781855754546
    Schlagworte: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Psychoanalysis; Characters and characteristics; Drama / Psychological aspects; Psychoanalysis and literature; Psychology; Psychology in literature; Psychoanalyse; Psychologie; Wissen; Psychoanalysis and literature; Drama; Psychology in literature; Drama; Psychoanalyse
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 150 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [137]-145) and index

    Prologue -- The qualities of people -- Much deceived: Leontes and Othello -- Death and the maiden -- The rei(g)ns of power -- Part-objects: Prospero and Caliban -- "Father" and son: Prince Hal and Falstaff -- The Macbeths: a childless couple? -- Antony and Cleopatra: "star-cross'd" lovers? -- Epilogue

    Drawing upon a vast literature in psychoanalytic journals and either upon Shakespeare's characters themselves or alluding to those characters in the course of other topics, this book discusses eight of Shakespeare's plays and the relationships between the main characters in them
  13. The temptation of innocence in the dramas of Arthur Miller
    Autor*in: Otten, Terry
    Erschienen: c2002
    Verlag:  University of Missouri Press, Columbia

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0826214061; 082626400X; 9780826214065; 9780826264008
    Schlagworte: Tentation dans la littérature; Naïveté dans la littérature; LITERARY CRITICISM / American / General; Drama / Psychological aspects; Innocence (Psychology) in literature; Temptation in literature; Psychologie; Innocence (Psychology) in literature; Drama; Temptation in literature; Unschuld <Motiv>; Versuchung <Motiv>; Drama
    Weitere Schlagworte: Miller, Arthur / 1915-2005 / Critique et interprétation; Miller, Arthur / 1915-2005 / Et la psychologie; Miller, Arthur / 1915-2005 / Criticism and interpretation; Miller, Arthur / 1915-2005; Miller, Arthur (1915-2005); Miller, Arthur (1915-2005)
    Umfang: 1 Online-Ressource (xvi, 280 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 251-267) and index

    All my sons and before -- Death of a salesman -- The crucible to A memory of two Mondays -- The misfits and After the fall -- Incident at Vichy to The creation of the world and other business -- Other plays of the 1970s and 1980s -- Last plays of the century
  14. Playing with desire
    Christopher Marlowe and the art of tantalization
    Autor*in: Tromly, Frederic B.
    Erschienen: c1998
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802043550; 1442678542; 9780802043559; 9781442678545
    Schlagworte: Désir dans la littérature; Taquineries dans la littérature; Wensen; Sadisme; Toneelstukken; Engels; Begierde <Motiv>; DRAMA / English, Irish, Scottish, Welsh; LITERARY CRITICISM / General; Aggressiveness in literature; Control (Psychology) in literature; Desire in literature; Drama / Psychological aspects; Play in literature; Psychology; Sadism in literature; Sex in literature; Teasing in literature; Drama; Englisch; Psychologie; Wissen; Teasing in literature; Aggressiveness in literature; Control (Psychology) in literature; Drama; Desire in literature; Sadism in literature; Play in literature; Sex in literature; Begierde; Begierde <Motiv>
    Weitere Schlagworte: Marlowe, Christopher / 1564-1593 / Critique et interprétation; Marlowe, Christopher; Marlowe, Christopher / 1564-1593; Marlowe, Christopher / 1564-1593; Marlowe, Christopher; Marlowe, Christopher (1564-1593); Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (x, 238 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [211]-231) and index

    Marlowe and the torment of Tantalus -- Translation as template: all of Ovid's Elegies -- Playing with the powerless: Dido Queen of Carthage -- The conquerer's and the playwright's games: Tamburlaine the Great, part one and part two -- Playing with avarice: The Jew of Malta -- The play of history and desire: Edward II -- Damnation as tantalization: Doctor Faustus -- Frustrating the story of desire: Hero and Leander

    "Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences."--Jacket
  15. Shakespeare and the Hazards of Ambition
    Autor*in: Watson, Robert N.
    Erschienen: [1984]
    Verlag:  Harvard University Press, Cambridge, Mass.

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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  16. Humoring the body
    emotions and the Shakespearean stage
    Autor*in: Paster, Gail Kern
    Erschienen: 2004
    Verlag:  University of Chicago Press, Chicago

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226648478; 0226648486; 9780226648477; 9780226648484
    Schlagworte: Drama; Psychiatry; Emotions; Literature, Medieval; Literature; Théâtre (Genre littéraire) / Aspect psychologique; Esprit et corps dans la littérature; Corps humain dans la littérature; Émotions dans la littérature; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Drama / Psychological aspects; Emotions in literature; Human body in literature; Mind and body in literature; Psychology; Emoties; Lichamelijkheid; Toneelvoorstellingen; Humor <Motiv>; Drama; Körper <Motiv>; Gefühl <Motiv>; Literatur; Psychologie; Wissen; Drama; Mind and body in literature; Human body in literature; Emotions in literature; Leidenschaft <Motiv>; Humoralpathologie; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Et le psychologie; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xv, 274 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 247-259) and index

    Roasted in wrath and fire : the ecology of the passions in Hamlet and Othello -- Love will have heat : Shakespeare's maidens and the caloric economy -- Melancholy cats, lugged bears, and other passionate animals : reading Shakespeare's psychological materialism across the species barrier -- Belching quarrels : male passions and the problem of individuation

    "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--Jacket
  17. Irony and the modern theatre
    Autor*in: Storm, William
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic,... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism – as ungraspable, or elusive to the point of confounding. Countering this tendency, Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511974830
    Weitere Identifier:
    RVK Klassifikation: EC 3935 ; EC 7506
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Psychologie; Irony in literature; Drama / History and criticism; Drama / Psychological aspects; Ironie; Drama
    Umfang: 1 online resource (x, 256 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- 1. Irony personified: Ibsen and The Master Builder -- 2. The character of irony in Chekhov -- 3. Irony and dialectic: Shaw's Candida -- 4. Pirandello's 'father' -- and Brecht's 'mother' -- 5. Absurdist irony: Ionesco's 'anti-play' -- 6. 'Ironist first-class': Stoppard's Arcadia -- 7. American ironies: Wasserstein and Kushner -- 8. Irony's theatre
  18. Dramatic minds
    performance, cognition, and the representation of interiority, essays in honour of Margarete Rubik
    Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
    Erschienen: [2015]
    Verlag:  Peter Lang, Frankfurt am Main

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    Quelle: Verbundkataloge
    Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783653061802; 3653061806
    Schriftenreihe: Austrian studies in English ; Volume 105
    Schlagworte: Drama / Psychological aspects; Theater / Psychological aspects; Cognition in literature; Psychology and literature; Philosophy of mind in literature; Cognition in literature / (OCoLC)fst00866515; Drama / Psychological aspects / (OCoLC)fst00897494; Philosophy of mind in literature / (OCoLC)fst01060844; Psychology and literature / (OCoLC)fst01081551; Theater / Psychological aspects / (OCoLC)fst01149284; BIOGRAPHY & AUTOBIOGRAPHY / Literary
    Umfang: 1 online resource (306 pages), illustrations
    Bemerkung(en):

    Print version record

    Includes bibliographical references

    Cover; Table of Contents; Acknowledgements; Introduction (Eva Zettelmann and Elke Mettinger); Theoretical Approaches; Consciousness in Drama: A Cognitive Approach (Monika Fludernik); Drama and the Representation of Fictional Minds (Eva Zettelmann); From Medieval Iconography to Restoration Drama; Strategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture (Gabriella Mazzon); "Now is this golden crown like a deep well" -- Richard II from a Cognitive Point of View (Elke Mettinger)

    ""Othello"": Personality and Personality Building in Shakespeare's Tragedy and Verdi's Opera (Sabine Coelsch-Foisner)The ""Macbeth"" Trap: Productions of Shakespeare's Play in England, Germany, Austria and Switzerland (Michael Raab); ""Une Tempête"", Aimé Césaire's Subversion of the Imperial Scripts of Shakespeare's Tempest (Christa Knellwolf King); The Script of the Body and the Soul in ""The Country-Wife"" and ""Tristram Shandy"": the 'Cognitive Turn' from Restoration Drama to Sentimental Fiction (Dieter Fuchs); Modern Drama

    The (Im)Possible Worlds of Joe Orton: A Cognitive Approach to ""What the Butler Saw"" (Caterina Grasl)"I understand you not, my lord." -- Problems of Cognition and Perception in Tom Stoppard's Plays (Bernhard Reitz); John Arden and Margaretta D'Arcy -- A Cognitive Approach (Wolfgang J. Lippke); Pinter's One-Act Plays ""One for the Road, Mountain Language"", and ""Party Time"" in the Light of Conceptual Blending Theory (Ewald Mengel); Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama (Merle Tönnies)

    "Dennis is a Liar" -- Mendacity in the Plays of Dennis Kelly (Eckart Voigts)Breaking the Boundaries of Narrative: Post-Dramatic Story-Telling (Christopher Innes); Parapsychic Phenomena in Early Twentieth-Century American Drama (Peter Zenzinger); Tabula gratulatoria
  19. Shakespeare unbound
    decoding a hidden life
    Autor*in: Weis, René
    Erschienen: 2007
    Verlag:  Holt, New York

    Presents an intimate view of the interior world of William Shakespeare, drawing parallels between the bard's life and his works that reflect his early experiences in Stratford, contacts with underground Catholics, and role in theatrical London. mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Presents an intimate view of the interior world of William Shakespeare, drawing parallels between the bard's life and his works that reflect his early experiences in Stratford, contacts with underground Catholics, and role in theatrical London.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: HI 3310
    Auflage/Ausgabe: 1. U.S. ed
    Schriftenreihe: A John Macrae book
    Schlagworte: Dramatists, English / Early modern, 1500-1700 / Psychology; Dramatists, English / Early modern, 1500-1700 / Biography; Playwriting / Psychological aspects; Drama / Psychological aspects; Psychologie; Drama; Dramatists, English; Dramatists, English; Playwriting
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Psychology; Shakespeare, William / 1564-1616 / Biography; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Umfang: XII, 479, [16] S., Ill., Kt., 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [453]-460) and index