Includes bibliographical references and index V; List of Illustrations -ix; Manon Mathias, Maria O'Sullivan and Ruth Vorstman -- Introduction -- 1; Part I -- Disguise on Display: The Masked Self in Performance -11; Emilia Wilton-Godberfforde -- Concealing and Revealing the Truth: A Study of Lying in Tartuffe, La Célimène and Iphis et Iante -13; Elizabeth Lindley -- Disguises and Social Masks in Yasmina Reza's Trois versions de la vie and Dieu du carnage -31; Catherine Burke -- 'Be it so What shall I tell you first? What shall I leave for last? 'Duplicity and Intrigue in Homer's Odyssey and Proust's À la Recherche du Temps Perdu -49Part II -- Displays of Difference Through Art and Illustration -65; Vincent Bruyère -- Postcolonial Display/Early Modern Disguise: Looking Back at the Savage -67; Nathalie Ferrand -- Quand le roman se cache derrière une image: fiction et illustration au XVIIIe siècle -87; Klemens James -- Dali, Surrealism and the Problem of Postmodern Camp -107; Part III -- Authenticity in Times of Change: Writers in Disguise -- 127 Kate Rees -- Machines, Modernity and Masquerades in Flaubert's Salammbô -129Christine Knoop -- Dangerous Disguise: An Approach to the Relation Between Kitsch and the Arts -145; Part IV -- Responses to Twenty-First-Century Life: Disguising Reality -163; Emma Wilson -- Mortality, Art and Disguise: On Sophie Calle's Pas pu saisir la mort (2007) -165; Clare Finburgh -- The Secret is in the Surface: Media Representation of 9/11 and Michel Vinaver's 11 September 2001 -183; Olga Smith -- Hoaxer's Voyage: Pierre Huyghe's A Journey that wasn't -205; Index -- 223 |
