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  1. Rehearsals of manhood
    Athenian drama as social practice
    Autor*in: Winkler, John J.
    Erschienen: [2023]
    Verlag:  Princeton University Press, Princeton

    "When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek... mehr

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    Wissenschaftskolleg zu Berlin - Institute for Advanced Study, Bibliothek
    Signatur:
    Jahrgang 2014/15 Hal
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    Universitätsbibliothek Heidelberg
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    2023 A 6152
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    Standort:
    Universitätsbibliothek Hildesheim
    Signatur:
    ANT 135 : W35
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    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    "When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek drama. That manuscript was based on The Martin Classical Lectures at Oberlin College, which Winkler delivered in September of 1988. The present text has been edited and updated by classicists David Halperin, Winkler's literary executor, and Kirk Ormand, Winkler's student and an expert on Greek drama. Rehearsals of Manhood, the final work of a widely recognized and celebrated classical scholar, proposes an entirely new account of Greek drama providing an explanation of the social place of Greek drama and its relation to the gendered organization of Athenian social life. Winkler interprets drama as a secular manhood ritual, a public aesthetic undertaking focused on the initiation of boys into manhood and, specifically, on the training, the display, and the representation of young male warriors. According to Winkler, the chorus of both tragedy and comedy was composed of young Athenian men of citizen status, about eighteen to twenty years of age, who were undergoing military training in order to prepare themselves for the task of warfare; they danced on a rectangular dance floor in a rectangular formation that recalled the arrangement of the infantry phalanx; they accompanied plays that often highlighted scenarios of risk faced by young men on the verge of adulthood; and they performed in a theater whose seating was arranged to display the corporate body of the male citizenry as a whole, both its democratic equality and its hierarchical ranking according to degrees of excellence. Winkler does not offer new interpretations of the texts of Greek plays but a new account of how the very practice of dramatic performance fit into the social life and gender politics of the Athenian state"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Halperin, David M. (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780691206486
    Schlagworte: Greek drama; Masculinity in literature; Men in literature; Literature and society; Theater; DRAMA / Ancient & Classical; HISTORY / Ancient / Greece
    Umfang: xxvi, 212 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Rehearsals of manhood
    Athenian drama as social practice
    Autor*in: Winkler, John J.
    Erschienen: [2023]
    Verlag:  Princeton University Press, Princeton, New Jersy

    "When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    "When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek drama. That manuscript was based on The Martin Classical Lectures at Oberlin College, which Winkler delivered in September of 1988. The present text has been edited and updated by classicists David Halperin, Winkler's literary executor, and Kirk Ormand, Winkler's student and an expert on Greek drama. Rehearsals of Manhood, the final work of a widely recognized and celebrated classical scholar, proposes an entirely new account of Greek drama providing an explanation of the social place of Greek drama and its relation to the gendered organization of Athenian social life. Winkler interprets drama as a secular manhood ritual, a public aesthetic undertaking focused on the initiation of boys into manhood and, specifically, on the training, the display, and the representation of young male warriors. According to Winkler, the chorus of both tragedy and comedy was composed of young Athenian men of citizen status, about eighteen to twenty years of age, who were undergoing military training in order to prepare themselves for the task of warfare; they danced on a rectangular dance floor in a rectangular formation that recalled the arrangement of the infantry phalanx; they accompanied plays that often highlighted scenarios of risk faced by young men on the verge of adulthood; and they performed in a theater whose seating was arranged to display the corporate body of the male citizenry as a whole, both its democratic equality and its hierarchical ranking according to degrees of excellence. Winkler does not offer new interpretations of the texts of Greek plays but a new account of how the very practice of dramatic performance fit into the social life and gender politics of the Athenian state"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691213729; 0691213720
    Schlagworte: Greek drama; Masculinity in literature; Men in literature; Literature and society; Theater; DRAMA / Ancient & Classical; HISTORY / Ancient / Greece; Greek drama; Intellectual life; Literature and society; Masculinity in literature; Men in literature; Theater; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (xxvi, 212 pages), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and indexes
  3. Rehearsals of manhood
    Athenian drama as social practice
    Autor*in: Winkler, John J.
    Erschienen: [2023]
    Verlag:  Princeton University Press, Princeton, New Jersy

    "When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek... mehr

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    "When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek drama. That manuscript was based on The Martin Classical Lectures at Oberlin College, which Winkler delivered in September of 1988. The present text has been edited and updated by classicists David Halperin, Winkler's literary executor, and Kirk Ormand, Winkler's student and an expert on Greek drama. Rehearsals of Manhood, the final work of a widely recognized and celebrated classical scholar, proposes an entirely new account of Greek drama providing an explanation of the social place of Greek drama and its relation to the gendered organization of Athenian social life. Winkler interprets drama as a secular manhood ritual, a public aesthetic undertaking focused on the initiation of boys into manhood and, specifically, on the training, the display, and the representation of young male warriors. According to Winkler, the chorus of both tragedy and comedy was composed of young Athenian men of citizen status, about eighteen to twenty years of age, who were undergoing military training in order to prepare themselves for the task of warfare; they danced on a rectangular dance floor in a rectangular formation that recalled the arrangement of the infantry phalanx; they accompanied plays that often highlighted scenarios of risk faced by young men on the verge of adulthood; and they performed in a theater whose seating was arranged to display the corporate body of the male citizenry as a whole, both its democratic equality and its hierarchical ranking according to degrees of excellence. Winkler does not offer new interpretations of the texts of Greek plays but a new account of how the very practice of dramatic performance fit into the social life and gender politics of the Athenian state"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691213729; 0691213720
    Schlagworte: Greek drama; Masculinity in literature; Men in literature; Literature and society; Theater; DRAMA / Ancient & Classical; HISTORY / Ancient / Greece; Greek drama; Intellectual life; Literature and society; Masculinity in literature; Men in literature; Theater; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (xxvi, 212 pages), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and indexes
  4. Hippolytus
    Autor*in: Euripides
    Erschienen: 2012
    Verlag:  punctum books, Brooklyn, NY

    Euripides wrote two plays called Hippolytus. In this, the second, he dramatized the tragic failure of perfection. This translation comes in two forms; the first presents a simulacrum of the text as it might have appeared in unprocessed form to a... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Zeppelin Universität gGmbH, Bibliothek
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    Zentrum für Wissensmanagement, Bibliothek Hamm
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    Universitätsbibliothek Heidelberg
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    HTWG Hochschule Konstanz Technik, Wirtschaft und Gestaltung, Bibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Zentrum für Wissensmanagement, Bibliothek Lippstadt
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Euripides wrote two plays called Hippolytus. In this, the second, he dramatized the tragic failure of perfection. This translation comes in two forms; the first presents a simulacrum of the text as it might have appeared in unprocessed form to a reader sometime shortly after Euripides' death. The second processes the drama into the reduced but much more distinct form of modern print translations

     
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  5. Four by Euripides
    Autor*in: Euripides
    Erschienen: [2019]
    Verlag:  University of Massachusetts Press, Amherst

    Medea --Bakkhai --Hippolytos --Cyclops. mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Medea --Bakkhai --Hippolytos --Cyclops.

     
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    Quelle: Verbundkataloge
    Beteiligt: Bagg, Robert (ÜbersetzerIn); Euripides; Euripides; Euripides; Euripides
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1613767269; 9781613767269
    Schlagworte: Greek drama; DRAMA / Ancient & Classical; Greek drama
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references
  6. Understanding Terence
    Autor*in: Goldberg, Sander M.
    Erschienen: [1986]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400857968
    Weitere Identifier:
    Schlagworte: Lateinische Literatur; Latin drama (Comedy) / History and criticism; Theater / History / To 500; Theater / Rome; DRAMA / Ancient & Classical; Theater; Geschichte
    Weitere Schlagworte: Terentius Afer, Publius (v195-v159)
    Umfang: 1 Online-Ressource (248p.)
    Bemerkung(en):

    Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  7. The Artistry of Aeschylus and Zeami
    A Comparative Study of Greek Tragedy and No
    Autor*in: Smethurst, Mae J.
    Erschienen: [1989]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400860050
    Weitere Identifier:
    Schlagworte: Griechische Literatur; Tragedy; No plays / History and criticism; Comparative literature / Greek and Japanese; Comparative literature / Japanese and Greek; DRAMA / Ancient & Classical; Griechisch; Nō-Spiel; Tragödie
    Weitere Schlagworte: Zeami (1363-1443); Aeschylus (v525-v456)
    Umfang: 1 Online-Ressource (359p.)
    Bemerkung(en):

    By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation.Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  8. The Ancient Quarrel Between Poetry and Philosophy
    Autor*in: Gould, Thomas
    Erschienen: [1990]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400861866
    Weitere Identifier:
    Schlagworte: Griechische Literatur; Greek drama (Tragedy) / History and criticism / Theory, etc; Poetics / History / To 1500; Suffering in literature; Sympathy in literature; Literature / Philosophy; Pathos in literature; Philosophy, Ancient; DRAMA / Ancient & Classical; Geschichte; Literatur; Philosophie; Griechisch; Pathos; Poetik; Literatur; Mitleid <Motiv>; Philosophie; Tragödie
    Weitere Schlagworte: Plato (v427-v347); Aristoteles (v384-v322)
    Umfang: 1 Online-Ressource (352p.)
    Bemerkung(en):

    Affecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore tragedy and its power to gratify readers and audiences. He takes as his starting point Plato's moral and psychological objections to tragedy, and the conflict he recognized between "poetry"--the exploitation of our yearning to see ourselves as victims--and "philosophy"--the insistence that all good people are happy. Plato's objections to tragedy are shown to be an essential feature of Socratic rationalism and to constitute a formidable challenge even today. Gould makes a case for the rightness and psychological necessity of violence and suffering in literature, art, and religion, but he distinguishes between depictions of violence that elicit sympathy only for the victims and those that cause us to sympathize entirely with the perpetrators. It is chiefly the former, Gould argues, that fuel our responses not only to true tragedy but also to religious myths and critical displays of political rage.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  9. The poetics of imitation in the Italian theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442647124; 1442667338; 9781442647121; 9781442667334
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Drama; Italienisch; Nachahmung; DRAMA / Continental European; DRAMA / Ancient & Classical; Italian drama; Imitation in literature; Classical drama; Drama; Theater; Antike; Adaption <Literatur>
    Umfang: 1 online resource (x, 222 pages)
    Bemerkung(en):

    Description based on print version record

    Chapter I. Imitation: The link between past and present -- 1. The Humanists turn to the Ancients -- 2. From the Classical stage to the theater of Renaissance -- 3. The poetics of the new theater -- Chapter II. Machiavelli's Mandragola -- 1. The characters: imitation vs. source -- 2. New characters -- 3. Machiavellian morality -- Chapter III. Clizia. Form stage to stage -- 1. The sons -- 2. The fathers -- 3. The wives -- 4. A Machiavellian perspective -- Chapter IV. Cecchi's Assiuolo: An apian imitation -- 1. A contaminatio of sources -- 2. Ambrogio: An original amator senex -- 3. Oretta's immorality as a reflection of the times -- Chapter V. Groto's Emilia: Fiction meets reality -- 1. From the sources to the adaptation -- 2. The stage pretense of realism undermined -- 3. Erifila: a Venetian courtesan. -- Chapter VI. Gli duoi fratelli rivali. Della Porta adapts Bandello's prose narrative to the stage -- 1. The source's King vs. the play's Viceroy -- 2. Eufranone vs. Lionato -- 3. The women -- 4. New characters and the comic element -- Chapter VII. Orbecche: Giraldi's imitation of his own prose narrative -- 1. The plot -- 2. Orbecche and the question of womanhood -- 3. Sulmone vs. Malecche: The debate on kingly prerogatives -- 4. Machiavellian princeship anchored to religious morality -- Chapter VIII. Dolce's Marianna: From history to the stage -- 1. The historical source -- 2. Josephus' Herod vs. Dolce's Erode -- 3. Mariamme vs Marianna -- 4. Erode and the theater audience

    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc
  10. Understanding Terence
    Autor*in: Goldberg, Sander M.
    Erschienen: [1986]; © 1986
    Verlag:  Princeton University Press, Princeton, New Jersey

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400857968; 1400857961; 0691035865; 9780691035864; 069161055X; 9780691610559
    Schlagworte: DRAMA / Ancient & Classical; DRAMA / Ancient, Classical & Medieval; Latin drama (Comedy); Theater; Geschichte; Array
    Weitere Schlagworte: Terence; Terence; Terentius Afer, Publius (v195-v159)
    Umfang: 1 online resource (247 pages)
    Bemerkung(en):

    Print version record
  11. Aeschylus
    the earlier plays and related studies
    Autor*in: Conacher, D. J.
    Erschienen: ©1996
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802007961; 1442664673; 9780802007964; 9781442664678
    RVK Klassifikation: FH 21753 ; FH 21756 ; FH 24045
    Schlagworte: DRAMA / Ancient, Classical & Medieval; DRAMA / Ancient & Classical; Tragedies; Mythology, Greek, in literature; Tragedy; Mythology, Greek, in literature; Tragedy
    Weitere Schlagworte: Aeschylus / Technique; Eschyle / Critique et interprétation; Eschyle / Technique; Aeschylus; Aeschylus; Aeschylus; Aeschylus (v525-v456)
    Umfang: 1 Online-Ressource (xv, 184 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [177]-184)

    Preface -- Part I -- Persae (The Persians) -- Septem (The Seven Against Thebes) and its trilogy -- Supplices (The Suppliants) and its trilogy -- Part II -- Imagery -- The chorus

    In this volume Conacher provides a detailed running commentary on the three earlier plays (The Persians, The Seven against Thebes, and The Suppliants), as well as an analysis of their themes, structure, and dramatic techniques and devices. In two more general studies he reviews Aeschylus' dramatic uses of the Chorus and of imagery. Conacher's close readings of the text and sensitive analysis of the main problems in the plays will be of benefit to students, especially those encountering these plays for the first time, either in Greek or in translation. He provides a thorough overview of the various interpretative and philological problems and opinions encountered in Aeschylean scholarship, which will be of interest to senior scholars as well as students
  12. The theatre of Apollo
    divine justice and Sophocles' Oedipus the king
    Autor*in: Griffith, R. Drew
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal, Que.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773515003; 0773566279; 9780773515000; 9780773566279
    Schlagworte: Apollon (Divinité grecque) dans la littérature; Oedipus tyrannus; Götter; Gerechtigkeit <Motiv>; Oedipus tyrannus (Sophocles); DRAMA / Ancient, Classical & Medieval; DRAMA / Ancient & Classical; Oedipus Rex (Sophocles); Justice in literature; Literature; Literatur; Justice in literature; Gerechtigkeit
    Weitere Schlagworte: Sophocles; Sophocle / ŒDipus Coloneus; Sophocles; Apollon; Apollo / (Deity); Oedipus / (Greek mythological figure); Sophocles: Oedipus Rex; Oedipus (Greek mythological figure); Apollo (Deity); Apollon Gott; Sophocles (ca. 497/496 v. Chr.-406 v. Chr.): Oedipus tyrannus
    Umfang: 1 Online-Ressource (x, 147 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    1. Poem as Fact: The Historical Method in Literary Criticism -- 2. Stage Directions for Sophocles' Oedipus the King -- 3. Oedipus Pharmakos? Alleged Scapegoating in the Play -- 4. Asserting Eternal Providence: The Question of Guilt -- 5. The Authority of Prophecy: Theodicy in the play -- 6. Reading the Name of Oedipus and Other Riddles -- 7. The Humiliation of Oedipus -- 8. Conclusion -- App. A. The Date of the Play -- App. B. The Scene of the Crime -- App. C. The Meaning of [actual symbol not reproducible](786)
  13. The Ancient Quarrel Between Poetry and Philosophy
    Autor*in: Gould, Thomas
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400861866; 1400861861
    Schriftenreihe: Princeton legacy library
    Schlagworte: DRAMA / Ancient & Classical; DRAMA / Ancient, Classical & Medieval; Geschichte; Literatur; Philosophie; Greek drama (Tragedy); Poetics; Suffering in literature; Sympathy in literature; Literature; Pathos in literature; Philosophy, Ancient; Griechisch; Mitleid <Motiv>; Philosophie; Literatur; Poetik; Pathos; Tragödie
    Weitere Schlagworte: Aristoteles (v384-v322); Plato (v427-v347)
    Umfang: 347 pages
    Bemerkung(en):

    Cover; Contents; Part I: The Ancient Quarrel; 1. ""Philosophy"" in Socratism

    Affecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore tragedy and its power to gratify readers and audiences. He takes as his starting point Plato's moral and psychological objections to tragedy, and the conflict he recognized between ""poetry""--The exploitation of our yearning to see ourselves as victims--and ""philosophy""--the insistence that all good people are happy. Plato's objections to tr
  14. Profession and performance
    aspects of oratory in the Greco-Roman world
    Beteiligt: Kremmydas, Christos (HerausgeberIn); Powell, J. G. F. (HerausgeberIn); Rubinstein, Lene (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Institute of Classical Studies, School of Advanced Study, University of London, London

    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators... mehr

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    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators by the physical settings. Tempest examines the conceptions of oratorical competence and incompetence, particularly in respect of performance, as they are implied in Cicero's criticisms of the rival prosecutor in the trial of Verres. Papers by Karambelas and Powell look at evidence for the importance of advocacy in the Second Sophistic and the late Roman Empire respectively. In an introduction, the editors discuss recurrent themes connected with the orator's competence and performance, while the final paper of the volume, by Lord Justice Laws, reflects on the continuing relevance of rhetoric in the modern, highly professionalised practice of the law in England."--

     
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    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kremmydas, Christos (HerausgeberIn); Powell, J. G. F. (HerausgeberIn); Rubinstein, Lene (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781905670512; 1905670699; 1905670516; 9781905670697
    Schriftenreihe: Bulletin of the Institute of Classical Studies. Supplement ; 123
    Schlagworte: Civilization, Greco-Roman; Classical literature; Rhetoric, Ancient; Speeches, addresses, etc., Greek; Oratory, Ancient; Civilization, Greco-Roman; Classical literature; Rhetoric, Ancient; Speeches, addresses, etc., Greek; Oratory, Ancient; Speeches, addresses, etc., Greek; DRAMA / Ancient & Classical; Conference papers and proceedings; Criticism, interpretation, etc; History; Electronic books; Civilization, Greco-Roman; Classical literature; Oratory, Ancient; Rhetoric, Ancient
    Umfang: 1 Online-Ressource (v, 133 pages)
    Bemerkung(en):

    "The papers in this volume were delivered at a one-day colloquium in November 2010 entitled 'Actio-Hypokrisis-Delivery', held under the auspices of the Centre for Oratory and Rhetoric at Royal Holloway, University of London"--Introduction

    Includes bibliographical references (pages 119-130) and index
  15. Privacy in the age of Shakespeare
    evolving relationships in a changing environment
    Autor*in: Huebert, Ronald
    Erschienen: 2016
    Verlag:  University of Toronto Press, Toronto

    "For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age... mehr

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    "For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare's time that the idea of privacy went from a marginal notion to a desirable quality. The era of transition begins with More's Utopia (1516), in which privacy is forbidden. It ends with Milton's Paradise Lost (1667), in which privacy is a good to be celebrated. In between come Shakespeare's plays, paintings by Titian and Vermeer, devotional manuals, autobiographical journals, and the poetry of George Herbert and Robert Herrick, all of which Huebert carefully analyses in order to illuminate the dynamic and emergent nature of early modern privacy."-- Cover -- Copyright -- Dedication -- Contents -- List of Illustrations -- Preface -- Bibliographical Note -- Introduction. Privacy: The Early Social History of a Word -- 1 Invasions of Privacy in Shakespeare -- 2 Private Devotions -- 3 Voyeurism -- 4 The Commonplace Book and the Private Self -- 5 Privacy and Gender -- 6 Privacy in Paradise -- 7 Privacy and Dissidence -- 8 "A Fine and Private Place": Andrew Marvell -- Conclusion -- Bibliography -- Index

     
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  16. Profession and performance
    aspects of oratory in the Greco-Roman world
    Beteiligt: Kremmydas, Christos (HerausgeberIn); Powell, J. G. F. (HerausgeberIn); Rubinstein, Lene (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Institute of Classical Studies, School of Advanced Study, University of London, London

    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators... mehr

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    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators by the physical settings. Tempest examines the conceptions of oratorical competence and incompetence, particularly in respect of performance, as they are implied in Cicero's criticisms of the rival prosecutor in the trial of Verres. Papers by Karambelas and Powell look at evidence for the importance of advocacy in the Second Sophistic and the late Roman Empire respectively. In an introduction, the editors discuss recurrent themes connected with the orator's competence and performance, while the final paper of the volume, by Lord Justice Laws, reflects on the continuing relevance of rhetoric in the modern, highly professionalised practice of the law in England."--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kremmydas, Christos (HerausgeberIn); Powell, J. G. F. (HerausgeberIn); Rubinstein, Lene (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781905670512; 1905670699; 1905670516; 9781905670697
    Schriftenreihe: Bulletin of the Institute of Classical Studies. Supplement ; 123
    Schlagworte: Civilization, Greco-Roman; Classical literature; Rhetoric, Ancient; Speeches, addresses, etc., Greek; Oratory, Ancient; Civilization, Greco-Roman; Classical literature; Rhetoric, Ancient; Speeches, addresses, etc., Greek; Oratory, Ancient; Speeches, addresses, etc., Greek; DRAMA / Ancient & Classical; Conference papers and proceedings; Criticism, interpretation, etc; History; Electronic books; Civilization, Greco-Roman; Classical literature; Oratory, Ancient; Rhetoric, Ancient
    Umfang: 1 Online-Ressource (v, 133 pages)
    Bemerkung(en):

    "The papers in this volume were delivered at a one-day colloquium in November 2010 entitled 'Actio-Hypokrisis-Delivery', held under the auspices of the Centre for Oratory and Rhetoric at Royal Holloway, University of London"--Introduction

    Includes bibliographical references (pages 119-130) and index
  17. Profession and performance
    aspects of oratory in the Greco-Roman world
    Beteiligt: Kremmydas, Christos; Powell, Jonathan G. F.; Rubinstein, Lene
    Erschienen: 2013
    Verlag:  Institute of Classical Studies, London ; JSTOR, New York

    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators... mehr

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    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators by the physical settings. Tempest examines the conceptions of oratorical competence and incompetence, particularly in respect of performance, as they are implied in Cicero's criticisms of the rival prosecutor in the trial of Verres. Papers by Karambelas and Powell look at evidence for the importance of advocacy in the Second Sophistic and the late Roman Empire respectively. In an introduction, the editors discuss recurrent themes connected with the orator's competence and performance, while the final paper of the volume, by Lord Justice Laws, reflects on the continuing relevance of rhetoric in the modern, highly professionalised practice of the law in England."--...

     
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    Quelle: Verbundkataloge
    Beteiligt: Kremmydas, Christos; Powell, Jonathan G. F.; Rubinstein, Lene
    Sprache: Englisch; Griechisch, alt (bis 1453)
    Medientyp: Ebook
    Format: Online
    ISBN: 9781905670697; 1905670699
    RVK Klassifikation: FB 4050
    Schriftenreihe: Bulletin of the Institute of Classical Studies. Supplement ; 123
    Schlagworte: Antike; Rhetorik; Sprechkunst; Oratory, Ancient; Speeches, addresses, etc; Rhetoric, Ancient; Civilization, Greco-Roman; Classical literature; Civilization, Greco-Roman; Classical literature; Oratory, Ancient; Rhetoric, Ancient; Speeches, addresses, etc; DRAMA / Ancient & Classical
    Umfang: 1 Online-Ressource (v, 133 Seiten)
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    "The papers in this volume were delivered at a one-day colloquium in November 2010 entitled 'Actio-Hypokrisis-Delivery', held under the auspices of the Centre for Oratory and Rhetoric at Royal Holloway, University of London"--Introduction

    Includes bibliographical references (pages 119-130) and index
  18. Concordancia Calderoniana / Konkordanz zu Calderón
    Parte IV, Vol. XVIII: Comedias (E-G)
    Autor*in: Calderón De La Barca, Pedro
    Erschienen: 2023
    Verlag:  Georg Olms, Baden-Baden

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  19. Concordancia Calderoniana / Konkordanz zu Calderón
    Parte IV, Vol. XVII: Comedias (D)
    Autor*in: Calderón De La Barca, Pedro
    Erschienen: 2023
    Verlag:  Georg Olms, Baden-Baden

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