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  1. Critical fashion practice
    from Westwood to Van Beirendonck
    Autor*in: Geczy, Adam; Karaminas, Vicki
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in... mehr

    Standort:
    Fachhochschule Bielefeld, Hochschulbibliothek
    Signatur:
    JZFV Gecz
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Dortmund
    Signatur:
    Yb 2090
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Paderborn
    Signatur:
    JZUT2541
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474265539; 9781474265522
    Schlagworte: Fashion; Fashion design; DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance; Subkultur; Mode; Modeschöpfer; Ästhetik
    Umfang: XV, 200 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Fashion and masculinity in Renaissance Florence
    Autor*in: Currie, Elizabeth
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...

     
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  3. Critical fashion practice
    from Westwood to Van Beirendonck
    Autor*in: Geczy, Adam; Karaminas, Vicki
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474265539; 9781474265522
    Schlagworte: DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance; Gesellschaft; Fashion; Fashion design; DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance; Ästhetik; Mode; Modeschöpfer; Subkultur
    Umfang: XV, 200 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  4. The history of fashion journalism
    Autor*in: Best, Kate Nelson
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "The History of Fashion Journalism is a uniquely comprehensive study of the development of the industry from its origins to the present day, and including professionals' such as Dylan Jones's vision of the future. Covering everything from early... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "The History of Fashion Journalism is a uniquely comprehensive study of the development of the industry from its origins to the present day, and including professionals' such as Dylan Jones's vision of the future. Covering everything from early tailor's catalogues through to contemporary publications such as LOVE, together with blogs such as StyleBubble, and countries from France through to the United States, The History of Fashion Journalism explores the origins and influence of such well-known magazines as Nova, Vogue and Glamour. Combining an overview of the key moments in fashion journalism history with close textual analysis, Kate Nelson Best brings to life the evolving face of the fashion media and its relationship with the fashion industry, national politics, consumer culture and gender. This accessible and highly engaging book will be an invaluable resource not only for fashion studies students but also for those in media studies and cultural studies"...

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781847886552; 9781847886569
    Schlagworte: DESIGN / Fashion; LANGUAGE ARTS & DISCIPLINES / Journalism; Geschichte; Fashion writing; DESIGN / Fashion; LANGUAGE ARTS & DISCIPLINES / Journalism; Journalismus; Mode <Motiv>; Modezeitschrift
    Umfang: xii, 287 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references
  5. Fashion and masculinity in Renaissance Florence
    Autor*in: Currie, Elizabeth
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...

     
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  6. Fashion and masculinity in Renaissance Florence
    Autor*in: Currie, Elizabeth
    Erschienen: 2019
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a... mehr

    Standort:
    Münchner Stadtmuseum / von Parish Kostümbibliothek
    Fernleihe:
    keine Fernleihe

     

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  7. Critical fashion practice
    from Westwood to Van Beirendonck
    Autor*in: Geczy, Adam; Karaminas, Vicki
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in... mehr

     

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474265539; 9781474265522
    Schlagworte: DESIGN / Fashion / bisacsh; DESIGN / History & Criticism / bisacsh; DESIGN / Textile & Costume / bisacsh; ART / Performance / bisacsh; Fashion; Fashion design; DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance
    Umfang: xv, 200 Seiten, Illustrationen, 24 x 16 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 179-186
  8. Critical fashion practice
    from Westwood to Van Beirendonck
    Autor*in: Geczy, Adam; Karaminas, Vicki
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in... mehr

    Standort:
    Kunsthochschule Berlin-Weißensee, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474265539; 9781474265522
    Schlagworte: DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance; Gesellschaft; Fashion; Fashion design; DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance; Ästhetik; Mode; Modeschöpfer; Subkultur
    Umfang: XV, 200 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  9. Fashion and masculinity in Renaissance Florence
    Autor*in: Currie, Elizabeth
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...

     
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  10. Exchanging clothes
    Erschienen: 2012
    Verlag:  Univ. Press, Minneapolis [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816678068; 9780816678075
    RVK Klassifikation: LC 12000
    Schriftenreihe: Habits of being ; 2
    Schlagworte: Gesellschaft; Wirtschaft; Clothing and dress; Fashion; Gender identity; Group identity; DESIGN / Fashion; SOCIAL SCIENCE / Anthropology / Cultural; BUSINESS & ECONOMICS / Commerce; Subkultur; Literatur; Mode <Motiv>; Mode
    Umfang: XXII, 265 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    " Clothing may not make the man (or woman), but it helps. How clothing as a vestige and artifact and as transmitter of identity moves from one use to another, from one fantasy to another fad, from one literary source to another visual one: these are the concerns of the essays in this volume.The second in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Exchanging Clothes focuses on the concept of transnational "circulation and exchange"--not only the global exchange of material commodities across time and space but also of the ideas, images, colors, and textures related to fashion. Essays examine the parade of heroes past, from Homer and Virgil to Dante and Ariosto, wearing armor or nothing; the social power of a tie or of a safety pin sprung from punk fashion to the red carpet; a Midwestern thrift store, from cheap labor to cheap purchase, as a microcosm of global circulation; and lesbian pulp fiction as how-to-dress manuals.Whether looking at Kate Chopin's silk stockings, Nellie Bly's capacious bag, Audrey Hepburn's cross-Atlantic travels, rings in James Merrill's poetry, or feminine ornaments in Algeria, these essays offer an ever-expanding vision of how fashion moves through culture and the economy, reflecting and determining identity at every stage and turn of the transaction.
  11. Fashion and masculinities in popular culture
    Autor*in: Geczy, Adam; Karaminas, Vicki
    Erschienen: 2017; © 2018
    Verlag:  Routledge, New York ; London

    Popular culture in the latter half of the twentieth century precipitated a decisive change in style and body image. Postwar film, television, radio shows, pulp fiction and comics placed heroic types firmly within public consciousness. This book... mehr

    Standort:
    Universitätsbibliothek Paderborn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Popular culture in the latter half of the twentieth century precipitated a decisive change in style and body image. Postwar film, television, radio shows, pulp fiction and comics placed heroic types firmly within public consciousness. This book concentrates on these heroic male types as they have evolved from the postwar era and their relationship to fashion to the present day. As well as demonstrating the role of male icons in contemporary society, this book’s originality also lies in showing the many gender slippages that these icons help to effect or expose. It is by exploring the somewhat inviolate types accorded to contemporary masculinity that we see the very fragility of a stable or rounded male identity

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138658684; 9780367333188
    Schriftenreihe: Routledge research in cultural and media studies ; 113
    Schlagworte: SOC052000; DESIGN / Fashion; ART / Popular Culture; body; cultural studies; gender; hero; history; masculinity; popular culture; postwar; queer studies
    Umfang: viii, 185 Seiten, Illustrationen
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction1. Vampire Dandies1.1 The Dandy1.2 The "Crisis of Masculinity"1.3 Metrosexuality and the Cult of Self1.4 The vampire of Capital and Commodity1.5 Queer Vampire Masculinities2. Playboys2.1 Commodified Masculinities2.2 On the Virtues of Bachelorhood2.3 The Bachelor Pad, or the Sexual Lair2.4 James Bond 0072.5 Fashioning 0073. Hipsters3.1 The White Negro3.2 Hipster vs Beatnik3.3 Hipster Style4. Sailors4.1 Men in Uniform4.2 The Seepage of Sailor into Life and Lore4.4 Sailors Big and Small4.5 Disciplined but Naughty Boys4.6 Bell Bottoms and Fly Fronts4.7 Sailor Chic. From Boardwalk to Catwalk.5. Cowboys and Bushmen5.1 Unknown Frontiers5.2 Celluloid Cowboys5.3 The Australian Bushman5.4 Bushwear for Bushmen6. Leather Men6.1 Reel Men6.2 The Black Leather Motorcycle Jacket6.3 Leathermen6.4 Men of Rock6.5 Greesers and Punks7. Superheroes7.1 The Origin Stories7.2 Masked Masculinity and the Phallic Hero7.3 The Costume, or the Superheros Struggle with Fashion7.4 The Fabric of Superheroes7.5 Everyone’s a Superhero. Role-Play and Cosplay7.6 Who Does Batman Bat for?8. Gangstas8.1 "Ghettocentricity" and Street Cred8.2 Early Gangsta Style. Pachucos and the Zoot Suit8.3 Leave Political Correctness at the Door. Gangsta’s Paradise8.4 The Tyranny of Masculinity8.5 White GangstasConclusion
  12. Critical fashion practice
    from Westwood to Van Beirendonck
    Autor*in: Geczy, Adam; Karaminas, Vicki
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in... mehr

    Standort:
    Hochschule Bielefeld – University of Applied Sciences and Arts, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Dortmund
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Paderborn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"..

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474265539; 9781474265522
    Schlagworte: Fashion; Fashion design; DESIGN / Fashion; DESIGN / History & Criticism; DESIGN / Textile & Costume; ART / Performance
    Umfang: XV, 200 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index