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  1. Neoliberalism and cyberpunk science fiction
    living on the edge of burnout
    Erschienen: 202o
    Verlag:  Routledge, New York

    Introduction: Living on the edge of burnout -- The neoliberal science fictions of cyberpunk -- Self-monitoring as instrumentalized self-cultivation -- Subtle state killing as a mode of neoliberal governmentality -- Cyberpunk necroscapes and... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    German Institute for Global and Area Studies, Bibliothek
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Introduction: Living on the edge of burnout -- The neoliberal science fictions of cyberpunk -- Self-monitoring as instrumentalized self-cultivation -- Subtle state killing as a mode of neoliberal governmentality -- Cyberpunk necroscapes and necro-temporality in Blade Runner -- Reframing the biohacker within the logic of intensity -- Conclusion: Defamiliarizing neoliberalism through cyberpunk science fiction.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000327946; 1000327949; 9781003044505; 1003044506; 9781000327908; 1000327906; 9781000327922; 1000327922
    Weitere Identifier:
    RVK Klassifikation: HU 1821
    Schlagworte: Neoliberalism and literature; Neoliberalism in popular culture; Cyberpunk fiction; Electronic books
    Umfang: 1 Online-Ressource (viii, 136 Seiten)
  2. Neoliberalism and cyberpunk science fiction
    living on the edge of burnout
    Erschienen: 2021
    Verlag:  Routledge, New York

    Introduction: Living on the edge of burnout -- The neoliberal science fictions of cyberpunk -- Self-monitoring as instrumentalized self-cultivation -- Subtle state killing as a mode of neoliberal governmentality -- Cyberpunk necroscapes and... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 6093
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Living on the edge of burnout -- The neoliberal science fictions of cyberpunk -- Self-monitoring as instrumentalized self-cultivation -- Subtle state killing as a mode of neoliberal governmentality -- Cyberpunk necroscapes and necro-temporality in Blade Runner -- Reframing the biohacker within the logic of intensity -- Conclusion: Defamiliarizing neoliberalism through cyberpunk science fiction. "Caroline Alphin presents an original exploration of biopolitics by examining it through the lens of cyberpunk science fiction. Comprised of five chapters, Neoliberalism and Cyberpunk Science Fiction is guided by four central themes: biopolitics, intensification, resilience, and accelerationism. The first chapters examine the political possibilities of cyberpunk as a genre of science fiction and introduce one kind of neoliberal subject, the self-monitoring cyborg. These are individuals who join fitness/health tracking devices and applications to their body to "self-cultivate". Here, Alphin presents concrete examples of how fitness trackers are a strategy of neoliberal governmentality under the guise of self-cultivation. Moving away from Foucault's biopolitics to themes of intensity and resilience, Alphin draws largely from William Gibson's Neuromancer, Neal Stephenson's Snow Crash, Richard K. Morgan's Altered Carbon, along with the film Blade Runner to problematize notions of neoliberal resilience. Alphin returns to biopolitics, intensity, and resilience, connecting these themes to accelerationism as she engages with biohacker discourses. Here she argues that a biohacker is, in part, an intensification of the self-monitoring cyborg and accelerationism is in the end another form of resilience. Neoliberalism and Cyberpunk Science Fiction is an invaluable resource for those interested in security studies, political sociology, biopolitics, critical IR theory, political theory, cultural studies, and literary theory"--

     

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367490997
    RVK Klassifikation: HU 1821
    Schlagworte: Neoliberalism and literature; Neoliberalism in popular culture; Cyberpunk fiction
    Umfang: 136 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

  3. Virtual geographies
    cyberpunk at the intersection of the postmodern and science fiction
    Autor*in: Heuser, Sabine
    Erschienen: 2003
    Verlag:  Rodopi, Amsterdam

    Preliminary Material -- Introducing Cyberpunk -- Learning from Architecture -- Culture Wars: The Postmodern and Popular Culture -- William Gibson’s Construction of Cyberspace -- Pat Cadigan’s Virtual Mindscapes -- Neal Stephenson’s Metaspace --... mehr

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    Preliminary Material -- Introducing Cyberpunk -- Learning from Architecture -- Culture Wars: The Postmodern and Popular Culture -- William Gibson’s Construction of Cyberspace -- Pat Cadigan’s Virtual Mindscapes -- Neal Stephenson’s Metaspace -- Consanguinities of Cyberspace -- Virtual Reality as Plot Device: Cyberspace to Metaverse -- The Virtual Sublime -- Posthuman Encounters -- Dominant Networks: Postmodern Science -- Appendix: A Cyberpunk Time Line -- Works Cited. Virtual Geographies is the first detailed study to offer a working definition of cyberpunk within the postmodern force field. Cyberpunk emerges as a new generic cluster within science fiction, one that has spawned many offspring in such domains as film, music, and feminism. Its central features are its adherence to a version of virtual space and a deconstructivist, punk attitude towards (high) culture, modernity, the human body and technology, from computers to prosthetics. The main proponents of cyberpunk are analyzed in depth along with the virtual landscapes they have created - William Gibson’s Cyberspace, Pat Cadigan’s Mindscapes and Neal Stephenson’s Metaverse. Virtual reality is examined closely in all its aspects, from the characteristic narrative constructions employed to the esthetic implications of the ‘virtual sublime’ and its postmodern potential as a discursive mode. With its interdisciplinary approach Virtual Geographies opens up fresh perspectives for scholars interested in the interaction between popular culture and mainstream literature. At the same time, the science fiction fan will be taken beyond the conventional boundaries of the genre into such revitalizing domains as postmodern architecture and literature, and into cutting-edge aspects of science and social thought

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004334373
    Weitere Identifier:
    Schriftenreihe: Postmodern studies ; 34
    Schlagworte: Cyberpunk fiction; Science fiction; Cyberpunk culture; Postmodernism; Cyberpunk culture; Cyberpunk fiction; Postmodernism; Science fiction; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xlv, 257 pages)
    Bemerkung(en):

    Includes bibliographical references (p. 235-257)

  4. Understanding William Gibson
    Erschienen: [2016]; © 2016
    Verlag:  The University of South Carolina Press, Columbia, South Carolina

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing including the Nebula, Hugo, and Philip K. Dick awards. Gibson's iconic novel, Neuromancer, popularized the concept of cyberspace. With his early stories and his first trilogy of novels,Gibson became the father figure for a new genre of science fiction called "cyberpunk" that brought a gritty realism to its cerebral plots involving hackers and artificial intelligences. This study situates Gibson as a major figure in both science fiction history and contemporary American fiction, and it traces how his aesthetic affected both areas of literature. Miller follows a brief biographical sketch and a survey of the works that influenced him with an examination that divides Gibson's body of work into early stories, his three major novel trilogies, and his standalone works. Miller does not confine his study to major works but instead also delves into Gibson's obscure stories, published and unpublished screenplays, major essays, and collaborations with other authors. Miller's exploration starts by connecting Gibson to the major countercultural movements that influenced him (the Beat Generation, the hippies, and the punk rock movement) while also placing him within the history of science fiction and examining how his early works reacted against contemporaneous trends in the genre. These early works also exhibit the development of his unique aesthetic that would influence science fiction and literature more generally. Next a lengthy chapter explicates his groundbreaking Sprawl Trilogy, which began with Neuromancer. Miller then traces Gibson's aesthetic transformations across his two subsequent novel trilogies that increasingly eschew distant futures either to focus on our contemporary historical moment as a kind of science fiction itself or to imagine technological singularities that might lie just around the corner. These chapters detail how Gibson's aesthetic has morphed along with social, cultural, and technological changes in the real world. The study also looks at such standalone works as his collaborative steampunk novel, his attempts at screenwriting, his major essays, and even his experimental hypertext poetry. The study concludes with a discussion of Gibson's lasting influence and a brief examination of his most recen ...

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611176339
    RVK Klassifikation: HU 9800
    Schriftenreihe: Understanding contemporary American literature
    Schlagworte: Science fiction, American; Cyberpunk fiction
    Weitere Schlagworte: Gibson, William (1948-)
    Umfang: 155 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 135-147

  5. The making of Incarnation
    Autor*in: McCarthy, Tom
    Erschienen: 2021
    Verlag:  Jonathan Cape, London

    Bodies in motion. Birds, bees and bobsleighs. What is the force that moves the sun and other stars? Where's our fucking airplane? What's inside Box 808, and why does everybody want it? Deep within the archives of time-and-motion pioneer Lillian... mehr

    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Magazin Lit McCarthy, T. 2021
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Bodies in motion. Birds, bees and bobsleighs. What is the force that moves the sun and other stars? Where's our fucking airplane? What's inside Box 808, and why does everybody want it? Deep within the archives of time-and-motion pioneer Lillian Gilbreth lies a secret. Famous for producing solid light tracks that captured the path of workers' movements, Gilbreth helped birth the era of mass observation and big data. Did she also, as her broken correspondence with a young Soviet physicist suggests, discover in her final days a 'perfect' movement, one that would 'change everything'? An international hunt begins for the one box missing from her records, and we follow contemporary motion-capture consultant Mark Phocan, as well as his collaborators and antagonists, across geopolitical fault lines and experimental zones: medical labs, CGI studios, military research centres... Places where the frontiers of potential - to cure, kill, understand or entertain - are constantly tested. And all the while, work is underway on the blockbuster film Incarnation, on epic space tragedy

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1787333302; 9781787333307; 9781787333291; 1787333299
    Schlagworte: Perpetual motion; Motion study; Time study; Human-machine systems; Motion pictures; Copyright; Human mechanics; Intellectual property; Motion pictures ; Production and direction; Physicists; Science fiction; Cyberpunk fiction; Novels; Fiction
    Weitere Schlagworte: Gilbreth, Lillian Moller
    Umfang: 327 Seiten, 24 cm
    Bemerkung(en):

    Simultaneously published: New York : Alfred A. Knopf, [2021]

  6. Understanding William Gibson
    Erschienen: [2016]; © 2016
    Verlag:  The University of South Carolina Press, Columbia, SC

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781611176339; 9781611176346
    RVK Klassifikation: HU 9800
    Schriftenreihe: Understanding contemporary American literature
    Schlagworte: Science fiction, American; Cyberpunk fiction
    Weitere Schlagworte: Gibson, William (1948-); Gibson, William (1948-)
    Umfang: 1 online resource (155 Seiten)
    Bemerkung(en):

    Description based on print version record

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing including the Nebula, Hugo, and Philip K. Dick awards. Gibson's iconic novel, Neuromancer, popularized the concept of cyberspace. With his early stories and his first trilogy of novels,Gibson became the father figure for a new genre of science fiction called "cyberpunk" that brought a gritty realism to its cerebral plots involving hackers and artificial intelligences. This study situates Gibson as a major figure in both science fiction history and contemporary American fiction, and it traces how his aesthetic affected both areas of literature.

    Miller follows a brief biographical sketch and a survey of the works that influenced him with an examination that divides Gibson's body of work into early stories, his three major novel trilogies, and his standalone works. Miller does not confine his study to major works but instead also delves into Gibson's obscure stories, published and unpublished screenplays, major essays, and collaborations with other authors. Miller's exploration starts by connecting Gibson to the major countercultural movements that influenced him (the Beat Generation, the hippies, and the punk rock movement) while also placing him within the history of science fiction and examining how his early works reacted against contemporaneous trends in the genre. These early works also exhibit the development of his unique aesthetic that would influence science fiction and literature more generally. Next a lengthy chapter explicates his groundbreaking Sprawl Trilogy, which began with Neuromancer.

    Miller then traces Gibson's aesthetic transformations across his two subsequent novel trilogies that increasingly eschew distant futures either to focus on our contemporary historical moment as a kind of science fiction itself or to imagine technological singularities that might lie just around the corner. These chapters detail how Gibson's aesthetic has morphed along with social, cultural, and technological changes in the real world. The study also looks at such standalone works as his collaborative steampunk novel, his attempts at screenwriting, his major essays, and even his experimental hypertext poetry. The study concludes with a discussion of Gibson's lasting influence and a brief examination of his most recent novel, The Peripheral, which signals yet another radical change in Gibson's aesthetic"--

  7. Neoliberalism and cyberpunk science fiction
    living on the edge of burnout
    Erschienen: 2020
    Verlag:  Routledge,, New York

    Introduction: Living on the edge of burnout -- The neoliberal science fictions of cyberpunk -- Self-monitoring as instrumentalized self-cultivation -- Subtle state killing as a mode of neoliberal governmentality -- Cyberpunk necroscapes and... mehr

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    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Living on the edge of burnout -- The neoliberal science fictions of cyberpunk -- Self-monitoring as instrumentalized self-cultivation -- Subtle state killing as a mode of neoliberal governmentality -- Cyberpunk necroscapes and necro-temporality in Blade Runner -- Reframing the biohacker within the logic of intensity -- Conclusion: Defamiliarizing neoliberalism through cyberpunk science fiction.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000327946; 1000327949; 9781003044505; 1003044506; 9781000327908; 1000327906; 9781000327922; 1000327922
    Auflage/Ausgabe: First Edition.
    Schlagworte: Neoliberalism and literature; Neoliberalism in popular culture; Cyberpunk fiction; Electronic books
    Umfang: 1 online resource
  8. Understanding William Gibson
    Erschienen: 2016
    Verlag:  The University of South Carolina Press, Columbia, South Carolina

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing... mehr

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing including the Nebula, Hugo, and Philip K. Dick awards. Gibson's iconic novel, Neuromancer, popularized the concept of cyberspace. With his early stories and his first trilogy of novels, Gibson became the father figure for a new genre of science fiction called "cyberpunk" that brought a gritty realism to its cerebral plots involving hackers and artificial intelligences. This study situates Gibson as a major figure in both science fiction history and contemporary American fiction, and it traces how his aesthetic affected both areas of literature. Miller follows a brief biographical sketch and a survey of the works that influenced him with an examination that divides Gibson's body of work into early stories, his three major novel trilogies, and his standalone works. Miller does not confine his study to major works but instead also delves into Gibson's obscure stories, published and unpublished screenplays, major essays, and collaborations with other authors. Miller's exploration starts by connecting Gibson to the major countercultural movements that influenced him (the Beat Generation, the hippies, and the punk rock movement) while also placing him within the history of science fiction and examining how his early works reacted against contemporaneous trends in the genre. These early works also exhibit the development of his unique aesthetic that would influence science fiction and literature more generally. Next a lengthy chapter explicates his groundbreaking Sprawl Trilogy, which began with Neuromancer. Miller then traces Gibson's aesthetic transformations across his two subsequent novel trilogies that increasingly eschew distant futures either to focus on our contemporary historical moment as a kind of science fiction itself or to imagine technological singularities that might lie just around the corner. These chapters detail how Gibson's aesthetic has morphed along with social, cultural, and technological changes in the real world. The study also looks at such standalone works as his collaborative steampunk novel, his attempts at screenwriting, his major essays, and even his experimental hypertext poetry. The study concludes with a discussion of Gibson's lasting influence and a brief examination of his most recent novel, The Peripheral, which signals yet another radical change in Gibson's aesthetic"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781611176346; 1611176344; 1611176336; 9781611176339
    Schriftenreihe: Understanding contemporary American literature
    Schlagworte: Science fiction, American; Cyberpunk fiction; Cyberpunk fiction; Science fiction, American; Cyberpunk fiction; Science fiction, American; LITERARY CRITICISM ; Science Fiction & Fantasy; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; LITERARY CRITICISM ; American ; General; Cyberpunk fiction; Science fiction, American; Criticism, interpretation, etc
    Weitere Schlagworte: Gibson, William 1948-; Gibson, William (1948-); Gibson, William (1948-); Gibson, William
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references and index. - Online resource; title from digital title page (viewed on February 03, 2016)

  9. Vision, technology, and subjectivity in Mexican cyberpunk literature
    Erschienen: [2023]; ©2023
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    "Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the... mehr

    Saarländische Universitäts- und Landesbibliothek
    2024-434
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce - all published during and influenced by the country's neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country's field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects--or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these "specular fictions" represent an exceptional tendency within literary expression--especially within the cyberpunk genre--that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology." --

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3031311558; 9783031311550
    Schriftenreihe: Studies in global science fiction
    Schlagworte: Science fiction, Mexican; Cyberpunk fiction; Vision in literature; Technology in literature; Cyberpunk fiction; Science fiction, Mexican; Technology in literature; Vision in literature; Criticism, interpretation, etc
    Umfang: xi, 200 Seiten, 22 cm
    Bemerkung(en):

    Includes bibliographical references and index

  10. Neoliberalism and cyberpunk science fiction
    living on the edge of burnout
    Erschienen: 2021
    Verlag:  Routledge, New York ; Taylor & Francis Group, London

    "Caroline Alphin presents an original exploration of biopolitics by examining it through the lens of cyberpunk science fiction. Comprised of five chapters, Neoliberalism and Cyberpunk Science Fiction is guided by four central themes: biopolitics,... mehr

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    "Caroline Alphin presents an original exploration of biopolitics by examining it through the lens of cyberpunk science fiction. Comprised of five chapters, Neoliberalism and Cyberpunk Science Fiction is guided by four central themes: biopolitics, intensification, resilience, and accelerationism. The first chapters examine the political possibilities of cyberpunk as a genre of science fiction and introduce one kind of neoliberal subject, the self-monitoring cyborg. These are individuals who join fitness/health tracking devices and applications to their body to "self-cultivate". Here, Alphin presents concrete examples of how fitness trackers are a strategy of neoliberal governmentality under the guise of self-cultivation. Moving away from Foucault's biopolitics to themes of intensity and resilience, Alphin draws largely from William Gibson's Neuromancer, Neal Stephenson's Snow Crash, Richard K. Morgan's Altered Carbon, along with the film Blade Runner to problematize notions of neoliberal resilience. Alphin returns to biopolitics, intensity, and resilience, connecting these themes to accelerationism as she engages with biohacker discourses. Here she argues that a biohacker is, in part, an intensification of the self-monitoring cyborg and accelerationism is in the end another form of resilience. Neoliberalism and Cyberpunk Science Fiction is an invaluable resource for those interested in security studies, political sociology, biopolitics, critical IR theory, political theory, cultural studies, and literary theory"--...

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000327946; 1000327949; 9781003044505; 1003044506; 9781000327908; 1000327906; 9781000327922; 1000327922
    Auflage/Ausgabe: First Edition
    Schlagworte: Neoliberalism and literature; Neoliberalism in popular culture; Cyberpunk fiction
    Umfang: 1 Online-Ressource
  11. Understanding William Gibson
    Erschienen: [2016]; © 2016
    Verlag:  The University of South Carolina Press, Columbia, South Carolina

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 975474
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Bremen
    a ang 957 gib 7/664
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HU 9800 G448 M647
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2016 A 3546
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Gerald Alva Miller Jr.'s Understanding William Gibson is a thoughtful examination of the life and work of William Gibson, author of eleven novels and twenty short stories. Gibson is the recipient of many notable awards for science fiction writing including the Nebula, Hugo, and Philip K. Dick awards. Gibson's iconic novel, Neuromancer, popularized the concept of cyberspace. With his early stories and his first trilogy of novels,Gibson became the father figure for a new genre of science fiction called "cyberpunk" that brought a gritty realism to its cerebral plots involving hackers and artificial intelligences. This study situates Gibson as a major figure in both science fiction history and contemporary American fiction, and it traces how his aesthetic affected both areas of literature. Miller follows a brief biographical sketch and a survey of the works that influenced him with an examination that divides Gibson's body of work into early stories, his three major novel trilogies, and his standalone works. Miller does not confine his study to major works but instead also delves into Gibson's obscure stories, published and unpublished screenplays, major essays, and collaborations with other authors. Miller's exploration starts by connecting Gibson to the major countercultural movements that influenced him (the Beat Generation, the hippies, and the punk rock movement) while also placing him within the history of science fiction and examining how his early works reacted against contemporaneous trends in the genre. These early works also exhibit the development of his unique aesthetic that would influence science fiction and literature more generally. Next a lengthy chapter explicates his groundbreaking Sprawl Trilogy, which began with Neuromancer. Miller then traces Gibson's aesthetic transformations across his two subsequent novel trilogies that increasingly eschew distant futures either to focus on our contemporary historical moment as a kind of science fiction itself or to imagine technological singularities that might lie just around the corner. These chapters detail how Gibson's aesthetic has morphed along with social, cultural, and technological changes in the real world. The study also looks at such standalone works as his collaborative steampunk novel, his attempts at screenwriting, his major essays, and even his experimental hypertext poetry. The study concludes with a discussion of Gibson's lasting influence and a brief examination of his most recen ...

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611176339
    RVK Klassifikation: HU 9800
    Schriftenreihe: Understanding contemporary American literature
    Schlagworte: Science fiction, American; Cyberpunk fiction
    Weitere Schlagworte: Gibson, William (1948-)
    Umfang: 155 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 135-147