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  1. Literature and material culture from Balzac to Proust
    the collection and consumption of curiosities
    Autor*in: Watson, Janell
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511010044; 0511033516; 051111804X; 0511151012; 0511485905; 052102546X; 0521661560; 9780511010040; 9780511033513; 9780511118043; 9780511151019; 9780511485909; 9780521025461; 9780521661560
    Schriftenreihe: Cambridge studies in French ; 62
    Schlagworte: Littérature française / 19e siècle / Histoire et critique; Objets d'art dans la littérature; LITERARY CRITICISM / European / French; Curiosa; Frans; Fictie; Collectionneurs et collections / Dans la littérature; Objets d'art / Dans la littérature; Littérature française / 19e siècle / Thèmes, motifs; Art et littérature; Literatur; Kunstwerk <Motiv>; Französisch; Prosa; French literature; Art objects in literature; Französisch; Kunstwerk; Sammeln <Motiv>; Sachkultur <Motiv>; Kunstwerk <Motiv>; Literatur; Sammlung
    Umfang: 1 Online-Ressource (x, 227 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 210-224) and index

    "This book addresses the issues of collecting, consuming, classifying, and describing the curiosities, antiques, and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarme and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity, or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order."--Jacket

  2. Literature and material culture from Balzac to Proust
    the collection and consumption of curiosities
    Autor*in: Watson, Janell
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  3. Curiosity
    a cultural history of early modern inquiry
    Erschienen: 2001
    Verlag:  Univ. of Chicago Press, Chicago [u.a.]

    "What kind of person is curious? What makes a person or thing an object of curiosity? From Gulliver to Frankenstein, from detectives to hot air baloonists, curious and inquiring characters have been portrayed as themselves curiosities, as social... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What kind of person is curious? What makes a person or thing an object of curiosity? From Gulliver to Frankenstein, from detectives to hot air baloonists, curious and inquiring characters have been portrayed as themselves curiosities, as social upstarts, and as spectacles to behold. With Curiosity, Barbara Benedict offers a new cultural history of curiosity as it shaped English writing from the late seventeenth to early nineteenth centuries." "Drawing on novels both popular and obscure, ghost stories, travel narratives, trial transcripts, journalism, poems, and pornography, Benedict argues that writers of this period depicted curiosity as an unsavory form of cultural ambition. Curiosity, we learn, was persistently seen as a king of transgression that allowed curious people - scientists, collectors, and prayers of all sorts - to escape their natural places and usurp institutions, meanings, and bodies for private use." "Finely illustrated and the first of its kind, Curiosity is a broad study of modern inquiry that explores the way forbidden topics like the occult, sexuality, gender, and the origin of power became topics of public investigation."--BOOK JACKET.

     

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  4. Curiosity
    a cultural history of early modern inquiry
    Erschienen: 2001
    Verlag:  Univ. of Chicago Press, Chicago [u.a.]

    "What kind of person is curious? What makes a person or thing an object of curiosity? From Gulliver to Frankenstein, from detectives to hot air baloonists, curious and inquiring characters have been portrayed as themselves curiosities, as social... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What kind of person is curious? What makes a person or thing an object of curiosity? From Gulliver to Frankenstein, from detectives to hot air baloonists, curious and inquiring characters have been portrayed as themselves curiosities, as social upstarts, and as spectacles to behold. With Curiosity, Barbara Benedict offers a new cultural history of curiosity as it shaped English writing from the late seventeenth to early nineteenth centuries." "Drawing on novels both popular and obscure, ghost stories, travel narratives, trial transcripts, journalism, poems, and pornography, Benedict argues that writers of this period depicted curiosity as an unsavory form of cultural ambition. Curiosity, we learn, was persistently seen as a king of transgression that allowed curious people - scientists, collectors, and prayers of all sorts - to escape their natural places and usurp institutions, meanings, and bodies for private use." "Finely illustrated and the first of its kind, Curiosity is a broad study of modern inquiry that explores the way forbidden topics like the occult, sexuality, gender, and the origin of power became topics of public investigation."--BOOK JACKET.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  5. Literature and material culture from Balzac to Proust
    the collection and consumption of curiosities
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge, U.K

    "This book addresses the issues of collecting, consuming, classifying, and describing the curiosities, antiques, and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such... mehr

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "This book addresses the issues of collecting, consuming, classifying, and describing the curiosities, antiques, and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarme and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity, or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order."--BOOK JACKET

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
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