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  1. Gegenwartskonzepte
    eine philosophisch-literaturwissenschaftliche Analyse temporaler Strukturen
    Autor*in: Stepath, Katrin
    Erschienen: 2006
    Verlag:  Königshausen & Neumann, Würzburg

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783826032929; 3826032926
    Weitere Identifier:
    97838226032929
    RVK Klassifikation: CC 6000 ; CI 1100 ; EC 2430
    Schriftenreihe: Array ; Bd. 405
    Schlagworte: Contemporary, The; Contemporary, The, in literature
    Umfang: 267 S., 24 cm
    Bemerkung(en):

    Zugl.: Kiel, Univ., Diss., 2005
  2. Contemporary drift
    genre, historicism, and the problem of the present
    Autor*in: Martin, Theodore
    Erschienen: [2017]
    Verlag:  Columbia University Press, New York, NY

    What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Universitätsbibliothek Osnabrück
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    What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem.Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231543897
    RVK Klassifikation: HG 680
    Schriftenreihe: Literature Now
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Schlagworte: American fiction; American fiction; Contemporary, The, in literature; Contemporary, The, in motion pictures
    Umfang: 1 Online-Ressource (XI, 250 Seiten)
  3. How to read a moment
    the American novel and the crisis of the present
    Autor*in: Nilges, Mathias
    Erschienen: [2021]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction: The Time Is Now -- The Novel after Tomorrow's Crash -- How to Read the Present -- The Tenses of Race: The Privilege of Contemporaneity and the Unequal Distribution of Presence -- Periodizing the Contemporary: Literary History after... mehr

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    Introduction: The Time Is Now -- The Novel after Tomorrow's Crash -- How to Read the Present -- The Tenses of Race: The Privilege of Contemporaneity and the Unequal Distribution of Presence -- Periodizing the Contemporary: Literary History after Postmodernism. "This book examines works by authors like Don DeLillo, Jennifer Egan, Charles Yu, and Colson Whitehead to show that the contemporary American novel offers new ways to make sense of the temporality that governs our contemporary world"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810143425; 9780810143432
    RVK Klassifikation: HU 1819 ; HV 18190
    Schriftenreihe: Flashpoints ; [38]
    Schlagworte: American fiction; American fiction; Contemporary, The, in literature; American fiction; Contemporary, The, in literature; Criticism, interpretation, etc
    Umfang: x, 242 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 229-238
  4. Literary writing in the 21st century
    conversations
    Autor*in: Shivani, Anis
    Erschienen: [2017]
    Verlag:  Texas Review Press, Huntsville, Texas

    Orhan Pamuk's original contribution to the theory of the novel: the naive and the sentimental novelist -- Symposium response: how do religious or spiritual beliefs affect my writing? -- What is the appeal of detective fiction? Dashiell Hammett's The... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Orhan Pamuk's original contribution to the theory of the novel: the naive and the sentimental novelist -- Symposium response: how do religious or spiritual beliefs affect my writing? -- What is the appeal of detective fiction? Dashiell Hammett's The continental op as a test case -- Symposium: who is the most important contemporary poet? -- Creative writing finally gets the satire it deserves: interview with John McNally -- Thoughts for AWP week: the glut in creative writing is the reverse side of the drought in the humanities -- The writer as confidence man: the heart versus the mind in James Magnuson's wily novel of creative writing -- New rules for writers -- Symposium: how are America's little magazines coping with technological and economic change? -- How to put together a successful poetry anthology: Ryan G. van Cleave on the challenges of summing up contemporary Chicago -- What must indie presses do today to survive and thrive? Wings Press of San Antonio shows the way -- Paul Ruffin on the role of Texas Review Press in the southern literary scene. Symposium: what is good or bad about southern writing today? -- How can indie bookstores succeed in the new economy? San Antonio's Twig Book Shop as a case study -- A fabled indie press reaches maturity: what can we learn from the experience of Coffee House Press? -- How does a successful university press work? Behind the scenes with Princeton University Press director Peter Dougherty -- Symposium: have online literary journals come of age? -- How can poetry become eclectic, global, and diverse? Interview with New York Quarterly editor Raymond Hammond -- The three best books of 2013 -- Symposium: what goes into the making of an outstanding book cover? -- A manifesto against authors writing for free. The ten best books of the last decade -- Symposium: how can reviewing be made relevant for the new generation? -- Favorite poems -- Symposium: what is the present state of American poetry? -- Have feminist poets kept up with the legacy of Sylvia Plath? A reassessment fifty years later -- White House poetry reading leaked! Billy Collins, Elizabeth Alexander, and the secret rejection letter -- Symposium: short stories vs. novels-which is the more rewarding form and why? -- Is there a short story renaissance in America? Interview with Harper Perennial editor Calvert Morgan -- The last good 9/11 novel: interview with Teddy Wayne -- Should writing try to humanize particular groups of people? -- Symposium: what is distinctive about Arab-American writing today? -- Cormac McCarthy's The road: doing apocalypse the Southern way -- Why Salman Rushdie so richly deserves the Nobel Prize in literature -- Symposium response: is American literature too insular? -- Symposium: who is the most important contemporary fiction writer? -- We are all neoliberals now: the new genre of plastic realism in contemporary American fiction -- The Pakistani novel of class comes of age: Mohsin Hamid's How to get filthy rich in rising Asia -- The millennial generation's literary escapism toward the end of empire: Dave Eggers's A hologram for the king.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781680031300
    Auflage/Ausgabe: First edition
    Schlagworte: Contemporary, The, in literature; Literature publishing; Authors and publishers; American literature; American literature; Authors and publishers; Contemporary, The, in literature; Literature publishing; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (1 online resource)
  5. Le temps contemporain
    maintenant, la littérature
    Beteiligt: Hamel, Jean-François (HerausgeberIn); Harvey, Virginie (HerausgeberIn)
    Erschienen: 2009
    Verlag:  Université du Québec à Montréal, Montréal [Ont.]

    Standort:
    Universität Freiburg, Romanisches Seminar, Bibliothek
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    Frei 23: Lc 2, 1001
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    Beteiligt: Hamel, Jean-François (HerausgeberIn); Harvey, Virginie (HerausgeberIn)
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782921764353; 2921764350
    Schriftenreihe: Collection Figura ; numéro 21
    Schlagworte: Contemporary, The, in literature; Time in literature; Memory in literature; French literature; Contemporary, The, in literature; French literature; Memory in literature; Time in literature; Criticism, interpretation, etc
    Umfang: 174 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references
  6. Novels of the contemporary extreme
    Beteiligt: Durand, Alain-Philippe (Hrsg.)
    Erschienen: 2006
    Verlag:  Continuum, London [u.a.]

    Part I. The Americas. "Right here in nowheres": American psycho and violence's critique / Naomi Mandel -- Telling doubles and literal-minded reading in Bret Easton Ellis's Glamorama / Henrik Skov Nielsen -- Posthumous voice and residual presence in... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Part I. The Americas. "Right here in nowheres": American psycho and violence's critique / Naomi Mandel -- Telling doubles and literal-minded reading in Bret Easton Ellis's Glamorama / Henrik Skov Nielsen -- Posthumous voice and residual presence in Don DeLillo's The body artist / Mikko Keskinen -- A post-apocalyptic world: the excremental, abject female warriors of Josee Yvon / Paula Ruth Gilbert with Colleen Lester -- On the impossibility of being contemporary in Nelly Arcan's Folle / Martine Delvaux -- Media-portrayed violence in Alberto Fuguet's Tinta roja / Jason Summers -- Part II. Europe and the Middle East. Sadomasochism, castration and rape: Richard Morgieve's nightmare theater of primal scenes / Ralph Schoolcraft -- Dantec's Inferno / Lawrence R. Schehr -- Michel Houellebecq: a fin de siecle for the twentieth century / Sabine van Wesemael -- Beyond the extreme: Frederic Beigbeder's Windows on the world / Alain-Philippe Durand -- Amelie Nothomb's dialectic of the sublime and the grotesque / Martine Guyot-Bender -- Violence biting its own tail: Martin Amis's Yellow dog / Jean-Michel Ganteau -- Beauty and death as simulacra in Ray Loriga's Caidos del cielo and El hombre que invento Manhattan / Kathryn Everly -- Sex, drugs and violence in Lucia Etxebarria's Amor, curiosidad, Prozac y dudas / Catherine Bourland Ross -- On human parts: Orly Castel-Bloom and the Israeli extreme / Adia Mendelson-Maoz.

     
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    Beteiligt: Durand, Alain-Philippe (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472542670
    Weitere Identifier:
    RVK Klassifikation: EC 6874
    Schriftenreihe: Continuum literary studies
    Continuum literary studies
    Schlagworte: Popular culture in literature; Violence in literature; Contemporary, The, in literature; Fiction
    Umfang: Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  7. Flat aesthetics
    twenty-first-century American fiction and the making of the contemporary
    Autor*in: Moraru, Christian
    Erschienen: 2023
    Verlag:  Bloomsbury Academic, New York

    "A literary-historical study that deals chiefly with post-1990 American fictional prose and argues that David Foster Wallace's phrase, "après-garde" (the opposite of avant-garde), encapsulates an aesthetic that is applicable to much of the past... mehr

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    "A literary-historical study that deals chiefly with post-1990 American fictional prose and argues that David Foster Wallace's phrase, "après-garde" (the opposite of avant-garde), encapsulates an aesthetic that is applicable to much of the past thirty-odd years of American literature"--

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
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    ISBN: 9781501355271; 9798765101117
    RVK Klassifikation: HV 10950
    Schlagworte: American fiction; Contemporary, The, in literature; Aesthetics in literature; Postmodernism (Literature); Literary criticism
    Umfang: 268 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 247-262
  8. Samakālīnatā aura Bhīṣma Sāhanī kā kahānī sāhitya
    eka anuśīlana
    Autor*in: Vyāsa Nileśakumāra, Ḍī.
    Erschienen: [2019]
    Verlag:  Rāvata Prakāśana, Naī Dillī

    Study on contemporaneity in the short stories of Bhīshma Sāhanī, 1915-2003, Hindi author. mehr

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    Study on contemporaneity in the short stories of Bhīshma Sāhanī, 1915-2003, Hindi author.

     
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    Sprache: Hindi
    Medientyp: Buch (Monographie)
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    ISBN: 9789388562331
    Auflage/Ausgabe: Prathama saṃskaraṇa
    Schlagworte: Sāhanī, Bhīshma ; 1915-2003 ; Fictional works; Contemporary, The, in literature
    Umfang: xiv, 261 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 257-261)
  9. Flat Aesthetics
    Twenty-First-Century American Fiction and the Making of the Contemporary
    Autor*in: Moraru, Christian
    Erschienen: 2023; ©2023
    Verlag:  Bloomsbury Academic & Professional, New York

    Cover -- Halftitle page -- Title page -- Copyright page -- Epigraph -- Contents -- Preface and Acknowledgments -- INTRODUCTION ⏐ The New Aesthetic, the Contemporary, and Compositional Criticism -- Flat Aesthetics: Things, Forms, and Exchange Regimes... mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschulbibliothek Friedensau
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    Cover -- Halftitle page -- Title page -- Copyright page -- Epigraph -- Contents -- Preface and Acknowledgments -- INTRODUCTION ⏐ The New Aesthetic, the Contemporary, and Compositional Criticism -- Flat Aesthetics: Things, Forms, and Exchange Regimes -- Flat Reading: Object Tangles and Criticism without "Us" -- Contemporaneity, Periodization, and the Signature of the Present -- ONE ⏐ Language -- cap'n crunch, planet of the apes, the kingfishers: Ben Lerner and the Uselessness of Poetry -- necklaces, novels, backpacks: A Post Is Being Formed in Leaving the Atocha Station -- bees, parrot, trains: Murder by Numbers and "the Foulest of Crimes" in The Final Solution -- TWO ⏐ Display -- freighters, snow globes, comics: Mandel's Museum of Civilization, or Survival Is Insufficient -- photographs, instant coffee, baby octopuses: "Mere Objecthood," Messianic Readymades, and the Institute of Totaled Art in 10:04 -- THREE ⏐ Exit -- go, dog. go!, scuba diving, massage chairs: The Dog, X/It-Men, and Other Things That Go -- ravann, doors, cell phones: Un-Telling, "Mocking Objects," and Hamid's Exit West -- FOUR ⏐ Revenant -- copula, ding, assembly: Zombies and the Body Politic -- corsica, dust, skels: The Insistence of Things and the Object of Race in Whitehead's Zone One -- FIVE ⏐ Kinship -- fish, peacock, ram: Schulz, Blecher, Foer, and Kafka's Unknown Family -- hilton, suitcase, ein-sof: Forest Dark and the Machine of Jewish Literature -- CONCLUSION ⏐ Composing the Contemporary -- Notes -- Bibliography -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501355264
    Schlagworte: American fiction-21st century-History and criticism; Contemporary, The, in literature; Aesthetics in literature; Electronic books
    Umfang: 1 online resource (289 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  10. How to read a moment
    the American novel and the crisis of the present
    Autor*in: Nilges, Mathias
    Erschienen: 2021; ©2021
    Verlag:  Northwestern University Press, Evanston, Illinois

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780810143449; 0810143445
    Schriftenreihe: Flashpoints ; 38
    Schlagworte: American fiction; American fiction; Contemporary, The, in literature
    Umfang: 1 Online-Ressource (x, 242 pages.)
    Bemerkung(en):

    Includes bibliographical references (pages 229-238) and index

    Introduction: The Time Is Now -- The Novel after Tomorrow's Crash -- How to Read the Present -- The Tenses of Race: The Privilege of Contemporaneity and the Unequal Distribution of Presence -- Periodizing the Contemporary: Literary History after Postmodernism.
  11. Byron, poetics and history
    Autor*in: Stabler, Jane
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521111850; 9780521812412
    Auflage/Ausgabe: Digitally print. version
    Schriftenreihe: Cambridge studies in Romanticism ; 52
    Schlagworte: Poetics; Contemporary, The, in literature
    Weitere Schlagworte: Byron 1788-1824
    Umfang: XIII, 251 S.
    Bemerkung(en):

    Includes index. - Originally published: 2002
  12. Ezra Pound in the present
    essays on Pound's contemporaneity
    Beteiligt: Stasi, Paul (Herausgeber); Park, Josephine (Herausgeber)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
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    Quelle: Verbundkataloge
    Beteiligt: Stasi, Paul (Herausgeber); Park, Josephine (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501307713
    Schlagworte: Contemporary, The, in literature; Civilization, Modern, in literature; Social perception in literature; Value in literature
    Weitere Schlagworte: Pound, Ezra (1885-1972)
    Umfang: xiii, 251 Seiten, Illustrationen, 23 cm
  13. Being contemporary
    French literature, culture, and politics today
    Beteiligt: Brozgal, Lia Nicole (HerausgeberIn); Kippur, Sara (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    "Being Contemporary" is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors' invitation to "think through the contemporary." The volume offers... mehr

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    "Being Contemporary" is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors' invitation to "think through the contemporary." The volume offers a sustained critical reflection on the contemporary as a concept, a category, a condition, and a set of relationships to others and to one's own time. Being Contemporary emerges from a sense of a critical urgency to probe the notion of "the contemporary," and the place of the contemporary critic, in French literary and cultural studies today. Its point of departure is Susan Suleiman's book Risking Who One Is (Harvard, 1994), which proposed two decades ago that "being contemporary" offers a heuristic category for assessing the role of the scholar and critic, for studying the current moment in literature, art, and culture, and for engaging with historical and philosophical questions in a way that resonates with readers in the present day.0Returning to these ideas with renewed vigor, the thought-provoking essays that comprise this volume center on 20th- and 21st-century French literature, politics, memory, and history, and problematize the contemporary as a critical position with respect to the current moment."--Adapted from back cover

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Brozgal, Lia Nicole (HerausgeberIn); Kippur, Sara (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781781382639
    RVK Klassifikation: IH 1410 ; IH 93140
    Schriftenreihe: Contemporary French and Francophone cultures ; 39
    Schlagworte: French literature; French literature; Contemporary, The, in literature
    Umfang: xii, 411 Seiten, Illustrationen, 25 cm
  14. Being contemporary
    French literature, culture, and politics today
    Beteiligt: Brozgal, Lia Nicole (Hrsg.); Kippur, Sara (Hrsg.)
    Erschienen: 2017
    Verlag:  Liverpool University Press, Liverpool

    Being Contemporary is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors’ invitation to "think through the contemporary." The volume offers a... mehr

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    Being Contemporary is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors’ invitation to "think through the contemporary." The volume offers a sustained critical reflection on the contemporary as a concept, a category, a condition, and a set of relationships to others and to one’s own time. Being Contemporary emerges from a sense of a critical urgency to probe the notion of "the contemporary," and the place of the contemporary critic, in French literary and cultural studies today. Its point of departure is Susan Suleiman’s book Risking Who One Is (Harvard, 1994), which proposed two decades ago that "being contemporary" offers a heuristic category for assessing the role of the scholar and critic, for studying the current moment in literature, art, and culture, and for engaging with historical and philosophical questions in a way that resonates with readers in the present day. Returning to these ideas with renewed vigor, the thought-provoking essays that comprise this volume center on 20th- and 21st-century French literature, politics, memory, and history, and problematize the contemporary as a critical position with respect to the current moment

     
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    Quelle: Verbundkataloge
    Beteiligt: Brozgal, Lia Nicole (Hrsg.); Kippur, Sara (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384343
    RVK Klassifikation: IH 1403 ; IH 1410 ; IH 93120 ; IH 93140
    Schriftenreihe: Contemporary French and francophone cultures ; 39
    Schlagworte: Contemporary, The, in literature; French literature / 20th century / History and criticism; French literature / 21st century / History and criticism; Politik; Französisch; Philosophie; Zeitbewusstsein; Literatur
    Umfang: 1 Online-Ressource (xii, 411 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  15. Ezra Pound in the present
    essays on Pound's contemporaneity
    Beteiligt: Stasi, Paul (HerausgeberIn); Park, Josephine (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's... mehr

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    "Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the "digital humanities," or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, "news that stays news.""-- "Prominent experts in the field of modernist poetry argue for the relevance of Ezra Pound's work to current conversations about globalization, finance capital, comparative literature, the digital humanities and affect theory"-- Machine generated contents note: -- List of Figures -- Preface -- Acknowledgments -- List of Abbreviations I. Pound's Methods -- 1. Why Pound's Imagist Poems Still Matter -- Charles Altieri (University of California, Berkeley, USA) -- 2. Not-So-Distant Reading -- Josephine Park (University of Pennsylvania, USA) -- 3. Paleolithic Media: Deep Time and Ezra Pound's Methods -- Aaron Jaffe (University of Louisville, USA) II. Pound's Worlds -- 4. "I am all for the triangle": The Geopolitical Aesthetic of Pound's Japan -- Christopher Bush (Northwestern University, USA) -- 5. Ezra Pound and the Globalization of Literature -- Jean-Michel Rabaté (University of Pennsylvania, USA) -- 6. Ezra Pound and the Comparative Literature of the Present, or, Triptych Rome/London/Pisa -- Christine Froula (Northwestern University, USA) II. Pound's Value -- 7. Ezra Pound and the Critique of Value -- Paul Stasi (University at Albany, USA) -- 8. Ezra Pound's Effective Demand: Keynes, Causality, and The Cantos -- C.D. Blanton (University of California, Berkeley, USA) Bibliography -- Notes on Contributors -- Index

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Stasi, Paul (HerausgeberIn); Park, Josephine (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501307744; 9781501307737; 9781501307720
    Weitere Identifier:
    RVK Klassifikation: HU 4785
    Auflage/Ausgabe: 1st ed
    Schlagworte: Civilization, Modern, in literature; Contemporary, The, in literature; Value in literature; Social perception in literature; Social perception in literature; Civilization, Modern, in literature; Contemporary, The, in literature; Value in literature
    Weitere Schlagworte: Pound, Ezra (1885-1972); Pound, Ezra (1885-1972); Pound *1885-1972*
    Umfang: 1 Online-Ressource (xvi, 256 p), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  16. Ezra Pound in the present
    essays on Pound's contemporaneity
    Beteiligt: Stasi, Paul (HerausgeberIn); Park, Josephine (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    " Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    " Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the "digital humanities," or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, "news that stays news."""-- "Prominent experts in the field of modernist poetry argue for the relevance of Ezra Pound's work to current conversations about globalization, finance capital, comparative literature, the digital humanities and affect theory"-- Machine generated contents note: -- List of Figures -- Preface -- Acknowledgments -- List of Abbreviations I. Pound's Methods -- 1. Why Pound's Imagist Poems Still Matter -- Charles Altieri (University of California, Berkeley, USA) -- 2. Not-So-Distant Reading -- Josephine Park (University of Pennsylvania, USA) -- 3. Paleolithic Media: Deep Time and Ezra Pound's Methods -- Aaron Jaffe (University of Louisville, USA) II. Pound's Worlds -- 4. "I am all for the triangle": The Geopolitical Aesthetic of Pound's Japan -- Christopher Bush (Northwestern University, USA) -- 5. Ezra Pound and the Globalization of Literature -- Jean-Michel Rabaté (University of Pennsylvania, USA) -- 6. Ezra Pound and the Comparative Literature of the Present, or, Triptych Rome/London/Pisa -- Christine Froula (Northwestern University, USA) II. Pound's Value -- 7. Ezra Pound and the Critique of Value -- Paul Stasi (University at Albany, USA) -- 8. Ezra Pound's Effective Demand: Keynes, Causality, and The Cantos -- C.D. Blanton (University of California, Berkeley, USA) Bibliography -- Notes on Contributors -- Index

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Stasi, Paul (HerausgeberIn); Park, Josephine (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501307713
    RVK Klassifikation: HU 4785
    Auflage/Ausgabe: First edition
    Schlagworte: Contemporary, The, in literature; Civilization, Modern, in literature; Social perception in literature; Value in literature
    Weitere Schlagworte: Pound, Ezra (1885-1972); Pound *1885-1972*
    Umfang: xiii, 251 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 232-245
  17. Contemporary drift
    genre, historicism, and the problem of the present
    Autor*in: Martin, Theodore
    Erschienen: [2017]
    Verlag:  Columbia University Press, New York

    Frontmatter --Contents --Acknowledgments --Introduction: Theses on the Concept of the Contemporary --Chapter One. Decade: Period Pieces --Chapter Two. Revival: Situating Noir --Chapter Three. Waiting: Mysterious Circumstances --Chapter Four. Weather:... mehr

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    Frontmatter --Contents --Acknowledgments --Introduction: Theses on the Concept of the Contemporary --Chapter One. Decade: Period Pieces --Chapter Two. Revival: Situating Noir --Chapter Three. Waiting: Mysterious Circumstances --Chapter Four. Weather: Western Climes --Chapter Five. Survival: Work and Plague --Conclusion: How to Historicize the Present --Notes --Bibliography --Index. What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem. Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0231543891; 9780231543897
    Schriftenreihe: Literature now
    Schlagworte: American fiction; American fiction; Contemporary, The, in motion pictures; Contemporary, The, in literature; LITERARY CRITICISM ; American ; General; American fiction; Contemporary, The, in literature; Contemporary, The, in motion pictures; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xi, 250 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  18. Contemporary Drift
    Genre, Historicism, and the Problem of the Present
    Autor*in: Martin, Theodore
    Erschienen: 2017; ©2017
    Verlag:  Columbia University Press, New York, NY

    What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an... mehr

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    What does it mean to call something "contemporary"? More than simply denoting what's new, it speaks to how we come to know the present we're living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem.Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231543897
    Weitere Identifier:
    Schriftenreihe: Literature Now
    Schlagworte: Contemporary, The, in motion pictures; Contemporary, The, in literature; American fiction; American fiction; American fiction.; American fiction.; Contemporary, The, in literature.; Contemporary, The, in motion pictures.
    Umfang: 1 Online-Ressource, 23 b&w photographs
  19. Novels of the contemporary extreme
    Erschienen: ©2006
    Verlag:  Continuum, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781847140395; 1847140394; 0826490883; 9780826490889
    Schriftenreihe: Continuum literary studies
    Schlagworte: Fiction; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Romans; Geweld; Gewalt / Motiv / Roman; Roman / Motiv / Gewalt; Roman / Geschichte 20. Jh; Gewalt / Motiv (Literatur) / Roman / Geschichte / 1970-2005 / Aufsatzsammlung; Roman / Motiv (Literatur) / Gewalt / Geschichte / 1970-2005 / Aufsatzsammlung; Zeitgeist / Roman / Geschichte / 1970-2005 / Aufsatzsammlung; Roman / Geschichte / 1970-2005 / Aufsatzsammlung; Contemporary, The, in literature; Fiction; Popular culture in literature; Violence in literature; Gewalt; Fiction; Contemporary, The, in literature; Violence in literature; Popular culture in literature; Roman; Grenzsituation <Motiv>
    Umfang: 1 Online-Ressource (xi, 178 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Part I. The Americas. "Right here in nowheres": American psycho and violence's critique / Naomi Mandel -- Telling doubles and literal-minded reading in Bret Easton Ellis's Glamorama / Henrik Skov Nielsen -- Posthumous voice and residual presence in Don DeLillo's The body artist / Mikko Keskinen -- A post-apocalyptic world: the excremental, abject female warriors of Josée Yvon / Paula Ruth Gilbert with Colleen Lester -- On the impossibility of being contemporary in Nelly Arcan's Folle / Martine Delvaux -- Media-portrayed violence in Alberto Fuguet's Tinta roja / Jason Summers -- Part II. Europe and the Middle East. Sadomasochism, castration and rape: Richard Morgiève's nightmare theater of primal scenes / Ralph Schoolcraft -- Dantec's Inferno / Lawrence R. Schehr -- Michel Houellebecq: a fin de siècle for the twentieth century / Sabine van Wesemael -- Beyond the extreme: Frédéric Beigbeder's Windows on the world / Alain-Philippe Durand -- Amélie Nothomb's dialectic of the sublime and the grotesque / Martine Guyot-Bender -- Violence biting its own tail: Martin Amis's Yellow dog / Jean-Michel Ganteau -- Beauty and death as simulacra in Ray Loriga's Caídos del cielo and El hombre que inventó Manhattan / Kathryn Everly -- Sex, drugs and violence in Lucía

    Etxebarria's Amor, curiosidad, Prozac y dudas / Catherine Bourland Ross -- On human parts: Orly Castel-Bloom and the Israeli extreme / Adia Mendelson-Maoz

    Investigates a new form of fiction in contemporary literature across the globe. This collection of essays identifies and describes this international phenomenon, investigating the appeal of these novels' styles and themes, the reasons behind their success, and the fierce debates they provoked
  20. Ezra Pound in the present
    essays on Pound's contemporaneity
    Beteiligt: Stasi, Paul (Hrsg.); Park, Josephine (Hrsg.)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    "Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's... mehr

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    "Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the "digital humanities," or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, "news that stays news.""-- "Prominent experts in the field of modernist poetry argue for the relevance of Ezra Pound's work to current conversations about globalization, finance capital, comparative literature, the digital humanities and affect theory"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Stasi, Paul (Hrsg.); Park, Josephine (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    RVK Klassifikation: HU 4785
    Auflage/Ausgabe: 1st ed
    Schlagworte: Contemporary, The, in literature; Civilization, Modern, in literature; Social perception in literature; Value in literature
    Weitere Schlagworte: Pound, Ezra / 1885-1972 / Criticism and interpretation; Pound, Ezra (1885-1972)
    Umfang: 1 Online-Ressource (xvi, 256 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index; Published Online 2017

    Machine generated contents note: -- List of Figures -- Preface -- Acknowledgments -- List of Abbreviations I. Pound's Methods -- 1. Why Pound's Imagist Poems Still Matter -- Charles Altieri (University of California, Berkeley, USA) -- 2. Not-So-Distant Reading -- Josephine Park (University of Pennsylvania, USA) -- 3. Paleolithic Media: Deep Time and Ezra Pound's Methods -- Aaron Jaffe (University of Louisville, USA) II. Pound's Worlds -- 4. "I am all for the triangle": The Geopolitical Aesthetic of Pound's Japan -- Christopher Bush (Northwestern University, USA) -- 5. Ezra Pound and the Globalization of Literature -- Jean-Michel Rabaté (University of Pennsylvania, USA) -- 6. Ezra Pound and the Comparative Literature of the Present, or, Triptych Rome/London/Pisa -- Christine Froula (Northwestern University, USA) II. Pound's Value -- 7. Ezra Pound and the Critique of Value -- Paul Stasi (University at Albany, USA) -- 8. Ezra Pound's Effective Demand: Keynes, Causality, and The Cantos -- C.D. Blanton (University of California, Berkeley, USA) Bibliography -- Notes on Contributors -- Index
  21. Being contemporary
    French literature, culture, and politics today
    Beteiligt: Brozgal, Lia Nicole (Hrsg.); Kippur, Sara (Hrsg.)
    Erschienen: 2017
    Verlag:  Liverpool University Press, Liverpool

    Being Contemporary is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors’ invitation to "think through the contemporary." The volume offers a... mehr

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    Being Contemporary is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors’ invitation to "think through the contemporary." The volume offers a sustained critical reflection on the contemporary as a concept, a category, a condition, and a set of relationships to others and to one’s own time. Being Contemporary emerges from a sense of a critical urgency to probe the notion of "the contemporary," and the place of the contemporary critic, in French literary and cultural studies today. Its point of departure is Susan Suleiman’s book Risking Who One Is (Harvard, 1994), which proposed two decades ago that "being contemporary" offers a heuristic category for assessing the role of the scholar and critic, for studying the current moment in literature, art, and culture, and for engaging with historical and philosophical questions in a way that resonates with readers in the present day. Returning to these ideas with renewed vigor, the thought-provoking essays that comprise this volume center on 20th- and 21st-century French literature, politics, memory, and history, and problematize the contemporary as a critical position with respect to the current moment

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Brozgal, Lia Nicole (Hrsg.); Kippur, Sara (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384343
    RVK Klassifikation: IH 1403 ; IH 1410 ; IH 93120 ; IH 93140
    Schriftenreihe: Contemporary French and francophone cultures ; 39
    Schlagworte: Contemporary, The, in literature; French literature / 20th century / History and criticism; French literature / 21st century / History and criticism; Literatur; Französisch; Philosophie; Politik; Zeitbewusstsein
    Umfang: 1 Online-Ressource (xii, 411 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  22. Contemporary drift
    genre, historicism, and the problem of the present
    Autor*in: Martin, Theodore
    Erschienen: [2017]
    Verlag:  Columbia University Press, New York

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231181921
    RVK Klassifikation: HG 680
    Schriftenreihe: Literature now
    Schlagworte: Contemporary, The, in literature; American fiction; American fiction; Contemporary, The, in motion pictures; Aktualität; Roman; Film; Englisch
    Umfang: XI, 250 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  23. Contemporary drift
    genre, historicism, and the problem of the present
    Autor*in: Martin, Theodore
    Erschienen: 2017; © 2017
    Verlag:  Columbia University Press, New York

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231543897
    Schriftenreihe: Literature Now
    Schlagworte: Contemporary, The, in literature; American fiction; American fiction; Literature now; Contemporary, The, in motion pictures; Aktualität; Film; Englisch; Roman
    Umfang: 1 online resource (265 pages), illustrations
    Bemerkung(en):

    Description based on print version record
  24. Contemporary drift
    genre, historicism, and the problem of the present
    Autor*in: Martin, Theodore
    Erschienen: [2017]
    Verlag:  Columbia University Press, New York

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231543897
    Weitere Identifier:
    RVK Klassifikation: HG 680 ; HN 1331
    Schriftenreihe: Literature now
    Schlagworte: Contemporary, The, in literature; American fiction; American fiction; Contemporary, The, in motion pictures; Aktualität; Film; Englisch; Roman
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  25. Novels of the contemporary extreme
    Erschienen: c2006
    Verlag:  Continuum, London

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0826490883
    Schriftenreihe: Continuum literary studies
    Schlagworte: Fiction; Contemporary, The, in literature; Violence in literature; Popular culture in literature; Grenzsituation <Motiv>; Roman
    Umfang: xi, 178 p
    Bemerkung(en):

    Includes bibliographical references and index

    Part I. The Americas. "Right here in nowheres": American psycho and violence's critique / Naomi Mandel -- Telling doubles and literal-minded reading in Bret Easton Ellis's Glamorama / Henrik Skov Nielsen -- Posthumous voice and residual presence in Don DeLillo's The body artist / Mikko Keskinen -- A post-apocalyptic world: the excremental, abject female warriors of Josée Yvon / Paula Ruth Gilbert with Colleen Lester -- On the impossibility of being contemporary in Nelly Arcan's Folle / Martine Delvaux -- Media-portrayed violence in Alberto Fuguet's Tinta roja / Jason Summers -- Part II. Europe and the Middle East. Sadomasochism, castration and rape: Richard Morgiève's nightmare theater of primal scenes / Ralph Schoolcraft -- Dantec's Inferno / Lawrence R. Schehr -- Michel Houellebecq: a fin de siècle for the twentieth century / Sabine van Wesemael -- Beyond the extreme: Frédéric Beigbeder's Windows on the world / Alain-Philippe Durand -- Amélie Nothomb's dialectic of the sublime and the grotesque / Martine Guyot-Bender -- Violence biting its own tail: Martin Amis's Yellow dog / Jean-Michel Ganteau -- Beauty and death as simulacra in Ray Loriga's Caídos del cielo and El hombre que inventó Manhattan / Kathryn Everly -- Sex, drugs and violence in Lucía Etxebarria's Amor, curiosidad, Prozac y dudas / Catherine Bourland Ross -- On human parts: Orly Castel-Bloom and the Israeli extreme / Adia Mendelson-Maoz