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Abstract ; Figures and images of Colonia Condesa in Todo aquí es polvo (2010), posthumous book of memories by Esther Seligson, as well as in other fiction texts where she recovers moments of her urban family life during childhood and adolescence, but without the intention of writing ethnic neighborhood literature, nor to compose a city-text of Mexico City. In the second part, the Seligsonian strategy of revealing a deep and open Mexico in a syncretic semantic field where narrative and lexical voices of the Nahuatl legacy, Talmudic Judaism and Kabbalist, as well as the sacred culture of Tibet and Hinduism, are analyzed.
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