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  1. The nineteenth-century sensation novel
    Autor*in: Pykett, Lynn
    Erschienen: 2011.
    Verlag:  Northcote : British Council, Tavistock, Devon

    This clearly written and wide-ranging study identifies the main features of the sensation novel, analysing its broader cultural significance as well as looking at it in its specific cultural context. mehr

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    Staats- und Universitätsbibliothek Bremen
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    This clearly written and wide-ranging study identifies the main features of the sensation novel, analysing its broader cultural significance as well as looking at it in its specific cultural context.

     
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  2. Wilkie Collins and Copyright
    Artistic Ownership in the Age of the Borderless Word
    Autor*in: Bisla, Sundeep
    Erschienen: 2013
    Verlag:  Ohio State University Press, Columbus

    In the works and letters of his later years, Wilkie Collins continually expressed his displeasure over copyright violations. Wilkie Collins and Copyright: Artistic Ownership in the Age of the Borderless Word by Sundeep Bisla asks whether that... mehr

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    Standort:
    Universitätsbibliothek Osnabrück
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    In the works and letters of his later years, Wilkie Collins continually expressed his displeasure over copyright violations. Wilkie Collins and Copyright: Artistic Ownership in the Age of the Borderless Word by Sundeep Bisla asks whether that discontent might not also have affected the composition of Collins{8217}s major early works of the 1850s and 60s. Bisla{8217}s investigation into this question, surprisingly, does not find an uncomplicated author uncomplicatedly launched on a defense of what he believes to be rightfully his. Instead, Bisla finds an author locked in fierce negotiation with the theoretical underpinnings of his medium, the written word, underpinnings best delineated by the twentieth-century deconstructionist Jacques Derrida. Collins{8217}s discomfort with copyright violation comes to be in tension with his budding understanding of the paradoxical nature of the ?iterability? of the word, a nature presenting itself as a conflict between the settling and breaking manifestations of linguistic repetition. In his efforts at resolving this paradox, Collins adopts a mechanism of recursive self-reflexivity through which each story reflects upon itself to a more fundamental extent than had its predecessor. This self-reflexive exploration has significant consequences for the author{8217}s own iterability-menaced subjectivity, a striking example of which can be seen in the fact that the name being sought in Collins{8217}s last masterpiece, The Moonstone, will end up being ?MY OWN NAME? {8212} in other words, ?WILKIE COLLINS.?

     
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  3. Eavesdropping in the novel from Austen to Proust
    Autor*in: Gaylin, Ann Elizabeth
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This 2003 study will be of interest to scholars of nineteenth-century English and European literature I'm all ears: Pride and Prejudice, or the story behind the story -- Eavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The Woman in White -- La double entente: eavesdropping and identity in A la recherche du temps perdu -- Conclusion: covert listeners and secret agents

     
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  4. Creating character
    Theories of nature and nurture in Victorian sensation fiction
    Autor*in: Ifill, Helena
    Erschienen: 2018
    Verlag:  Manchester University Press, Oxford

    Through innovative readings of seven novels, Creating character demonstrates how the Victorian sensation authors Mary Elizabeth Braddon and Wilkie Collins employed, challenged and explored diverse, and sometimes contradictory, theories of character... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
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    Standort:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Standort:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    EBS ProQuest
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    Through innovative readings of seven novels, Creating character demonstrates how the Victorian sensation authors Mary Elizabeth Braddon and Wilkie Collins employed, challenged and explored diverse, and sometimes contradictory, theories of character formation in their fiction Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Part I Self-control, willpower and monomania -- Basil and No Name -- John Marchmont's Legacy -- Part II Heredity and degeneration -- The Lady Lisle -- Armadale -- Part III Education, environment and circumstance -- Man and Wife -- Lost for Love -- Conclusion -- Bibliography -- Index

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526126580
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: Interventions Rethinking the Nineteenth Century
    Schlagworte: Personality in literature; Characters and characteristics in literature; English fiction; Braddon, M. E ; (Mary Elizabeth) ; 1835-1915 ; Criticism and interpretation; Collins, Wilkie ; 1824-1889 ; Criticism and interpretation; English fiction ; 19th century ; History and criticism; Electronic books
    Weitere Schlagworte: Braddon, M. E (1835-1915); Collins, Wilkie (1824-1889)
    Umfang: 1 Online-Ressource (242 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  5. Eavesdropping in the novel from Austen to Proust
    Autor*in: Gaylin, Ann Elizabeth
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Standort:
    Peace Research Institute Frankfurt, Bibliothek
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    E-Book CUP HSFK
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This 2003 study will be of interest to scholars of nineteenth-century English and European literature I'm all ears: Pride and Prejudice, or the story behind the story -- Eavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The Woman in White -- La double entente: eavesdropping and identity in A la recherche du temps perdu -- Conclusion: covert listeners and secret agents

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)