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  1. Scripting reading motions
    the codex and the computer as self-reflexive machines
    Autor*in: Portela, Manuel
    Erschienen: [2013]; ©2013
    Verlag:  The MIT Press, Cambridge, Massachusetts

    An exploration of what experimental literature in both print and programmable media tells us about the act of reading.In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works... mehr

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    Standort:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
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    keine Fernleihe

    Standort:
    Hochschule für Bildende Künste Dresden, Bibliothek
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    Standort:
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    Signatur:
    MIT Press Abo im Sachsenkonsortium
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    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Standort:
    Universitätsbibliothek Osnabrück
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    An exploration of what experimental literature in both print and programmable media tells us about the act of reading.In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works of both print and electronic literature and finds a self-conscious play with the dynamics of reading and writing. Portela examines a series of print and digital works by Johanna Drucker, Mark Z. Danielewski, Rui Torres, Jim Andrews, and others, for the insights they yield about the semiotic and interpretive actions through which readers produce meaning when interacting with codes. Analyzing these works as embodiments and simulations of the motions of reading, Portela pays particular attention to the ways in which awareness of eye movements and haptic interactions in both print and electronic media feeds back onto the material and semantic layers of the works. These feedbacks, he argues, sustain self-reflexive loops that link the body of the reader to the embodied work. Readers' haptic actions and eye movements coinstantiate the object that they are reading.Portela discusses typographic and graphic marks as choreographic notations for reading movements; examines digital recreations of experimental print literary artifacts; considers reading motions in kinetic and generated texts; analyzes the relationship of bibliographic, linguistic, and narrative coding in Danielewski's novel-poem, Only Revolutions; and describes emergent meanings in interactive textual instruments. The expressive use of print and programmable media, Portela shows, offers a powerful model of the semiotic, interpretive, and affective operations embodied in reading processes.Important Notice: The digital edition of this book is missing some of the images found in the physical edition.

     
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  2. Paper electronic literature
    an archaeology of born-digital materials
    Autor*in: Gibson, Richard Hughes
    Erschienen: [2021]
    Verlag:  University of Massachusetts Press, Amherst

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
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    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Page and screen
    Schlagworte: Literature and technology; Books; Hypertext literature; Digital humanities; Paper in literature; Books and reading; Literature, Experimental; Books ; Format; Digital humanities; Hypertext literature; Literature and technology; Literature, Experimental; Paper in literature; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  3. Paratexts
    thresholds of interpretation
    Autor*in: Genette, Gérard
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's... mehr

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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    keine Fernleihe

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    eBook Cambridge
    Fernleihe:
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.

     
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    Quelle: Verbundkataloge
    Beteiligt: Lewin, Janet E. (ÜbersetzerIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511549373; 9780521413503; 9780521424066
    Weitere Identifier:
    Schriftenreihe: Literature, culture, theory ; 20
    Schlagworte: Literature publishing ; History; Discourse analysis, Literary; Authors and publishers; Transmission of texts; Criticism, Textual; Literary form; Books ; Format; Paratext
    Umfang: 1 online resource (xxv, 427 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Paratexts
    thresholds of interpretation
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    "Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher, and reader: titles, forewords, epigraphs, and publishers' jacket copy are part of a... mehr

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    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher, and reader: titles, forewords, epigraphs, and publishers' jacket copy are part of a book's private and public history. In Paratexts, an English translation of Seuils, Gerard Genette shows how the special pragmatic status of paratextual declarations requires a carefully calibrated analysis of their illocutionary force. With clarity, precision, and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions of the Republic of Letters as they are revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interacts with more general questions of literature as a cultural institution, and situates Genette's work in contemporary literary theory."--BOOK JACKET

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511549373; 0511549377; 9781107784321; 1107784328
    Schriftenreihe: Literature, culture, theory ; 20
    Schlagworte: Literature publishing; Books; Discourse analysis, Literary; Authors and publishers; Transmission of texts; Criticism, Textual; Literary form; Paratext; Books; Literature publishing; Transmission of texts; Criticism, Textual; Literary form; Books; Paratext; Authors and publishers; Literature publishing; Discourse analysis, Literary; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; Paratext; Authors and publishers; Books ; Format; Criticism, Textual; Discourse analysis, Literary; Literary form; Literature publishing; Transmission of texts; Tekstanalyse; Voorwoorden; Titels; Annotaties; Opdrachten (in boeken); History
    Umfang: Online Ressource (xxv, 427 pages)
    Bemerkung(en):

    Includes bibliographical references. - Description based on print version record

    IntroductionThe publisher's peritext -- The name of the author -- Titles -- The please-insert -- Dedications and inscriptions -- Epigraphs -- The prefatorial situtation of communication -- The functions of the original preface -- Other prefaces, other functions -- Intertitles -- Notes -- The public epitext -- The private epitext -- Conclusion.
  5. Paratexts
    thresholds of interpretation
    Autor*in: Genette, Gérard
    Erschienen: 1997; November 2009
    Verlag:  Cambridge University Press, Cambridge

    Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's... mehr

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    keine Fernleihe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Peace Research Institute Frankfurt, Bibliothek
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    E-Book CUP HSFK
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory Introduction -- The publisher's peritext -- The name of the author -- Titles -- The please-insert -- Dedications and inscriptions -- Epigraphs -- The prefatorial situtation of communication -- The functions of the original preface -- Other prefaces, other functions -- Intertitles -- Notes -- The public epitext -- The private epitext -- Conclusion

     
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Lewin, Janet E. (ÜbersetzerIn); Macksey, Richard (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511549373
    Weitere Identifier:
    Schriftenreihe: Literature, culture, theory ; 20
    Schlagworte: Transmission of texts; Criticism, Textual; Literary form; Books; Paratext; Literature publishing; Authors and publishers; Discourse analysis, Literary; Literature publishing ; History; Discourse analysis, Literary; Authors and publishers; Transmission of texts; Criticism, Textual; Literary form; Books ; Format; Paratext
    Umfang: 1 Online-Ressource (xxv, 427 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)