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  1. Die Psalmen als „verbale Bühnen“
    ein experimenteller Blick auf die dramatisch-performativen Strukturen der Psalmen
    Autor*in: Hopf, Matthias
    Erschienen: 2021

    Many psalms display characteristics that are – in literary theory – associated with performance texts like “dramas”. The criteria for this are that texts feature a “lexis” (direct speech out of the mouth of a discernible character), an “opsis”... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
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    Many psalms display characteristics that are – in literary theory – associated with performance texts like “dramas”. The criteria for this are that texts feature a “lexis” (direct speech out of the mouth of a discernible character), an “opsis” (elements evoking a scenery etc., often presented in direct speech), and plot structures (not only story plots, but also character development and the like). Many psalms fit this criterology, even though some more than others, as well as partially with some very unique characteristics. Still, this allows for understanding several psalms as miniature “verbally presented stages”. The implications of this basal communicative structure are explored in this contribution, a major of which pertains to the recent discussion on identification potentials: In some psalms the lyrical subject is an offer to identify with, whereas in others – the ones discussed here – it is better understood as opposite to the recipient.

     
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Biblische Zeitschrift; Leiden : Brill, Ferdinand Schöningh, 1957; 65(2021), 1, Seite 1-27; Online-Ressource

    Schlagworte: psalm superscriptions; Drama theory and exegesis; Literary theory and exegesis; identification potentials; performance criticism; Book of Psalms