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  1. The representation of violence as evil in contemporary art
    the power of the image in Kiefer, Richter, and Bin Laden
    Autor*in: Stoker, Wessel
    Erschienen: [2017]

    How can violence as evil be represented in art and what do works of art evoke in the viewer? Two closely related questions on the representation of violence as evil are discussed. The first is whether there is an ethical limit to the representation... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    How can violence as evil be represented in art and what do works of art evoke in the viewer? Two closely related questions on the representation of violence as evil are discussed. The first is whether there is an ethical limit to the representation of evil, that is, the issue posed with respect to the (im)possibility of Holocaust art. Works by Anselm Kiefer are compared to Holocaust art in the exhibition Mirroring Evil: Nazi Imagery /Recent Art (New York, 2002). The second question concerns the difference between art and life with respect to the representation of evil. Bin Laden’s live image of 9/11 is compared to Richter’s painting September. The former is life as a reality show; Bin Laden’s image can petrify the viewer. The latter is art, and Richter’s style of blurred realism distances the viewer from the event so that he can arrive at a moral and political position regarding terrorism.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: International journal of philosophy and theology; Abingdon : Taylor & Francis, 2013; 78(2017), 4/5, Seite 432-443

    Schlagworte: 9/11; Anselm Kiefer; Bin Laden; Gerhard Richter; Holocaust art; Representation of evil