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  1. Poetry & Barthes
    Anglophone responses 1970-2000
    Autor*in: Gardner, Calum
    Erschienen: 2018
    Verlag:  Liverpool University Press, Liverpool

    <div>Reviews</div><div>'Roland Barthes had little interest in poetry, but, surprisingly, his occasional remarks on the subject and thoughts about literature in general played a provocative role, Calum Gardner shows, for poets in the UK and especially... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Hessische Stiftung Friedens- und Konfliktforschung, Bibliothek
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

     

     

    Reviews

    'Roland Barthes had little interest in poetry, but, surprisingly, his occasional remarks on the subject and thoughts about literature in general played a provocative role, Calum Gardner shows, for poets in the UK and especially the US and contributed especially to arguments about L=A=N=G=U=A=G=E writing. Gardner's lucid and wide-ranging discussion shrewdly illuminates the odd fortunes of literary ideas.

    Professor Jonathan Culler, Cornell University

    'Calum Gardner's subtle and shifting account of how the work of Roland Barthes has been read and re-used by English-speaking poets since the 1970s is a tour de force that will long resonate with poetry specialists and literary theorists alike.'

    Dr Andy Stafford, Leeds University

    What kinds of pleasure do we take from writing and reading? What authority has the writer over a text? What are the limits of language's ability to communicate ideas and emotions? Moreover, what are the political limitations of these questions? The work of the French cultural critic and theorist Roland Barthes (1915-80) poses these questions, and has become influential in doing so, but the precise nature of that influence is often taken for granted. This is nowhere more true than in poetry, where Barthes' concerns about pleasure and origin are assumed to be relevant, but this has seldom been closely examined. This innovative study traces the engagement with Barthes by poets writing in English, beginning in the early 1970s with one of Barthes' earliest Anglophone poet readers, Scottish poet-theorist Veronica Forrest-Thomson (1947-75). It goes on to examine the American poets who published in L=A=N=G=U=A=G=E and other small but influential journals of the period, and other writers who engaged with Barthes later, considering his writings' relevance to love and grief and their treatment in poetry. Finally, it surveys those writers who rejected Barthes' theory, and explores why this was. The first study to bring Barthes and poetry into such close contact, this important book illuminates both subjects with a deep contemplation of Barthes' work and a range of experimental poetries.

    Calum Gardner is Teaching Fellow in Drama and Poetry at the University of Leeds.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781786949394; 9781786941367
    Schriftenreihe: Poetry &--
    Schlagworte: Poetics; Poetry; Barthes, Roland ; Criticism and interpretation; Poetics; Poetry ; History and criticism
    Weitere Schlagworte: Barthes, Roland
    Umfang: 1 online resource (ix, 220 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 29 Jun 2020)
  2. Poetry & Barthes
    Anglophone responses 1970-2000
    Autor*in: Gardner, Calum
    Erschienen: 2018
    Verlag:  Liverpool University Press, Liverpool

    <div>Reviews</div><div>'Roland Barthes had little interest in poetry, but, surprisingly, his occasional remarks on the subject and thoughts about literature in general played a provocative role, Calum Gardner shows, for poets in the UK and especially... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

     

    Reviews

    'Roland Barthes had little interest in poetry, but, surprisingly, his occasional remarks on the subject and thoughts about literature in general played a provocative role, Calum Gardner shows, for poets in the UK and especially the US and contributed especially to arguments about L=A=N=G=U=A=G=E writing. Gardner's lucid and wide-ranging discussion shrewdly illuminates the odd fortunes of literary ideas.

    Professor Jonathan Culler, Cornell University

    'Calum Gardner's subtle and shifting account of how the work of Roland Barthes has been read and re-used by English-speaking poets since the 1970s is a tour de force that will long resonate with poetry specialists and literary theorists alike.'

    Dr Andy Stafford, Leeds University

    What kinds of pleasure do we take from writing and reading? What authority has the writer over a text? What are the limits of language's ability to communicate ideas and emotions? Moreover, what are the political limitations of these questions? The work of the French cultural critic and theorist Roland Barthes (1915-80) poses these questions, and has become influential in doing so, but the precise nature of that influence is often taken for granted. This is nowhere more true than in poetry, where Barthes' concerns about pleasure and origin are assumed to be relevant, but this has seldom been closely examined. This innovative study traces the engagement with Barthes by poets writing in English, beginning in the early 1970s with one of Barthes' earliest Anglophone poet readers, Scottish poet-theorist Veronica Forrest-Thomson (1947-75). It goes on to examine the American poets who published in L=A=N=G=U=A=G=E and other small but influential journals of the period, and other writers who engaged with Barthes later, considering his writings' relevance to love and grief and their treatment in poetry. Finally, it surveys those writers who rejected Barthes' theory, and explores why this was. The first study to bring Barthes and poetry into such close contact, this important book illuminates both subjects with a deep contemplation of Barthes' work and a range of experimental poetries.

    Calum Gardner is Teaching Fellow in Drama and Poetry at the University of Leeds.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781786949394; 9781786941367
    Schriftenreihe: Poetry &--
    Schlagworte: Poetics; Poetry; Barthes, Roland ; Criticism and interpretation; Poetics; Poetry ; History and criticism
    Weitere Schlagworte: Barthes, Roland
    Umfang: 1 online resource (ix, 220 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 29 Jun 2020)
  3. Radical indecision
    Barthes, Blanchot, Derrida, and the future of criticism
    Autor*in: Hill, Leslie
    Erschienen: c2010
    Verlag:  University of Notre Dame Press, Notre Dame, Ind

    Intro -- CONTENTS -- ACKNOWLEDGEMENTS -- PREFACE -- INSTANTIATIONS -- ROLAND BARTHES -- MAURICE BLANCHOT -- JACQUES DERRIDA -- RADICAL INDECISION -- NOTES -- INDEX. mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signatur:
    E-Books ProQuest Academic
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signatur:
    E-Book Proquest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signatur:
    EBS ProQuest
    Fernleihe:
    keine Fernleihe

     

    Intro -- CONTENTS -- ACKNOWLEDGEMENTS -- PREFACE -- INSTANTIATIONS -- ROLAND BARTHES -- MAURICE BLANCHOT -- JACQUES DERRIDA -- RADICAL INDECISION -- NOTES -- INDEX.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 026803107X; 9780268031077
    Schlagworte: Criticism (Philosophy); Literature; Literature; Philosophy, French; Criticism; Barthes, Roland ; Criticism and interpretation; Blanchot, Maurice ; Criticism and interpretation; Criticism ; History ; 20th century; Criticism (Philosophy); Derrida, Jacques ; Criticism and interpretation; Literature ; History and criticism ; Theory, etc; Literature ; Philosophy; Electronic books; Philosophy, French ; 20th century
    Weitere Schlagworte: Derrida, Jacques; Blanchot, Maurice; Barthes, Roland
    Umfang: Online-Ressource (xiv, 438 p), 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    ""CONTENTS""; ""ACKNOWLEDGEMENTS""; ""PREFACE""; ""INSTANTIATIONS""; ""ROLAND BARTHES""; ""MAURICE BLANCHOT""; ""JACQUES DERRIDA""; ""RADICAL INDECISION""; ""NOTES""; ""INDEX""
  4. Opacity and the Closet
    Queer Tactics in Foucault, Barthes, and Warhol
    Autor*in: de Villiers, Nicholas
    Erschienen: 2012
    Verlag:  University of Minnesota Press, Minneapolis

    Opacity and the Closet interrogates the viability of the metaphor of &ldquo;the closet&rdquo; when applied to three important queer figures in postwar American and French culture: the philosopher Michel Foucault, the literary critic Roland Barthes,... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signatur:
    E-Books ProQuest Academic
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signatur:
    E-Book Proquest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signatur:
    EBS ProQuest
    Fernleihe:
    keine Fernleihe

     

    Opacity and the Closet interrogates the viability of the metaphor of “the closet” when applied to three important queer figures in postwar American and French culture: the philosopher Michel Foucault, the literary critic Roland Barthes, and the pop artist Andy Warhol. Nicholas de Villiers proposes a new approach to these cultural icons that accounts for the queerness of their works and public personas. Rather than reading their self-presentations as “closeted,” de Villiers suggests that they invent and deploy productive strategies of “opacity” that resist th

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816675708
    Schlagworte: Barthes, Roland ; Criticism and interpretation; Foucault, Michel ; 1926-1984 ; Criticism and interpretation; Homosexuality in literature; Queer theory; Self in literature; Warhol, Andy ; 1928-1987 ; Criticism and interpretation; Electronic books
    Umfang: Online-Ressource (244 p.)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; CONTENTS; PREFACE: Bartleby's Queer Formula; INTRODUCTION: Opacities: Queer Strategies; ONE: Confessions of a Masked Philosopher: Anonymity and Identification in Foucault and Guibert; TWO: Matte Figures: Roland Barthes's Ethics of Meaning; THREE: "What Do You Have to Say for Yourself?" Warhol's Opacity; FOUR: Unseen Warhol/Seeing Barthes; FIVE: Andy Warhol Up-Tight: Warhol's Effects; CONCLUSION: The Interview as Multi-Mediated Object; ACKNOWLEDGMENTS; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Z;