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Avant-garde performance & the limits of criticism
approaching the living theatre, happenings/fluxus, and the black arts movement -
The will to chance
necessity and arbitrariness in the Czech avant-garde from poetism to surrealism -
Imagine no possessions
the socialist objects of Russian constructivism -
A dictionary of the Avant-gardes
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The Janus face of the German avant-garde
from expressionism toward postmodernism -
Virginia Woolf and the Bloomsbury avant-garde
war, civilization, modernity -
Modernism and the culture of market society
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Between the real and the surreal
modernism and the avant-garde in the American drama of the nineteen sixties -
Modernism and its margins
reinscribing cultural modernity from Spain and Latin America -
Advancing American art
painting, politics, and cultural confrontation at mid-century -
Silencing the sounded self
John Cage and the American experimental tradition -
The last avant-garde
the making of the New York School of Poets -
The situationist city
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The situationist city
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Cultural critique and abstraction
Marianne Moore and the avant-garde -
A dictionary of the Avant-gardes
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A dictionary of the Avant-gardes
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In the process of poetry
the New York school and the avant-garde -
Career moves
Olson, Creeley, Zukofsky, Berrigan, and the American avant-garde -
The Janus face of the German avant-garde
from expressionism toward postmodernism -
Modernism and the culture of market society
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The European avant-garde 1900 - 1940
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Birth of a national icon
the literary avant-garde and the origins of the intellectual in France -
Virginia Woolf and the Bloomsbury avant-garde
war, civilization, modernity -
The will to chance
necessity and arbitrariness in the Czech avant-garde from poetism to surrealism