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  1. Moving imagination
    explorations of gesture and inner movement
    Erschienen: 2013
    Verlag:  John Benjamins Publishing Company, Amsterdam

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9027213569; 902727200X; 9789027213563; 9789027272003
    Schriftenreihe: Advances in consciousness research ; v. 89
    Schlagworte: ART / Performance; ART / Reference; Arts audiences / Psychology; Arts / Psychological aspects; Human beings / Attitude and movement; Mind and body; Psychologie; Mind and body; Human beings; Arts; Arts audiences; Körpersprache; Motivation; Kunst; Psychologie
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    To know anything in space (for instance, a line), I must draw it, and thus synthetically bring into being a determinate combination of the given manifold, so that the unity of this act is at the same time the unity of consciousness (as in the concept of a line); and it is through this unity of consciousness that an object (a determinate space) is first known.Immanuel Kant, Critique of Pure Reason, B 138 (2007)
  2. The emancipated spectator
    Autor*in: Rancière, Jacques
    Erschienen: 2021
    Verlag:  Verso, London ; New York

    In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have... mehr

    Standort:
    Hochschule für Musik und Theater München, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?

     
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    Hinweise zum Inhalt
  3. The emancipated spectator
    Autor*in: Rancière, Jacques
    Erschienen: 2009
    Verlag:  Verso, London [u.a.]

    In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have... mehr

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781844673438; 9781844677610
    RVK Klassifikation: CC 6900 ; CI 5400 ; CK 3157
    Auflage/Ausgabe: 1. Engl. ed.
    Schlagworte: Aesthetics; Image (Philosophy); Representation (Philosophy); Arts audiences / Psychology; Art appreciation / Philosophy; Philosophie; Ästhetik; Aesthetics; Art appreciation; Arts audiences; Image (Philosophy); Representation (Philosophy); Kunstbetrachtung; Ästhetik; Passivität <Motiv>; Scheu; Politische Kunst; Ethik; Emanzipation <Motiv>; Handlung; Rezeptionsästhetik
    Umfang: 134 S., Ill., 21 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references
  4. The emancipated spectator
    Autor*in: Rancière, Jacques
    Erschienen: 2009
    Verlag:  Verso, London [u.a.]

    In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Universität München, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781844673438; 9781844677610
    RVK Klassifikation: CC 6900 ; CI 5400 ; CK 3157
    Auflage/Ausgabe: 1. Engl. ed.
    Schlagworte: Aesthetics; Image (Philosophy); Representation (Philosophy); Arts audiences / Psychology; Art appreciation / Philosophy; Philosophie; Ästhetik; Aesthetics; Art appreciation; Arts audiences; Image (Philosophy); Representation (Philosophy); Kunstbetrachtung; Ästhetik; Passivität <Motiv>; Scheu; Politische Kunst; Ethik; Emanzipation <Motiv>; Handlung; Rezeptionsästhetik
    Umfang: 134 S., Ill., 21 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references