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  1. Curating and the legacies of colonialism in contemporary Iberia
    Beteiligt: Garrido Castellano, Carlos (Herausgeber); Leitão, Bruno (Herausgeber)
    Erschienen: 2022
    Verlag:  University of Wales Press, Wales

    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Garrido Castellano, Carlos (Herausgeber); Leitão, Bruno (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781786838735
    Schriftenreihe: Iberian and Latin American studies
    Schlagworte: Colonialism & imperialism; ART / Criticism & Theory; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Art museums - Curatorship - Iberian Peninsula; Art museums and community - Iberian Peninsula; Art, Iberian - 21st century; Postcolonialism - Iberian Peninsula
    Weitere Schlagworte: Fine Arts / Art History
    Umfang: xxii, 304 Seiten, Illustrationen
    Bemerkung(en):

    Acknowledgements; List of Illustrations; List of Contributors; Introduction: Fictions of Cosmopolitanism, Spectacles of Alterity. Curating and the (Un)Making of Coloniality in Contemporary Iberia. - Carlos Garrido Castellano and Bruno Leitao; Part I: Displaying Coloniality; Chapter 1: Remapping Disciplines, Displaying Possibilities. A Curatorial Studies-Based Approach to Iberian Studies. - Carlos Garrido Castellano; Chapter 2: Curatorial displacements in Spain before and after the 2000s: Coloniality tricks, exhibition eclipses and critical agencies. - Olga Fernandez Lopez; Chapter 3: The Exhibition as Representative Strategy for Cultural Diversity: Barcelona, 1992-2011. - Pep Dardanya; Chapter 4: Displaying Postcolonial Spain. A Conversation between Juan Guardiola and Carlos Garrido Castellano. - Juan Guardiola, Carlos Garrido Castellano; Chapter 5: - Discourses of the Common Public Space: Identity, Memory and History in the Exhibitions of Autonomous Galicia. - Manuel Gago; Chapter 6: Curating Equatorial Guinea: Narratives of Spanish Colonialism in Central Africa as Told through Exhibitions. - Ines Plasencia Camps; Part II: Curating beyond Exhibition-Making; Chapter 7: What's Someone Like You Doing in a Place Like This? Curatorial Processes, Ethno-Racial Agency and Coloniality in the Spanish State - Suset Sanchez Sanchez; Chapter 8: Negritude: Approximations of a Century of Artistic Relations between the Canary Islands and Africa - Adonay Bermudez; Chapter 9: Visible Matters. A Short Exchange between Elvira Dyangani Ose and Carlos Garrido Castellano - Elvira Dyangani Ose; Chapter 10: The Gulbenkian Foundation's Proximo Futuro Programme and the Challenges of Curating Difference - Bruno Leitao; Chapter 11: Documenting Postcolonial Curating. Thoughts on Buala One Decade On - Marta Lanca; Part III: Insurgent Interventions; Chapter 12: Rumors: Representations: Revolutions - Maria Inigo Clavo; Chapter 13: Between false steps and post-/decolonial recompositions in progress. ; The Museum of Ethnology and World Cultures in Barcelona - Cristina Balma Tivola; Chapter 14: ARTifariti: an artistic, political and committed encounter with the Sahrawi people - Aurora Alcaide Ramirez; Chapter 15: Geopolitical Shifts and Diasporic Struggles in Former Metropolitan Territories - Nancy Garin, Antoine Silvestre; Chapter 16: Angolan Art: A Conversation on Curating, Archives, Coloniality and Diaspora - Paula Nascimento, Adriano Mixinge; Chapter 17: Insurgent Aesthetics: Creole Rap from the Outskirts of Lisbon - Otavio Raposo, Pedro Varela