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  1. The gaucho genre
    a treatise on the motherland
    Autor*in: Ludmer, Josefina
    Erschienen: 2002
    Verlag:  Duke University Press, Durham

    I. The Body of the Genre and Its Borders. Essay toward the Construction of a Context and a System of Objects -- I. On the Side of Use: The two chains. Laws. Wars. Sarmiento and the words of exterior space. The heart of the historic space of the... mehr

    Zugang:

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    I. The Body of the Genre and Its Borders. Essay toward the Construction of a Context and a System of Objects -- I. On the Side of Use: The two chains. Laws. Wars. Sarmiento and the words of exterior space. The heart of the historic space of the genre. The word "gaucho" in the voice of the gaucho: the interior space. An exercise with the dictionary. First outline of the genre. The top and bottom margins of the genre, literary revolutions and two definitions of the gaucho as Argentine man. Hidalgo's transparency is the distribution of voices -- II. On the side of the master, on the side of the gift. A small preliminary cruise toward a reconnaissance of the Joyce archipelago. On the island: a study on montage. 2. Challenge and Lament, the Intonations of the Motherland. Inside the internal space of the genre. Four definitions of the genre and its internal space. And four formulas for the intonations. The preludes or the code of the intonations. The patriotic singer's challenge. Lament of the learned patriot. The logic of the singer. The challenges (on the side of use). The first fiesta of the monster. Two more challenges with throat-cutting. The challenges of the thug. The laments (on the side of the gift). La ida, technical details and notes. Intonations and codes in Borges. The separation of intonations in Evaristo Carriego. Borges before the law -- 3. In the Inferno's Paradise. The Argentine Fausto. A Pastiche of Literary Criticism. -- 4. Pact and Motherland. The Trickery of Hernandez's Professor's Curandera. The book of the pact. Penitence in the margins: two incorrigibles. A national language lesson and a game with institutions. External inclusions. Internal exclusions. Who educates. A review. The word/voice (of ) "Picardia" and the literature of the future

     
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  2. The gaucho genre
    a treatise on the motherland
    Autor*in: Ludmer, Josefina
    Erschienen: 2002
    Verlag:  Duke University Press, Durham

    I. The Body of the Genre and Its Borders. Essay toward the Construction of a Context and a System of Objects -- I. On the Side of Use: The two chains. Laws. Wars. Sarmiento and the words of exterior space. The heart of the historic space of the... mehr

    Zugang:

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    I. The Body of the Genre and Its Borders. Essay toward the Construction of a Context and a System of Objects -- I. On the Side of Use: The two chains. Laws. Wars. Sarmiento and the words of exterior space. The heart of the historic space of the genre. The word "gaucho" in the voice of the gaucho: the interior space. An exercise with the dictionary. First outline of the genre. The top and bottom margins of the genre, literary revolutions and two definitions of the gaucho as Argentine man. Hidalgo's transparency is the distribution of voices -- II. On the side of the master, on the side of the gift. A small preliminary cruise toward a reconnaissance of the Joyce archipelago. On the island: a study on montage. 2. Challenge and Lament, the Intonations of the Motherland. Inside the internal space of the genre. Four definitions of the genre and its internal space. And four formulas for the intonations. The preludes or the code of the intonations. The patriotic singer's challenge. Lament of the learned patriot. The logic of the singer. The challenges (on the side of use). The first fiesta of the monster. Two more challenges with throat-cutting. The challenges of the thug. The laments (on the side of the gift). La ida, technical details and notes. Intonations and codes in Borges. The separation of intonations in Evaristo Carriego. Borges before the law -- 3. In the Inferno's Paradise. The Argentine Fausto. A Pastiche of Literary Criticism. -- 4. Pact and Motherland. The Trickery of Hernandez's Professor's Curandera. The book of the pact. Penitence in the margins: two incorrigibles. A national language lesson and a game with institutions. External inclusions. Internal exclusions. Who educates. A review. The word/voice (of ) "Picardia" and the literature of the future

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt