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  1. For Love or for Money
    Balzac's Rhetorical Realism
    Erschienen: 2011
    Verlag:  Ohio State University Press, Columbus

    Zugang:
    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814270677; 0814270670
    Schlagworte: Realism in literature; Love in literature; Money in literature; Balzac, Honore de ; 1799-1850 ; Comedie humaine; Balzac, Honore de ; 1799-1850 ; Comedie humaine; Money in literature; Love in literature; Realism in literature; LITERARY CRITICISM / General; Realisme dans la litterature; Amour dans la litterature; Comedie humaine (Balzac, Honore de)
    Weitere Schlagworte: Balzac, Honore de (1799-1850): Comedie humaine
    Umfang: 1 Online-Ressource (xi, 333 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. 307-316) and index. - Description based on print version record

  2. Legal tender
    love and legitimacy in the East German cultural imagination
    Erschienen: 2010
    Verlag:  Cornell University Press, Ithaca, New York ; Cornell University Library

    At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist... mehr

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Evangelische Hochschule Freiburg, Hochschulbibliothek
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Online-Ressource
    keine Fernleihe

     

    At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office. But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere. Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture.

     

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  3. The Expense of Spirit
    Love and Sexuality in English Renaissance Drama
    Autor*in: Rose, Mary Beth
    Erschienen: 1988
    Verlag:  Cornell University Press, Ithaca

    Zugang:
    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501723247; 1501723243
    Schlagworte: Sex in literature; Renaissance; Women; Literary form; Literary form; Women and literature; Women and literature; English drama; Love in literature; English drama; Renaissance ; England; Women ; England ; History; Literary form ; History ; 16th century; Literary form ; History ; 17th century; Women and literature ; England ; History ; 16th century; Women and literature ; England ; History ; 17th century; Love in literature ; nli; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism ; nli; Liebe ; gnd; Sexualität ; gnd; Liebe ; Motiv ; gnd; Erotik ; Motiv ; gnd; Drama ; gnd; Women ; Great Britain ; History ; nli; Liebe, ... ; gnd; Englisch, ... ; gnd; Geschichte (1580-1640) ; swd; Geschichte 1500-1600 ; swd; Geschichte (1580-1625) ; swd; Sex in literature ; nli; Renaissance ; Great Britain ; nli; Women and literature ; Great Britain ; History ; nli; English drama ; 17th century ; History and criticism ; nli; Englisch ; swd; Sex in literature; English drama ; 17th century ; History and criticism; Love in literature; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Sexualite dans la litterature; Renaissance ; Angleterre; Femmes ; Angleterre ; Histoire; Genres litteraires ; Histoire ; 16e siecle; Genres litteraires ; Histoire ; 17e siecle; Femmes et litterature ; Angleterre ; Histoire ; 16e siecle; Femmes et litterature ; Angleterre ; Histoire ; 17e siecle; Theâtre anglais ; 17e siecle ; Histoire et critique; Amour dans la litterature; Theâtre anglais ; 16e siecle ; Histoire et critique; English drama ; 17th century ; History and criticism; Erotik ; Motiv; Drama; Women and literature; Women; Sex in literature; Renaissance; Love in literature; Literary form; English drama ; Early modern and Elizabethan; English drama; Geschichte (1580-1625); Liebe, ...; Renaissance ; Great Britain; Women ; Great Britain ; History; Women and literature ; Great Britain ; History; Englisch, ...; Geschichte (1580-1640); Geschichte 1500-1600; Liebe; Sexualität; Liebe ; Motiv; Englisch; England; History; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xi, 240 p. )
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  4. Legal tender
    love and legitimacy in the East German cultural imagination
    Erschienen: 2010
    Verlag:  Cornell University Press, Ithaca, New York ; Cornell University Library

    At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist... mehr

    Zugang:
    Verlag (kostenfrei)
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    keine Fernleihe

     

    At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office. But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere. Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)