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  1. A companion to the Harlem Renaissance
    Beteiligt: Sherrard-Johnson, Cherene (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Chichester, West Sussex, UK

    "A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s"--Provided by publisher Machine... mehr

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    "A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s"--Provided by publisher Machine generated contents note: 1. What Renaissance?: A Deep Genealogy of Black Culture in Nineteenth-Century New York City / Cherene Sherrard-Johnson -- 2. Postbellum, Pre-Harlem: Black Writing before the Renaissance / Carla L. Peterson -- 3. Harlem Nights: Expressive Culture, Popular Performance, and the New Negro / Andreá N. Williams -- 4. The New Negro and the New South / Jayna Brown -- 5."All the loving words I never dared to speak": Angelina Weld Grimké's Sapphic Modernism / Erin D. Chapman -- 6. Modernism and the Urban Frontier in the Work of Dorothy West and Helene Johnson / Maureen Honey -- 7. Blueprints for Negro Reading: Sterling Brown's Study Guides / Cynthia Davis / Verner D. Mitchell -- 8. Fashioning Internationalism in Jessie Redmon Fauset's Writing / Sonya Posmentier -- 9. The New Negro Iconoclast, or, The Curious Case of George Samuel Schuyler / Elizabeth M. Sheehan -- 10. Nella Larsen's Spiritual Strivings / Ivy G. Wilson. Note continued: 11. Pastoral and the Problem of Place in Claude McKay's Harlem Shadows / Kathy L. Glass -- 12. Gwendolyn Bennett: A Leading Voice of the Harlem Renaissance / Jennifer Chang -- 13. Reconsidering the Literary Career of Chicago's Zara Wright / Belinda Wheeler -- 14."Betwixt and between": Zora Neale Hurston In[--]and Out[--]of Harlem / Rynetta Davis -- 15. Salon Cultures and Spaces of Culture Edification / Carla Kaplan -- 16. The Sensuous Harlem Renaissance: Sexuality and Queer Culture / André M. Carrington -- 17. Changing Optics: Harlem Renaissance Theater and Performance / Shane Vogel -- 18. Phonography, Race Records, and the Blues Poetry of Langston Hughes / Soyica Diggs Colbert -- 19. Between a Rock and a Hard Place: Sculpture of the Harlem Renaissance / Lisa Hollenbach -- 20. Authenticity and the Boundaries of Blackness / Kirsten Pai Buick -- 21. Black Marxism and the Literary Left / J. Martin Favor. Note continued: 22."Light, bright and damn near white": Representations of Mixed Race in the Harlem Renaissance / Gary Edward Holcomb -- 23. The Aesthetics of Anticipation: The Harlem Renaissance and the Black Arts Movement / Michele Elam -- 24. The "Lost Years" or a "Decade of Progress"?: African American Writers and the Second World War / Margo Natalie Crawford -- 25. Ethiopia in the Verse of the Late Harlem Renaissance / Vaughn Rasberry -- 26. Mapping the Harlem Renaissance in the Americas / Nadia Nurhussein -- 27. Virtual Harlem: Experiencing the New Negro Renaissance / Michael Soto.

     

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  2. A companion to African American literature
    Erschienen: 2010
    Verlag:  Wiley-Blackwell, Chichester, West Sussex

    A COMPANION TO AFRICAN AMERICAN LITERATURE; Contents; Notes on Contributors; Introduction; Part I: The Literatures of Africa, Middle Passage, Slavery, and Freedom: The Early and Antebellum Periods, c.1750-1865; 1: Back to the Future:... mehr

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    A COMPANION TO AFRICAN AMERICAN LITERATURE; Contents; Notes on Contributors; Introduction; Part I: The Literatures of Africa, Middle Passage, Slavery, and Freedom: The Early and Antebellum Periods, c.1750-1865; 1: Back to the Future: Eighteenth-Century Transatlantic Black Authors; 2: Africa in Early African American Literature; 3: Ports of Call, Pulpits of Consultation: Rethinking the Origins of African American Literature; 4: The Constitution of Toussaint: Another Origin of African American Literature; 5: Religion in Early African American Literature; 6: The Economies of the Slave Narrative Through a series of essays that explore the forms, themes, genres, historical contexts, major authors, and latest critical approaches, A Companion to African American Literature presents a comprehensive chronological overview of African American literature from the eighteenth century to the modern day: Examines African American literature from its earliest origins, through the rise of antislavery literature in the decades leading into the Civil War, to the modern development of contemporary African American cultural media, literary aesthetics, and political ideologies; Addresses the latest cri

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781444323481; 1444323482; 9781444331622; 1444331620
    Weitere Identifier:
    Schriftenreihe: Blackwell companions to literature and culture
    Schlagworte: American literature; African Americans; African Americans in literature; African Americans; American literature; African Americans in literature; African Americans ; Intellectual life; American literature ; African American authors; Literatur; Schwarze; USA; LITERARY CRITICISM ; American ; General
    Umfang: Online Ressource (xiii, 467 p.)
    Bemerkung(en):

    Includes bibliographical references and indexes. - Description based on print version record

  3. Impossible stories
    on the space and time of Black destructive creation
    Erschienen: [2021]; © 2021
    Verlag:  The Ohio State University Press, Columbus

    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma... mehr

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    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma work ; Of shadows and diamonds ; Elliptical in love dot dot dot -- Third arrangement; Transmissions from out of nowhere. Prelude: No place, not any place, out of place ; Nowheresville ; Stanky shrines and hollow bastions -- Outro: Out of time in the middle of nowhere. "Merging theory and praxis, Murillo engages with Gayl Jones's Corregidora, Octavia Butler's Kindred, Toni Morrison's Beloved, Kiese Laymon's Long Division, Dionne Brand's A Map to the Door of No Return, and Paul Beatty's The Sellout to show how Afro-pessimism offers new ways to think about anti-Black racism and practice Black creativity"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814257777; 0814257771; 9780814214596; 0814214592
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: American literature; Racism; African Americans; African Americans; Race relations in literature; Space and time in literature; African Americans ; Intellectual life; African Americans ; Race identity; American literature ; African American authors; Race relations in literature; Racism; Space and time in literature; Criticism, interpretation, etc
    Umfang: viii, 205 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 195-199) and index

  4. Thinking through crisis
    depression-era Black literature, theory, and politics
    Autor*in: Ford, James E.
    Erschienen: 2020
    Verlag:  Fordham University Press, New York

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0823286916; 9780823286911
    Schriftenreihe: Commonalities
    Schlagworte: American literature; American literature; Depressions; American literature; American literature ; African American authors; Depressions; Race relations; United States; Criticism, interpretation, etc
    Umfang: x, 353 Seiten, 23 cm
  5. Laughing fit to kill
    black humor in the fictions of slavery
    Erschienen: 2008
    Verlag:  Oxford University Press, Oxford

    Introduction; 1 "Laffin' fit ter kill": Black Humor in the Fiction of William Wells Brown and Charles W. Chesnutt; 2 The Conjurer Recoils: Slavery in Richard Pryor's Performances and Chappelle's Show; 3 Conjuring the Mysteries of Slavery: Voodoo,... mehr

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    Introduction; 1 "Laffin' fit ter kill": Black Humor in the Fiction of William Wells Brown and Charles W. Chesnutt; 2 The Conjurer Recoils: Slavery in Richard Pryor's Performances and Chappelle's Show; 3 Conjuring the Mysteries of Slavery: Voodoo, Fetishism, and Stereotype in Ishmael Reed's Flight to Canada; 4 "A Comedy of the Grotesque": Robert Colescott, Kara Walker, and the Iconography of Slavery; 5 The Tragicomedy of Slavery in Suzan-Lori Parks's Early Plays; Notes; Bibliography; Index. Introduction. 1. "Laffin fit ter kill:" Black Humor in the Fiction of William Wells Brown and Charles W. Chesnutt. 2. The Conjurer Recoils: Slavery in Richard Pryor and Chappelle's Show. 3. Conjuring the Mysteries of Slavery: Voodoo, Fetishism, and Stereotype in Ishmael Reed's Flight to Canada. 4. "A Comedy of the Grotesque": Robert Colescott, Kara Walker and the Iconography of Slavery. 5. The Tragicomedy of Slavery in Suzan-Lori Parks' Early Plays. Notes. Bibliography. Index

     

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  6. Changing the Subject
    Writing Women across the African Diaspora
    Erschienen: 2014
    Verlag:  The Ohio State University Press, Columbus

    In Changing the Subject: Writing Women across the African Diaspora, K. Merinda Simmons argues that, in first-person narratives about women of color, contexts of migration illuminate constructions of gender and labor. These constructions and... mehr

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    In Changing the Subject: Writing Women across the African Diaspora, K. Merinda Simmons argues that, in first-person narratives about women of color, contexts of migration illuminate constructions of gender and labor. These constructions and migrations suggest that the oft-employed notion of “authenticity” is not as useful a classification as many feminist and postcolonial scholars have assumed. Instead of relying on so-called authentic feminist journeys and heroines for her analysis, Simmons calls for a self-reflexive scholarship that takes seriously the scholar’s own role in constructing the subject. The starting point for this study is the nineteenth-century Caribbean narrative The History of Mary Prince (1831). Simmons puts Prince’s narrative in conversation with three twentieth-century novels: Zora Neale Hurston’s Their Eyes Were Watching God, Gloria Naylor’s Mama Day, and Maryse Condé’s I, Tituba, Black Witch of Salem. She incorporates autobiography theory to shift the critical focus from the object of study—slave histories—to the ways people talk about those histories and to the guiding interests of such discourses. In its reframing of women’s migration narratives, Simmons’s study unsettles theoretical certainties and disturbs the very notion of a cohesive diaspora.

     

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  7. Shaping Words to Fit the Soul
    The Southern Ritual Grounds of Afro-Modernism
    Erschienen: 2009
    Verlag:  Ohio State University Press, Columbus

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814271452; 0814271456
    Schlagworte: Modernism (Music); American literature; Modernism (Literature); Allman Brothers Band ; Criticism and interpretation; American literature ; African American authors ; History and criticism; Handy, W. C ; (William Christopher) ; 1873-1958 ; Criticism and interpretation; Jones, Tayari ; Criticism and interpretation; Wright, Richard ; 1908-1960 ; Criticism and interpretation; Toomer, Jean ; 1894-1967 ; Criticism and interpretation; Douglass, Frederick ; 1818-1895 ; Criticism and interpretation; Hip-Hop ; gnd; Jazz ; gnd; Blues ; gnd; Mündliche Überlieferung ; gnd; Literatur ; gnd; Schwarze ; swd; USA ; Südstaaten ; gnd; Handy, W. C ; (William Christopher) ; 1873-1958 ; Criticism and interpretation; Jones, Tayari ; Criticism and interpretation; Wright, Richard ; 1908-1960 ; Criticism and interpretation; Toomer, Jean ; 1894-1967 ; Criticism and interpretation; Douglass, Frederick ; 1818-1895 ; Criticism and interpretation; Modernism (Music); Modernism (Literature); MUSIC ; General; Modernisme (Litterature); Modernisme (Musique); Allman Brothers Band; Hip-Hop; Jazz; Blues; Mündliche Überlieferung; Literatur; Douglass, Frederick ; 1818-1895; Handy, W. C ; (William Christopher) ; 1873-1958; American literature ; African American authors; Jones, Tayari; Toomer, Jean ; 1894-1967; Wright, Richard ; 1908-1960; Schwarze; USA ; Südstaaten; Criticism, interpretation, etc
    Weitere Schlagworte: Handy, W. C (1873-1958); Jones, Tayari; Wright, Richard (1908-1960); Toomer, Jean (1894-1967); Douglass, Frederick (1818-1895)
    Umfang: 1 Online-Ressource (x, 192 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 163-181) and index. - Description based on print version record

  8. A little devil in America
    in praise of black performance
    Erschienen: 2021
    Verlag:  Allen Lane, UK

    Performing miracles. On times I have forced myself to dance ; On marathons and tunnels ; On going home as performance ; An epilogue for Aretha -- Suspending disbelief. On times I have forced myself to dance ; This one goes out to all the magical... mehr

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    Performing miracles. On times I have forced myself to dance ; On marathons and tunnels ; On going home as performance ; An epilogue for Aretha -- Suspending disbelief. On times I have forced myself to dance ; This one goes out to all the magical Negroes ; Sixteen ways of looking at blackface ; On certain and uncertain movement of limbs ; Nine considerations of Black people in space -- On matters of country/Provenance. On times I have forced myself to dance ; The Josephine Baker monument can never be large enough ; It is safe to say I have lost many games of spades ; My favorite thing about Don Shirley ; I would like to give Merry Clayton her roses ; Beyoncé performs at the Super Bowl and I think about all the jobs I've hated -- Anatomy of closeness//Chasing blood. On times I have forced myself to dance ; The beef sometimes begins with a dance move ; Fear: a crown ; On the performance of softness ; Board up the doors, tear down the walls -- Callings to remember. On times I have forced myself not to dance "At the March on Washington in 1963, Josephine Baker was 57 years old, well beyond her most prolific days. But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. "I was a devil in other countries, and I was a little devil in America, too," she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines - whether it's the 27 seconds in "Gimme Shelter" in which Merry Clayton wails the words "rape, murder", a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt - has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance. Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space - from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio"--Publisher's description

     

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  9. The indignant generation
    a narrative history of African American writers and critics, 1934-1960
    Erschienen: ©2011
    Verlag:  Princeton University Press, Princeton, N.J

    Irredeemable promise : the bittersweet career of J. Saunders Redding -- Three swinging sisters : Harlem, Howard, and the South Side (1934-1936) -- The Black avant-garde between Left and Right (1935-1939) -- A new kind of challenge (1936-1939) -- The... mehr

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    Irredeemable promise : the bittersweet career of J. Saunders Redding -- Three swinging sisters : Harlem, Howard, and the South Side (1934-1936) -- The Black avant-garde between Left and Right (1935-1939) -- A new kind of challenge (1936-1939) -- The triumph of Chicago realism (1938-1940) -- Bigger Thomas among the liberals (1940-1943) -- Friends in need of Negroes : Bucklin Moon and Thomas Sancton (1942-1945) -- "Beating that boy" : white writers, critics, editors, and the Liberal Arts Coalition (1944-1949) -- Afroliberals and the end of World War II (1945-1946) -- Black futilitarianists and the welcome table (1945-1947) -- The peril of something new, or, the decline of social realism (1947-1948) -- The Negro new liberal critic and the big little magazine (1948-1949) -- The communist dream of African American modernism (1947-1950) -- The insinuating poetics of the mainstream (1949-1950) -- Still looking for freedom (1949-1954) -- The expatriation : the price of Brown and the new Bohemians (1952-1955) -- Liberal friends no more : the rubble of white patronage (1956-1958) -- The end of the Negro writer (1955-1960) -- The reformation of Black new liberals (1958-1960) -- Prometheus unbound (1958-1960). This the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this study, the author recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As he shows, through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, this work paints a portrait of American intellectual and artistic life in the mid-twentieth century

     

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  10. The Black aesthetic unbound
    theorizing the dilemma of eighteenth-century African American literature
    Erschienen: ©2008
    Verlag:  Ohio State University Press, Columbus

    The dilemma of a ghost : early African American literature and its mournings/moorings -- What a difference a "way" makes : Wheatley's ways of knowing -- Kaleidoscopic re-memory in Equiano's Interesting narrative : shifting the lens to replace the... mehr

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    The dilemma of a ghost : early African American literature and its mournings/moorings -- What a difference a "way" makes : Wheatley's ways of knowing -- Kaleidoscopic re-memory in Equiano's Interesting narrative : shifting the lens to replace the landscapes -- Reading "others" in eighteenth-century Afro-British American literature : the promise and the dilemma of new ways of reading. During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C. E. Langley's The Black Aesthetic Unbound exposes the dilemma of the literal, metaphorical, and rhetorical question, "What is African in African American literature?" Confronting the undeniable imprints of West African culture and consciousness in early black writing such as Olaudah Equiano's The Interesting Narrative or Phillis Wheatley's poetry, the author conceives eighteenth-century Black Experience to be literally and figuratively encompassing and inextricably linked to Africa, Europe, and America. Consequently, this book has three aims: to locate the eighteenth century as the genesis of the cultural and historical movements which mark twentieth-century black aestheticism--known as the Black Aesthetic; to analyze problematic associations of African identity as manifested in an essentialized Afro-America; and to study the relationship between specific West African modes of thought and expression and the emergence of a black aesthetic in eighteenth-century North America. By exploring how Senegalese, Igbo, and other West African traditions provide striking new lenses for reading poetry and prose by six significant writers, Langley offers a fresh perspective on this important era in our literary history. Ultimately, the author confronts the difficult dilemma of how to use diasporic, syncretic, and vernacular theories of Black culture to think through the massive cultural transformations wrought by the Middle Passage

     

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  11. Teaching African American literature through experiential praxis
    African American writers in Europe
    Erschienen: [2020]; © 2020
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    1. Introduction -- 2. Travel in African American Literature -- 3. Before you go: Preparation, Objectives and Goals of the course, Pre-Assessment Tools -- 4. Victor Sejour "The Mulatto": Creole Traditions and the Abolitionist Movement -- 5. Field... mehr

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    1. Introduction -- 2. Travel in African American Literature -- 3. Before you go: Preparation, Objectives and Goals of the course, Pre-Assessment Tools -- 4. Victor Sejour "The Mulatto": Creole Traditions and the Abolitionist Movement -- 5. Field Studies in the United States: Nella Larsen and Richard Wrights connections to Chicago and New York City Passing and Black Boy -- 6. Richard Wright The Wright Era: "Blueprint for Negro Writing" -- 7. Baldwin Notes on A Native Son and Understandings of Race, Gender, Sexuality, and Nationality -- 8. Larsens novella Quicksand: Exploring Exoticism and Xenophobia with Cultural Excursions -- 9. Lynn Nottages Las Meninas Reclaiming Historical Figures "The Black Nun of Moret" and Versailles -- 10. Conclusion: Students Opportunities for Reflections Moving Beyond Limits (Expectations vs. Reality). This book focuses on teaching African American literature through experiential praxis. Specifically, the book presents several canonical African American literature authors in a study abroad context. The book chapters consider the historical implications of travel within the African American literature tradition including slave narratives, migration narratives, and expatriate narratives. The book foregrounds this tradition and includes activities, rhetorical prompts, and thematic discussion that support instruction

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3030485943; 9783030485948
    RVK Klassifikation: HR 1728
    Schriftenreihe: Palgrave pivot
    Schlagworte: American literature; American literature; American literature ; African American authors; Criticism, interpretation, etc
    Umfang: x, 132 Seiten, 21 cm
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    Includes bibliographical references and index

  12. Romance, diaspora, and black Atlantic literature
    Autor*in: Goyal, Yogita
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge, UK

    "Romance, Diaspora, and Black Atlantic Literature offers a rich, interdisciplinary treatment of modern black literature and cultural history, showing how debates over Africa in the works of major black writers generated productive models for... mehr

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    "Romance, Diaspora, and Black Atlantic Literature offers a rich, interdisciplinary treatment of modern black literature and cultural history, showing how debates over Africa in the works of major black writers generated productive models for imagining political agency. Yogita Goyal analyzes the tensions between romance and realism in the literature of the African diaspora, examining a remarkably diverse group of twentieth-century authors, including W.E.B. Du Bois, Chinua Achebe, Richard Wright, Ama Ata Aidoo and Caryl Phillips. Shifting the center of black diaspora studies by considering Africa as constitutive of black modernity rather than its forgotten past, Goyal argues that it is through the figure of romance that the possibility of diaspora is imagined across time and space. Drawing on literature, political history, and postcolonial theory, this significant addition to the cross-cultural study of literatures will be of interest to scholars of African American studies, African studies, and American literary studies."--Provided by publisher Introduction: the romance of diaspora -- From domestic allegory to imperial romance: Pauline Hopkins and racial mixture -- From double consciousness to diaspora: W.E.B. Du Bois and black internationalism -- From nativism to nationalism: Joseph Casely Hayford, Chinua Achebe, and colonial modernity -- From romance to realism: Richard Wright and nation time -- From revolution to arrested decolonization: Ama Ata Aidoo and the long view of history -- From return to redemption: Caryl Phillips and postcolonial hybridity.

     

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  13. The logic of slavery
    debt, technology, and pain in American literature
    Autor*in: Armstrong, Tim
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "In American history and throughout the Western world, the subjugation perpetuated by slavery has created a unique "culture of slavery." That culture exists as a metaphorical, artistic, and literary tradition attached to the enslaved - human beings... mehr

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    "In American history and throughout the Western world, the subjugation perpetuated by slavery has created a unique "culture of slavery." That culture exists as a metaphorical, artistic, and literary tradition attached to the enslaved - human beings whose lives are "owed" to another, who are used as instruments by another, and who must endure suffering in silence. Tim Armstrong explores the metaphorical legacy of slavery in American culture by investigating debt, technology, and pain in African-American literature and a range of other writings and artworks. Armstrong's careful analysis reveals how notions of the slave as a debtor lie hidden in our accounts of the commodified self and how writers like Nathaniel Hawthorne, Rebecca Harding Davis, Booker T. Washington, W.E.B. Du Bois, Ralph Ellison, and Toni Morrison grapple with the pervasive view that slaves are akin to machines. Finally, Armstrong examines how conceptions of the slave as a container of suppressed pain are reflected in disciplines as diverse as art, sculpture, music, and psychology"-- Introduction -- 1. Slavery, insurance, and sacrifice: the embodiment of capital -- 2. Debt, self-redemption, and foreclosure -- 3. Machines inside the machine: slavery and technology -- 4. The hands of others: sculpture and pain -- 5. The sonic veil -- 6. Slavery in the mind: trauma and the weather.

     

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  14. Cultivation and catastrophe
    the lyric ecology of modern Black literature
    Erschienen: 2017
    Verlag:  Johns Hopkins University Press, Baltimore

    "At the intersection of social and environmental history there has emerged a rich body of black literary response to natural and agricultural experiences, whether the legacy of enforced agricultural labor or of the destruction and displacement... mehr

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    "At the intersection of social and environmental history there has emerged a rich body of black literary response to natural and agricultural experiences, whether the legacy of enforced agricultural labor or of the destruction and displacement brought about by a hurricane. In Cultivation and Catastrophe, Sonya Posmentier uncovers a vivid diasporic tradition of black environmental writing that responds to the aftermath of plantation slavery, urbanization, and free and forced migrations. While humanist discourses of African American and postcolonial studies often sustain a line between nature and culture, this book instead emphasizes the relationship between them, offering an innovative environmental history of modern black literature. Posmentier argues that environmental experiences of growth and rupture define the literature of black freedom, an archive that ranges from sonnets, mini-epics, documentary poems, periodicals, and novels to blues songs, dancehall productions, and ethnographic writing. In turn, this literature generates important and surprising models for ecological thought. Claude McKay, for example, connects rows of potatoes to the poetic line; Zora Neale Hurston composes rhythmic communal lyrics in the Florida "muck" following a deadly hurricane; and Derek Walcott critiques property-based ecological relations through the archipelagic shape of his mid-career poetry. Posmentier examines how these writers, along with Gwendolyn Brooks, Bessie Smith, Sterling Brown, Lloyd Lovindeer, Kamau Brathwaite, and others give voice to racialized experiences of alienation from the land while simultaneously envisioning a modern poetics of survival, repair, and generation. Going against the grain of scholarship that has situated modern black diasporic agency largely in metropolitan sites, Posmentier traces a black literary history of environmental and social disaster while exploring the possibilities and limits of poetry as an archive for black modern culture in its many forms. This pathbreaking book offers stunning new insight into modern black literature, environmental humanities, and poetry and poetics"-- Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART 1: CULTIVATION; 1 Cultivating the New Negro: The Provision Ground in New York; 2 Cultivating the Nation: The Reterritorialization of Black Poetry at Midcentury; 3 Cultivating the Caribbean: "The Star-Apple Kingdom," Property, and the Plantation; PART 2: CATASTROPHE; 4 Continuing Catastrophe: The Flood Blues of Sterling Brown and Bessie Smith; 5 Collecting Catastrophe: How the Hurricane Roars in Zora Neale Hurston's; 6 Collecting Culture: Hurricane Gilbert's Lyric Archive; Coda: Unnatural Catastrophe NotesBibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z

     

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  15. In the life
    a Black gay anthology
    Autor*in: Beam, Joseph
    Erschienen: ©2008
    Verlag:  RedBone Press, Washington, DC

    Stepping out -- Cut off from among their people -- Creating community -- Brother/father/lover/son -- Speaking for ourselves -- Stepping into tomorrow ... -- Contributor's biographies -- Resource listing -- Updated biographies. These authors explore... mehr

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
    500 HU 1728 B366
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    Stepping out -- Cut off from among their people -- Creating community -- Brother/father/lover/son -- Speaking for ourselves -- Stepping into tomorrow ... -- Contributor's biographies -- Resource listing -- Updated biographies. These authors explore what it means to be doubly different--both black and gay--in modern America

     

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  16. On the shoulders of giants
    celebrating African American authors of young adult literature
    Beteiligt: Bickmore, Steven T. (HerausgeberIn); Clark, Shanetia P. (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  Rowman & Littlefield, Lanham

    "This first book in a three volume series celebrates and examines the work of four African American authors of young adult literature. They are Virginia Hamilton, Julius Lester, Walter Dean Myers, and Mildred D. Taylor; they serve as the foundation... mehr

    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Kiel, Zentralbibliothek
    371.10 | BIC | Ont
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    "This first book in a three volume series celebrates and examines the work of four African American authors of young adult literature. They are Virginia Hamilton, Julius Lester, Walter Dean Myers, and Mildred D. Taylor; they serve as the foundation of young adult literature and provide robust stories that center and illuminate African American youth. In addition, this volume also examines the role of the Coretta Scott King Award in promoting access and visibility to authors and illustrators who shine a spotlight on African American youth and society. The chapter authors--librarians and established and emerging scholars in the field of young adult literature--survey the work of Hamilton, Lester, Myers, or Taylor; their accolades; and how audiences initially responded to their work. Each chapter highlights a single work and discusses how it might be taught, providing pre, during, and post reading activities or, in some cases, individual, small group, or whole class activities. This volume is a resource for classroom teachers, teacher educators, reading specialists, librarians, and other educators who study, research, and read young adult literature. This first volume supplements studies in the foundations of African American authors of young adult literature and explorations of critical works by these authors."--Provided by publisher

     

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  17. Impossible stories
    on the space and time of Black destructive creation
    Erschienen: [2021]; © 2021
    Verlag:  The Ohio State University Press, Columbus

    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 136322
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentrale Hochschulbibliothek Flensburg
    HU 1728 M977
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    PD 450.170
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma work ; Of shadows and diamonds ; Elliptical in love dot dot dot -- Third arrangement; Transmissions from out of nowhere. Prelude: No place, not any place, out of place ; Nowheresville ; Stanky shrines and hollow bastions -- Outro: Out of time in the middle of nowhere. "Merging theory and praxis, Murillo engages with Gayl Jones's Corregidora, Octavia Butler's Kindred, Toni Morrison's Beloved, Kiese Laymon's Long Division, Dionne Brand's A Map to the Door of No Return, and Paul Beatty's The Sellout to show how Afro-pessimism offers new ways to think about anti-Black racism and practice Black creativity"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814257777; 0814257771; 9780814214596; 0814214592
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: American literature; Racism; African Americans; African Americans; Race relations in literature; Space and time in literature; African Americans ; Intellectual life; African Americans ; Race identity; American literature ; African American authors; Race relations in literature; Racism; Space and time in literature; Criticism, interpretation, etc
    Umfang: viii, 205 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 195-199) and index

  18. The Black Aesthetic Unbound
    Theorizing the Dilemma of Eighteenth-Century African-American Literature
    Erschienen: 2008
    Verlag:  Ohio State University Press, Columbus

    During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C.E. Langley's The Black Aesthetic Unbound... mehr

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    During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C.E. Langley's The Black Aesthetic Unbound exposes the dilemma of the literal, metaphorical, and rhetorical question, "What is African in African American literature?" Confronting the undeniable imprints of West African culture and consciousness in early black writing such as Olaudah Equiano's The Interesting Narrative or Phillis Wheatley's poetry, the author conceives eighteenth-century Black Experience to be literally and figuratively encompassing and inextricably linked to Africa, Europe, and America. Consequently, this book has three aims: to locate the eighteenth century as the genesis of the cultural and historical movements which mark twentieth-century black aestheticism--known as the Black Aesthetic; to analyze problematic associations of African identity as manifested in an essentialized Afro-America; and to study the relationship between specific West African modes of thought and expression and the emergence of a black aesthetic in eighteenth-century North America. By exploring how Senegalese, Igbo, and other West African traditions provide striking new lenses for reading poetry and prose by six significant writers, Langley offers a fresh perspective on this important era in our literary history. Ultimately, the author confronts the difficult dilemma of how to use diasporic, syncretic, and vernacular theories of Black culture to think through the massive cultural transformations wrought by the Middle Passage

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814271940; 0814271944
    Schlagworte: Aesthetics, Black; American literature; American literature; American literature; American literature; American literature; Equiano, Olaudah ; 1745- ; Interesting narrative of the life of Olaudah Equiano; Aidoo, Ama Ata ; 1942- ; Dilemma of a ghost; Wheatley, Phillis ; 1753-1784 ; Criticism and interpretation; American literature ; 1783-1850 ; History and criticism; American literature ; Revolutionary period, 1775-1783 ; History and criticism; American literature ; Colonial period, ca. 1600-1775 ; History and criticism; American literature ; African American authors ; History and criticism; Literatur ; gnd; Equiano, Olaudah ; 1745-1797 ; Interesting narrative of the life of Olaudah Equiano; Litterature americaine ; Auteurs noirs ; ram; Ästhetik ; gnd; Schwarze ; gnd; Schwarze ; swd; USA ; swd; USA ; gnd; Aesthetics, Black; American literature ; African influences; LITERARY CRITICISM ; General; Esthetique noire; Litterature americaine ; 1783-1850 ; Histoire et critique; Litterature americaine ; 1775-1783 (Periode revolutionnaire) ; Histoire et critique; Litterature americaine ; ca 1600-1775 (Periode coloniale) ; Histoire et critique; Litterature americaine ; Influence africaine; Interesting narrative of the life of Olaudah Equiano (Equiano, Olaudah); American literature ; African American authors; American literature; Wheatley, Phillis ; 1753-1784; Litterature americaine ; Auteurs noirs; Ästhetik; Schwarze; Literatur; American literature ; Revolutionary period (United States); American literature ; Colonial period; Schwarze; USA; USA; Criticism, interpretation, etc
    Weitere Schlagworte: Aidoo, Ama Ata (1942-): Dilemma of a ghost; Equiano, Olaudah (1745-1797): Interesting narrative of the life of Olaudah Equiano; Wheatley, Phillis (1753-1784)
    Umfang: 1 Online-Ressource (xiv, 210 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 185-197) and index. - Description based on print version record

  19. Cross-Cultural Visions in African American Modernism
    From Spatial Narrative to Jazz Haiku
    Erschienen: 2006
    Verlag:  Ohio State University Press, Columbus

    Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright’s literary manifesto “Blueprint for Negro Writing” in 1937. Hakutani dissects and discusses the cross-cultural influences... mehr

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    Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright’s literary manifesto “Blueprint for Negro Writing” in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats’s symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel’s jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.

     

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  20. Mutha' Is Half A Word
    Intersection of Folklore, Vernacular, Myth, and Queerness in Black Female Culture
    Erschienen: 2007
    Verlag:  Ohio State University Press, Columbus

    Mutha’ is Half a Word: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture explores the importance of sexual desire in the formation of radical Black females’ subjectivities in Black women’s culture through the trope of... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Mutha’ is Half a Word: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture explores the importance of sexual desire in the formation of radical Black females’ subjectivities in Black women’s culture through the trope of the indefinable trickster figure. L. H. Stallings offers distinct close readings of understudied African American women’s texts through a critical engagement with folklore and queer theory. To date, most studies on the trickster figure have rarely reflected the boldness and daring of the figure itself. Emblematic of change and transgression, the trickster has inappropriately become the methodological tool for conservative cultural studies analysis. Mutha’ is Half a Word strives to break that convention. This book provides a much-needed analysis of trickster tradition in regard to gender, sexuality, and Black female sexual desire. It is the only study to focus specifically on trickster figures and African American female culture. In addition, it contributes to conversations regarding the cultural representation of Black female desire in ways that are not strategically invested in heteronormative binaries of male/female and heterosexual/homosexual. The study is distinctly different because it explores folklore, vernacular, and trickster strategies of queerness alongside theories of queer studies to create new readings of desire in literary texts, hip-hop and neo-soul music, and comedic performances by Black females.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814272138; 0814272134
    Schriftenreihe: Black performance and cultural criticism
    Schlagworte: African American women; African American women; African American women; Gender identity in literature; Lesbianism in literature; African American women in literature; American literature; American literature; African American women ; Folklore; American literature ; Women authors ; History and criticism; American literature ; African American authors ; History and criticism; Ethnische Identität ; gnd; Frauenliteratur ; gnd; Kulturelle Identität ; gnd; Homosexualität ; gnd; Schwarze Frau ; gnd; USA ; swd; African American women ; Intellectual life; African American women ; Race identity; Gender identity in literature; Lesbianism in literature; African American women in literature; SOCIAL SCIENCE ; Gay Studies; Noires americaines ; Folklore; Noires americaines ; Vie intellectuelle; Noires americaines ; Identite ethnique; Identite sexuelle dans la litterature; Lesbianisme dans la litterature; Écrits de femmes americains ; Histoire et critique; African American women; Homosexualität; Kulturelle Identität; American literature ; Women authors; American literature ; African American authors; Frauenliteratur; Ethnische Identität; Schwarze Frau; USA; Folklore; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xv, 334 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 311-328) and index. - Description based on print version record

  21. Notable African American writers
    Beteiligt: Evans, Robert C. (HerausgeberIn)
    Erschienen: [2020]
    Verlag:  Salem Press, Ipswich, Massachusetts

    Ai -- Maya Angelou -- James Baldwin -- Toni Cade Bambara -- Amiri Baraka -- Arna Wendell Bontemps -- Edward Kamau Brathwaite -- Gwendolyn Brooks -- Sterling A. Brown -- Ed Bullins -- Octavia E. Butler -- Bebe Moore Campbell -- Barbara Chase-Riboud --... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Ai -- Maya Angelou -- James Baldwin -- Toni Cade Bambara -- Amiri Baraka -- Arna Wendell Bontemps -- Edward Kamau Brathwaite -- Gwendolyn Brooks -- Sterling A. Brown -- Ed Bullins -- Octavia E. Butler -- Bebe Moore Campbell -- Barbara Chase-Riboud -- Charles Waddell Chesnutt -- Alice Childress -- Lucille Clifton -- Ta-Nehisi Coates -- Teju Cole -- Countee Cullen -- Edwidge Danticat -- Samuel R. Delany -- Toi Derricotte -- Owen Dodson -- Frederick Douglass -- Rita Dove -- W. E. B. Du Bois -- Paul Laurence Dunbar -- Michael Eric Dyson -- Cornelius Eady -- Lonne Elder III -- Ralph Ellison -- Percival Everett -- Jessie Redmon Fauset -- Charles Fuller -- Ernest J. Gaines -- Henry Louis Gates, Jr -- Roxane Gay -- Nikki Giovanni -- Alex Haley -- Virginia Hamilton -- Lorraine Hansberry -- Michael S. Harper -- Robert Hayden -- Terrance Hayes -- Chester Himes -- bell hooks -- Langston Hughes -- Zora Neale Hurston -- Charles Johnson -- June Jordan -- Adrienne Kennedy -- Jamaica Kincaid -- Martin Luther King, Jr -- Etheridge Knight -- Yusef Komunyakaa -- Nella Larsen -- Audre Lorde -- Haki R. Madhubuti -- Clarence Major -- Paule Marshall -- Dawn Lundy Martin -- James McBride -- Claude McKay -- Reginald McKnight -- Terry McMillan -- James Alan McPherson -- Dinaw Mengestu -- Toni Morrison -- Walter Dean Myers -- Gloria Naylor -- Lynn Nottage -- Gordon Parks, Sr -- Suzan-Lori Parks -- Ann Petry -- Dudley Randall -- Claudia Rankine -- Ishmael Reed -- Sonia Sanchez -- Ntozake Shange -- Anna Deavere Smith -- Tracy K. Smith -- Jean Toomer -- Natasha Trethewey -- Alice Walker -- Joseph A. Walker -- Booker T. Washington -- Cornel West -- Phillis Wheatley -- Colson Whitehead -- John Edgar Wideman -- John A. Williams -- August Wilson -- Jacqueline Woodson -- Jay Wright -- Richard Wright -- Frank Yerby -- Al Young -- Genre Essasys -- African American Drama -- African American Poetry -- African American Long Fiction -- African American Short Fiction -- Bibliography -- Genre Index -- Title Index -- Subject Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Evans, Robert C. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781642654073; 9781642654899; 9781642654905; 9781642654912; 1642654078; 1642654892; 1642654906; 1642654914
    Auflage/Ausgabe: Second edition
    Schlagworte: American literature; African American authors; African Americans in literature; African Americans; African American authors; African Americans in literature; African Americans ; Intellectual life; American literature ; African American authors; Literarisches Leben; Schriftsteller; Schwarze; Biographies; Dictionaries; Dictionaries
    Umfang: 3 volumes (xvii, 1084 pages), illustrations, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 1027-1060) and indexes

  22. Cultural memories of origin
    trauma, memory and imagery in African American narratives of the Middle Passage
    Autor*in: Wilker, Frank
    Erschienen: [2017]
    Verlag:  Universitätsverlag Winter, Heidelberg

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3825373762; 9783825373764
    Weitere Identifier:
    9783825361921
    Schriftenreihe: American studies (Munich, Germany) ; volume 241
    Schlagworte: American literature; American literature ; African American authors
    Umfang: 1 Online-Ressource (1 online resource)
  23. Civil rights and the environment in African-American literature, 1895-1941
    Autor*in: Claborn, John
    Erschienen: 2019
    Verlag:  Sydney, London

    Introduction -- Up from nature: racial uplift and ecological agencies in Booker T. Washington's autobiographies -- W. E. B. Du Bois at the Grand Canyon: nature, history, and race in A darkwater -- The crisis, the politics of nature, and the Harlem... mehr

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    Introduction -- Up from nature: racial uplift and ecological agencies in Booker T. Washington's autobiographies -- W. E. B. Du Bois at the Grand Canyon: nature, history, and race in A darkwater -- The crisis, the politics of nature, and the Harlem Renaissance: Effie Lee Newsome's eco-poetics -- Sawmills and swamps: ecological collectives in Zora Neale Hurston's Mules and men and Their eyes were watching God -- From black Marxism to industrial ecosystem: racial and ecological crisis in William Attaway's Blood on the forge -- Conclusion. The beginning of the 20th century marked a new phase of the battle for civil rights in America. But many of the era's most important African-American writers were also acutely aware of the importance of environmental justice to the struggle. Civil Rights and the Environment in African-American Literature is the first book to explore the centrality of environmental problems to writing from the civil rights movement in the early decades of the century. Bringing ecocritical perspectives to bear on the work of such important writers as Booker T. Washington, W.E.B. Du Bois, the writers of the Harlem Renaissance and Depression-era African-American writing, the book brings to light a vital new perspective on ecocriticism and modern American literary history

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1350111627; 9781350111622
    Weitere Identifier:
    9781350111622
    RVK Klassifikation: HU 1728
    Auflage/Ausgabe: Paperback edition
    Schriftenreihe: Environmental cultures series ; 11
    Schlagworte: American literature; Ecology in literature; Environmentalism in literature; Civil rights in literature; American literature; American literature; American literature; Ecology in literature; Environmentalism in literature; Civil rights in literature; American literature; American literature; American literature; American literature ; African American authors; Civil rights in literature; Ecology in literature; Environmentalism in literature; Criticism, interpretation, etc
    Umfang: vii, 203 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages [181]-195) and index

  24. Before Harlem
    an anthology of African American literature from the long nineteenth century
    Beteiligt: Mance, Ajuan Maria (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  The University of Tennessee Press, Knoxville

    "This anthology presents underappreciated works by African Americans active throughout the nineteenth century. Readers will find familiar names in this anthology, such as Douglass, Wells Brown, Jacobs, and Du Bois, but readers will also be introduced... mehr

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    "This anthology presents underappreciated works by African Americans active throughout the nineteenth century. Readers will find familiar names in this anthology, such as Douglass, Wells Brown, Jacobs, and Du Bois, but readers will also be introduced to lesser known and even unknown African Americans worthy of discussion, such as Solomon G. Brown, H. Cordelia Ray, and T. Thomas Fortune. Mance's intention for this volume is to offer an alternative to the Norton and Houghton Mifflin anthologies that emphasize only the canonical works of African American literature in the 19th century and to introduce students--and even professors--to a variety of writings, from poetry to journalism, by African Americans who have yet to receive their due"-- "Despite important recovery and authentication efforts during the last twenty-five years, the vast majority of nineteenth-century African American writers and their work remain unknown to today's readers. Moreover, the most widely used anthologies of black writing have established a canon based largely on current interests and priorities. Seeking to establish a broader perspective, this collection brings together a wealth of autobiographical writings, fiction, poetry, speeches, sermons, essays, and journalism that better portrays the intellectual and cultural debates, social and political struggles, and community publications and institutions that nurtured black writers from the early 1800s to the eve of the Harlem Renaissance. As editor Ajuan Mance notes, previous collections have focused mainly on writing that found a significant audience among white readers. Consequently, authors whose work appeared in African American-owned publications for a primarily black audience--such as Solomon G. Brown, Henrietta Cordelia Ray, and T. Thomas Fortune--have faded from memory. Even figures as celebrated as Frederick Douglass and Paul Laurence Dunbar are today much better known for their "cross-racial" writings than for the larger bodies of work they produced for a mostly African American readership. There has also been a tendency in modern canon making, especially in the genre of autobiography, to stress antebellum writing rather than writings produced after the Civil War and Reconstruction. Similarly, religious writings--despite the centrality of the church in the everyday lives of black readers and the interconnectedness of black spiritual and intellectual life--have not received the emphasis they deserve. Filling those critical gaps with a selection of 143 works by 65 writers, Before Harlem presents as never before an in-depth picture of the literary, aesthetic, and intellectual landscape of nineteenth-century African America and will be a valuable resource for a new generation of readers. "-- An oration on the abolition of the slave trade, delivered in the African Church, in the City of New York, January 1, 1808 /Peter Williams --A thanksgiving sermon /Absalom Jones --Letters from a man of colour, on a late bill before the Senate of Pennsylvania. Letter I /James Forten --To our patrons /Samuel Cornish and John Russwurm --The tears of a slave /Amos Beman --Theresa, a Haytien tale /S. --Gratitude ;Lines: on the evening and the morning ;Slavery ;Forbidden to ride on the street cars /George Moses Horton --Appeal to the coloured citizens of the world. Article I: our wretchedness in consequence of slavery /David Walker --An address, delivered at the African Masonic Hall, Boston, February 27, 1833 /Maria W. Stewart --Ella: a sketch ;Family worship /Sarah Mapps Douglass --Advice to young ladies ;Lines upon being examined in school studies for the preparation of a teacher ;The infant class, written in school /Ann Plato --What are the colored people doing for themselves? ;To my old master ;The heroic slave /Frederick Douglass --Letter from William W. Brown, Adelphi Hotel, York, March 26, 1851 ;Letter from William Wells Brown, Oxford, Sept. 10th, 1851 ;Clotel, or, The president's daughter. Chapter I: the negro sale ;Visit of a fugitive slave to the grave of Wilberforce ;My Southern home, or, The South and its people. Chapter IX /William Wells Brown --"Heads of the colored people," done with a whitewash brush ;The black news-vendor ;The washerwoman ;The sexton ;The schoolmaster /James McCune Smtih --From our Brooklyn correspondent, May 13, 1852 ;Afric-American picture gallery, number I /William J. Wilson --America ;Prayer of the oppressed ;A poem /James Monroe Whitfield --To Mrs. Harriet B. Stowe ;On the death of my sister Cecilia, the last of five members of the family, who died successively ;An epitaph /Joseph C. Holly --Eliza Harris ;The slave auction ;Bury me in a free land ;Enlightened motherhood: an address ... before the Brooklyn Literary Society, November 15, 1892 /Frances Ellen Watkins Harper --Sketches of slave life, or, Illustrations of the "peculiar institution." The blood of the slave ;Slaves on the auction block /Peter Randolph --From The repeal of the Missouri Compromise considered ;Loguen's position /Elymas Payson Rogers --The Rev. J.W. Loguen, as a slave and as a freeman. Chapter I-II ;Letter to Rev. J.W. Loguen, from his old mistress, and Mr. Loguen's reply /J.W. Loguen --Blake, or, The huts of America. Chapter VI: Henry's return ;Chapter VII: Master and slave ;Chapter VIII: The sale ;Chapter IX: The runaway /Martin R. Delany --Our nig: sketches from the life of a free black. Chapter I: Mag Smith, my mother ;Chapter II: My father's death ;Chapter III: A new home for me /Harriet E. Wilson --Incidents in the life of a slave girl. Chapter I: Childhood ;Chapter II: The new master and mistress ;Chapter V: The trials of girlhood ;Chapter VI: The jealous mistress /Harriet Jacobs --Liberia ;To Madame Selika /John Willis Menard --The New York riot /Solomon G. Brown --Poetry and poets. Part I, II, IV ;The critic /J. Anderson Raymond --Neglected opportunities ;On horse back: saddle dash, no. I /Edmonia Goodelle Highgate --Thanksgiving Day sermon: the social principle among a people and its bearing on their progress and development /Alexander Crumwell --Lincoln: written for the occasion of the unveiling of the freedmen's monument in memory of Abraham Lincoln, April 14, 1876 ;To my father ;Toussaint L'Ouverture ;In memoriam: Paul Laurence Dunbar /Henrietta Cordelia Ray --Black and white: land, labor, and politics in the South. Chapter XII: civilization degrades the masses ;The conclave: to the ladies of Tuskegee School ;Love's divinest power ;Come away, love /Timothy Thomas Fortune --The goophered grapevine ;Tobe's tribulations ;The free colored people of North Carolina /Charles Waddell Chesnutt --A mother's love ;Wilberforce ;The black Samson ;An epitaph /Josephine D. Henderson Heard --A voice from the South. Womanhood: a vital element in the regeneration and progress of a race /Anna Julia Cooper --A hero in ebony: a Pullman porter's story ;Hanover, or, The persecution of the lowly: a story of the Wilmington massacre. Chapter V: Molly Pierrepont ;Henry Berry Lowery, the North Carolina outlaw: a tale of the Reconstruction period /David Bryant Fulton --Southern horrors: lynch law in all its phases. Preface ;The offense ;The black and white of it /Ida B. Wells-Barnett --The intellectual progress of colored women since the Emancipation Proclamation /Fannie Barrier Williams --An autobiography: the story of the Lord's dealings with Mrs. Amanda Smith, the colored evangelist. Chapter XXXI /Amanda Smith --The newsboy ;Afro-American boy ;The warrior's lay ;Soul visions ;The superannuate /Katherine Davis Tillman --The white problem /Richard Theodore Greener --The value of race literature: an address delivered at the First Congress of Colored Women of the United States /Victoria Earle Matthews --De linin' ub de hymns ;Stickin' to de hoe /Daniel Webster Davis --Unexpressed ;Frederick Douglass ;When Malindy sings ;A Negro love song ;Little brown baby ;Dawn ;Compensation /Paul Laurence Dunbar --Voices ;Heart-throbs ;The nation's evil /Olivia Ward Bush-Banks --Imperium in imperio. Chapter I: a small beginning ;Chapter II: the school ;Chapter III: the parson's advice ;Chapter IV: the turning of a worm /Sutton E. Griggs --The American Negro: what he was, what he is, and what he may become. Chapter VII: moral lapses /William Hannibal Thomas --A Georgia episode /A Gude Deekun --Hagar's daughter: a story of Southern caste prejudice. Chapter IV-V /Pauline Hopkins --The snapping of the bow ;Me 'n' Dunbar ;Juny at the gate ;The black cat club: Negro humor & folk-lore. Chapter I: the club introduced /James D. Corrothers --The path of life ;The battleground ;The problem /Benjamin Griffith Brawley --The octoroon's revenge /Ruth D. Todd --Love's wayfaring ;Golden moonrise ;In the athenaeum looking out on the granary burying ground on a rainy day in November /William Stanley Braithwaite --What happened to Scott: an episode of election day /Augustus Hodges --Bernice, the octoroon /Marie Louise Burgess-Ware --Credo ;A litany of Atlanta ;The burden of black women ;My country, 'tis of thee /W.E.B. Du Bois --The preacher's wife, dedicated to the wives of the itinerant preachers of the M.E. Church ;Apple sauce and chicken fried ;To a spring in the Cumberlands ;The bachelor girl /Effie Waller Smith --What it means to be colored in the capital of the United States /Mary Church Terrell --From As to the leopard's spots: an open letter to Thomas Dixon, Jr. /Kelly Miller --An unheeded signal /Thomas Horatius Malone --Freedom at McNealy's ;The husband's return ;A home greeting /Priscilla Jane Thompson --Johnny's pet superstition ;Mrs. Johnson objects ;The Easter bonnet ;A lullaby /Clara Ann Thompson --The new Negro /S. Laing Williams --Grant and Lee ;Uncle Remus to Massa Joel ;The Confederate veteran and the old-time darky ;Negro love song /Joseph Seamon Cotter --Old maid's soliloquy ;What's mo' temptin' to de palate /Maggie Pogue Johnson.

     

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  25. Being property once myself
    blackness and the end of man
    Autor*in: Bennett, Joshua
    Erschienen: 2022
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Thüringer Universitäts- und Landesbibliothek
    AMK:MC:530:Ben::2022
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0674271165; 9780674271166
    Auflage/Ausgabe: First Harvard University Press paperback edition
    Schlagworte: American literature; American literature ; African American authors; Criticism, interpretation, etc
    Umfang: 213 Seiten, 21 cm
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