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The meaning of color in ancient Mesopotamia
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The royal inscriptions of Amēl-Marduk (561-560 BC), Neriglissar (559-556 BC), and Nabonidus (555-539 BC), kings of Babylon
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House of weeping
the motif of tears in Akkadian and Hebrew prayers -
From the workshop of the Mesopotamian scribe
literary and scholarly texts from the old Babylonian period -
Cuneiform Texts from the Folios of W. G. Lambert, Part Two
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The scourge of god
the Umman-manda and its significance in the first millennium BC -
Babylonian and Assyrian text commentaries
origins of interpretation -
The Neo-Assyrian myth of Ištars descent and resurrection
introduction, cuneiform text, and transliteration with a translation, glossary, and extensive commentary -
Cuneiform Texts from the Folios of W. G. Lambert, Part Two
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The Royal Inscriptions of Amēl-Marduk (561–560 BC), Neriglissar (559–556 BC), and Nabonidus (555–539 BC), Kings of Babylon
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Tablets from the Iri-Saĝrig archive
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The meaning of color in ancient Mesopotamia
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Cuneiform texts from the folios of W.G. Lambert
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The meaning of color in ancient Mesopotamia
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Cuneiform texts from the folios of W. G. Lambert
Part two -
The royal inscriptions of Sargon II, King of Assyria (721-705 BC)
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Strategie retoriche nella Mesopotamia del I millennio a.C
il lessico della guerra e della pace nei trattati in lingua neoassira e aramaica -
Principles of Akkadian textual criticism
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Ištar und Ṣaltu
ein altakkadisches Lied -
From the Workshop of the Mesopotamian Scribe
Literary and Scholarly Texts from the Old Babylonian Period -
The Neo-Assyrian myth of Ištars descent and resurrection
introduction, cuneiform text, and transliteration with a translation, glossary, and extensive commentary -
Principles of Akkadian Textual Criticism
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The scourge of god
the Umman-manda and its significance in the first millennium BC -
Babylonian literary texts in the Schøyen Collection
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Traum und Welterleben im antiken Mesopotamien
Traumtheorie und Traumpraxis im 3. - 1. Jahrtausend v. Chr. als Horizont einer Kulturgeschichte des Träumens