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  1. Immaterial archives
    an African diaspora poetics of loss
    Autor*in: Sharpe, Jenny
    Erschienen: [2020]; © 2020
    Verlag:  Northwestern University Press, Evanston, Illinois

    "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an... mehr

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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    keine Fernleihe

     

    "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an alternative archive. The creative works of this study embrace silence, fragments, and the intangible phenomena of affects, spirits, and dreams for confronting loss with forms indebted to the inventiveness with which slaves remade their shattered world. Afro-Caribbean poets M. NourbeSe Philip and Kamau Brathwaite, artists Frantz Zéphirin and Edouard Duval-Carrié, and fiction writers Erna Brodber and George Lamming break the categories defining archival knowledge and their accompanying descriptions of "the human." "Immaterial" refers to the degraded status of black vernacular culture within colonial archives, as well as the diminished status of the humanities in today's information-based society. The term is also gendered as the book tracks a female gendering and re-gendering of the elusive, silent, and invisible spaces of immateriality. "Immaterial Archives: An African Diaspora Poetics of Loss" should be of interest to scholars and students of black cultural studies, Caribbean studies, feminist studies, postcolonial studies, and anyone who is interested in the transformative powers of the imagination"--Provided by publisher. Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival recovery -- Afterlife.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780810141599
    Schriftenreihe: Flashpoints ; 34
    Schlagworte: Caribbean literature (English); Arts, Caribbean; African diaspora in literature; African diaspora in art; Caribbean literature (English) ; Black authors ; History and criticism; Arts, Caribbean; African diaspora in literature; African diaspora in art; Electronic books
    Umfang: 1 Online-Ressource (xii, 199 Seiten), Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 173-189
  2. Black bodies, white gold
    art, cotton, and commerce in the Atlantic world
    Autor*in: Arabindan-Kesson, Anna
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory. "Using cotton-a commodity central to the slave... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2022 C 482
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    Standort:
    Germanisches Nationalmuseum, Bibliothek
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    Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory. "Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework that centralizes the histories of the Black diaspora to nineteenth-century cultural production"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478011927; 9781478014065
    Schlagworte: Cotton in art; Slavery in art; Cotton trade; Slavery; Cotton growing; African diaspora in art
    Umfang: xviii, 300 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. When God lost her tongue
    historical consciousness and the black feminist imagination
    Autor*in: Hobson, Janell
    Erschienen: 2021
    Verlag:  Routledge, Abingdon, Oxon

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. "When God Lost Her Tongue seeks to... mehr

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    CR/950/936
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    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. "When God Lost Her Tongue seeks to explore historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women's transatlantic histories are re-imagined and politicized in our contemporary moment. Connecting select historical case studies - from the Caribbean and Latin America, the African continent, North America, and Europe - while also examining the retelling of these histories in the work of present-day writers and artists, Janell Hobson utilizes a Black feminist lens to rescue the narratives of African-descended women, which have either been marginalized, erased, forgotten, and/or mis-remembered. They are often invoked, but sometimes we forget their names. African goddesses crossing the Atlantic with captive Africans. Women leaders igniting the Haitian revolution. Unnamed Black women in European paintings. African women on different sides of the "door of no return" during the era of the transatlantic slave trade. Even ubiquitous "Black queens" heralded and signified in a Beyoncé music video or a Janelle Monáe lyric. And then there are those whose names we will never forget, like the iconic Harriet Tubman. This critical interdisciplinary intervention will be key reading for students and researchers studying African American Women, Black Feminisms, Feminist Methodologies, Africana Studies, Women and Gender Studies"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367198329; 9780367198343
    Schlagworte: Women, Black; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture; African diaspora; African diaspora in art; African diaspora in literature; Feminist theory
    Umfang: xiii, 202 pages
    Bemerkung(en):

    Includes bibliographical references and index
  4. Todd Gray
    Euclidean gris gris
    Beteiligt: Gray, Todd (FotografIn); McGrew, Rebecca (HerausgeberIn); Adusei-Poku, Nana (VerfasserIn von ergänzendem Text); Jayawardane, Neelika (VerfasserIn von ergänzendem Text); Weems, Carrie Mae (VerfasserIn von ergänzendem Text)
    Erschienen: [2019]
    Verlag:  Pomona College Museum of Art, Claremont, CA

    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2021:550:
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    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Weltkulturen Museum, Bibliothek
    Signatur:
    Af XI 389
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
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    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems --Relocating the fragments: the kaleidoscopic vision of Todd Gray /M. Neelika Jayawardane --Image plates --Artist's biography /Todd Gray --Longing on a large scale /Nana Adusei-Poku --Exhibition checklist --Contributors' biographies.

     
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    Quelle: Verbundkataloge
    Beteiligt: Gray, Todd (FotografIn); McGrew, Rebecca (HerausgeberIn); Adusei-Poku, Nana (VerfasserIn von ergänzendem Text); Jayawardane, Neelika (VerfasserIn von ergänzendem Text); Weems, Carrie Mae (VerfasserIn von ergänzendem Text)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780997930603; 0997930608
    RVK Klassifikation: AP 94100
    Schlagworte: Photography, Artistic; African American photographers; African American photographers; Composition (Art); African diaspora in art; Multimedia (Art); Photography, Artistic; Exhibition catalogs
    Weitere Schlagworte: Gray, Todd (1954-)
    Umfang: 185 Seiten, 26 cm
    Bemerkung(en):

    Published on the occasion of the exhibition "Todd Gray: Euclidean Gris Gris" presented at the Pomona College Museum of Art, September 3, 2019-May 17, 2020

    Pagination includes program booklet "Longing on a large scale / curated by Nana Adusei-Poku" (22 x 14 cm.) bound between pages 144/177. Includes campus map
  5. Coffee, rhum, sugar & gold
    a postcolonial paradox
    Beteiligt: Wimberly, Dexter (VeranstalterIn); Osse-Mensah, Larry (VeranstalterIn)
    Erschienen: [2019]
    Verlag:  Cameron + Company, Petaluma, CA

    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2020:798:
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    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and Firelei Baez. Their work is inspired by products that have historically been produced in and exported from the Caribbean. The book, published to accompany a traveling exhibition opening at San Francisco's Museum of the African Diaspora, explores the complexity of the "postcolonialism paradox"-in which colonizers often felt superior and productive as they claimed territory for themselves while subjugating indigenous people and exploiting their land. Whether connected to the Caribbean by birth or by choice, the artists use their work as a means of examining the relationships within the power structure.00Exhibition: Museum of the African Diaspora, San Francisco, USA (08.05.-11.08.2019)

     
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    Quelle: Verbundkataloge
    Beteiligt: Wimberly, Dexter (VeranstalterIn); Osse-Mensah, Larry (VeranstalterIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1944903763; 9781944903763
    RVK Klassifikation: LO 97100
    Schlagworte: Art; African diaspora in art; ART / General; African diaspora in art; Caribbean Area; Exhibition catalogs; Exhibition catalogs
    Umfang: 94 Seiten, 29 cm
    Bemerkung(en):

    Catalog of the exhibition Coffee, Rhum, Sugar & Gold: a postcolonial paradox was held on May 08, 2019-Aug 11, 2019 at the Museum of African Diaspora (MoAD)

    Includes bibliographical references
  6. When God lost her tongue
    historical consciousness and the black feminist imagination
    Autor*in: Hobson, Janell
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Franci Group, London

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book EBA TF-21
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    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    German Institute for Global and Area Studies, Bibliothek
    Signatur:
    E-Book EBA TF-21
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    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
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    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429520136; 9780429243554; 9780429513275; 9780429516702
    Weitere Identifier:
    Schlagworte: Women, Black; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture; African diaspora; African diaspora in art; African diaspora in literature; Feminist theory; Electronic books; SOCIAL SCIENCE / Gender Studies
    Umfang: 1 Online-Ressource (xiii, 202 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  7. Africa and trans-Atlantic memories
    literary and aesthetic manifestations of diaspora and history
    Beteiligt: Opoku-Agyemang, Naana (Hrsg.)
    Erschienen: 2008
    Verlag:  Africa World press, Trenton, NJ [u.a.]

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WU828 A2T7M
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    BEY 381
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3K 21112
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Opoku-Agyemang, Naana (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1592216323; 1592216331
    Weitere Identifier:
    9781592216338
    Auflage/Ausgabe: 1. print.
    Schlagworte: African literature (English); Caribbean literature (English); American literature; African diaspora in literature; African diaspora in art; Slavery in literature; Slavery in art; Slave trade in literature; Sklavenhandel <Motiv>; Literatur; Schwarze; Sklavenhandel
    Umfang: VII, 477 S., Ill.
    Bemerkung(en):

    "This book arises from a conference on the "Literary Manifestations of the African Diaspora" that was held at the University of Cape Coast in Ghana in 2003." - S. 1
  8. When God lost her tongue
    historical consciousness and the black feminist imagination
    Autor*in: Hobson, Janell
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Franci Group, London

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429520136; 9780429243554; 9780429513275; 9780429516702
    Weitere Identifier:
    Schlagworte: Women, Black; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture; African diaspora; African diaspora in art; African diaspora in literature; Feminist theory; Electronic books; SOCIAL SCIENCE / Gender Studies
    Umfang: 1 Online-Ressource (xiii, 202 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  9. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1781382670; 9781781382677
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool Studies in International Slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black
    Umfang: xvi, 291 Seiten, 8 ungezählte Blätter, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  10. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781781382677
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; Sklaverei <Motiv>; Künste
    Umfang: xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  11. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black / Great Britain; Sklaverei <Motiv>; Künste
    Umfang: 1 online resource (xvi, 291 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  12. Création plastique, traites et esclavages
    Erschienen: 2009
    Verlag:  Anneaux de la Mémoire, Nantes

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Cahiers des anneaux de la mémoire ; 12
    Schlagworte: History of art / Slavery / Africa / West Indies; Sklaverei; African diaspora in art; Slavery in art; Sklaverei <Motiv>; Kunst
    Umfang: 206 S., Ill.
  13. Black bodies, white gold
    art, cotton, and commerce in the atlantic world
    Autor*in: Arabindan-Kesson, Anna
    Erschienen: [2021]; © 2021
    Verlag:  Duke University Press, Durham ; London

    In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021377
    Weitere Identifier:
    RVK Klassifikation: LH 65810 ; LO 91990 ; LO 94020
    Schlagworte: SOCIAL SCIENCE / Black Studies (Global); African diaspora in art; Cotton growing; Cotton in art; Cotton trade; Slavery in art; Slavery; Baumwollplantage; Fotografie; Sklave <Motiv>; Schwarze <Motiv>; Baumwollanbau; Sklaverei; Kolonialismus; Malerei; Baumwollgewebe; Sklave
    Umfang: 1 Online-Ressource (xviii, 300 Seiten), Illustrationen
  14. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2021
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Regensburg
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    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781800349216
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; Sklaverei <Motiv>; Künste
    Umfang: xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  15. Immaterial archives
    an African diaspora poetics of loss
    Autor*in: Sharpe, Jenny
    Erschienen: 2020; © 2020
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 2021/1831
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    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EY/130/1940
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    Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival recovery -- Afterlife. "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an alternative archive. The creative works of this study embrace silence, fragments, and the intangible phenomena of affects, spirits, and dreams for confronting loss with forms indebted to the inventiveness with which slaves remade their shattered world. Afro-Caribbean poets M. NourbeSe Philip and Kamau Brathwaite, artists Frantz Zéphirin and Edouard Duval-Carrié, and fiction writers Erna Brodber and George Lamming break the categories defining archival knowledge and their accompanying descriptions of "the human." "Immaterial" refers to the degraded status of black vernacular culture within colonial archives, as well as the diminished status of the humanities in today's information-based society. The term is also gendered as the book tracks a female gendering and re-gendering of the elusive, silent, and invisible spaces of immateriality. "Immaterial Archives: An African Diaspora Poetics of Loss" should be of interest to scholars and students of black cultural studies, Caribbean studies, feminist studies, postcolonial studies, and anyone who is interested in the transformative powers of the imagination"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810141575; 9780810141582; 9780810141599
    Schriftenreihe: Flashpoints ; 34
    Schlagworte: Caribbean literature (English); Arts, Caribbean; African diaspora in literature; African diaspora in art
    Umfang: xii, 199 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 173-189
  16. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool Studies in International Slavery ; 9
    Schlagworte: Art, Black; Slavery in art.; Slave trade in art.; African diaspora in art.; African American art.; Art, Caribbean.; Art, African.; Art, Caribbean; Art, African; Slave trade in art; African American art; African diaspora in art; Slavery in art; Art, Black; Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black ; Great Britain
    Umfang: 1 Online-Ressource (xvi, 291 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  17. Africa and trans-Atlantic memories
    literary and aesthetic manifestations of diaspora and history
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Erschienen: 2008
    Verlag:  Africa World Press, Trenton, NJ [u.a.]

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    Quelle: Verbundkataloge
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1592216323; 1592216331
    RVK Klassifikation: HR 1728
    Auflage/Ausgabe: 1. print.
    Schlagworte: African literature (English); Caribbean literature (English); American literature; African diaspora in literature; African diaspora in art; Slavery in literature; Slavery in art; Slave trade in literature
    Umfang: VII, 477 S., Ill., 23cm
    Bemerkung(en):

    Literaturverz. S. [443] - 468
  18. Création plastique, traites et esclavages
    Erschienen: 2009
    Verlag:  Anneaux de la Mémoire, Nantes

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Cahiers des anneaux de la mémoire ; 12
    Schlagworte: History of art / Slavery / Africa / West Indies; Sklaverei; African diaspora in art; Slavery in art; Sklaverei <Motiv>; Kunst
    Umfang: 206 S., Ill.
  19. Coffee, rhum, sugar & gold
    a postcolonial paradox
    Beteiligt: Wimberly, Dexter (VeranstalterIn); Osse-Mensah, Larry (VeranstalterIn)
    Erschienen: [2019]
    Verlag:  Cameron + Company, Petaluma, CA

    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and... mehr

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and Firelei Baez. Their work is inspired by products that have historically been produced in and exported from the Caribbean. The book, published to accompany a traveling exhibition opening at San Francisco's Museum of the African Diaspora, explores the complexity of the "postcolonialism paradox"-in which colonizers often felt superior and productive as they claimed territory for themselves while subjugating indigenous people and exploiting their land. Whether connected to the Caribbean by birth or by choice, the artists use their work as a means of examining the relationships within the power structure.00Exhibition: Museum of the African Diaspora, San Francisco, USA (08.05.-11.08.2019)

     
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    Quelle: Verbundkataloge
    Beteiligt: Wimberly, Dexter (VeranstalterIn); Osse-Mensah, Larry (VeranstalterIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1944903763; 9781944903763
    RVK Klassifikation: LO 97100
    Schlagworte: Art; African diaspora in art; ART / General; African diaspora in art; Caribbean Area; Exhibition catalogs; Exhibition catalogs
    Umfang: 94 Seiten, 29 cm
    Bemerkung(en):

    Catalog of the exhibition Coffee, Rhum, Sugar & Gold: a postcolonial paradox was held on May 08, 2019-Aug 11, 2019 at the Museum of African Diaspora (MoAD)

    Includes bibliographical references
  20. Todd Gray
    Euclidean gris gris
    Beteiligt: Gray, Todd (FotografIn); McGrew, Rebecca (HerausgeberIn); Adusei-Poku, Nana (VerfasserIn von ergänzendem Text); Jayawardane, Neelika (VerfasserIn von ergänzendem Text); Weems, Carrie Mae (VerfasserIn von ergänzendem Text)
    Erschienen: [2019]
    Verlag:  Pomona College Museum of Art, Claremont, CA

    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems --Relocating the fragments: the kaleidoscopic vision of Todd Gray /M. Neelika Jayawardane --Image plates --Artist's biography /Todd Gray --Longing on a large scale /Nana Adusei-Poku --Exhibition checklist --Contributors' biographies.

     
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    Quelle: Verbundkataloge
    Beteiligt: Gray, Todd (FotografIn); McGrew, Rebecca (HerausgeberIn); Adusei-Poku, Nana (VerfasserIn von ergänzendem Text); Jayawardane, Neelika (VerfasserIn von ergänzendem Text); Weems, Carrie Mae (VerfasserIn von ergänzendem Text)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780997930603; 0997930608
    RVK Klassifikation: AP 94100
    Schlagworte: Photography, Artistic; African American photographers; African American photographers; Composition (Art); African diaspora in art; Multimedia (Art); Photography, Artistic; Exhibition catalogs
    Weitere Schlagworte: Gray, Todd (1954-)
    Umfang: 185 Seiten, 26 cm
    Bemerkung(en):

    Published on the occasion of the exhibition "Todd Gray: Euclidean Gris Gris" presented at the Pomona College Museum of Art, September 3, 2019-May 17, 2020

    Pagination includes program booklet "Longing on a large scale / curated by Nana Adusei-Poku" (22 x 14 cm.) bound between pages 144/177. Includes campus map
  21. Black bodies, white gold
    art, cotton, and commerce in the atlantic world
    Autor*in: Arabindan-Kesson, Anna
    Erschienen: [2021]; © 2021
    Verlag:  Duke University Press, Durham ; London

    In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic... mehr

    Zugang:
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    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021377
    Weitere Identifier:
    RVK Klassifikation: LH 65810 ; LO 91990 ; LO 94020
    Schlagworte: SOCIAL SCIENCE / Black Studies (Global); African diaspora in art; Cotton growing; Cotton in art; Cotton trade; Slavery in art; Slavery; Baumwollplantage; Fotografie; Sklave <Motiv>; Schwarze <Motiv>; Baumwollanbau; Sklaverei; Kolonialismus; Malerei; Baumwollgewebe; Sklave
    Umfang: 1 Online-Ressource (xviii, 300 Seiten), Illustrationen
  22. Africa and trans-Atlantic memories
    literary and aesthetic manifestations of diaspora and history
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Erschienen: 2008
    Verlag:  Africa World Press, Trenton, NJ

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1592216331; 1592216323
    RVK Klassifikation: HR 1728
    Auflage/Ausgabe: 1. printing
    Schlagworte: African literature (English); Caribbean literature (English); American literature; African diaspora in literature; African diaspora in art; Slavery in literature; Slavery in art; Slave trade in literature; Sklavenhandel; Schwarze; Sklavenhandel <Motiv>; Literatur
    Umfang: VII, 477 S., Ill.
    Bemerkung(en):

    Book arises from a conference, Literary Manifestations of the African Diaspora, that was held at the University of Cape Coast in Ghana in 2003.

    Includes bibliographical references and index
  23. Millennial style
    the politics of experiment in contemporary African diasporic culture
    Autor*in: Abdur-Rahman, Aliyyah I.
    Erschienen: 2024
    Verlag:  Duke University Press, Durham

    "Millennial Style examines recent Black experiments in writing and the visual arts that start from a place of trauma. Aliyyah Abdur-Rahman's work underscores that all the millennial attempts-artistic and political-to gain full human citizenship have... mehr

     

    "Millennial Style examines recent Black experiments in writing and the visual arts that start from a place of trauma. Aliyyah Abdur-Rahman's work underscores that all the millennial attempts-artistic and political-to gain full human citizenship have failed to change the ongoing situation and danger of Black lives. Where earlier Black writers might have employed a more realist mode to make a case for justice, the Black avant-garde work of today reaches for more experimental ways to convey the horrors of the changing same. The chapters outline four modes that have been widely employed: Black Grotesquerie, Hollowed Blackness, Black Cacophony, and the Black Ecstatic. Each chapter explores a particular form using Black feminist and queer theory along with examples from across different arts"-- Aliyyah I. Abdur-Rahman examines how contemporary avant-garde black art and writing by Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill use experimental methods to represent and imaginatively remediate racial harm

     
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  24. Autochthonomies
    transnationalism, testimony, and transmission in the African diaspora
    Autor*in: Chancy, Myriam J. A.
    Erschienen: 2020
    Verlag:  University of Illinois Press, Urbana ; Oxford University Press, Oxford

    In 'Autochthonomies', Myriam J.A. Chancy engages readers in an interpretive journey. She lays out a radical new process that invites readers to see creations by artists of African descent as legible within the context of African diasporic historical... mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    In 'Autochthonomies', Myriam J.A. Chancy engages readers in an interpretive journey. She lays out a radical new process that invites readers to see creations by artists of African descent as legible within the context of African diasporic historical and cultural debates. By invoking a transnational African/diasporic lens and negotiating it through a lakou or 'yard space,' we can see such identities transfigured, recognized, and exchanged. Chancy demonstrates how the process can examine the salient features of texts and art that underscore African/diasporic sensibilities and render them legible. What emerges is a potential for richer readings of African diasporic works that also ruptures the Manichean binary dynamics that have dominated previous interpretations of the material.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780252051906
    Weitere Identifier:
    RVK Klassifikation: LB 48465
    Schriftenreihe: The new Black studies series
    Illinois scholarship online
    Schlagworte: Afrikabild; Afrikaner; Literatur; Kunst; Soziale Situation <Motiv>; Transnationalisierung; African diaspora; African diaspora in literature; African diaspora in art; Race in literature
    Umfang: 1 Online-Ressourcece.
    Bemerkung(en):

    Also issued in print: 2020

    Includes bibliographical references and index
  25. Africa and trans-Atlantic memories
    literary and aesthetic manifestations of diaspora and history
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Erschienen: 2008
    Verlag:  Africa World Press, Trenton, NJ

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1592216331; 1592216323
    RVK Klassifikation: HR 1728
    Auflage/Ausgabe: 1. printing
    Schlagworte: African literature (English); Caribbean literature (English); American literature; African diaspora in literature; African diaspora in art; Slavery in literature; Slavery in art; Slave trade in literature; Sklavenhandel; Schwarze; Sklavenhandel <Motiv>; Literatur
    Umfang: VII, 477 S., Ill.
    Bemerkung(en):

    Book arises from a conference, Literary Manifestations of the African Diaspora, that was held at the University of Cape Coast in Ghana in 2003.

    Includes bibliographical references and index