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  1. Charles W. Chesnutt and the Fictions of Race.
    Autor*in: McWilliams, Dean
    Erschienen: 2006; ©2002.
    Verlag:  University of Georgia Press, Athens

    Looking anew at Chesnutt's public and private writings and his well-known and recently rediscovered works, McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Looking anew at Chesnutt's public and private writings and his well-known and recently rediscovered works, McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. Intro -- Contents -- Preface -- 1. Chesnutt's Language / Language's Chesnutt -- 2. Chesnutt in His Journals: "Nigger" under Erasure -- 3. "The Future American" and "Chas. Chesnutt -- 4. Black Vernacular in Chesnutt's Short Fiction: "A New School of Literature -- 5. The Julius and John Stories: "The Luscious Scuppernong -- 6. Race in Chesnutt's Short Fiction: The "Line" and the "Web -- 7. Mandy Oxendine: "Is You a Rale Black Man? -- 8. The House behind the Cedars: "Creatures of Our Creation -- 9. The Marrow of Tradition: "The Very Breath of His Nostrils -- 10. The Colonel's Dream: "Sho Would 'a' Be'n a 'Ristocrat -- 11. PaulMarchand, F.M.C.: "F.M.C." and "C.W.C. -- 12. The Quarry: "And Not the Hawk -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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  2. Impossible stories
    on the space and time of Black destructive creation
    Autor*in: Murillo, John, III
    Erschienen: [2021]; © 2021
    Verlag:  The Ohio State University Press, Columbus

    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma work ; Of shadows and diamonds ; Elliptical in love dot dot dot -- Third arrangement; Transmissions from out of nowhere. Prelude: No place, not any place, out of place ; Nowheresville ; Stanky shrines and hollow bastions -- Outro: Out of time in the middle of nowhere. "Merging theory and praxis, Murillo engages with Gayl Jones's Corregidora, Octavia Butler's Kindred, Toni Morrison's Beloved, Kiese Laymon's Long Division, Dionne Brand's A Map to the Door of No Return, and Paul Beatty's The Sellout to show how Afro-pessimism offers new ways to think about anti-Black racism and practice Black creativity"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814257777; 0814257771; 9780814214596; 0814214592
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: American literature; Racism; African Americans; African Americans; Race relations in literature; Space and time in literature; African Americans ; Intellectual life; African Americans ; Race identity; American literature ; African American authors; Race relations in literature; Racism; Space and time in literature; Criticism, interpretation, etc
    Umfang: viii, 205 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 195-199) and index
  3. A little devil in America
    in praise of black performance
    Autor*in: Abdurraqib, Hanif
    Erschienen: 2021
    Verlag:  Allen Lane, UK

    Performing miracles. On times I have forced myself to dance ; On marathons and tunnels ; On going home as performance ; An epilogue for Aretha -- Suspending disbelief. On times I have forced myself to dance ; This one goes out to all the magical... mehr

    Standort:
    Universitätsbibliothek Mannheim
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    500 HD 474 A136
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    Performing miracles. On times I have forced myself to dance ; On marathons and tunnels ; On going home as performance ; An epilogue for Aretha -- Suspending disbelief. On times I have forced myself to dance ; This one goes out to all the magical Negroes ; Sixteen ways of looking at blackface ; On certain and uncertain movement of limbs ; Nine considerations of Black people in space -- On matters of country/Provenance. On times I have forced myself to dance ; The Josephine Baker monument can never be large enough ; It is safe to say I have lost many games of spades ; My favorite thing about Don Shirley ; I would like to give Merry Clayton her roses ; Beyoncé performs at the Super Bowl and I think about all the jobs I've hated -- Anatomy of closeness//Chasing blood. On times I have forced myself to dance ; The beef sometimes begins with a dance move ; Fear: a crown ; On the performance of softness ; Board up the doors, tear down the walls -- Callings to remember. On times I have forced myself not to dance "At the March on Washington in 1963, Josephine Baker was 57 years old, well beyond her most prolific days. But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. "I was a devil in other countries, and I was a little devil in America, too," she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines - whether it's the 27 seconds in "Gimme Shelter" in which Merry Clayton wails the words "rape, murder", a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt - has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance. Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space - from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio"--Publisher's description

     
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  4. The indignant generation
    a narrative history of African American writers and critics, 1934-1960
    Autor*in: Jackson, Lawrence Patrick
    Erschienen: ©2011
    Verlag:  Princeton University Press, Princeton, N.J

    Irredeemable promise : the bittersweet career of J. Saunders Redding -- Three swinging sisters : Harlem, Howard, and the South Side (1934-1936) -- The Black avant-garde between Left and Right (1935-1939) -- A new kind of challenge (1936-1939) -- The... mehr

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    Irredeemable promise : the bittersweet career of J. Saunders Redding -- Three swinging sisters : Harlem, Howard, and the South Side (1934-1936) -- The Black avant-garde between Left and Right (1935-1939) -- A new kind of challenge (1936-1939) -- The triumph of Chicago realism (1938-1940) -- Bigger Thomas among the liberals (1940-1943) -- Friends in need of Negroes : Bucklin Moon and Thomas Sancton (1942-1945) -- "Beating that boy" : white writers, critics, editors, and the Liberal Arts Coalition (1944-1949) -- Afroliberals and the end of World War II (1945-1946) -- Black futilitarianists and the welcome table (1945-1947) -- The peril of something new, or, the decline of social realism (1947-1948) -- The Negro new liberal critic and the big little magazine (1948-1949) -- The communist dream of African American modernism (1947-1950) -- The insinuating poetics of the mainstream (1949-1950) -- Still looking for freedom (1949-1954) -- The expatriation : the price of Brown and the new Bohemians (1952-1955) -- Liberal friends no more : the rubble of white patronage (1956-1958) -- The end of the Negro writer (1955-1960) -- The reformation of Black new liberals (1958-1960) -- Prometheus unbound (1958-1960). This the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this study, the author recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As he shows, through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, this work paints a portrait of American intellectual and artistic life in the mid-twentieth century

     
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  5. Ordinary light
    a memoir
    Autor*in: Smith, Tracy K.
    Erschienen: March 2016
    Verlag:  Vintage Books, New York

    Prologue: The miracle -- My book house -- Wild kingdom -- Spirits and demons -- Kin -- Leroy -- A home in the world -- MGM -- Little feats of daring -- Total adaventure -- Book a big band -- A necessary rite -- Humor -- Uninvisible -- The night... mehr

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    Prologue: The miracle -- My book house -- Wild kingdom -- Spirits and demons -- Kin -- Leroy -- A home in the world -- MGM -- Little feats of daring -- Total adaventure -- Book a big band -- A necessary rite -- Humor -- Uninvisible -- The night stalker -- Hot and fast -- Shame -- Mother -- Epistolary -- Positive -- Kathleen -- Something better -- The woman at the well -- A strange thing to do -- I, too -- Testimony -- Another dialect of the soul -- Something powerful at her side -- A strange atfer -- Abide -- Clearances -- Epilogue: Dear God -- Acknowledgments. "In Ordinary light, Pulitzer Prize-winning poet Tracy K. Smith explores her coming-of-age and the meaning of home against a complex backdrop of race, faith, and the unbreakable bond between a mother and daughter."--Page 4 of cover

     
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  6. Impossible stories
    on the space and time of Black destructive creation
    Autor*in: Murillo, John, III
    Erschienen: [2021]; © 2021
    Verlag:  The Ohio State University Press, Columbus

    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 136322
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    Standort:
    Zentrale Hochschulbibliothek Flensburg
    Signatur:
    HU 1728 M977
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    Standort:
    Brechtbau-Bibliothek
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    First arrangement: Black (in) time: untimely Blackness. Prelude: Untimely fragments and the beginnings of a reflection ; Black holes and generations ; Untime -- Second arrangement: The untimely works and worlds of impossible stories. Prelude: Trauma work ; Of shadows and diamonds ; Elliptical in love dot dot dot -- Third arrangement; Transmissions from out of nowhere. Prelude: No place, not any place, out of place ; Nowheresville ; Stanky shrines and hollow bastions -- Outro: Out of time in the middle of nowhere. "Merging theory and praxis, Murillo engages with Gayl Jones's Corregidora, Octavia Butler's Kindred, Toni Morrison's Beloved, Kiese Laymon's Long Division, Dionne Brand's A Map to the Door of No Return, and Paul Beatty's The Sellout to show how Afro-pessimism offers new ways to think about anti-Black racism and practice Black creativity"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814257777; 0814257771; 9780814214596; 0814214592
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: American literature; Racism; African Americans; African Americans; Race relations in literature; Space and time in literature; African Americans ; Intellectual life; African Americans ; Race identity; American literature ; African American authors; Race relations in literature; Racism; Space and time in literature; Criticism, interpretation, etc
    Umfang: viii, 205 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 195-199) and index
  7. Prisons, Race, and Masculinity in Twentieth-Century U.S. Literature and Film
    Autor*in: Caster, Peter
    Erschienen: 2008
    Verlag:  Ohio State University Press, Columbus

    In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in... mehr

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Standort:
    Evangelische Hochschule Freiburg, Hochschulbibliothek
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Standort:
    Universitätsbibliothek Leipzig
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    Standort:
    Universitätsbibliothek Osnabrück
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    In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W. E. B. DuBois famously termed “the problem of the color line.” A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: “we had to establish means for their control. Hence came the penitentiary.” Such rampant racism co ntributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America’s national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814271902; 0814271901
    Schlagworte: Executions and executioners in literature; American literature ; Film adaptations; Motion pictures and literature ; United States; African Americans ; Race identity; Masculinity in motion pictures; Masculinity in literature; Imprisonment in motion pictures; American literature ; 20th century ; History and criticism; Imprisonment in literature
    Umfang: 1 Online-Ressource (xx, 279 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. 251-272) and index. - Description based on print version record
  8. Everybody's America
    Thomas Pynchon, race, and the cultures of postmodernism
    Autor*in: Witzling, David
    Erschienen: 2008
    Verlag:  Routledge, New York

    Introduction -- "Incompatibilities have come to bed" : jazz, language, and cultural alienation in V. and its Beat influences -- "A matter of idle curiosity" : imperial history and the authority of whiteness in V. -- "The simplest kind of beginning" :... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction -- "Incompatibilities have come to bed" : jazz, language, and cultural alienation in V. and its Beat influences -- "A matter of idle curiosity" : imperial history and the authority of whiteness in V. -- "The simplest kind of beginning" : the problem of white double consciousness in Pynchon's work of the mid-sixties -- Transculturation and liberalism in Gravity's rainbow: "now everybody ..."

     
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  9. Finding a way home
    a critical assessment of Walter Mosley's fiction
    Erschienen: c2008
    Verlag:  University Press of Mississippi, Jackson

    Essays by Owen E. Brady, Kelly C. Connelly, Juan F. Elices, Keith Hughes, Derek C. Maus, Jerrilyn McGregory, Laura Quinn, Francesca Canadé Sautman, Daniel Stein, Lisa B. Thompson, Terrence Tucker, and Albert U. Turner, Jr. In Finding a Way Home ,... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Essays by Owen E. Brady, Kelly C. Connelly, Juan F. Elices, Keith Hughes, Derek C. Maus, Jerrilyn McGregory, Laura Quinn, Francesca Canadé Sautman, Daniel Stein, Lisa B. Thompson, Terrence Tucker, and Albert U. Turner, Jr. In Finding a Way Home , thirteen essays by scholars from four countries trace Walter Mosley's distinctive approach to representing African American responses to the feeling of homelessness in an inhospitable America. Mosley (b. 1952) writes frequently of characters trying to construct an idea of home and wrest a sense of dignity, belonging, and hope from cultural and communa

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1604730889; 9781604730883
    Schlagworte: African Americans; African Americans in literature; Home in literature; African Americans ; Race identity; African Americans in literature; Home in literature; Mosley, Walter ; Criticism and interpretation; Electronic books
    Weitere Schlagworte: Mosley, Walter
    Umfang: Online-Ressource (xxv, 196 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 177-187) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; Abbreviations; Walter Mosley's RL's Dream and the Creation of a Blutopian Community; Socrates Fortlow's Odyssey: The Quest for Home and Self; Walter Mosley, Socratic Method, and the Black Atlantic; Devil with the Blue Eyes: Reclaiming the Human against Pure Evil in Walter Mosley's The Man in My Basement; Easy Women: Black Beauty in Walter Mosley's Easy Rawlins Mystery Series; The Visible Man: Moving Beyond False Visibility in Ralph Ellison's Invisible Man and Walter Mosley's Easy Rawlins Novels

    Fearless Ezekiel: Alterity in the Detective Fiction of Walter MosleyAmerican Negroes Revisited: The Intellectual and The Badman in Walter Mosley's Fearless Jones Novels; At Home on "These Mean Streets": Collaboration and Community in Walter Mosley's Easy Rawlins Mystery Series; The Mouse Will Play: The Parodic in Walter Mosley's Fiction; Shadows of an Imminent Future: Walter Mosley's Dystopia and Science Fiction; Cyberfunk: Walter Mosley Takes Black to the Future; Epilogue: Whither Walter? A Brief Overview of Mosley's Recent Work; Works Cited; Contributors; Index
  10. Claiming Exodus
    a cultural history of Afro-Atlantic identity, 1774-1903
    Autor*in: Thomas, Rhondda Robinson
    Erschienen: c2013
    Verlag:  Baylor University Press, Waco, Tex

    How African writers reconstructed the biblical narrative to form a new identity mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    How African writers reconstructed the biblical narrative to form a new identity

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781602585317
    Schlagworte: African Americans in literature; African Americans; American literature; Exodus, The, in literature; African Americans ; Race identity; African Americans in literature; American literature ; African American authors ; History and criticism; Bible ; In literature; Exodus, The, in literature; Electronic books
    Umfang: Online-Ressource (xii, 199 p), ill., ports
    Bemerkung(en):

    Includes bibliographical references and indexes

    Electronic reproduction; Available via World Wide Web

    Exodus and the politics of liberty in the eighteenth-century Atlantic world, 1760-1800 -- Exodus as the blueprint for building free black communities in America and abroad, 1800-1840 -- Afro-Atlantic exodus: integration vs. emigration in the era of manifest destiny, 1840-1861 -- Exodus, The civil war, and reconstruction: from Egypt to the border of Canaan, an American journey, 1861-1877 -- African Americans in the nadir: American Egypt, American Canaan, 1877-1900 -- Afterword: The first Joshua generation-stranded on the border of Canaan, 1895-1903.
  11. Neo-passing
    performing identity after Jim Crow
    Beteiligt: Godfrey, Mollie (HerausgeberIn); Elam, Michele (VerfasserIn eines Nachworts); Young, Vershawn Ashanti (HerausgeberIn)
    Erschienen: [2018]
    Verlag:  University of Illinois Press, Urbana

    4. Black President Bush: The Racial and Gender Politics behind Dave Chappelleâ#x80;#x99;s Presidential Drag5. Seeing Race in Comics: Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleeceâ#x80;#x99;s Incognegro; Part II. New... mehr

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Standort:
    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    4. Black President Bush: The Racial and Gender Politics behind Dave Chappelleâ#x80;#x99;s Presidential Drag5. Seeing Race in Comics: Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleeceâ#x80;#x99;s Incognegro; Part II. New Identities; Introduction: Passing at the Intersections; 6. Passing Truths: Identity-Immersion Journalism and the Experience of Authenticity; 7. Passing for Tan: Snooki and the Grotesque Reality of Ethnicity; 8. The Pass of Least Resistance: Sexual Orientation and Race in ZZ Packerâ#x80;#x99;s â#x80;#x9C;Drinking Coffee Elsewhereâ#x80;#x9D 9. Neo-Passing and Dissociative Identities as Affective Strategies in Frankie and Alice10. â#x80;#x9C;A New Type of Human Beingâ#x80;#x9D;: Gender, Sexuality, and Ethnicity as Perpetual Passing in Jeffrey Eugenidesâ#x80;#x99;s Middlesex; Afterword: Why Neo Now?; Contributors; Index Cover; Title; Copyright; Contents; Foreword: Passing and â#x80;#x9C;Post-Raceâ#x80;#x9D;; Acknowledgments; Introduction: The Neo-Passing Narrative; Appendix to the Introduction. Neo-Passing Narratives: Teaching and Scholarly Resources; Part I. New Histories; Introduction: Passing at the Turn of the Twenty-First Century; 1. Why Passing Is (Still) Not Passé after More Than 250 Years: Sources from the Past and Present; 2. Passing for Postracial: Colorblind Reading Practices of Zombies, Sheriffs, and Slaveholders; 3. Adam Mansbachâ#x80;#x99;s Postracial Imaginary in Angry Black White Boy "This volume seeks to theorize and explore the concept of "neo-passing," or the proliferation of passing in the post-Jim Crow moment. Why--in our "color-blind" or "post-racial" moment--is passing still of such literary and cultural interest? To answer this question, chapters in this book focus on a range of passing practices, performances and texts that are part of the emerging genre of what we call neo-passing narratives. Neo-passing narratives are contemporary narratives that depict someone being taken for an identity other than what s/he is considered really to be. That these texts are written, constructed, or produced at a time when passing should have passed reveals that the questions passing raises--questions about how identity is performed and contested in relation to social norms--are just as relevant now as they were at the turn of the twentieth century"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Godfrey, Mollie (HerausgeberIn); Elam, Michele (VerfasserIn eines Nachworts); Young, Vershawn Ashanti (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: African Americans in literature; Race in literature; Race awareness; Passing (Identity) in literature; African Americans; LITERARY CRITICISM / American / African American; African Americans in literature; African Americans ; Race identity; Passing (Identity) in literature; Race awareness; Race in literature; SOCIAL SCIENCE / Ethnic Studies / African American Studies
    Umfang: 1 Online-Ressource (xvii, 274 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  12. Into each room we enter without knowing
    Autor*in: Shanahan, Charif
    Erschienen: 2017
    Verlag:  Crab Orchard Review & Southern Illinois University Press, Carbondale

    "In Into Each Room We Enter without Knowing, poet Charif Shanahan explores the various ways in which we as a species inherit identity constructs, chiefly about race and sexuality, and how we navigate those constructs in the creation of our... mehr

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    "In Into Each Room We Enter without Knowing, poet Charif Shanahan explores the various ways in which we as a species inherit identity constructs, chiefly about race and sexuality, and how we navigate those constructs in the creation of our identities"-- Machine generated contents note:I --Gnawa Boy, Marrakesh, 1968 --Trying To Speak --Plantation --Into Each Room We Enter Without Knowing --Massa Confusa --Self-Portrait In Black And White --On This Hard Bench --Bronze Parrot --Watermark --Briefs --Soho (London) --Dirty Glass --Origin --II --Wanting To Be White --Tippu Tip On His Deathbed In Stone Town --Homosexuality --Little Saviors --Eunuch --Persona Non Grata --Market --Ticino --Post-Traumatic Stress Disorder --Lower The Pitch Of Your Suffering --Where If Not Here --Lake Zurich --Saint-Tropez --Unbearable White --Passing --III --Clean Slate --Most Opaque Sands Make For The Clearest Glass --At L'Express French Bistro My White Father Kisses My Black Mother Then Calls The Waiter A Nigger --Single File --Eunuch (Pre- ) --Auction / Roman Girl --Asmar --Song --Where If Not Here (II) --Preface --Landswept --Ligament --Aqua --As The Formless Within Takes Shape We Fail Again --In Prospect --Haratin Girl, Marrakesh, 1968 --Trying To Live --IV --"Your Foot, Your Root" --Whiteness On Her Deathbed.

     
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    ISBN: 0809335786; 9780809335787
    Schriftenreihe: Crab Orchard Series in Poetry
    Schlagworte: Identity (Psychology); Racially mixed people; Arab Americans; Blacks; African Americans; Gays; POETRY ; General; LITERARY CRITICISM ; Poetry; Racially mixed people; Gays ; Identity; Blacks ; Race identity; African Americans ; Race identity; Identity (Psychology); Poetry; Poetry
    Umfang: 1 Online-Ressource (1 online resource)
  13. Excavating Exodus
    biblical typology and racial solidarity in African American literature
    Autor*in: Cohen, J. Laurence
    Erschienen: 2021
    Verlag:  Clemson University Press, [Clemson]

    Introduction: Moses in African American religious culture -- Mosaic subjectivity in David Walker and Frances Harper -- Typological plasticity in Martin Delany, Herman Melville, and Harriet Beecher Stowe -- Moses vs. the masses : Alain Locke,... mehr

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    Introduction: Moses in African American religious culture -- Mosaic subjectivity in David Walker and Frances Harper -- Typological plasticity in Martin Delany, Herman Melville, and Harriet Beecher Stowe -- Moses vs. the masses : Alain Locke, Aesthetic Uplift, and Zora Neale Hurston -- The end of Exodus? : the dissolution of Mosaic leadership in Ralph Ellison and William Melvin Kelley -- Ralph Ellison and the dangers of the Moses complex -- The end of Exodus? : the dissolution of Mosaic leadership in William Melvin Kelley -- Conclusion: Moses eternal. "Excavating Exodus examines adaptations of Moses' story in novels, newspapers, and speeches from the antebellum period to the Civil Rights era. By asking how Moses became a touchstone for notions of race loyalty, Excavating Exodus traces how Black intellectuals reinvented the Mosaic model of charismatic male leadership"--

     
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  14. Charles W. Chesnutt and the fictions of race
    Erschienen: c2002
    Verlag:  University of Georgia Press, Athens

    Preface -- Chesnutt's Language / Language's Chesnutt -- Chesnutt in His Journals: "Nigger" under Erasure -- "The Future American" and "Chas. Chesnutt" -- Black Vernacular in Chesnutt's Short Fiction: "A New School of Literature" -- The Julius and... mehr

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    Preface -- Chesnutt's Language / Language's Chesnutt -- Chesnutt in His Journals: "Nigger" under Erasure -- "The Future American" and "Chas. Chesnutt" -- Black Vernacular in Chesnutt's Short Fiction: "A New School of Literature" -- The Julius and John Stories: "The Luscious Scuppernong" -- Race in Chesnutt's Short Fiction: The "Line" and the "Web" -- Mandy Oxendine: "Is You a Rale Black Man?" -- The House behind the Cedars: "Creatures of Our Creation" -- The Marrow of Tradition: "The Very Breath of His Nostrils" -- The Colonel's Dream: "Sho Would 'a' Be'n a 'Ristocrat" -- Paul Marchand, F.M.C.: "F.M.C." and "C.W.C." -- The Quarry: "And Not the Hawk" -- Notes Bibliography Index.

     
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  15. Crossing b(l)ack
    mixed-race identity in modern American fiction and culture
    Erschienen: c2013
    Verlag:  University of Tennessee Press, Knoxville

    The past two decades have seen a growing influx of biracial discourse in fiction, memoir, and theory, and since the 2008 election of Barack Obama to the presidency, debates over whether America has entered a “post-racial” phase have set... mehr

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    The past two decades have seen a growing influx of biracial discourse in fiction, memoir, and theory, and since the 2008 election of Barack Obama to the presidency, debates over whether America has entered a “post-racial” phase have set the media abuzz. In this penetrating and provocative study, Sika A. Dagbovie-Mullins adds a new dimension to this dialogue as she investigates the ways in which various mixed-race writers and public figures have redefined both “blackness” and “whiteness” by invoking multiple racial identities. Focusing on several key novels—Nella Larsen’s Quicksand (1928), Lucinda Roy’s Lady Moses (1998), and Danzy Senna’s Caucasia (1998)—as well as memoirs by Obama, James McBride, and Rebecca Walker and the personae of singer Mariah Carey and actress Halle Berry, Dagbovie-Mullins challenges conventional claims about biracial identification with a concept she calls “black-sentient mixed-race identity.” Whereas some multiracial organizations can diminish blackness by, for example, championing the inclusion of multiple-race options on census forms and similar documents, a black-sentient consciousness stresses a perception rooted in blackness—“a connection to a black consciousness,” writes the author, “that does not overdetermine but still plays a large role in one’s racial identification.” By examining the nuances of this concept through close readings of fiction, memoir, and the public images of mixed-race celebrities, Dagbovie-Mullins demonstrates how a “black-sentient mixed-race identity reconciles the widening separation between black/white mixed race and blackness that has been encouraged by contemporary mixed-race politics and popular culture.” A book that promises to spark new debate and thoughtful reconsiderations of an especially timely topic, Crossing B(l)ack recognizes and investigates assertions of a black-centered mixed-race identity that does not divorce a premodern racial identity from a postmodern racial fluidity. SIKA A. DAGBOVIE-MULLINS is associate professor in the Department of English at Florida Atlantic University. Her articles have appeared in African American Review, the Journal of Popular Culture, and other publications

     
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  16. The arresting eye
    race and the anxiety of detection
    Autor*in: Huh, Jinny
    Erschienen: 2015
    Verlag:  University of Virginia Press, Charlottesville

    Front ; Contents; Illustrations; Acknowledgments; The Arresting Eye; Introduction; 1 / Whispers of Norbury: Sir Arthur Conan Doyle and the Modernist Crisis of Racial (Un)Detection; 2 /Intuitive Faculties and Racial Clairvoyance: Pauline Hopkins and... mehr

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    Front ; Contents; Illustrations; Acknowledgments; The Arresting Eye; Introduction; 1 / Whispers of Norbury: Sir Arthur Conan Doyle and the Modernist Crisis of Racial (Un)Detection; 2 /Intuitive Faculties and Racial Clairvoyance: Pauline Hopkins and the Emergence of Multiethnic Detective Fiction; 3 /Detecting Winnifred Eaton; 4 /Jaundiced Eyes: The Case of Charlie Chan and the Mysterious Disappearance of a Detective Hero; 5 /Race Detection in a Color-Blind Era: Musings on the New Millennium; Notes; Bibliography; Index. In her reading of detective fiction and passing narratives from the end of the nineteenth century forward, Jinny Huh investigates anxieties about race and detection. Adopting an interdisciplinary and comparative approach, she examines the racial formations of African Americans and Asian Americans not only in detective fiction (from Sherlock Holmes and Charlie Chan to the works of Pauline Hopkins) but also in narratives centered on detection itself (such as Winnifred Eaton's rhetoric of undetection in her Japanese romances). In explicating the literary depictions of race-detection anxiety, Huh demonstrates how cultural, legal, and scientific discourses across diverse racial groups were also struggling with demands for racial decipherability. Anxieties of detection and undetection, she concludes, are not mutually exclusive but mutually dependent on each other's construction and formation in American history and culture. --Provided by publisher

     
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  17. From slave cabins to the White House
    homemade citizenship in African American culture
    Autor*in: Mitchell, Koritha
    Erschienen: [2020]
    Verlag:  University of Illinois Press, Urbana

    "Most Americans would agree that devoted wives and mothers make families strong and that strong families are the bedrock of society. Yet, throughout this nation's history, black women have managed to become model mothers and wives, but their doing so... mehr

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    "Most Americans would agree that devoted wives and mothers make families strong and that strong families are the bedrock of society. Yet, throughout this nation's history, black women have managed to become model mothers and wives, but their doing so has not kept them from being mistaken for "welfare queens" and "baby mamas," the stereotypes that most consistently shape U.S. public policy. In this book, Koritha Mitchell shows the evolving connections between black women's homemaking and citizenship from domesticities of the slave cabin and to Michelle Obama in the White House. Drawing on canonical texts by and about African American women, Mitchell begins by connecting the roles of black women as rape survivor, race mother, single lady, matriarch, the strong black woman, and the evolving black women to the various roles that the site of the home served in the eras of post-emancipation, the New Negro, Civil Rights, post-civil rights, and the "post-racial." By looking at key protagonists in literary texts by authors like Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Octavia Butler, and Alice Walker, Mitchell exposes us to the palpable tension that emerges when African Americans, especially women, continue to invest in traditional domesticity even while seeing the signs that it will not yield for them the respectability and safety it should--black women might become decent housekeepers, but never homemakers. All in all, the confluence of these domestic locations and scripts shows that at every juncture, the home was a site where African American women and families negotiated and reasserted their citizenship in a society and culture that consistently and persistently continues to marginalize and assert violence against African Americans, regardless of how they met standards of respectability and citizenry"-- House Slaves, Housekeepers, Homemakers -- A Home of One's Own -- No, Really: A Home of One's Own -- New Negroes, New Homes -- Home as Human Right and Black Power -- Still the Master's House? -- The Ultimate Home: Michelle Obama in the White House -- From Mom-in-Chief to Predator-in-Chief.

     
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  18. The sovereignty of quiet
    beyond resistance in black culture
    Erschienen: 2012
    Verlag:  Rutgers University Press, Piscataway

    African American culture is often considered expressive, dramatic, and even defiant, and this matrix has dominated our understanding of black communities and texts. In The Sovereignty of Quiet, Kevin Quashie explores how a different kind of... mehr

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    African American culture is often considered expressive, dramatic, and even defiant, and this matrix has dominated our understanding of black communities and texts. In The Sovereignty of Quiet, Kevin Quashie explores how a different kind of expressiveness, from protests to readings to landmark texts, as represented in the idea of quiet could change common conceptions and provide a more nuanced view of black culture

     
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  19. Black nationalism in the new world
    reading the African-American and West Indian experience
    Autor*in: Carr, Robert
    Erschienen: 2002
    Verlag:  Duke University Press, Durham

    Founding Black capital : money, power, culture, and revolution in Martin R. Delany's Blake ; or, The huts of America -- Of what use is history? : blood, race, nation, and ethnicity in Pauline Hopkins' New woman -- From larva to chrysalis :... mehr

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    Founding Black capital : money, power, culture, and revolution in Martin R. Delany's Blake ; or, The huts of America -- Of what use is history? : blood, race, nation, and ethnicity in Pauline Hopkins' New woman -- From larva to chrysalis : multicultural consciousness and anticolonial revolution in Ralph de Boissière's Crown jewel -- The new man in the jungle : chaos, community, and the margins of the nation-state -- The masculinization of mothering : the Oakland Black Panthers and the Black body politic -- A politics of change : Sistren, subalternity, and the social pact in the war for democratic socialism -- Geopolitics/geoculture : denationalization in the new world order.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383888; 0822383888
    Weitere Identifier:
    RVK Klassifikation: MS 3450
    Schriftenreihe: Latin America otherwise
    Schlagworte: Black nationalism; African Americans; Black nationalism; Blacks; Black nationalism ; United States; African Americans ; Race identity; Black nationalism ; West Indies; Blacks ; Race identity ; West Indies; Electronic books
    Umfang: xiv, 368 p. ;
    Bemerkung(en):

    Includes bibliographical references (p. [341]-359) and index
  20. Southscapes
    geographies of race, region, & literature
    Erschienen: 2011
    Verlag:  The University of North Carolina Press, Chapel Hill

    "By interpreting segregation as the central experience for twenty-first century southern literature (just as slavery was for an earlier generation of writers) and by theorizing the interconnected aspects of racial and spatial constructions in the... mehr

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    "By interpreting segregation as the central experience for twenty-first century southern literature (just as slavery was for an earlier generation of writers) and by theorizing the interconnected aspects of racial and spatial constructions in the formation of the nation, Davis shows us a way to understand black space--social, spatial, and artistic arenas of creativity--not just in terms of exclusion and of pushing back/reacting against, but as sites of memory and imagination far beyond wounds and danger"--provided by publisher

     
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  21. Spectacular blackness
    the cultural politics of the Black power movement and the search for a Black aesthetic
    Erschienen: 2010
    Verlag:  University of Virginia Press, Charlottesville

    Annotation Cotton comes to Harlem, an introduction -- "Black is beautiful!", Black power culture, visual culture, and the Black Panther Party -- Radical chic, affiliation, identification, and the Black Panther Party -- "We waitin' on you", Black... mehr

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    Annotation Cotton comes to Harlem, an introduction -- "Black is beautiful!", Black power culture, visual culture, and the Black Panther Party -- Radical chic, affiliation, identification, and the Black Panther Party -- "We waitin' on you", Black power, Black intellectuals, and the search to define a Black aesthetic -- "People get ready!", music, revolutionary nationalism, and the Black arts movement -- "You better watch this good shit!", Black spectatorship, Black masculinity, and Blaxploitation film -- Conclusion, Dick Gregory at the Playboy Club. Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "authentic blackness" as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture

     
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  22. Afrofuturism
    the world of black sci-fi and fantasy culture
    Autor*in: Womack, Ytasha L.
    Erschienen: [2013]; © 2013
    Verlag:  Lawrence Hill Books, Chicago

    Comprising elements of the avant-garde, science fiction, cutting-edge hip-hop, black comix, and graphic novels, Afrofuturism spans both underground and mainstream pop culture. With a twofold aim to entertain and enlighten, Afrofuturists strive to... mehr

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    Comprising elements of the avant-garde, science fiction, cutting-edge hip-hop, black comix, and graphic novels, Afrofuturism spans both underground and mainstream pop culture. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and all social limitations to empower and free individuals to be themselves. This book introduces readers to the burgeoning artists creating Afrofuturist works, the history of innovators in the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and NK Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. Interviews with rappers, composers, musicians, singers, authors, comic illustrators, painters, and DJs, as well as Afrofuturist professors, provide a firsthand look at this fascinating movement. Front Cover -- Title Page -- Half Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1 Evolution of a Space Cadet -- 2 A Human Fairy Tale Named Black -- 3 Project Imagination -- 4 Mothership in the Key of Mars -- 5 The African Cosmos for Modern Mermaids (Mermen) -- 6 The Divine Feminine in Space -- 7 Pen My Future -- 8 Moonwalkers in Paint and Pixels -- 9 A Clock for Time Travelers -- 10 The Surreal Life -- 11 Agent Change -- 12 Future World -- Notes -- Index -- About the Author -- Back Cover.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781613747971
    RVK Klassifikation: HU 1821 ; HP 1270
    Schlagworte: African Americans ; Race identity; African diaspora ; Social conditions; Futurologists; Science fiction ; Social aspects; Science fiction films ; Influence; Electronic books
    Weitere Schlagworte: œaElectronic books
    Umfang: 1 Online-Ressource (IX, 213 Seiten)
    Bemerkung(en):

    Description based upon print version of record
  23. Neo-passing
    performing identity after Jim Crow
    Beteiligt: Godfrey, Mollie (HerausgeberIn); Young, Vershawn Ashanti (HerausgeberIn)
    Erschienen: 2018
    Verlag:  University of Illinois Press, Urbana, [Illinois] ;

    Cover -- Title -- Copyright -- Contents -- Foreword: Passing and â€Post-Race” -- Acknowledgments -- Introduction: The Neo-Passing Narrative -- Appendix to the Introduction. Neo-Passing Narratives: Teaching and Scholarly Resources -- Part I. New... mehr

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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Cover -- Title -- Copyright -- Contents -- Foreword: Passing and â€Post-Race” -- Acknowledgments -- Introduction: The Neo-Passing Narrative -- Appendix to the Introduction. Neo-Passing Narratives: Teaching and Scholarly Resources -- Part I. New Histories -- Introduction: Passing at the Turn of the Twenty-First Century -- 1. Why Passing Is (Still) Not Passé after More Than 250 Years: Sources from the Past and Present -- 2. Passing for Postracial: Colorblind Reading Practices of Zombies, Sheriffs, and Slaveholders -- 3. Adam Mansbach’s Postracial Imaginary in Angry Black White Boy -- 4. Black President Bush: The Racial and Gender Politics behind Dave Chappelle’s Presidential Drag -- 5. Seeing Race in Comics: Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleece’s Incognegro -- Part II. New Identities -- Introduction: Passing at the Intersections -- 6. Passing Truths: Identity-Immersion Journalism and the Experience of Authenticity -- 7. Passing for Tan: Snooki and the Grotesque Reality of Ethnicity -- 8. The Pass of Least Resistance: Sexual Orientation and Race in ZZ Packer’s â€Drinking Coffee Elsewhere” -- 9. Neo-Passing and Dissociative Identities as Affective Strategies in Frankie and Alice -- 10. â€A New Type of Human Being”: Gender, Sexuality, and Ethnicity as Perpetual Passing in Jeffrey Eugenides’s Middlesex -- Afterword: Why Neo Now? -- Contributors -- Index.

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Godfrey, Mollie (HerausgeberIn); Young, Vershawn Ashanti (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780252050244
    Schlagworte: Passing (Identity) in literature; African Americans in literature; Race awareness ; United States; African Americans ; Race identity; Race in literature; Electronic books
    Umfang: 1 online resource (237 pages)
    Bemerkung(en):

    Includes bibliographical references at the end of each chapters and index. Description based on print version record
  24. Charles W. Chesnutt and the Fictions of Race.
    Autor*in: McWilliams, Dean
    Erschienen: 2006; ©2002.
    Verlag:  University of Georgia Press, Athens

    Looking anew at Chesnutt's public and private writings and his well-known and recently rediscovered works, McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Looking anew at Chesnutt's public and private writings and his well-known and recently rediscovered works, McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. Intro -- Contents -- Preface -- 1. Chesnutt's Language / Language's Chesnutt -- 2. Chesnutt in His Journals: "Nigger" under Erasure -- 3. "The Future American" and "Chas. Chesnutt -- 4. Black Vernacular in Chesnutt's Short Fiction: "A New School of Literature -- 5. The Julius and John Stories: "The Luscious Scuppernong -- 6. Race in Chesnutt's Short Fiction: The "Line" and the "Web -- 7. Mandy Oxendine: "Is You a Rale Black Man? -- 8. The House behind the Cedars: "Creatures of Our Creation -- 9. The Marrow of Tradition: "The Very Breath of His Nostrils -- 10. The Colonel's Dream: "Sho Would 'a' Be'n a 'Ristocrat -- 11. PaulMarchand, F.M.C.: "F.M.C." and "C.W.C. -- 12. The Quarry: "And Not the Hawk -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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  25. Black nationalism in the new world
    reading the African-American and West Indian experience
    Autor*in: Carr, Robert
    Erschienen: 2002
    Verlag:  Duke University Press, Durham

    Founding Black capital : money, power, culture, and revolution in Martin R. Delany's Blake ; or, The huts of America -- Of what use is history? : blood, race, nation, and ethnicity in Pauline Hopkins' New woman -- From larva to chrysalis :... mehr

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Founding Black capital : money, power, culture, and revolution in Martin R. Delany's Blake ; or, The huts of America -- Of what use is history? : blood, race, nation, and ethnicity in Pauline Hopkins' New woman -- From larva to chrysalis : multicultural consciousness and anticolonial revolution in Ralph de Boissière's Crown jewel -- The new man in the jungle : chaos, community, and the margins of the nation-state -- The masculinization of mothering : the Oakland Black Panthers and the Black body politic -- A politics of change : Sistren, subalternity, and the social pact in the war for democratic socialism -- Geopolitics/geoculture : denationalization in the new world order.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383888; 0822383888
    Weitere Identifier:
    RVK Klassifikation: MS 3450
    Schriftenreihe: Latin America otherwise
    Schlagworte: Black nationalism; African Americans; Black nationalism; Blacks; Black nationalism ; United States; African Americans ; Race identity; Black nationalism ; West Indies; Blacks ; Race identity ; West Indies; Electronic books
    Umfang: xiv, 368 p. ;
    Bemerkung(en):

    Includes bibliographical references (p. [341]-359) and index