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  1. The Black aesthetic unbound
    theorizing the dilemma of eighteenth-century African American literature
    Erschienen: c 2008
    Verlag:  The Ohio State Univ. Press, Columbus, Ohio

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0814210775; 9780814210772
    RVK Klassifikation: HS 1090
    Schlagworte: American literature; American literature; Aesthetics, Black; American literature; American literature; American literature
    Weitere Schlagworte: Wheatley, Phillis (1753-1784); Equiano, Olaudah (1745-1797): Interesting narrative of the life of Olaudah Equiano; Aidoo, Ama Ata (1942-): Dilemma of a ghost
    Umfang: xiv, 210 p
    Bemerkung(en):

    Includes bibliographical references and index

    The dilemma of a ghost : early African American literature and its mournings/mooringsWhat a difference a "way" makes : Wheatley's ways of knowing -- Kaleidoscopic re-memory in Equiano's Interesting narrative : shifting the lens to replace the landscapes -- Reading "others" in eighteenth-century Afro-British American literature : the promise and the dilemma of new ways of reading.

    The dilemma of a ghost : early African American literature and its mournings/moorings -- What a difference a "way" makes : Wheatley's ways of knowing -- Kaleidoscopic re-memory in Equiano's interesting narrative : shifting the lens to replace the landscapes -- Reading "others" in eighteenth-century African American literature : the promise and the dilemma of new ways of reading -- Concluding remarks

  2. Masters of the drum
    Black lit/oratures across the continuum
    Erschienen: 1995
    Verlag:  Greenwood Press, Westport, Conn. [u.a.]

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0313292965
    Schriftenreihe: Contributions in Afro-American and African studies ; 175
    Schlagworte: American literature; English literature; Blacks; African Americans; African Americans in literature; African American aesthetics; Blacks in literature; Aesthetics, Black
    Umfang: X, 180 S, Ill
    Bemerkung(en):

    Literaturangaben

  3. A black gaze
    artists changing how we see
    Autor*in: Campt, Tina
    Erschienen: [2021]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black Joy. "A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262045872
    RVK Klassifikation: LO 94000
    Schlagworte: Aesthetics, Black; Arts, Black; Arts and society
    Umfang: 219 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  4. Princess & the hustler
    Autor*in: Odimba, Chino
    Erschienen: 2020
    Verlag:  Bloomsbury Publishing, London

    "Meet Princess. A cheeky ten-year-old, with a plan to win the Weston-super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then - The Hustler returns. In 1963... mehr

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    "Meet Princess. A cheeky ten-year-old, with a plan to win the Weston-super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then - The Hustler returns. In 1963 Bristol, as Black British Civil Rights campaigners walk onto the streets, Princess finds out what it really means to be black and beautiful. Chinonyerem Odimba's play Princess & The Hustler was first seen at the Bristol Old Vic in February 2019, followed by a UK tour, in a co-production between Eclipse Theatre Company, Bristol Old Vic and Hull Truck Theatre, directed by Dawn Walton. The play was shortlisted for the Alfred Fagon Best New Play Award 2018"

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781784605841
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: NHB modern plays
    Schlagworte: Beauty contestants; Girls; Women, Black; Aesthetics, Black
    Umfang: 1 Online-Ressource (111 pages)
  5. The Black aesthetic unbound
    theorizing the dilemma of eighteenth-century African American literature
    Erschienen: ©2008
    Verlag:  Ohio State University Press, Columbus

    The dilemma of a ghost : early African American literature and its mournings/moorings -- What a difference a "way" makes : Wheatley's ways of knowing -- Kaleidoscopic re-memory in Equiano's Interesting narrative : shifting the lens to replace the... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    The dilemma of a ghost : early African American literature and its mournings/moorings -- What a difference a "way" makes : Wheatley's ways of knowing -- Kaleidoscopic re-memory in Equiano's Interesting narrative : shifting the lens to replace the landscapes -- Reading "others" in eighteenth-century Afro-British American literature : the promise and the dilemma of new ways of reading. During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C. E. Langley's The Black Aesthetic Unbound exposes the dilemma of the literal, metaphorical, and rhetorical question, "What is African in African American literature?" Confronting the undeniable imprints of West African culture and consciousness in early black writing such as Olaudah Equiano's The Interesting Narrative or Phillis Wheatley's poetry, the author conceives eighteenth-century Black Experience to be literally and figuratively encompassing and inextricably linked to Africa, Europe, and America. Consequently, this book has three aims: to locate the eighteenth century as the genesis of the cultural and historical movements which mark twentieth-century black aestheticism--known as the Black Aesthetic; to analyze problematic associations of African identity as manifested in an essentialized Afro-America; and to study the relationship between specific West African modes of thought and expression and the emergence of a black aesthetic in eighteenth-century North America. By exploring how Senegalese, Igbo, and other West African traditions provide striking new lenses for reading poetry and prose by six significant writers, Langley offers a fresh perspective on this important era in our literary history. Ultimately, the author confronts the difficult dilemma of how to use diasporic, syncretic, and vernacular theories of Black culture to think through the massive cultural transformations wrought by the Middle Passage

     

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  6. Black aliveness, or a poetics of being
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    "Black Aliveness, or a Poetics of Being considers aliveness through the aesthetic doings of poems and essays, through the "imagine a black world" imperative that radiates as the operating ethos of the made-text. In such imagining, the matter of black... mehr

    Universitätsbibliothek Freiburg
    GE 2021/2717
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 13714
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    "Black Aliveness, or a Poetics of Being considers aliveness through the aesthetic doings of poems and essays, through the "imagine a black world" imperative that radiates as the operating ethos of the made-text. In such imagining, the matter of black humanity does not have to be argued for; in this state of aesthetic existence, being and becoming can unfurl. One is alive, one is alive, and this aliveness alights an encounter with the unanswerable ethical query, "how to be." Black Aliveness, then, is a practice of reading as if one is in a black world, as if the reading one is a one, in the relational sense, in the philosophical sense of that pronoun, "one" being a word that allows the self to abstract itself in an instance of study"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478014010; 9781478011873
    RVK Klassifikation: HU 1728
    Schriftenreihe: Black outdoors: innovations in the poetics of study
    Schlagworte: Aesthetics, Black; Blacks; Aesthetics in literature; Identity (Psychology) in literature
    Umfang: 238 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  7. A black gaze
    artists changing how we see
    Autor*in: Campt, Tina
    Erschienen: [2021]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black... mehr

    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    F7d BG-Hb 0867/2023K
    keine Fernleihe
    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    BH301.B53 C36 2021
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2021:4932:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 131113
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    Hochschule für Bildende Künste Dresden, Bibliothek
    2023/2471
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    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zeppelin Universität gGmbH, Bibliothek
    LH 60200 C199 B6
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    VD/140/820
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Kdd 1072
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    HALLE 14 - Kunstbibliothek
    4.1 KRI CAMTI 2021
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Ku 249.Schw 2
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black Joy. "A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"--

     

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262045872; 9780262546058
    RVK Klassifikation: LO 94000
    Schlagworte: Aesthetics, Black; Arts, Black; Arts and society
    Umfang: 219 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  8. Jazz As Critique
    Adorno and Black Expression Revisited
    Autor*in: Okiji, Fumi
    Erschienen: 2018
    Verlag:  Stanford University Press, Redwood City

    Cover -- Contents -- Acknowledgments -- Introduction -- 1 Jazz, Individualism, and the Black Modern -- 2 Double Consciousness and the Critical Potential of Black Expression -- 3 Black Dwelling, a Refuge for the Homeless -- 4 Storytelling, Sound, and... mehr

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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    Cover -- Contents -- Acknowledgments -- Introduction -- 1 Jazz, Individualism, and the Black Modern -- 2 Double Consciousness and the Critical Potential of Black Expression -- 3 Black Dwelling, a Refuge for the Homeless -- 4 Storytelling, Sound, and Silence -- Postscript: Some Thoughts on the Inadequacy and Indispensability of Jazz Records -- Notes -- Bibliography -- Discography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self," an African-American subjectivity that demands recognition of black humanity and alterity

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503605862
    Schlagworte: Adorno, Theodor W.,-1903-1969.-Ästhetik (1958/59).-English; Jazz-History and criticism; Jazz-Philosophy and aesthetics; African American musicians; African American aesthetics; Aesthetics, Black
    Umfang: 1 Online-Ressource (161 pages)
  9. The Black Aesthetic Unbound
    Theorizing the Dilemma of Eighteenth-Century African-American Literature
    Erschienen: 2008
    Verlag:  Ohio State University Press, Columbus

    During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C.E. Langley's The Black Aesthetic Unbound... mehr

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C.E. Langley's The Black Aesthetic Unbound exposes the dilemma of the literal, metaphorical, and rhetorical question, "What is African in African American literature?" Confronting the undeniable imprints of West African culture and consciousness in early black writing such as Olaudah Equiano's The Interesting Narrative or Phillis Wheatley's poetry, the author conceives eighteenth-century Black Experience to be literally and figuratively encompassing and inextricably linked to Africa, Europe, and America. Consequently, this book has three aims: to locate the eighteenth century as the genesis of the cultural and historical movements which mark twentieth-century black aestheticism--known as the Black Aesthetic; to analyze problematic associations of African identity as manifested in an essentialized Afro-America; and to study the relationship between specific West African modes of thought and expression and the emergence of a black aesthetic in eighteenth-century North America. By exploring how Senegalese, Igbo, and other West African traditions provide striking new lenses for reading poetry and prose by six significant writers, Langley offers a fresh perspective on this important era in our literary history. Ultimately, the author confronts the difficult dilemma of how to use diasporic, syncretic, and vernacular theories of Black culture to think through the massive cultural transformations wrought by the Middle Passage

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814271940; 0814271944
    Schlagworte: Aesthetics, Black; American literature; American literature; American literature; American literature; American literature; Equiano, Olaudah ; 1745- ; Interesting narrative of the life of Olaudah Equiano; Aidoo, Ama Ata ; 1942- ; Dilemma of a ghost; Wheatley, Phillis ; 1753-1784 ; Criticism and interpretation; American literature ; 1783-1850 ; History and criticism; American literature ; Revolutionary period, 1775-1783 ; History and criticism; American literature ; Colonial period, ca. 1600-1775 ; History and criticism; American literature ; African American authors ; History and criticism; Literatur ; gnd; Equiano, Olaudah ; 1745-1797 ; Interesting narrative of the life of Olaudah Equiano; Litterature americaine ; Auteurs noirs ; ram; Ästhetik ; gnd; Schwarze ; gnd; Schwarze ; swd; USA ; swd; USA ; gnd; Aesthetics, Black; American literature ; African influences; LITERARY CRITICISM ; General; Esthetique noire; Litterature americaine ; 1783-1850 ; Histoire et critique; Litterature americaine ; 1775-1783 (Periode revolutionnaire) ; Histoire et critique; Litterature americaine ; ca 1600-1775 (Periode coloniale) ; Histoire et critique; Litterature americaine ; Influence africaine; Interesting narrative of the life of Olaudah Equiano (Equiano, Olaudah); American literature ; African American authors; American literature; Wheatley, Phillis ; 1753-1784; Litterature americaine ; Auteurs noirs; Ästhetik; Schwarze; Literatur; American literature ; Revolutionary period (United States); American literature ; Colonial period; Schwarze; USA; USA; Criticism, interpretation, etc
    Weitere Schlagworte: Aidoo, Ama Ata (1942-): Dilemma of a ghost; Equiano, Olaudah (1745-1797): Interesting narrative of the life of Olaudah Equiano; Wheatley, Phillis (1753-1784)
    Umfang: 1 Online-Ressource (xiv, 210 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 185-197) and index. - Description based on print version record

  10. Black is beautiful
    a philosophy of black aesthetics
    Autor*in: Taylor, Paul C.
    Erschienen: 2016
    Verlag:  Wiley Blackwell, Hoboken

    Assembly, not birth -- No Negroes in Connecticut -- Beauty to set the world right -- Dark lovely yet and; or, how to love black bodies while hating black people -- Roots and routes -- Make it funky; or, music's cognitive travels and despotism of... mehr

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    Hochschule Aalen, Bibliothek
    eBook Wiley
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Universitätsbibliothek der Eberhard Karls Universität
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    Assembly, not birth -- No Negroes in Connecticut -- Beauty to set the world right -- Dark lovely yet and; or, how to love black bodies while hating black people -- Roots and routes -- Make it funky; or, music's cognitive travels and despotism of rhythm -- Conclusion.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1118328671; 1118328698; 1119118522; 1405150629; 1405150637; 9781119118527; 9781118328675; 9781405150620; 9781405150637; 9781118328699
    Weitere Identifier:
    Schriftenreihe: Foundations of the philosophy of the arts ; 6
    Schlagworte: African American aesthetics; Aesthetics, Black; African American aesthetics; PHILOSOPHY ; Metaphysics; Aesthetics, Black
    Umfang: 1 Online-Ressource (188 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

  11. Glory
    magical visions of black beauty
    Beteiligt: Bethencourt, Kahran (FotografIn, VerfasserIn); Bethencourt, Regis (FotografIn, VerfasserIn)
    Erschienen: [2020]
    Verlag:  St. Martin's Press, New York

    "From Kahran and Regis Bethencourt, the dynamite husband and wife duo behind CreativeSoul Photography, comes GLORY, a photography book that shatters the conventional standards of beauty for Black children. Featuring a foreword by Amanda Seales With... mehr

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    "From Kahran and Regis Bethencourt, the dynamite husband and wife duo behind CreativeSoul Photography, comes GLORY, a photography book that shatters the conventional standards of beauty for Black children. Featuring a foreword by Amanda Seales With stunning images of natural hair and gorgeous, inventive visual storytelling, GLORY puts Black beauty front and center with more than 100 breathtaking photographs and a collection of powerful essays about the children. At its heart, it is a recognition and celebration of the versatility and innate beauty of black hair, and black beauty. The glorious coffee-table book pays homage to the story of our royal past, celebrates the glory of the here and now, and even dares to forecast the future. It brings to life past, present, and future visions of black culture and showcases the power and beauty of recognizing and celebrating oneself. Beauty as an expression of who you are is power. When we define our own standards of beauty, we take back that power. GLORY encourages children around the world to feel that power and harness it"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Bethencourt, Kahran (FotografIn, VerfasserIn); Bethencourt, Regis (FotografIn, VerfasserIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781250204561
    RVK Klassifikation: AP 94100
    Schlagworte: Blacks; Photography of youth; Beauty, Personal; Aesthetics, Black
    Umfang: 243 Seiten
  12. A black gaze
    artists changing how we see
    Autor*in: Campt, Tina
    Erschienen: [2021]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black... mehr

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    Staats- und Universitätsbibliothek Bremen
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    Intimate Strangers -- Black (Counter)Gravity -- Ode to the Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black Joy. "A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0262365669; 9780262365666; 9780262365673; 0262365677
    RVK Klassifikation: LO 94000
    Schlagworte: Aesthetics, Black; Arts, Black; Arts and society; Aesthetics, Black; Arts and society; Arts, Black; History
    Umfang: 1 Online-Ressource (219 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  13. Experiments in Exile
    C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness
    Autor*in: Harris, Laura
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the "undocuments" that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of "the motley crew" historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life

     

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    Schriftenreihe: Commonalities
    Schlagworte: Afro-diaspora; Black radicalism; Blackness; C. L. R. James; Citizenship; Exile intellectual; Hélio Oiticica; Popular culture; Slum; Undocumented immigrant; LITERARY CRITICISM / Caribbean & Latin American; Aesthetics, Black; Expatriate artists; Expatriate authors
    Umfang: 1 online resource (224 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  14. Fugitive time
    global aesthetics and the black beyond
    Erschienen: 2023
    Verlag:  Duke University Press, Durham

    "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires... mehr

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    "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--

     

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    Medientyp: Buch (Monographie)
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    ISBN: 9781478025382; 9781478020615
    RVK Klassifikation: LH 61040 ; HG 129
    Schlagworte: Aesthetics, Black; Time in literature; Time and art; Aesthetics in literature; Literature; Artists, Black; Authors, Black; Utopias in literature; SOCIAL SCIENCE / Black Studies (Global); LITERARY CRITICISM / Semiotics & Theory
    Umfang: xii, 267 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.

  15. Princess & the hustler
    Autor*in: Odimba, Chino
    Erschienen: 2020
    Verlag:  Bloomsbury Publishing, London

    "Meet Princess. A cheeky ten-year-old, with a plan to win the Weston-super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then - The Hustler returns. In 1963... mehr

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    "Meet Princess. A cheeky ten-year-old, with a plan to win the Weston-super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then - The Hustler returns. In 1963 Bristol, as Black British Civil Rights campaigners walk onto the streets, Princess finds out what it really means to be black and beautiful. Chinonyerem Odimba's play Princess & The Hustler was first seen at the Bristol Old Vic in February 2019, followed by a UK tour, in a co-production between Eclipse Theatre Company, Bristol Old Vic and Hull Truck Theatre, directed by Dawn Walton. The play was shortlisted for the Alfred Fagon Best New Play Award 2018"

     

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    ISBN: 9781784605841
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    Auflage/Ausgabe: First edition
    Schriftenreihe: NHB modern plays
    Schlagworte: Beauty contestants; Girls; Women, Black; Aesthetics, Black
    Umfang: 1 Online-Ressource (111 pages)
  16. August Wilson and Black aesthetics
    Erschienen: 2004
    Verlag:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    ISBN: 1403964068
    Schlagworte: Historical drama, American; African Americans in literature; African American aesthetics; Aesthetics, American; Aesthetics, Black
    Weitere Schlagworte: Wilson, August
    Umfang: VI, 225 S
    Bemerkung(en):

    Literaturangaben

  17. Beauty and culture
    perspectives in Black aesthetics ; an introduction to African and African diaspora philosophy of art
    Erschienen: 2003
    Verlag:  Spectrum Books Ltd, Ibadan, Nigeria ; Kenbim Press Ltd., Ibadan

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ISBN: 9780293515
    Schlagworte: Aesthetics, Black; Art; Art; Culture
    Umfang: xvii, 270 p, ill, 22 cm
    Bemerkung(en):

    This volume resulted from course preparation as a visiting lecturer at the Edna Manley College for Visual and Performing Arts during the 1994-1995 academic year and a lecture at the University of the West Indies in Feb. 1996

    Includes bibliographical references (p. 249-261) and index

  18. Black is beautiful
    a philosophy of black aesthetics
    Autor*in: Taylor, Paul C.
    Erschienen: 2016
    Verlag:  Wiley Blackwell, Chichester, West Sussex

    Assembly, not birth -- Inquiry and assembly -- On blackness -- On the black aesthetic tradition -- Black aesthetics as/and philosophy mehr

    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Assembly, not birth -- Inquiry and assembly -- On blackness -- On the black aesthetic tradition -- Black aesthetics as/and philosophy

     

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    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1405150629; 9781405150620; 9781405150637
    RVK Klassifikation: CC 6900 ; HD 474
    Schriftenreihe: Foundations of the philosophy of arts ; 6
    Schlagworte: Aesthetics, Black; African American aesthetics
    Umfang: xv, 188 Seiten, Illustrationen. Notenbeispiele
  19. Black Aliveness, or A Poetics of Being
    Autor*in: Quashie, Kevin
    Erschienen: [2021]
    Verlag:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- Introduction Aliveness -- 1 Aliveness and Relation -- 2 Aliveness and Oneness -- 3 Aliveness and Aesthetics -- 4 Aliveness in Two Essays -- 5 Aliveness and Ethics -- Conclusion Again, Aliveness -- Acknowledgments -- Notes... mehr

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    Frontmatter -- CONTENTS -- Introduction Aliveness -- 1 Aliveness and Relation -- 2 Aliveness and Oneness -- 3 Aliveness and Aesthetics -- 4 Aliveness in Two Essays -- 5 Aliveness and Ethics -- Conclusion Again, Aliveness -- Acknowledgments -- Notes -- Bibliography -- Permissions -- Index In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world

     

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    ISBN: 9781478021322
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    Schriftenreihe: Black Outdoors: Innovations in the Poetics of Study
    Schlagworte: Aesthetics in literature; Aesthetics, Black; Blacks; Identity (Psychology) in literature; LITERARY CRITICISM / American / African-American
    Umfang: 1 Online-Ressource (244 p)
  20. Experiments in Exile
    C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness
    Autor*in: Harris, Laura
    Erschienen: [2018]
    Verlag:  Fordham University Press, New York, NY

    Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is... mehr

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    Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of “the motley crew” historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life Frontmatter -- contents -- INTRODUCTION -- 1. WHAT HAPPENED TO THE MOTLEY CREW? -- 2. DIALECTIC OF CONTACT -- 3. UNDOCUMENTS -- ACKNOWLEDGMENTS -- NOTES -- BIBLIOGRAPHY -- Index

     

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    ISBN: 9780823279814
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    Schriftenreihe: Commonalities
    Schlagworte: Expatriate authors; Aesthetics, Black; Expatriate artists; LITERARY CRITICISM / Caribbean & Latin American
    Umfang: 1 Online-Ressource (224 p)
  21. Jazz as critique
    Adorno and black expression revisited
    Autor*in: Okiji, Fumi
    Erschienen: 2018
    Verlag:  Stanford University Press, Stanford, California

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    ISBN: 9781503605862
    Schlagworte: Jazz / History and criticism; Jazz / Philosophy and aesthetics; African American musicians; African American aesthetics; Aesthetics, Black
    Weitere Schlagworte: Adorno, Theodor W. / 1903-1969 / Ästhetik (1958/59) / English
    Umfang: 1 Online-Ressource (42 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

  22. Black aliveness, or a poetics of being
    Erschienen: 2021
    Verlag:  Duke University Press, Durham ; London

    In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the... mehr

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    In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition-Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question "how to be." In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world

     

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    ISBN: 9781478021322
    Weitere Identifier:
    Schriftenreihe: Black outdoors: innovations in the poetics of study
    Schlagworte: LITERARY CRITICISM / American / African-American; Aesthetics in literature; Aesthetics, Black; Blacks; Identity (Psychology) in literature; Literatur; Ontologie; Schwarze <Motiv>; Schwarze
    Umfang: 1 Online-Ressource (238 Seiten)
  23. Experiments in Exile
    C. L. R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness
    Autor*in: Harris, Laura
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is... mehr

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    Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the "undocuments" that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of "the motley crew" historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823279814
    Weitere Identifier:
    Schriftenreihe: Commonalities
    Schlagworte: Afro-diaspora; Black radicalism; Blackness; C. L. R. James; Citizenship; Exile intellectual; Hélio Oiticica; Popular culture; Slum; Undocumented immigrant; LITERARY CRITICISM / Caribbean & Latin American; Aesthetics, Black; Expatriate artists; Expatriate authors
    Umfang: 1 online resource (224 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  24. Black is beautiful
    a philosophy of black aesthetics
    Autor*in: Taylor, Paul C.
    Erschienen: 2016
    Verlag:  Wiley Blackwell, Chichester, West Sussex

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781405150620; 9781405150637
    RVK Klassifikation: CC 6900 ; HD 474
    Auflage/Ausgabe: First published
    Schriftenreihe: Foundations of the philosophy of the arts ; 6
    Schlagworte: Aesthetics, Black; African American aesthetics; Aesthetics, Black; African American aesthetics; PHILOSOPHY / Metaphysics; Ästhetik; Schwarze
    Umfang: xv, 188 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Includes index

    Assembly, not birth -- Inquiry and assembly -- On blackness -- On the black aesthetic tradition -- Black aesthetics as/and philosophy

  25. None like us
    blackness, belonging, aesthetic life
    Erschienen: [2018]; © 2018
    Verlag:  Duke University Press, Durham ; London

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478001157; 9781478001508
    RVK Klassifikation: MS 1235 ; MS 3530
    Schriftenreihe: Theory Q
    Schlagworte: Blacks; Aesthetics, Black; Blacks; Ästhetik; Schwarze; Literatur; Kunst; Ethnische Identität
    Umfang: 197 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index