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  1. Raphael's ostrich
    Autor*in: D'Elia, Una Roman
    Erschienen: [2015]
    Verlag:  The Pennsylvania State University Press, University Park, Pennsylvania

    Introduction : Raphael's disputed legacy -- A brief history of the ostrich : antiquity and the Middle Ages -- The eagle and the ostrich : the court of Urbino -- Pope Leo X and Raphael's ostriches -- Raphael's heirs -- Farnese ostriches and Vasari's... mehr

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    Universitätsbibliothek Freiburg
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    Introduction : Raphael's disputed legacy -- A brief history of the ostrich : antiquity and the Middle Ages -- The eagle and the ostrich : the court of Urbino -- Pope Leo X and Raphael's ostriches -- Raphael's heirs -- Farnese ostriches and Vasari's Raphael -- Fortune is an ostrich : discontent in the 1550s and 1560s -- Curiosity and the ostrich in the Counter-Reformation -- Taming the ostrich : Ripa and Aldrovandi

     
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    Quelle: Verbundkataloge
    Beteiligt: Raffael (IllustratorIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271077499
    RVK Klassifikation: LI 70109
    Schlagworte: Art, Renaissance; Painting, Renaissance; Ostriches in art; Autruche dans l'art - Histoire; Art de la Renaissance; Peinture de la Renaissance; ART - History - General; ART - History - Renaissance; Art, Renaissance; Ostriches in art; Painting, Renaissance; Criticism, interpretation, etc; History
    Weitere Schlagworte: Raphael (1483-1520); Raphael (1483-1520); Raphael - 1483-1520
    Umfang: 1 Online-Ressource (xvi, 251 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Satire, veneration, and St. Joseph in art, c. 1300-1500
    Autor*in: Williams, Anne L.
    Erschienen: [2019]; ©2019
    Verlag:  Amsterdam University Press, Amsterdam

    Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts... mehr

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    Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies, by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048534111
    Schriftenreihe: Visual and material culture, 1300-1700 ; 16
    Schlagworte: Art, Renaissance; Christian art and symbolism; Satire in art; Laughter in art; Altarpieces; Satire dans l'art; Rire dans l'art; History of art and design styles: c 1400 to c 1600; Christian worship, rites and ceremonies; ART - History - Renaissance; Altarpieces; Christian art and symbolism; Laughter in art; Satire in art; Art
    Weitere Schlagworte: Joseph Saint; Joseph Saint; Joseph - Saint; Art; Humor; Satire; St. Joseph; Veneration
    Umfang: 1 Online-Ressource (236 Seiten, 8 ungezählte Seiten Tafeln), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. Ornament and monstrosity in early modern art
    Beteiligt: Hammeken, Chris Askholt (HerausgeberIn); Hansen, Maria Fabricius (HerausgeberIn)
    Erschienen: [2019]; ©2019
    Verlag:  Amsterdam University Press, Amsterdam

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often... mehr

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    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions -- monstrosities even -- that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art

     
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  4. Somaesthetic experience and the viewer in Medicean Florence
    Renaissance art and political persuasion, 1459-1580
    Autor*in: Terry-Fritsch, Allie
    Erschienen: [2020]; © 2020
    Verlag:  Amsterdam University Press, Amsterdam

    Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make... mehr

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    Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048544240
    Schriftenreihe: Visual and material culture, 1300-1700 ; 22
    Schlagworte: Art; Art; Renaissance; Art - Italie - Florence - 15e siècle - Histoire; Art de la Renaissance - Italie - Florence - Histoire; Renaissance - Italie - Florence; ART - History - Renaissance; Art; Politics and government; Renaissance; History
    Umfang: 1 Online-Ressource (296 Seiten), Illustrationen
  5. Into the white
    the Renaissance Arctic and the end of the image
    Autor*in: Heuer, Christopher P.
    Erschienen: 2019
    Verlag:  Zone Books, New York

    We could never see -- The stars down to earth -- 'A strange quantity of ice' -- The savage episteme -- A Roman interruption : Olaus Magnus, 1555 -- Arctic ink -- There are no fortresses mehr

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    Universitätsbibliothek Freiburg
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    We could never see -- The stars down to earth -- 'A strange quantity of ice' -- The savage episteme -- A Roman interruption : Olaus Magnus, 1555 -- Arctic ink -- There are no fortresses

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781942130291
    Schlagworte: Arts, Renaissance; Arts de la Renaissance - Thèmes, motifs; ART - History - General; ART - History - Renaissance; Arts, Renaissance - Themes, motives; Art
    Umfang: 1 Online-Ressource (262 Seiten), Illustrationen
    Bemerkung(en):

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