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  1. Shizen to hito no daiarōgu
    Furīdorihi, Mone, Gohho kara Rihitā made : Kokuritsu Seiyō Bijutsukan rinyūaru ōpun kinen = In dialogue with nature : from Friedrich, Monet and Van Gogh to Richter
    Beteiligt: Shinfuji, Atsushi (HerausgeberIn); Jingaoka, Megumi (HerausgeberIn)
    Erschienen: [2022]; ©2022
    Verlag:  国立西洋美術館, 東京 ; 読売新聞社 ; NHKプロモーション

    Veranstalterinfo: To commemorate the post-renovation reopening of the National Museum of Western Art, Tokyo, we offer an exhibition that traces the development of modern art born out of the dialogue between nature and humankind. The event has been... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    5 A 291854
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog Anton Ulrich-Museum, Bibliothek
    Signatur:
    ZM/4 002 965
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Kunsthalle Bremen
    Signatur:
    Kat. Ausst. Tokio 2022
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    B/210902
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2024 C 801
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsgalerie Stuttgart, Bibliothek
    Signatur:
    X Tokio 2022
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Veranstalterinfo: To commemorate the post-renovation reopening of the National Museum of Western Art, Tokyo, we offer an exhibition that traces the development of modern art born out of the dialogue between nature and humankind. The event has been realized in collaboration with the Museum Folkwang in Essen, Germany. Both institutions were founded on private collections: that of Karl Ernst Osthaus [1874-1921] in the one case and Matsukata Kōjirō [1866-1950] in the other. As we can see, these two men were near contemporaries. Earlier in the year, modern artworks from the Matsukata Collection and the Osthaus Collection were brought together for another showing in Germany, Renoir, Monet, Gauguin: Images of a Floating World (6 February-15 May 2022, Museum Folkwang). The present exhibition, In Dialogue with Nature, comprises works collected from the museums' earliest beginnings down to the present day: paintings, drawings, prints, and photographs, spanning from German Romanticism to the art of the twentieth century (with Impressionism and Post-Impressionism at the core). It sets out to explore how sensibility to nature has contributed to the development of artistic expression in the modern era. The transition from the nineteenth to the twentieth centuries was accompanied by rapid modernization in many fields: industry, society, science. Artists, looking at nature with new knowledge and an altered gaze, created a diverse range of works in response to this always fertile source of inspiration. Some leapt from the studio into the light of the open air, attempting to grasp the ephemeral moment; others, in the pursuit of an eternal vision of nature, relied on their own insights or experimented with innovative forms. Certain works chose cycles of nature on which to project human endeavors. Please enjoy the reverberations of these manifold images, hewn out of the infinite expanse of nature, the fruits of two combined collections: everything from the smallest roadside flowers to the vast universe and all humanity contained therein. At a time when the relationship between nature and humankind is undergoing profound reassessment, we sincerely hope the artworks on display may lead visitors to a creative and heartfelt dialogue with the natural world.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Shinfuji, Atsushi (HerausgeberIn); Jingaoka, Megumi (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784907442385; 4907442386
    Weitere Identifier:
    24101113
    Schlagworte: Nature in art; Art, European; Impressionism (Art); Post-impressionism (Art); Art; Art; Nature in art; Art, European; Impressionism (Art); Post-impressionism (Art); 展覧会カタログ; 絵画; 版画; 自然(美術上); Nature dans l'art - Expositions; Art européen - Expositions; Impressionnisme (Art) - Expositions; Postimpressionnisme (Art) - Expositions; Nature in art; Art, French - Exhibitions; Impressionism (Art); Post-impressionism (Art); Exhibition catalogs
    Umfang: 263 Seiten, 挿図, 肖像, 25 cm
    Bemerkung(en):

    展覧会カタログ

    会期・会場: 2022年6月4日-9月11日:国立西洋美術館

    主催: 国立西洋美術館, 読売新聞社, NHK, NHKプロモーション

    自然と風景の芸術のための主要文献: p251-253

    出品作品リスト: p254-263
  2. Shizen to hito no daiarōgu
    Furīdorihi, Mone, Gohho kara Rihitā made : Kokuritsu Seiyō Bijutsukan rinyūaru ōpun kinen = In dialogue with nature : from Friedrich, Monet and Van Gogh to Richter
    Beteiligt: Shinfuji, Atsushi (HerausgeberIn); Jingaoka, Megumi (HerausgeberIn)
    Erschienen: [2022]; ©2022
    Verlag:  国立西洋美術館, 東京 ; 読売新聞社 ; NHKプロモーション

    Veranstalterinfo: To commemorate the post-renovation reopening of the National Museum of Western Art, Tokyo, we offer an exhibition that traces the development of modern art born out of the dialogue between nature and humankind. The event has been... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Veranstalterinfo: To commemorate the post-renovation reopening of the National Museum of Western Art, Tokyo, we offer an exhibition that traces the development of modern art born out of the dialogue between nature and humankind. The event has been realized in collaboration with the Museum Folkwang in Essen, Germany. Both institutions were founded on private collections: that of Karl Ernst Osthaus [1874-1921] in the one case and Matsukata Kōjirō [1866-1950] in the other. As we can see, these two men were near contemporaries. Earlier in the year, modern artworks from the Matsukata Collection and the Osthaus Collection were brought together for another showing in Germany, Renoir, Monet, Gauguin: Images of a Floating World (6 February-15 May 2022, Museum Folkwang). The present exhibition, In Dialogue with Nature, comprises works collected from the museums' earliest beginnings down to the present day: paintings, drawings, prints, and photographs, spanning from German Romanticism to the art of the twentieth century (with Impressionism and Post-Impressionism at the core). It sets out to explore how sensibility to nature has contributed to the development of artistic expression in the modern era. The transition from the nineteenth to the twentieth centuries was accompanied by rapid modernization in many fields: industry, society, science. Artists, looking at nature with new knowledge and an altered gaze, created a diverse range of works in response to this always fertile source of inspiration. Some leapt from the studio into the light of the open air, attempting to grasp the ephemeral moment; others, in the pursuit of an eternal vision of nature, relied on their own insights or experimented with innovative forms. Certain works chose cycles of nature on which to project human endeavors. Please enjoy the reverberations of these manifold images, hewn out of the infinite expanse of nature, the fruits of two combined collections: everything from the smallest roadside flowers to the vast universe and all humanity contained therein. At a time when the relationship between nature and humankind is undergoing profound reassessment, we sincerely hope the artworks on display may lead visitors to a creative and heartfelt dialogue with the natural world.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Shinfuji, Atsushi (HerausgeberIn); Jingaoka, Megumi (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784907442385; 4907442386
    Weitere Identifier:
    24101113
    Schlagworte: Nature in art; Art, European; Impressionism (Art); Post-impressionism (Art); Art; Art; Nature in art; Art, European; Impressionism (Art); Post-impressionism (Art); 展覧会カタログ; 絵画; 版画; 自然(美術上); Nature dans l'art - Expositions; Art européen - Expositions; Impressionnisme (Art) - Expositions; Postimpressionnisme (Art) - Expositions; Nature in art; Art, French - Exhibitions; Impressionism (Art); Post-impressionism (Art); Exhibition catalogs
    Umfang: 263 Seiten, 挿図, 肖像, 25 cm
    Bemerkung(en):

    展覧会カタログ

    会期・会場: 2022年6月4日-9月11日:国立西洋美術館

    主催: 国立西洋美術館, 読売新聞社, NHK, NHKプロモーション

    自然と風景の芸術のための主要文献: p251-253

    出品作品リスト: p254-263
  3. Supein no imēji
    hanga o tsujite utsushi tsutawaru sugata = Imaged and imagined : Spain seen through prints from Japanese collections
    Beteiligt: Kawase, Yūsuke (HerausgeberIn)
    Erschienen: [2023]; © 2023
    Verlag:  Kokuritsu Seiyō Bijutsukan, Tōkyō

    "While today Spain is a favored destination for tourists from around the world, historically it was overlooked to the degree that there was the view that 'after the Pyrenees comes Africa.' It was an unknown land to its fellow Europeans, a foreign,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "While today Spain is a favored destination for tourists from around the world, historically it was overlooked to the degree that there was the view that 'after the Pyrenees comes Africa.' It was an unknown land to its fellow Europeans, a foreign, little-understood country. Yet, the full movement of people and goods between the rest of Europe and Spain was set off by Napoleon's invasion and the Spanish War of Independence (1808-1814). This led to the full 'discovery' of the exotic fascination of Spain by other European countries during the Romantic era. Flamenco, bullfighting, the Alhambra, Velázquez, Don Quixote - there are many typical images that come to mind at the mention of Spain, and these images were all established by foreign visitors to the country in the 19th century. The print form, which could be produced in multiple copies and easily distributed, was the medium that played a major role in the formation and spread of these images.This exhibition presents a largely chronological view of the historical development of prints related to Spain from the early 17th century through the latter half of the 20th century. The approximately 240 works presented here consider the contribution made by prints, with their ability to copy and convey the formation and distribution of images related to Spanish culture and art. In addition to traversing the oeuvres of Goya, Fortuny, Picasso, Miró, Dalí, and other Spanish masters, the exhibition also introduces a number of works on Spanish subjects made in 19th-century France and England by Delacroix, Manet, and others. Working from the basis of the collections of the National Museum of Western Art, Tokyo, this exhibition is comprised of loans from some 40 lenders within Japan, making it an opportunity to consider how Spanish art has been received in Japan and how such extensive collections have been formed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kawase, Yūsuke (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784907442415; 4907442416
    Schlagworte: Prints, French; Prints, British; Prints, Spanish; Prints, European; Prints; Prints; Prints, European; Prints, European; Prints, European; 展覧会カタログ; 版画; Estampe européenne - 19e siècle - Expositions; Estampe européenne - 20e siècle - Expositions; Estampe européenne - Collectionneurs et collections - Japon - Expositions
    Umfang: 307 Seiten, 27 cm
    Bemerkung(en):

    Enthält bibliographische Angaben

    主催(長崎): 長崎県, 長崎県美術館, 国立西洋美術館

    主催(東京): 国立西洋美術館, 朝日新聞社

    カタログ: p194-273

    作家解説: p276-285

    参考文献: p286-305
  4. Shōkei no chi, Burutānyu
    Mone, Gōgan, Kuroda Seiki ra ga mita ikyō = La Bretagne : source d'inspiration : regards de peintres français et japonais
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Erschienen: [2023]; © 2023
    Verlag:  TBSテレビ, 東京

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and discerned in this 'foreign realm' is explored. In addition to featuring Western artists, primarily French, the exhibition for the first time brings to light works by Japanese-born painters who traveled to France during Japan's late Meiji to Taisho periods and found their way to Brittany. With around thirty Japanese museums and private collections and two overseas museums making works available on loan, the exhibition assembles 160 or so pieces encompassing paintings, drawings, prints, and posters, literary works, guidebooks, picture postcards sent by artists, and even the trunks they used to carry their possessions when traveling to Brittany."--Preface

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784906908271; 4906908276
    Schlagworte: Painting, French; Painting, French; Painting, Japanese; Painting, Japanese; Modernism (Art); Modernism (Art); Arts, Modern; Modernism (Art); Modernism (Art); Modernisme (Art); Modernisme (Art) - France; Arts - 19e siècle - Expositions; Peinture française - 19e siècle - Expositions; Peinture française - 20e siècle - Expositions; Peinture japonaise - 20e siècle - Expositions; Modernisme (Art) - Expositions; Modernisme (Art) - France - Expositions; Modernism (Art); 展覧会カタログ; 絵画; 絵画
    Umfang: 272 Seiten, 挿図, 28 cm
    Bemerkung(en):

    展覧会カタログ

    会期・会場: 2023年3月18日-6月11日:国立西洋美術館

    主催: 国立西洋美術館, TBS, 読売新聞社

    出品作品リストおよび主要作品解説: p192-226

    主要参考文献: p227-234
  5. Supein no imēji
    hanga o tsujite utsushi tsutawaru sugata = Imaged and imagined : Spain seen through prints from Japanese collections
    Beteiligt: Kawase, Yūsuke (HerausgeberIn)
    Erschienen: [2023]; © 2023
    Verlag:  Kokuritsu Seiyō Bijutsukan, Tōkyō

    "While today Spain is a favored destination for tourists from around the world, historically it was overlooked to the degree that there was the view that 'after the Pyrenees comes Africa.' It was an unknown land to its fellow Europeans, a foreign,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    5 B 96773
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog Anton Ulrich-Museum, Bibliothek
    Signatur:
    ZM/4 002 962
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Kunsthalle Bremen
    Signatur:
    Kat. Ausst. Nagasaki 2023
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2024 C 800
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "While today Spain is a favored destination for tourists from around the world, historically it was overlooked to the degree that there was the view that 'after the Pyrenees comes Africa.' It was an unknown land to its fellow Europeans, a foreign, little-understood country. Yet, the full movement of people and goods between the rest of Europe and Spain was set off by Napoleon's invasion and the Spanish War of Independence (1808-1814). This led to the full 'discovery' of the exotic fascination of Spain by other European countries during the Romantic era. Flamenco, bullfighting, the Alhambra, Velázquez, Don Quixote - there are many typical images that come to mind at the mention of Spain, and these images were all established by foreign visitors to the country in the 19th century. The print form, which could be produced in multiple copies and easily distributed, was the medium that played a major role in the formation and spread of these images.This exhibition presents a largely chronological view of the historical development of prints related to Spain from the early 17th century through the latter half of the 20th century. The approximately 240 works presented here consider the contribution made by prints, with their ability to copy and convey the formation and distribution of images related to Spanish culture and art. In addition to traversing the oeuvres of Goya, Fortuny, Picasso, Miró, Dalí, and other Spanish masters, the exhibition also introduces a number of works on Spanish subjects made in 19th-century France and England by Delacroix, Manet, and others. Working from the basis of the collections of the National Museum of Western Art, Tokyo, this exhibition is comprised of loans from some 40 lenders within Japan, making it an opportunity to consider how Spanish art has been received in Japan and how such extensive collections have been formed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kawase, Yūsuke (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784907442415; 4907442416
    Schlagworte: Prints, French; Prints, British; Prints, Spanish; Prints, European; Prints; Prints; Prints, European; Prints, European; Prints, European; 展覧会カタログ; 版画; Estampe européenne - 19e siècle - Expositions; Estampe européenne - 20e siècle - Expositions; Estampe européenne - Collectionneurs et collections - Japon - Expositions
    Umfang: 307 Seiten, 27 cm
    Bemerkung(en):

    Enthält bibliographische Angaben

    主催(長崎): 長崎県, 長崎県美術館, 国立西洋美術館

    主催(東京): 国立西洋美術館, 朝日新聞社

    カタログ: p194-273

    作家解説: p276-285

    参考文献: p286-305
  6. Shōkei no chi, Burutānyu
    Mone, Gōgan, Kuroda Seiki ra ga mita ikyō = La Bretagne : source d'inspiration : regards de peintres français et japonais
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Erschienen: [2023]; © 2023
    Verlag:  TBSテレビ, 東京

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    5 B 98166
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog Anton Ulrich-Museum, Bibliothek
    Signatur:
    ZM/4 002 963
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Kunsthalle Bremen
    Signatur:
    Kat. Ausst. Tokio 2023
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2024 D 811
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsgalerie Stuttgart, Bibliothek
    Signatur:
    X Tokio 2023
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and discerned in this 'foreign realm' is explored. In addition to featuring Western artists, primarily French, the exhibition for the first time brings to light works by Japanese-born painters who traveled to France during Japan's late Meiji to Taisho periods and found their way to Brittany. With around thirty Japanese museums and private collections and two overseas museums making works available on loan, the exhibition assembles 160 or so pieces encompassing paintings, drawings, prints, and posters, literary works, guidebooks, picture postcards sent by artists, and even the trunks they used to carry their possessions when traveling to Brittany."--Preface

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784906908271; 4906908276
    Schlagworte: Painting, French; Painting, French; Painting, Japanese; Painting, Japanese; Modernism (Art); Modernism (Art); Arts, Modern; Modernism (Art); Modernism (Art); Modernisme (Art); Modernisme (Art) - France; Arts - 19e siècle - Expositions; Peinture française - 19e siècle - Expositions; Peinture française - 20e siècle - Expositions; Peinture japonaise - 20e siècle - Expositions; Modernisme (Art) - Expositions; Modernisme (Art) - France - Expositions; Modernism (Art); 展覧会カタログ; 絵画; 絵画
    Umfang: 272 Seiten, 挿図, 28 cm
    Bemerkung(en):

    展覧会カタログ

    会期・会場: 2023年3月18日-6月11日:国立西洋美術館

    主催: 国立西洋美術館, TBS, 読売新聞社

    出品作品リストおよび主要作品解説: p192-226

    主要参考文献: p227-234