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  1. Apocalyptic overtures
    sexual politics and the sense of an ending
    Erschienen: 1994
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ

  2. Aberrations in black
    toward a queer of color critique
    Erschienen: 2004
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture - sexual difference - can be as instructive as what is present. In this ambitious work,... mehr

     

    The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture - sexual difference - can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology - Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson - has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories - the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture - works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story - one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery - a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison's project.

     

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  3. Aberrations in black
    toward a queer of color critique
    Erschienen: 2004
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture - sexual difference - can be as instructive as what is present. In this ambitious work,... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture - sexual difference - can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology - Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson - has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories - the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture - works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story - one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery - a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison's project.

     

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  4. Brown on brown
    Chicano/a representations of gender, sexuality, and ethnicity
    Erschienen: 2005
    Verlag:  Univ. of Texas Press, Austin

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  5. Homoplot
    the coming-out story and gay, lesbian and bisexual identity
    Autor*in: Saxey, Esther
    Erschienen: 2008
    Verlag:  Lang, New York [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  6. Apocalyptic overtures
    sexual politics and the sense of an ending
    Erschienen: 1994
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  7. Brown on brown
    Chicano/a representations of gender, sexuality, and ethnicity
    Erschienen: 2005
    Verlag:  Univ. of Texas Press, Austin

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  8. Aberrations in black
    toward a queer of color critique
    Erschienen: 2004
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture - sexual difference - can be as instructive as what is present. In this ambitious work,... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture - sexual difference - can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology - Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson - has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories - the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture - works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story - one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery - a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison's project.

     

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      BibTeX-Format
  9. Homoplot
    the coming-out story and gay, lesbian and bisexual identity
    Autor*in: Saxey, Esther
    Erschienen: 2008
    Verlag:  Lang, New York [u.a.]

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  10. Acting gay
    male homosexuality in modern drama
    Autor*in: Clum, John M.
    Erschienen: 1992
    Verlag:  Columbia Univ. Pr., New York

    Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the representation of bodies and acts, the closet dramas between 1930 and 1968, and recent works portraying a culture that has to do with more than sex.--Annotation © Book News, Inc., Portland, Ore.

     

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