"In part we create the sights we see, and we may ourselves be poets of sight. The key concept throughout this book is visual metaphor, which is explored in art from Picasso to Kapoor, in poetry from Eliot to Hughes and in aesthetics from Pound to...
mehr
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
"In part we create the sights we see, and we may ourselves be poets of sight. The key concept throughout this book is visual metaphor, which is explored in art from Picasso to Kapoor, in poetry from Eliot to Hughes and in aesthetics from Pound to Derrida" --
xii, 309 pages, 6 unnumbered pages of plates,
illustrations (some cololr),
23 cm
Bemerkung(en):
Includes bibliographical references (pages 299-303) and index
Introductory: sight, the mind's eye and artShakespeare pictures -- A poetry of vision: William Blake -- Satire and sight -- Bleak house to lighthouse: the optics of the novel -- Metaphor and modernism -- Note A: the Pre-Raphaelites and Shakespeare -- Note B: the writer as art-critic.
"In part we create the sights we see, and we may ourselves be poets of sight. The key concept throughout this book is visual metaphor, which is explored in art from Picasso to Kapoor, in poetry from Eliot to Hughes and in aesthetics from Pound to...
mehr
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
Signatur:
1 A 942489
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
"In part we create the sights we see, and we may ourselves be poets of sight. The key concept throughout this book is visual metaphor, which is explored in art from Picasso to Kapoor, in poetry from Eliot to Hughes and in aesthetics from Pound to Derrida" --
xii, 309 pages, 6 unnumbered pages of plates,
illustrations (some cololr),
23 cm
Bemerkung(en):
Includes bibliographical references (pages 299-303) and index
Introductory: sight, the mind's eye and artShakespeare pictures -- A poetry of vision: William Blake -- Satire and sight -- Bleak house to lighthouse: the optics of the novel -- Metaphor and modernism -- Note A: the Pre-Raphaelites and Shakespeare -- Note B: the writer as art-critic.
