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  1. Literary Cultures in History
    Reconstructions from South Asia
    Beteiligt: Alam, Muzaffar (MitwirkendeR); Asani, Ali S. (MitwirkendeR); Collins, Steven (MitwirkendeR); Cutler, Norman (MitwirkendeR); Dharwadker, Vinay (MitwirkendeR); Freeman, Rich (MitwirkendeR); Hallisey, Charles (MitwirkendeR); Kapstein, Matthew T. (MitwirkendeR); Kaviraj, Sudipta (MitwirkendeR); McGregor, Stuart (MitwirkendeR); Nagaraj, D. R. (MitwirkendeR); Narayana Rao, Velcheru (MitwirkendeR); Pollock, Sheldon (MitwirkendeR); Pollock, Sheldon (HerausgeberIn); Pritchett, Frances W. (MitwirkendeR); Rahman Faruqi, Shamsur (MitwirkendeR); Trivedi, Harish (MitwirkendeR); Yashaschandra, Sitamshu (MitwirkendeR)
    Erschienen: [2003]; ©2003
    Verlag:  University of California Press, Berkeley, CA

    A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions—including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu—in their full historical and cultural variety.The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia.(Available in South Asia from Oxford University Press--India)

     

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  2. Flesh and Fish Blood
    Postcolonialism, Translation, and the Vernacular
    Erschienen: [2012]; ©2012
    Verlag:  University of California Press, Berkeley, CA

    In Flesh and Fish Blood Subramanian Shankar breaks new ground in postcolonial studies by exploring the rich potential of vernacular literary expressions. Shankar pushes beyond the postcolonial Anglophone canon and works with Indian literature and... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    In Flesh and Fish Blood Subramanian Shankar breaks new ground in postcolonial studies by exploring the rich potential of vernacular literary expressions. Shankar pushes beyond the postcolonial Anglophone canon and works with Indian literature and film in English, Tamil, and Hindi to present one of the first extended explorations of representations of caste, including a critical consideration of Tamil Dalit (so-called untouchable) literature. Shankar shows how these vernacular materials are often unexpectedly politically progressive and feminist, and provides insight on these oft-overlooked—but nonetheless sophisticated—South Asian cultural spaces. With its calls for renewed attention to translation issues and comparative methods in uncovering disregarded aspects of postcolonial societies, and provocative remarks on humanism and cosmopolitanism, Flesh and Fish Blood opens up new horizons of theoretical possibility for postcolonial studies and cultural analysis

     

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