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  1. Russian Literature 1945-1988 : Translated by Carol Sandison
    Beteiligt: Kasack, Wolfgang (Hrsg.)
    Erschienen: 1989
    Verlag:  Peter Lang International Academic Publishers, Bern

    Die Reihe Arbeiten und Texte zur Slavistik umfasst Monographien und Sammelbände zur slawistischen Sprach- und Literaturwissenschaft. Im Zentrum stehen dabei Forschungsbeiträge zur russischen Literatur. Publikationssprachen sind Deutsch und Russisch. mehr

     

    Die Reihe Arbeiten und Texte zur Slavistik umfasst Monographien und Sammelbände zur slawistischen Sprach- und Literaturwissenschaft. Im Zentrum stehen dabei Forschungsbeiträge zur russischen Literatur. Publikationssprachen sind Deutsch und Russisch.

     
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    Quelle: OAPEN
    Beteiligt: Kasack, Wolfgang (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Literature & literary studies
    Weitere Schlagworte: 1945; 1988; Carol; Kasack; Literature; non-realist liaterature; Russian; russian literature; Sandison; satire; science fiction; state censorship; Translated
    Umfang: 1 electronic resource (155 p.)
  2. Hard Reading : Learning from Science Fiction
    Autor*in: Shippey, Tom
    Erschienen: 20160223
    Verlag:  Liverpool University Press, Liverpool

    The fifteen essays collected in Hard Reading argue that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not... mehr

     

    The fifteen essays collected in Hard Reading argue that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not follow the Flaubertian ideal of le mot juste, “the right word”, preferring le mot imprévisible, “the unpredictable word”. Science fiction derives much of its energy from engagement with vital intellectual issues in the “soft sciences”, especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world.

     

    Hard Reading is also a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384398
    Weitere Identifier:
    Schlagworte: Literary studies: from c 1900 -
    Weitere Schlagworte: Literature; literary studies; science fiction
  3. Photography in the Middle: Dispatches on Media Ecologies and Aesthetics
    Autor*in: Coley, Rob; Lockwood, Dean
    Erschienen: 2016
    Verlag:  punctum books, Earth, Milky Way

    It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as... mehr

     

    It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as they are a mark of possession, in the sway of larger forces. These photographers are conceptual personae that collectively fabulate a different kind of photography, a paraphotography in which the camera produces negative abyssal flashes or ‘endarkenment.’ In his Vietnam War memoir, Dispatches, Michael Herr imagines a ‘dropped camera’ receiving ‘jumping and falling’ images, images which capture the weird indivisibility of medium and mediated in a time of war. The movies and the war, the photographs and the torn bodies, fused and exchanged. Reporting from the chaos at the middle of things, Herr invokes a kind of writing attuned to this experience. Photography in the Middle, eschewing a high theoretical mode, seeks to exploit the bag of tricks that is the dispatch. The dispatch makes no grand statement about the progress of the war. Cultivating the most perverse implications of its sources, it tries to express what the daily briefing never can. Ports of entry in the script we’re given, odd and hasty little glyphs, unhelpful rips in the cover story, dispatches are futile, dark intuitions, an expeditious inefficacy. They are bleak but necessary responses to an indifferent world in which any action whatever has little noticeable effect.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Media studies
    Weitere Schlagworte: photography; media studies; cultural theory; science fiction; William Burroughs
    Umfang: 1 electronic resource (176 p.)
  4. Respawn : Gamers, Hackers, and Technogenic Life
    Autor*in: Milburn, Colin
    Erschienen: 2018
    Verlag:  Duke University Press, Durham

    In Respawn Colin Milburn examines the connections between video games, hacking, and science fiction that galvanize technological activism and technological communities. Discussing a wide range of games, from Portal and Final Fantasy VII to Super... mehr

     

    In Respawn Colin Milburn examines the connections between video games, hacking, and science fiction that galvanize technological activism and technological communities. Discussing a wide range of games, from Portal and Final Fantasy VII to Super Mario Sunshine and Shadow of the Colossus, Milburn illustrates how they impact the lives of gamers and non-gamers alike. They also serve as resources for critique, resistance, and insurgency, offering a space for players and hacktivist groups such as Anonymous to challenge obstinate systems and experiment with alternative futures. Providing an essential walkthrough guide to our digital culture and its high-tech controversies, Milburn shows how games and playable media spawn new modes of engagement in a computerized world.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478090366; 9781478002789; 9781478002925; 9781478001348
    Weitere Identifier:
    Schlagworte: Media studies
    Weitere Schlagworte: video games; hacking; science fiction
    Umfang: 1 electronic resource (312 p.)
  5. The Funambulist Pamphlets 9: Science Fiction
    Beteiligt: Lambert, Léopold (Hrsg.)
    Erschienen: 2014
    Verlag:  punctum books, Brooklyn, NY

    The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes... mehr

     

    The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema.

     
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    Quelle: OAPEN
    Beteiligt: Lambert, Léopold (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of architecture
    Weitere Schlagworte: architecture; design; J.G. Ballars; Philip K. Dick; science fiction
    Umfang: 1 electronic resource (108 p.)
  6. Critique of Fantasy, Vol. 3 : The Block of Fame
    Autor*in: Rickels, Laurence A.
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according... mehr

     

    "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according to which art making rarefies daydreaming and delivers omnipotence, overlooks the underlying defense contract. We are hooked to creativity, because it offers the best defense against acknowledging the ultimate and untenable masochistic wish to be refused. Bergler’s bleak view, which Gilles Deleuze alone acknowledged in his study of Sacher-Masoch, doesn’t make any overall contribution to the aesthetics of fantasying that this critique addresses. However, it is a good fit with the centerpiece of the final volume: the wish for fame or, rather, the recoil of the wish in the wreckage that success brings.

     

    Following the opening season of mourning and the experience of phantoms, there is the second death, which is murder. In addition to the deadening end that can only be postponed – the killing off of the dead until dead dead – there is another second death that concludes the wish for fame with a ritual stripping of badges and insignia. Not only are the medals thrown to the ground and the sword broken, but a life’s work passes review. At the close of his career, Freud returned to the environs of the wish, the cornerstone of his science. While his disciples Otto Rank and Hanns Sachs carried out his 1907 insights regarding the poetics of daydreaming to illuminate, respectively, the mythic origin of the hero and the evolution of art out of the mutual daydream, Freud battened down for the end of his world by revisiting the so-called primal fantasy, the myth of the primal father, in Moses and Monotheism. The animal setting that was a given of its premier articulation in Totem and Taboo was a wrap this time around with Freud’s translation of Marie Bonaparte’s transference gift, a memoir recounting her premature mourning for her sick chow and the dog’s recovery from cancer of the jaw.

     

    In Bergler’s unconscious system, plagiarism is the conscious variation on the block basic to authorship. Theodor Adorno interpreted the ascendancy of the culture industry leading to and through the Third Reich in terms of the theft of modernism’s critical strategies for promoting the transformation of wish fantasy into the social relation of art. In the course of writing his essay “Notes on Kafka” between 1942 and 1952, Adorno was able to reclaim for aesthetic theory after Auschwitz the “constellation” that he and Benjamin had originally developed to outlast the culture industry’s depravation of the hopefulness of wishing. Adorno gives the sense or direction of the constellation’s recovery when he argues that Kafka’s work stages the final round of the contest between fantasy and science fiction by extrapolating doubling and déjà vu as the portals to a collective future.

     

    The wish for fame or to be refused it and the wish to steal this book or undo the delinquency demarcate the final movement of the third volume, which follows out, beginning with Susan Sontag and Gidget, a veritable Bildungsroman of the post-war era’s star, the teenager. Fantasying to make it big time means to be in training for big ideas and big feelings. The romance of fantasying was also reconfigured out of a station break. The Nazi elevation of youth to superego in the Heimat of the Teen Age neutralized adolescent innovation by forgoing the Hamletian stage of metabolization of the death wish. Switching to the other patient, the other teenager at heart, no longer the German but now the American or Californian, this study enters the termination phase of the analysis in the environs of a reach for the stars that is legend. It is the legend to the final volume’s mapping of our second nature as daydreamer believers."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Psychoanalytical theory (Freudian psychology); Literary studies: fiction, novelists & prose writers
    Weitere Schlagworte: cultural studies; Edmund Bergler; fantasy; film studies; psychoanalysis; science fiction; Susan Sontag; writer's block
    Umfang: 1 electronic resource (240 p.)
  7. Star Wars and the History of Transmedia Storytelling
    Beteiligt: Guynes, Sean A. (Hrsg.); Hassler-Forest, Dan (Hrsg.)
    Erschienen: 2017
    Verlag:  Amsterdam University Press

    The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural... mehr

     

    The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world’s most profitable transmedia franchise.

     
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    Quelle: OAPEN
    Beteiligt: Guynes, Sean A. (Hrsg.); Hassler-Forest, Dan (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462986213
    Weitere Identifier:
    Schlagworte: Media studies
    Weitere Schlagworte: transmedia; star wars; popular culture; science fiction; media franchising
  8. American Cities in Post-Apocalyptic Science Fiction
    Autor*in: Yeates, Robert
    Erschienen: 2021
    Verlag:  UCL Press, London

    Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in... mehr

     

    Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

     
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  9. Die Star-Trek-Chronik Bundle - Star Trek: Enterprise (Teil 1) & Raumschiff Enterprise (Teil 2)
    Über 1000 Seiten Lesespaß im Bundle!
    Autor*in: Sülter, Björn; Prahl, Reinhard; Walch, Thorsten
    Erschienen: 2022
    Verlag:  In Farbe und Bunt Verlag, Osdorf

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783959363372; 3959363370
    Weitere Identifier:
    9783959363372
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Die Star-Trek-Chronik ; 3
    Weitere Schlagworte: (Produktform)Paperback / softback; Star Trek: Generations; Star Trek: First Contact; TAS; Deep Space Nine; TNG; Der erste Kontakt; Raumschiff Enterprise – Das nächste Jahrhundert; Auf der Suche nach Mr. Spock; The Cage; Der Aufstand; The Final Frontier; The Wrath of Khan; Star Trek IV; DS9; Star Trek II: Der Zorn des Khan; star trek: discovery; Star Trek: Insurrection; Star Trek V; Star Trek: Der erste Kontakt; informationen; Das nächste Jahrhundert; Nemesis; Star Trek III: Auf der Suche nach Mr. Spock; Star Trek: Deep Space Nine; Star Trek Beyond; Star Trek II: The Wrath of Khan; Der Zorn des Khan; discovery; Der Käfig; Star Trek III: The Search for Spock; Star Trek VI: The Undiscovered Country; science-fiction; VOY; Phantastik; TOS; Voyager; star trek; Star Trek VI: Das unentdeckte Land; First Contact; Star Trek: Enterprise; Star Trek: Der Film; Into Darkness; Phantastische Bücher; sachbücher; magazine; Die Enterprise; Insurrection; Cage; information; The Voyage Home; Beyond; Enterprise; Raumschiff Enterprise; Phantastisches Buch; Star Trek: Treffen der Generationen; The Next Generation; The Search for Spock; science fiction; Zurück in die Gegenwart; Treffen der Generationen; Star Trek V: Am Rande des Universums; Star Trek: Raumschiff Voyager; Star Trek: The Motion Picture; Discovery; news; sachbuch; Star Trek III; Captain Archer; sf; raumschiff enterprise; Star Trek IV: The Voyage Home; Star Trek: Voyager; Phantastische Literatur; Star Trek Into Darkness; Star Trek IV: Zurück in die Gegenwart; magazin; Star Trek: Nemesis; Am Rande des Universums; Generations; Star Trek: The Next Generation; Star Trek II; Das unentdeckte Land; Raumschiff Voyager; (VLB-WN)2967: Taschenbuch / Sachbücher/Musik, Film, Theater/TV
    Umfang: 1072 Seiten, 19 cm x 12.5 cm, 900 g
  10. Die Star-Trek-Chronik - Teil 2: Star Trek: Raumschiff Enterprise
    Die ganze Geschichte über die Abenteuer von Captain Kirk und seiner Crew
    Autor*in: Sülter, Björn; Prahl, Reinhard; Walch, Thorsten
    Erschienen: 2022
    Verlag:  In Farbe und Bunt Verlag, Osdorf

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783959362825
    Weitere Identifier:
    9783959362825
    Schriftenreihe: Die Star-Trek-Chronik ; 2
    Schlagworte: Philosophie
    Weitere Schlagworte: (Produktform)Electronic book text; (BISAC Subject Heading)PER004140; (BISAC Subject Heading)ART057000; (VLB-WN)9966; science fiction; news; sachbuch; sachbücher; magazin; magazine; information; informationen; sf; science-fiction; Phantastik; Phantastische Bücher; Phantastische Literatur; Phantastisches Buch; Krieg der Sterne; Star Wars; Anime; Kult; Star Trek; Enterprise; NX-01; Archer; T`Pol; Reed; Trip; Tucker; Hoshi; Sato; Phlox; Ferengi; Borg; Vulkanier; Sternenflotte; Prequel; Raumschiff; Mission; Menschheit; Weltraum; Utopie; Roddenberry; Kirk; McCoy; Scotty; Spock; Nimoy; Shatner; Trek; (VLB-WN)9967; Star Trek VI: The Undiscovered Country; Star Trek IV; Star Trek: Deep Space Nine; Star Trek: Nemesis; Star Trek: Treffen der Generationen; TAS; discovery; Star Trek: Der Film; Am Rande des Universums; Star Trek: Enterprise; Captain Archer; Star Trek IV: The Voyage Home; Star Trek: Der erste Kontakt; Beyond; Star Trek VI: Das unentdeckte Land; Raumschiff Voyager; Star Trek III: Auf der Suche nach Mr. Spock; VOY; Star Trek: First Contact; Der Aufstand; Star Trek Into Darkness; Das nächste Jahrhundert; Star Trek II; Die Enterprise; Star Trek II: The Wrath of Khan; Deep Space Nine; Into Darkness; Star Trek: The Next Generation; Voyager; Star Trek II: Der Zorn des Khan; Star Trek V; The Search for Spock; Star Trek III: The Search for Spock; The Voyage Home; Star Trek Beyond; Der Käfig; Star Trek: Raumschiff Voyager; TNG; The Next Generation; Der Zorn des Khan; star trek: discovery; Star Trek: The Motion Picture; First Contact; The Final Frontier; Star Trek: Insurrection; Zurück in die Gegenwart; Nemesis; Star Trek V: Am Rande des Universums; Das unentdeckte Land; Generations; Auf der Suche nach Mr. Spock; Cage; The Cage; Insurrection; DS9; The Wrath of Khan; raumschiff enterprise; Star Trek IV: Zurück in die Gegenwart; Der erste Kontakt; Star Trek: Voyager; Raumschiff Enterprise – Das nächste Jahrhundert; Treffen der Generationen; Star Trek III; Star Trek: Generations; TOS
    Umfang: Online-Ressource, 560 Seiten
  11. Old Futures
    Speculative Fiction and Queer Possibility
    Autor*in: Lothian, Alexis
    Erschienen: [2018]; © 2018
    Verlag:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... mehr

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     
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  12. Voyager
    Autor*in: Reddy, Srikanth
    Erschienen: [2011]; ©2011
    Verlag:  University of California Press, Berkeley, CA

    Srikanth Reddy’s second book of poetry probes this world’s cosmological relation to the plurality of all possible worlds. Drawing its name from the spacecraft currently departing our solar system on an embassy to the beyond, Voyager unfolds as three... mehr

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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    Srikanth Reddy’s second book of poetry probes this world’s cosmological relation to the plurality of all possible worlds. Drawing its name from the spacecraft currently departing our solar system on an embassy to the beyond, Voyager unfolds as three books within a book and culminates in a chilling Dantean allegory of leadership and its failure in the cause of humanity. At the heart of this volume lies the historical figure of Kurt Waldheim—Secretary-General of the U.N. from 1972-81 and former intelligence officer in Hitler’s Wehrmacht—who once served as a spokesman for humanity while remaining silent about his role in the collective atrocities of our era. Resurrecting this complex figure, Reddy’s universal voyager explores the garden of forking paths hidden within every totalizing dream of identity

     
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  13. Eutopia
    Autor*in: Leboulanger, Camille
    Erschienen: [2022]
    Verlag:  Argyll, [Rennes]

    Selon la Déclaration d'Antonia, il n'y a de propriété que d'usage. Chaque être humain est libre et maître en son travail ; le sol, l'air, l'eau, les animaux et les plantes ne sont pas des ressources. Et le monde est un bon endroit où vivre, si tant... mehr

     

    Selon la Déclaration d'Antonia, il n'y a de propriété que d'usage. Chaque être humain est libre et maître en son travail ; le sol, l'air, l'eau, les animaux et les plantes ne sont pas des ressources. Et le monde est un bon endroit où vivre, si tant est qu'on se donne la possibilité de le construire ensemble.Umo est né et a grandi à Pelagoya. Il aime la musique, voyager et fabriquer des objets.Gob est née à Antonia. Elle n'aime rien tant que les livres, les lire et les écrire.Voici l'histoire de leurs amours, leurs expériences, leurs doutes, et de toutes les personnes qui ont un jour croisé leur route, de Pelagoya à Télégie, en passant par les cités jumelles, Arkadia et Amistad,Voici l'histoire de tout l'amour et de tout le travail qu'ils ont fait.Voici Eutopia

     
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782492403590; 2492403599
    Schlagworte: science fiction; Science fiction; Science fiction; Romans de science-fiction
    Umfang: 653 pages
  14. Teaching Religion and Literature
    Autor*in: Boscaljon, Daniel
    Erschienen: 2018
    Verlag:  Routledge, Milton

    Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Contributors; Acknowledgments; Introduction: Teaching Religion and Literature; The Organization of the Text; PART I: Foundational Approaches to Religion and... mehr

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    keine Fernleihe

     

    Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Contributors; Acknowledgments; Introduction: Teaching Religion and Literature; The Organization of the Text; PART I: Foundational Approaches to Religion and Literature; 1. Teaching "Religion and Literature" Contextually; Religion and Literature: The Period of Shared Cultural Roles; Religion and Literature: Trying to Bridge a Widening Gap; Religion and Literature: Emerging from Subversion and Critique; Religion and Literature: Identifying New Relations; Notes; Bibliography

     
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  15. Teaching Religion and Literature
    Autor*in: Boscaljon, Daniel
    Erschienen: 2018
    Verlag:  Routledge, Milton ; Taylor & Francis Group, London

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    Hessisches BibliotheksInformationsSystem hebis
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  16. Racial Immanence
    Chicanx Bodies beyond Representation
    Autor*in: López, Marissa K.
    Erschienen: [2019]; © 2019
    Verlag:  New York University Press, New York, NY

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world

     
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  17. Time Travel
    The Popular Philosophy of Narrative
    Autor*in: Wittenberg, David
    Erschienen: [2016]; © 2016
    Verlag:  Fordham University Press, New York, NY

    This book argues that time travel fiction is a narrative "laboratory," a setting for thought experiments in which essential theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are... mehr

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    This book argues that time travel fiction is a narrative "laboratory," a setting for thought experiments in which essential theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are represented in the form of literal devices and plots.Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, the book links innovations in time travel fiction to specific shifts in the popularization of science, from evolutionary biology in the late 1800s, through relativity and quantum physics in the mid–20th century, to more recent "multiverse" cosmologies. Wittenberg shows how increasing awareness of new scientific models leads to surprising innovations in the literary "time machine," which evolves from a "vehicle" used chiefly for sociopolitical commentary into a psychological and narratological device capable of exploring with great sophistication the temporal structure and significance of subjects, viewpoints, and historical events.The book covers work by well-known time travel writers such as H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, as well as pulp fiction writers of the 1920s through the 1940s, popular and avant-garde postwar science fiction, television shows such as "The Twilight Zone" and "Star Trek," andcurrent cinema. Literature, film, and TV are read alongside theoretical work ranging from Einstein, Schrödinger, and Stephen Hawking to Gérard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823273348
    Weitere Identifier:
    Schlagworte: film; narrative theory; narratology; philosophy of time; popular culture; science fiction; television; time travel; PHILOSOPHY / General; Literature; Narration (Rhetoric); Time perception in literature; Time travel in literature
    Umfang: 1 online resource (320 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  18. Dreamjumper
    lass sie nicht in deine Träume : Fantasy-Thriller
    Autor*in: Tomio, Mirko
    Erschienen: [2016]; © 2016
    Verlag:  Neopubli, Berlin

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    Medientyp: Buch (Monographie)
    ISBN: 9783741831065; 3741831069
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Auflage/Ausgabe: 1. Auflage
    Weitere Schlagworte: (Produktform)Paperback / softback; (Zielgruppe)Allgemein; (Lesealter)ab 0 bis 99 Jahre; (BISAC Subject Heading)FIC000000; Turner; fantasy; lichtblitz; mirko; science fiction; taylor; thriller; tomio; traumspringer; waffenhändler; (VLB-WN)1110: Hardcover, Softcover / Belletristik/Erzählende Literatur
    Umfang: 401 Seiten, 19 cm x 12.5 cm, 471 g
  19. Animal Narratology
    Beteiligt: Jacobs, Joela (Herausgeber)
    Erschienen: 2020
    Verlag:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland

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    ISBN: 9783039283491
    Weitere Identifier:
    10.3390/books978-3-03928-349-1
    Weitere Schlagworte: animal narrators; anthropocentrism; cultural ontologies; discourse analysis; fiction-nonfiction distinction; framing and footing; life writing; narratology; politeness; self-narratives; animal studies; human-animal studies; speaking animals; Tolstoy; Bulgakov; trauma theory; Russian literature; allegory; humanism; literary theory; film studies; George Orwell; Animal Farm; Chicken Run; Uwe Timm; 'Morenga'; African history; colonialism; postcolonial German literature; animal narratology; multi-perspective narration; animal agency; The Plague Dogs; Richard Adams; unreliability; talking animal stories; non-human focalizer; Pincher Martin; non-human narrators; intradiegetic narration; Gerard Genette; anthropomorphism; Eric Linklater; The Wind on the Moon; direct speech; characterization; posthumanism; inter-species comprehension; Hindi cinema; Bollywood; animal narrator; world literature; empathy; Cartesian dualism; Maurice Merleau-Ponty; animal poetry; 'Inventing a Horse; 'Spermaceti'; eco-humanities; eco-criticism; eco-philosophy; Industrial Farm Animal Production; narrative; plot; conflict; environmental crisis; catastrophe; play theory; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation; animal autobiography; fictional autobiography; meta-autobiography; contextualist narratology; cultural and literary animal studies; poetics of knowledge; zoology; natural history; equine autozoography; horse-science; narrative voice; inoperativity; singing mice; zoopoetics; anthropological machine; community; music; Cervantes; Novelas ejemplares; El coloquio de los perros; Novela del casamiento engañoso; Siglo de Oro; Early Modern Age; cynicism; Diogenes of Sinope; Montaigne; Derrida; Animal Studies; rhetoric; animal narration; fable; Aesopic fables; Greek fable; antagonistic fables; comics; animals; cinema; sound effects; science fiction; Achilles; Archilochus; fox; Gryllus; Hesiod; Homer; Lucian; pig; Plutarch; Pythagoras; rooster; Xanthus; talking dogs; agency; animal; dystopia; Marie Darrieussecq; human; non-human; Truismes; Kafka studies; adaptation studies; intertextuality; intermediality; mimesis; emulation; imitation; repetition; parody; autobiography; genre; entanglement; Cixous; dogs; earth; worldviews; indigenous wisdom traditions; relationality; ecology; language; more-than-human geography; multispecies ethnography; ecopsychology; anthropology; environmental philosophy; decolonization; intuition; instinct; myth; non-verbal communication; IK; TEK; animality; film; White God; filmic representation of animals; material ecocriticism; Moby-Dick; Werner Herzog; Hans Sahl; lyric poetry; mole; space; time; species; metamorphosis; transformation; exile; n/a; Research & information: general; Biology, life sciences; Animals & society
    Umfang: 1 electronic resource (454 pages)
  20. Queer times, Black futures
    Autor*in: Keeling, Kara
    Erschienen: [2019]; © 2019
    Verlag:  New York University Press, New York

    A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and... mehr

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    A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom.Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar "speculations" of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure

     
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  21. Imagining the anthropocene future
    body and the environment in indigenous speculative fiction
    Autor*in: Wieczorek, Paula
    Erschienen: [2023]
    Verlag:  Peter Lang, Lausanne ; Berlin

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    ISBN: 9783631905784; 3631905785
    Weitere Identifier:
    9783631905784
    RVK Klassifikation: HV 17220 ; HQ 5999
    Schriftenreihe: Studies in linguistics, anglophone literatures and cultures ; volume 40
    Schlagworte: Frauenprosa; Indianerin; Umwelt <Motiv>; Körper <Motiv>; Speculative fiction
    Weitere Schlagworte: Indigenous studies; Native Americans; science fiction; posthumanism; imagined futures; New Materialism; Indigenous studies;Native Americans;science fiction;posthumanism;imagined futures;New Materialism
    Umfang: 276 Seiten, 22 cm, 431 g
  22. Chinese Science Fiction during the Post-Mao Cultural Thaw
    Autor*in: Li, Hua
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- CHINESE SCIENCE FICTION DURING THE POST-MAO CULTURAL THAW -- 1 The Field of Chinese Science Fiction, 1976–1983 -- 2 A Study of Zheng Wenguang’s Mars Series -- 3 A Scientific Holmes in... mehr

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    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- CHINESE SCIENCE FICTION DURING THE POST-MAO CULTURAL THAW -- 1 The Field of Chinese Science Fiction, 1976–1983 -- 2 A Study of Zheng Wenguang’s Mars Series -- 3 A Scientific Holmes in Post-Mao China: Ye Yonglie and His SF Thrillers -- 4 Tong Enzheng and the Motif of Alien Invasions -- 5 Posthuman Conditions in Xiao Jianheng’s SF Narratives -- 6 Tech-SF and the Four Modernizations -- 7 Fledgling Media Convergence: PRC SF from Print to Electronic Media -- 8 Blooming, Contending, and Boundary-Breaking Even in a Genre of Government-Backed Literature -- Notes -- Chinese Character Glossary -- Bibliography -- Index The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781487537807
    Weitere Identifier:
    Schlagworte: Science fiction, Chinese; LITERARY CRITICISM / Science Fiction & Fantasy
    Weitere Schlagworte: Chinese literature; Liu Cixin; Post-Mao cultural thaw; Tong Enzheng; Xiao Jianheng; Ye Yonglie; Zheng Wenguang; fantasy; genre fiction; multi-media narrative; sci-fi; science fiction; science popularization
    Umfang: 1 Online-Ressource (248 p)
  23. Towards a posthuman imagination in literature and media
    monsters, mutants, aliens, artificial beings
    Autor*in: Micali, Simona
    Erschienen: [2019]; © 2019
    Verlag:  Peter Lang, Oxford ; Bern ; Berlin

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    Universitätsbibliothek Bamberg
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    ISBN: 9781788745826; 1788745825
    Weitere Identifier:
    9781788745826
    RVK Klassifikation: EC 6745
    DDC Klassifikation: Bühnenkunst (792)
    Schriftenreihe: New comparative criticism ; [Band 7]
    Schlagworte: Außerirdische Intelligenz <Motiv>; Künstliche Intelligenz; Körper <Motiv>; Mutante; Ungeheuer; Science-Fiction; Außerirdische Intelligenz; Science-Fiction-Film; Zombie; Science-Fiction-Literatur; Künstliche Intelligenz <Motiv>
    Weitere Schlagworte: Aliens; aliens; Artificial; Beings; cultural imagery; Florian; Imagination; Literature; Media; Micali; Monsters; monsters; Mussgnug; Mutants; Posthuman; posthuman; science fiction; Simona; Towards
    Umfang: xi, 244 Seiten, Illustrationen, 22.5 cm x 15 cm, 369 g
  24. Sci-Fi
    a companion
    Beteiligt: Fennell, Jack (Hrsg.)
    Erschienen: 2019
    Verlag:  Peter Lang, Oxford

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    Beteiligt: Fennell, Jack (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781788743495; 1788743490
    Weitere Identifier:
    9781788743495
    RVK Klassifikation: AP 53900 ; EC 6745
    DDC Klassifikation: Englisch, Altenglisch (420)
    Schriftenreihe: Genre fiction and film companions ; 4
    Schlagworte: Science-Fiction; Science-Fiction-Literatur
    Weitere Schlagworte: Companion; critical theory; Fennell; introduction; Jack; Jack Fennell; science fiction; sci-fi; SF
    Umfang: viii, 239 Seiten, Illustrationen, 22.5 cm x 15 cm
  25. Queer Times, Black Futures
    Autor*in: Keeling, Kara
    Erschienen: [2019]; © 2019
    Verlag:  New York University Press, New York, NY

    A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and... mehr

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    A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom.Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar "speculations" of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure

     
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