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  1. Reckoning with evil in social life
    Erschienen: [2017]

    Any conceptualisation of evil, arguably, has to empower us to resist or transform it in our lived worlds. The latter concern motivates this paper much more than a thorough analysis of evil itself. Drawing on Jewish and Christian thought, I... mehr

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    Any conceptualisation of evil, arguably, has to empower us to resist or transform it in our lived worlds. The latter concern motivates this paper much more than a thorough analysis of evil itself. Drawing on Jewish and Christian thought, I tentatively consider evil as resulting from (or, being exacerbated by) the incomplete or failed cultivation of the humane. Along this line, evil is the opposite of humanity; it is the antihuman, the subhuman (Buber), or the demonic (Heschel). Gratuitous violence, hatred, resentment, and malice manifest this dark ‘power’ of evil. In the aforementioned traditions, peace and justice are conceived as being dependent on the inner order or unity of the soul. Conversely, iniquity - as the manifestation of evil - in the world reflects conflicts or disorders in individual souls (‘selves’). Hence the need to constitute one’s personhood. Such continuous creation takes place through genuine human encounters, where and when love, friendship, and gratitude are allowed to unfold themselves. These ‘dispositions’ are conceived as counterweights to evil. I will work out this argument, but also briefly examine how education, rural and urban planning, economic and political ‘systems’ can either breed or curtail evil.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
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    Übergeordneter Titel: Enthalten in: International journal of philosophy and theology; Abingdon : Taylor & Francis, 2013; 78(2017), 4/5, Seite 373-381

    Schlagworte: Encounter; humanisation; love; objectification; responsibility
  2. Racial rhapsody
    the aesthetics of contemporary US Identity
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, New York

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  3. We are not born submissive
    how patriarchy shapes women's lives
    Autor*in: Garcia, Manon
    Erschienen: [2021]; © 2021
    Verlag:  Princeton University Press, Princeton, NJ

    Frontmatter -- CONTENTS -- Preface -- 1 Submission: A Philosophical Taboo -- 2 Is Submission Feminine? Is Femininity a Submission -- 3 Womanhood as a Situation -- 4 Elusive Submission -- 5 The Experience of Submission -- 6 Submission Is an Alienation... mehr

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    Frontmatter -- CONTENTS -- Preface -- 1 Submission: A Philosophical Taboo -- 2 Is Submission Feminine? Is Femininity a Submission -- 3 Womanhood as a Situation -- 4 Elusive Submission -- 5 The Experience of Submission -- 6 Submission Is an Alienation -- 7 The Objectified Body of the Submissive Woman -- 8 Delights or Oppression: The Ambiguity of Submission -- 9 Freedom and Submission -- Notes -- Index A philosophical exploration of female submission, using insights from feminist thinkers—especially Simone de Beauvoir—to reveal the complexities of women’s reality and lived experienceWhat role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective?We Are Not Born Submissive offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power, taking a bottom-up approach and seeing it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy.Moving beyond the simplistic binary of natural destiny or moral vice, We Are Not Born Submissive takes a sophisticated look at how female submissiveness can be explained

     

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  4. Racial Rhapsody
    The Aesthetics of Contemporary U.S. Identity
    Erschienen: 2018
    Verlag:  Routledge, Boca Raton, FL ; Taylor & Francis Group, London

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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  5. Journeys Exposed
    Women’s Writing, Photography, and Mobility
  6. Journeys Exposed
    Women’s Writing, Photography, and Mobility
    Autor*in: Alù, Giorgia
    Erschienen: 2018
    Verlag:  Routledge,, Boca Raton, FL

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429437700
    Auflage/Ausgabe: First edition.
    Schlagworte: Italian literature; Women photographers; Photojournalism; Italian literature; Italian literature ; Women authors ; History and criticism; Women photographers; Photojournalism; Italian literature ; Women authors; Electronic books; PHOTOGRAPHY / General ; bisacsh; LITERARY CRITICISM / Modern / 20th Century ; bisacsh; anthropology ; bisacsh; autobiography ; bisacsh; borders ; bisacsh; boundaries ; bisacsh; Carla Cerati ; bisacsh; contemporary italian literature ; bisacsh; contemporary literature ; bisacsh; contemporary women’s writing ; bisacsh; displacement ; bisacsh; exile ; bisacsh; family ; bisacsh; fiction ; bisacsh; fragmentation ; bisacsh; gender ; bisacsh; gender studies ; bisacsh; history ; bisacsh; Italian women's literature ; bisacsh; identity ; bisacsh; loss ; bisacsh; Melania Mazzucco ; bisacsh; Monica Bulaj ; bisacsh; marginality ; bisacsh; migration ; bisacsh; mobile ; bisacsh; narrative ; bisacsh; nomad ; bisacsh; Ornela Vorpsi ; bisacsh; objectification ; bisacsh; objects ; bisacsh; people ; bisacsh; places ; bisacsh; power ; bisacsh; space ; bisacsh; time ; bisacsh; visual culture ; bisacsh; visual images ; bisacsh; women's studies ; bisacsh; 20th Century literature ; bisacsh; 20th Century women ; bisacsh; 20th Century women's literature ; bisacsh; PHOTOGRAPHY / General; LITERARY CRITICISM / Modern / 20th Century; anthropology; autobiography; borders; boundaries; Carla Cerati; contemporary italian literature; contemporary literature; contemporary women’s writing; displacement; exile; family; fiction; fragmentation; gender; gender studies; history; Italian women's literature; identity; loss; Melania Mazzucco; Monica Bulaj; marginality; migration; mobile; narrative; nomad; Ornela Vorpsi; objectification; objects; people; places; power; space; time; visual culture; visual images; women's studies; 20th Century literature; 20th Century women; 20th Century women's literature
    Umfang: 1 online resource (192 pages)
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    Includes bibliographical references and index

  7. Journeys Exposed
    Women’s Writing, Photography, and Mobility
    Autor*in: Alù, Giorgia
    Erschienen: 2018
    Verlag:  Routledge,, Boca Raton, FL

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429437700
    Auflage/Ausgabe: First edition.
    Schlagworte: Italian literature; Women photographers; Photojournalism; Italian literature; Italian literature ; Women authors ; History and criticism; Women photographers; Photojournalism; Italian literature ; Women authors; Electronic books; PHOTOGRAPHY / General ; bisacsh; LITERARY CRITICISM / Modern / 20th Century ; bisacsh; anthropology ; bisacsh; autobiography ; bisacsh; borders ; bisacsh; boundaries ; bisacsh; Carla Cerati ; bisacsh; contemporary italian literature ; bisacsh; contemporary literature ; bisacsh; contemporary women’s writing ; bisacsh; displacement ; bisacsh; exile ; bisacsh; family ; bisacsh; fiction ; bisacsh; fragmentation ; bisacsh; gender ; bisacsh; gender studies ; bisacsh; history ; bisacsh; Italian women's literature ; bisacsh; identity ; bisacsh; loss ; bisacsh; Melania Mazzucco ; bisacsh; Monica Bulaj ; bisacsh; marginality ; bisacsh; migration ; bisacsh; mobile ; bisacsh; narrative ; bisacsh; nomad ; bisacsh; Ornela Vorpsi ; bisacsh; objectification ; bisacsh; objects ; bisacsh; people ; bisacsh; places ; bisacsh; power ; bisacsh; space ; bisacsh; time ; bisacsh; visual culture ; bisacsh; visual images ; bisacsh; women's studies ; bisacsh; 20th Century literature ; bisacsh; 20th Century women ; bisacsh; 20th Century women's literature ; bisacsh; PHOTOGRAPHY / General; LITERARY CRITICISM / Modern / 20th Century; anthropology; autobiography; borders; boundaries; Carla Cerati; contemporary italian literature; contemporary literature; contemporary women’s writing; displacement; exile; family; fiction; fragmentation; gender; gender studies; history; Italian women's literature; identity; loss; Melania Mazzucco; Monica Bulaj; marginality; migration; mobile; narrative; nomad; Ornela Vorpsi; objectification; objects; people; places; power; space; time; visual culture; visual images; women's studies; 20th Century literature; 20th Century women; 20th Century women's literature
    Umfang: 1 online resource (192 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  8. Racial rhapsody
    the aesthetics of contemporary US Identity
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, New York

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