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  1. Piers Plowman and the Reinvention of Church Law in the Late Middle Ages
    Autor*in: Thomas, Arvind
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto

    It is a medieval truism that the poet meddles with words, the lawyer with the world. But are the poet’s words and the lawyer’s world really so far apart? To what extent does the art of making poems share in the craft of making laws, and vice versa?... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    It is a medieval truism that the poet meddles with words, the lawyer with the world. But are the poet’s words and the lawyer’s world really so far apart? To what extent does the art of making poems share in the craft of making laws, and vice versa? Framed by such questions, Piers Plowman and the Reinvention of Church Law in the Late Middle Ages examines the mutually productive interaction between literary and legal "makyngs" in England’s great Middle English poem by William Langland. Focusing on Piers Plowman’s preoccupation with wrongdoing in the B and C versions, Arvind Thomas examines the versions’ representations of trials, confessions, restitutions, penalties, and pardons. Thomas explores how the "literary" informs and transforms the "legal" until they finally cannot be separated. Thomas shows how the poem’s narrative voice, metaphor, syntax and style not only reflect but also act upon properties of canon law, such as penitential procedures and authoritative maxims. Langland’s mobilization of juridical concepts, Thomas insists, not only engenders a poetics informed by canonist thought but also expresses an alternative vision of canon law from that proposed by medieval jurists and today’s medievalists

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487515386
    Weitere Identifier:
    Schlagworte: allegory; church; law; legal; literature; maxim; penance; LITERARY CRITICISM / Medieval; Canon law in literature; Christian poetry, English (Middle); Law, Medieval, in literature; Kanonisches Recht
    Weitere Schlagworte: Langland, William (1332-1400): Piers Plowman
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)
  2. Piers Plowman and the Reinvention of Church Law in the Late Middle Ages
    Autor*in: Thomas, Arvind
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto

    It is a medieval truism that the poet meddles with words, the lawyer with the world. But are the poet’s words and the lawyer’s world really so far apart? To what extent does the art of making poems share in the craft of making laws, and vice versa?... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    It is a medieval truism that the poet meddles with words, the lawyer with the world. But are the poet’s words and the lawyer’s world really so far apart? To what extent does the art of making poems share in the craft of making laws, and vice versa? Framed by such questions, Piers Plowman and the Reinvention of Church Law in the Late Middle Ages examines the mutually productive interaction between literary and legal "makyngs" in England’s great Middle English poem by William Langland. Focusing on Piers Plowman’s preoccupation with wrongdoing in the B and C versions, Arvind Thomas examines the versions’ representations of trials, confessions, restitutions, penalties, and pardons. Thomas explores how the "literary" informs and transforms the "legal" until they finally cannot be separated. Thomas shows how the poem’s narrative voice, metaphor, syntax and style not only reflect but also act upon properties of canon law, such as penitential procedures and authoritative maxims. Langland’s mobilization of juridical concepts, Thomas insists, not only engenders a poetics informed by canonist thought but also expresses an alternative vision of canon law from that proposed by medieval jurists and today’s medievalists

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487515386
    Weitere Identifier:
    Schlagworte: allegory; church; law; legal; literature; maxim; penance; LITERARY CRITICISM / Medieval; Canon law in literature; Christian poetry, English (Middle); Law, Medieval, in literature; Kanonisches Recht
    Weitere Schlagworte: Langland, William (1332-1400): Piers Plowman
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)
  3. Samuel Beckett's Endgame Conversational Principles and Absurdity
    Autor*in: Mundhe, Ganesh
    Erschienen: 2014
    Verlag:  LAP LAMBERT Academic Publishing, Saarbrücken

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783659609404; 3659609404
    Weitere Identifier:
    9783659609404
    Auflage/Ausgabe: 1. Aufl.
    Weitere Schlagworte: (Produktform)Electronic book text; Principles; pragmatics; conversational; Samuel Beckett; Männer; Endgame; Absurdity; Relation; maxim; (VLB-WN)1564: Englische Sprachwissenschaft, Literaturwissenschaft
    Umfang: Online-Ressource
    Bemerkung(en):

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  4. ‘Render to Caesar the Things of Caesar and to God the Things of God'
    Recent Perspectives on a Puzzling Command (1945-Present)
    Autor*in: Burke, Simeon R.
    Erschienen: [2018]

    This article surveys post-1945 scholarly attempts to interpret Jesus' command to ‘render to Caesar the things of Caesar and to God the things of God' (Mk 12.17; Mt. 22.21; Lk. 20.25). It suggests that part of the confusion surrounding the... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Fernleihe:
    keine Fernleihe

     

    This article surveys post-1945 scholarly attempts to interpret Jesus' command to ‘render to Caesar the things of Caesar and to God the things of God' (Mk 12.17; Mt. 22.21; Lk. 20.25). It suggests that part of the confusion surrounding the interpretation of this phrase lies not only in the disputed nature of the data, but also in the failure to clearly define the interpretive categories. This has resulted in contradictory interpretations being described with the same label, as well as scholars failing to notice similarities between the different readings. To this end, the following article attempts to more precisely outline the four major approaches to the command which have emerged since the Second World War (while also noting the various connections between some of these views): (1) exclusivist interpretations in which ‘the things of God' nullify the ‘the things of Caesar'; (2) complementarian readings in which the two elements are held to be parallel; (3) ambivalent readings that stress the ambiguity and open-ended nature of the utterance; and (4) subordinationist readings that seek to uphold both elements of the command while prioritizing the second element (‘the things of God') over the first (‘the things of Caesar'). The discussion then turns to considering four areas that might prove fruitful in future analysis of this command.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Currents in biblical research; London [u.a.] : Sage, 2002; 16(2018), 2, Seite 157-190; Online-Ressource

    Schlagworte: ANCIENT rhetoric; BIBLE. Gospels; BIBLE; Genesis 1.27; LECTIONARIES; Mark 12.17; ROMAN emperors; Render to Caesar; ancient rhetoric; history of interpretation; maxim; post-colonial criticism; pronouncement story; render to God; tribute pericope