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  1. The fetters of rhyme
    liberty and poetic form in Early Modern England
    Autor*in: Rush, Rebecca M
    Erschienen: [2021]; © 2021
    Verlag:  Princeton University Press, Princeton$POxford

    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- The Fetters of Rhyme -- Introduction -- Chapter 1 Sweet Be the Bands -- Chapter 2 Licentious Rhymers -- Chapter 3 An Even and Unaltered Gait -- Chapter 4 Rhyme Oft Times Overreaches... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- The Fetters of Rhyme -- Introduction -- Chapter 1 Sweet Be the Bands -- Chapter 2 Licentious Rhymers -- Chapter 3 An Even and Unaltered Gait -- Chapter 4 Rhyme Oft Times Overreaches Reason -- Chapter 5 Milton and the Known Rules of Ancient Liberty -- Notes -- Bibliography -- Index How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, Milton was not initiating a new line of thought-English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading

     
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  2. Don Carlos Infante of Spain : A Dramatic Poem
    Autor*in: Schiller, Friedrich
    Erschienen: 2018
    Verlag:  Open Book Publishers

    "Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the... mehr

     

    "Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles that rupture the court of the Spanish King Philip II in 1658. The autocratic king’s son Don Carlos is caught between his political ideals, fostered by his friendship with the charismatic Marquis Posa, and his doomed love for his stepmother Elisabeth of Valois. These twin passions set him against his father, the brooding and tormented Philip, and the terrible power of the Catholic Church, represented in the play by the indelible figure of the Grand Inquisitor.

    Schiller described Don Carlos as ""a family portrait in a princely house.” It interweaves political machinations with powerful personal relationships to create a complex and resonant tragedy. The conflict between absolutism and liberty appealed not only to audiences but also to other artists and gave rise to several operas, not least to Verdi’s great Don Carlos of 1867. The play, which the playwright never finished to his satisfaction, lives on nonetheless among his best-loved works and is translated here with flair and skill by Flora Kimmich. Like her translations of Schiller’s Wallenstein and his Fiesco’s Conspiracy at Genoa, this is a lively and accessible rendering of a classic text. As with all books in the Open Book Classics series, it is supported by an introduction and notes that will inform and enlighten both the student and the general reader."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theatre studies; Literary studies: plays & playwrights
    Weitere Schlagworte: Frederich Schiller; Don Carlos Infante of Spain; german drama; iambic pentameter; translation; commentary; glossary; European literature and history; ALBA; Ana de Mendoza; Princess of Eboli; Eboli; God; Grand Inquisitor; Madrid
    Umfang: 1 electronic resource (212 p.)
  3. Shakespeare's Metrical Art
    Autor*in: Wright, George T.
    Erschienen: [1988]; ©1988
    Verlag:  University of California Press, Berkeley, CA

    This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical... mehr

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language

     
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  4. The fetters of rhyme
    liberty and poetic form in Early Modern England
    Autor*in: Rush, Rebecca M.
    Erschienen: [2021]; © 2021
    Verlag:  Princeton University Press, Princeton$POxford

    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- The Fetters of Rhyme -- Introduction -- Chapter 1 Sweet Be the Bands -- Chapter 2 Licentious Rhymers -- Chapter 3 An Even and Unaltered Gait -- Chapter 4 Rhyme Oft Times Overreaches... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- The Fetters of Rhyme -- Introduction -- Chapter 1 Sweet Be the Bands -- Chapter 2 Licentious Rhymers -- Chapter 3 An Even and Unaltered Gait -- Chapter 4 Rhyme Oft Times Overreaches Reason -- Chapter 5 Milton and the Known Rules of Ancient Liberty -- Notes -- Bibliography -- Index How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, Milton was not initiating a new line of thought-English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading

     
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  5. The Fetters of Rhyme
    Liberty and Poetic Form in Early Modern England
    Autor*in: Rush, Rebecca M.
    Erschienen: [2021]; ©2021
    Verlag:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English... mehr

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    How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.

     
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