This book provides a comprehensive introduction to the history and development of the Latin New Testament and a user’s guide to the resources available for research and further study. The first five chapters offer a new historical synthesis, bringing...
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This book provides a comprehensive introduction to the history and development of the Latin New Testament and a user’s guide to the resources available for research and further study. The first five chapters offer a new historical synthesis, bringing together evidence from Christian authors and biblical manuscripts from earliest times to the late Middle Ages. Each witness is considered in its chronological and geographical context, to build up the bigger picture of the transmission of the text. There are chapters introducing features of Latin biblical manuscripts and examining how the Latin tradition may serve as a witness for the Greek New Testament. In addition, each book of the New Testament is considered in turn, with details of the principal witnesses and features of particular textual interest. The three main scholarly editions of the Latin New Testament (the Vetus Latina edition, the Stuttgart Vulgate, and the Oxford Vulgate) are described in detail. Information is also given about other editions and resources, enabling researchers to understand the significance of different approaches and become aware of the latest developments. The Catalogue of Manuscripts gives full details of each manuscript used in the major editions, with bibliographical references and links to sets of digital images. The Appendices include concordances for the different ways in which manuscripts are cited in scholarly literature. An extensive reference bibliography of publications on the Latin New Testament is also supplied.
What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition....
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What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies