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  1. Greek Comedy and Embodied Scholarly Discourse
    Autor*in: Novokhatko, Anna A.
    Erschienen: 2023; ©2023
    Verlag:  De Gruyter, Berlin

    Comedy created a joyful mode of perceiving rhetoric, grammar, and literary criticism through the somatic senses of the author, the characters, the actors and the spectators. This was due to generic peculiarities including the omnivore mirroring of... mehr

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    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Comedy created a joyful mode of perceiving rhetoric, grammar, and literary criticism through the somatic senses of the author, the characters, the actors and the spectators. This was due to generic peculiarities including the omnivore mirroring of contemporary (scholarly) ideas, the materiality of costumes and masks, and the embodiment of abstract notions on stage, in short due to the correspondence between body, language and environment. The materiality of words, letters and syllables in ancient grammar and stylistic criticism is related to the embodied criticism found in Greek comedy. How are scholarly discourses embodied? The act of writing is vividly enacted on stage through carving with effort the shape of the letter 'rho' and commenting emotionally on it. The letters of the alphabet are danced by the chorus, the cognitive and communicative power of gestures and body expression providing emotional context. A barking pickle brine from Thasos is perhaps an olfactory somatosensory visual and auditory embodiment of Archilochean poetry, whilst the actor’s foot in dance is a visual and motor embodiment of a metrical foot on stage. Comedy with its actors, costumes, masks, and props is overflowing with such examples. In this book, the author suggests that comedy made a significant contribution to the establishment of scholarly discourses in Classical Greece

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111081540
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Ancient & Classical
    Weitere Schlagworte: Ancient Greek comedy; Classical Greece; early Greek scholarship; enactivism
    Umfang: 1 Online-Ressource (VIII, 278 p.)
    Bemerkung(en):

    Issued also in print
  2. Greek comedy and embodied scholarly discourse
    Autor*in: Novokhatko, Anna A.
    Erschienen: [2023]; © 2023
    Verlag:  De Gruyter, Berlin ; Boston

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9783111080932; 3111080935
    Weitere Identifier:
    9783111080932
    Schlagworte: Griechisch; Gelehrsamkeit <Motiv>; Diskursanalyse; Wissenschaft <Motiv>; Komödie
    Weitere Schlagworte: Ancient Greek comedy; Classical Greece; Gelehrtheit; Griechenland (Altertum) / Antike; Griechisch; Komödie; early Greek scholarship; enactivism
    Umfang: X, 278 Seiten
    Bemerkung(en):

    Habilitationsschrift, University of Freiburg, 2018
  3. The Routledge companion to literature and emotion
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J. (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Erschienen: [2022]
    Verlag:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    OJ440 R8C7L
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J. (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367409159; 9781032219226
    Weitere Identifier:
    9780367409159
    RVK Klassifikation: EC 5410
    Schriftenreihe: Routledge literature companions
    Schlagworte: Emotions in literature; Affect (Psychology) in literature
    Weitere Schlagworte: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin
    Umfang: xvii, 495 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben
  4. Greek Comedy and Embodied Scholarly Discourse
    Autor*in: Novokhatko, Anna A.
    Erschienen: 2023
    Verlag:  De Gruyter, Berlin/Boston

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  5. Greek comedy and embodied scholarly discourse
    Autor*in: Novokhatko, Anna A.
    Erschienen: [2023]
    Verlag:  De Gruyter, Berlin

    Export in Literaturverwaltung   RIS-Format
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  6. Inhabited stories: An enactive media archaeology of virtual reality storytelling
    Autor*in: Gatti, Giuseppe
    Erschienen: 2022
    Verlag:  Philipps-Universität Marburg, Marburg ; NECS

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Elektronische Zeitschrift
    Format: Online
    ISSN: 2213-0217
    Weitere Identifier:
    Übergeordneter Titel: In: NECSUS_European Journal of Media Studies. #Rumors, Jg. 11 (2022), Nr. 1, S. 231–257.
    Weitere Schlagworte: virtual reality; enactivism; environmental storytelling; presence; media archaeology
    Umfang: Online-Ressource
  7. Greek Comedy and Embodied Scholarly Discourse
    Autor*in: Novokhatko, Anna A.
    Erschienen: 2023
    Verlag:  De Gruyter, Berlin/Boston

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  8. Greek Comedy and Embodied Scholarly Discourse
    Autor*in: Novokhatko, Anna A.
    Erschienen: 2023; ©2023
    Verlag:  De Gruyter, Berlin

    Comedy created a joyful mode of perceiving rhetoric, grammar, and literary criticism through the somatic senses of the author, the characters, the actors and the spectators. This was due to generic peculiarities including the omnivore mirroring of... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

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    Comedy created a joyful mode of perceiving rhetoric, grammar, and literary criticism through the somatic senses of the author, the characters, the actors and the spectators. This was due to generic peculiarities including the omnivore mirroring of contemporary (scholarly) ideas, the materiality of costumes and masks, and the embodiment of abstract notions on stage, in short due to the correspondence between body, language and environment. The materiality of words, letters and syllables in ancient grammar and stylistic criticism is related to the embodied criticism found in Greek comedy. How are scholarly discourses embodied? The act of writing is vividly enacted on stage through carving with effort the shape of the letter 'rho' and commenting emotionally on it. The letters of the alphabet are danced by the chorus, the cognitive and communicative power of gestures and body expression providing emotional context. A barking pickle brine from Thasos is perhaps an olfactory somatosensory visual and auditory embodiment of Archilochean poetry, whilst the actor’s foot in dance is a visual and motor embodiment of a metrical foot on stage. Comedy with its actors, costumes, masks, and props is overflowing with such examples. In this book, the author suggests that comedy made a significant contribution to the establishment of scholarly discourses in Classical Greece

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111081540
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Ancient & Classical
    Weitere Schlagworte: Ancient Greek comedy; Classical Greece; early Greek scholarship; enactivism
    Umfang: 1 Online-Ressource (VIII, 278 p.)
    Bemerkung(en):

    Issued also in print
  9. <<The>> Routledge companion to literature and emotion
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Erschienen: [2022]
    Verlag:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367409159; 9781032219226
    Weitere Identifier:
    9780367409159
    RVK Klassifikation: EC 5410
    Schriftenreihe: Routledge literature companions
    Schlagworte: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin; Emotions in literature; Affect (Psychology) in literature
    Umfang: xvii, 495 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben