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Pictures of the catastrophe and catastrophic pictures
through the theoretical perspectives of Günter Abel, Roland Barthes and Ulrich Baer an analysis of the pictorial production on the occasion of the 9/11 catastrophe in New York and the concept of trauma within this production, as exemplified by the "New York Times" and "Immediate Damage" archives -
Pictures of the catastrophe and catastrophic pictures
through the theoretical perspectives of Günter Abel, Roland Barthes and Ulrich Baer an analysis of the pictorial production on the occasion of the 9/11 catastrophe in New York and the concept of trauma within this production, as exemplified by the “New York Times" and "Immediate Damge" archives -
Pictures of the catastrophe and catastrophic pictures
through the theoretical perspectives of Günter Abel, Roland Barthes and Ulrich Baer an analysis of the pictorial production on the occasion of the 9/11 catastrophe in New York and the concept of trauma within this production, as exemplified by the “New York Times” and “Immediate Damage” archives