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  1. Self-Representation in an Expanded Field : From Self-Portraiture to Selfie, Contemporary Art in the Social Media Age
    Beteiligt: Lehner, Ace (Hrsg.)
    Erschienen: 2021
    Verlag:  MDPI Books, Basel

    Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a... mehr

     

    Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, –as this project aims to do address via a variety of interdisciplinary approaches– selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today.

     

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    Quelle: OAPEN
    Beteiligt: Lehner, Ace (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783038975649; 9783038975656
    Weitere Identifier:
    Schlagworte: The arts
    Weitere Schlagworte: Selfies; self-portraiture; social media; art history; representation; photography; contemporary art; Intersectionality; intersectional approaches; identity; aesthetics; contemporary life; consumer culture; avant-guard
    Umfang: 1 electronic resource (228 p.)
  2. The Age of Huts (compleat)
    Autor*in: Silliman, Ron
    Erschienen: [2007]; ©2007
    Verlag:  University of California Press, Berkeley, CA

    Between the Age of Innocence and the Age of Experience comes The Age of Huts. This book brings together for the first time all of the poems in Ron Silliman's Age of Huts cycle, including Ketjak, Sunset Debris, The Chinese Notebook, and 2197, as well... mehr

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Between the Age of Innocence and the Age of Experience comes The Age of Huts. This book brings together for the first time all of the poems in Ron Silliman's Age of Huts cycle, including Ketjak, Sunset Debris, The Chinese Notebook, and 2197, as well as two key satellite texts, Sitting Up, Standing, Taking Steps, and BART. Each poem offers a radically different approach toward using language to explore the world. One of the founding works of Language Poetry, The Age of Huts is about everything, more or less literally, as each sentence, even each phrase, embarks on its own narrative, linking together to form a large polyphonic investigation of contemporary life. From Ketjak, one of the first poems to employ "the new sentence," to 2197, a serial work that scrambles the vocabulary and grammar of its sentences, The Age of Huts questions everything we have known about poetry in order to see the world anew

     

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