Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. The Routledge companion to literature and emotion
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J. (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Erschienen: [2022]
    Verlag:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... mehr

    Universitätsbibliothek Bielefeld
    OJ440 R8C7L
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J. (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367409159; 9781032219226
    Weitere Identifier:
    9780367409159
    RVK Klassifikation: EC 5410
    Schriftenreihe: Routledge literature companions
    Schlagworte: Emotions in literature; Affect (Psychology) in literature
    Weitere Schlagworte: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin
    Umfang: xvii, 495 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben

  2. Contextual and crosslinguistic facets of emotion concepts
    Beteiligt: Ströbel, Liane (Herausgeber)
    Erschienen: 2023
    Verlag:  AVM.edition, München

    Emotions permeate every aspect of our lives and not only provide us with invaluable information about our environment and the people in it, but also influence our perception of situations and events. Interestingly, this domain, so ubiquitous in our... mehr

    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Emotions permeate every aspect of our lives and not only provide us with invaluable information about our environment and the people in it, but also influence our perception of situations and events. Interestingly, this domain, so ubiquitous in our everyday lives, largely resists attempts at scientific definition. One reason for this could be that emotions rarely occur in isolation but are usually combined or embedded in other states of mind. Moreover, the experience of emotions may be influenced not only by culture but also by individual language. Analysis is further complicated by the fact that emotions are abstract and require complex linguistic coding to make an invisible emotional state of the speaker at least rudimentarily visible to the listener. For this reason, the present volume aims to investigate the perception, encoding, reception, and influence potential of emotions in context and across languages using different corpora. The following questions are central: To what extent do emotions influence our perception of events and facts? and To what extent can emotion concepts be defined language-specifically, but also universally, on the basis of our perception? Therefore, the eight contributions analyze emotions in different contexts and from different starting points to uncover the cognitive mechanisms underlying the perception and influence of emotion concepts. The first four papers focus primarily on emotional and sensory experiences and interactions that are set in motion when we are confronted with emotions, while the following four focus on the different facets of emotion across languages to show which emotion concepts are language-specific or universal, and thus contribute to a better understanding of this complex field

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. Contextual and crosslinguistic facets of emotion concepts
  4. <<The>> Routledge companion to literature and emotion
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Erschienen: [2022]
    Verlag:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... mehr

    Universitätsbibliothek Bielefeld
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367409159; 9781032219226
    Weitere Identifier:
    9780367409159
    RVK Klassifikation: EC 5410
    Schriftenreihe: Routledge literature companions
    Schlagworte: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin; Emotions in literature; Affect (Psychology) in literature
    Umfang: xvii, 495 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben