Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 5 von 5.

  1. World literature for the wretched of the earth
    anticolonial aesthetics, postcolonial politics
    Autor*in: Elam, J. Daniel
    Erschienen: 2021; © 2020
    Verlag:  Fordham University Press, New York

    World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon's political writings and Erich Auerbach's philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  2. Challenging memories and rebuilding identities
    literary and artistic voices that undo the lusophone Atlantic
    Beteiligt: Rendeiro, Margarida (Herausgeber); Lupati, Federica (Herausgeber)
    Erschienen: [2020]; © 2020
    Verlag:  Taylor & Francis

    Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlanticexplores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various... mehr

    Universitätsbibliothek Duisburg-Essen
    FVO1188
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlanticexplores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various fields of expertise examine the ways contemporary writers, artists, directors, andmusiciansexplore canonical forms in visual arts, cinema, music and literature, and introduce innovation in their narratives, at the same time they discuss the social and historical context they belong to.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Rendeiro, Margarida (Herausgeber); Lupati, Federica (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367338442
    Weitere Identifier:
    9780367338442
    Schriftenreihe: Routledge Interdisciplinary Perspectives on Literature
    Weitere Schlagworte: Spanische Literatur; Spanien; Portugiesische Literatur; Portugal; Moderne (1500 -; Literarische Strömungen & Epochen; LITERARY CRITICISM / Modern / General; Angela Davis; Angola; anticolonialism; Brazilian Culture; Brazilian literature; cinema; colonialism; decolonization; documentary; film; gender; graffiti; horror film; Lisbon; Lusophone African Countries; masculinity; music; narrative; neolibralism; Plantation Memories; Portuguese culture; Portuguese literature; Postcolonial studies; protest music; rap; revolution; Sao Paulo; Slavery; street art; urban space; violence
    Umfang: xi, 231 Seiten, 617 grams.
    Bemerkung(en):

    Introduction, Margarida Rendeiro and Federica Lupati; 1. Bridging Borders: Travelling through Ruy Duarte de Carvalho’s Life and Works; Hilarino da Luz; 2.Spousal Violence: Violent Masculinity in Ferréz and Marcelino Freire; André Nascimento; 3. An Infernal Eden: Postmodern Apocalyptic Tone in Deus-dará and its Use as a Critique of Lusophone Racism; Maggie L.N. Felisberto; 4. To Decolonize is to Perform:The Theory-in-Praxisof Grada Kilomba; Inês Beleza Barreiros and Joacine Katar Moreira; 5. Recognition on the Walls: Street Art and Pixo in São Paulo, Alexandre Barbosa Pereira; 6. Streets of Revolution: Analyzing Representations of the Carnation Revolution in Street Art; Margarida Rendeiro; 7. "Dance is a Disguise": Batida and the ‘infrapolitics’ of Dance Music in Postcolonial Portugal; Pedro Schacht Pereira; 8. The Luso and Rap: The Political Reinvention of Language; Susan de Oliveira; 9. Revolution and Poetry: Portuguese Rap as a Contemporary Practice of Protest Songs; Federica Lupati; 10. Tragic Revolutions on Screen: Decolonization revisited in Cavalo Dinheiro [Horse Money] (2014) by Pedro Costa and Virgem Margarida [Virgin Margarida] (2012) by Licínio Azevedo; Anna Mester; 11. Scaring the Canon, Criticizing the Country: Brazilian Horror Film in the 21st Century; Jeremy Lehnen; 12. Filming Ghosts: Reviving Memories in Haunted Spaces, Personal Reflections; Pedro Neves

  3. World literature for the wretched of the earth
    anticolonial aesthetics, postcolonial politics
    Autor*in: Elam, J. Daniel
    Erschienen: 2021; © 2020
    Verlag:  Fordham University Press, New York

    World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon's political writings and Erich Auerbach's philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  4. Le démon du politique : positions et interventions dans les récits de voyage en Afrique noire d’André Gide, d’Albert Londres et de Michel Leiris
    Erschienen: 2020
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: In: Viatica, n°7.2020
    Weitere Schlagworte: anticolonialisme; Albert Londres; André Gide; Michel Leiris; engagement politique; ethnographie; journalisme; champ littéraire; anticolonialism; Albert Londres; André Gide; Michel Leiris; political engagement; ethnography; journalism; literary field
    Umfang: Online-Ressource
  5. Challenging memories and rebuilding identities
    literary and artistic voices that undo the lusophone Atlantic
    Beteiligt: Rendeiro, Margarida (Herausgeber); Lupati, Federica (Herausgeber)
    Erschienen: [2020]; © 2020
    Verlag:  Taylor & Francis

    Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlanticexplores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various... mehr

    Universitätsbibliothek Duisburg-Essen
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlanticexplores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various fields of expertise examine the ways contemporary writers, artists, directors, andmusiciansexplore canonical forms in visual arts, cinema, music and literature, and introduce innovation in their narratives, at the same time they discuss the social and historical context they belong to

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Rendeiro, Margarida (Herausgeber); Lupati, Federica (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367338442
    Weitere Identifier:
    9780367338442
    Schriftenreihe: Routledge Interdisciplinary Perspectives on Literature
    Schlagworte: LITERARY CRITICISM / Modern / General; Angela Davis; Angola; anticolonialism; Brazilian Culture; Brazilian literature; cinema; colonialism; decolonization; documentary; film; gender; graffiti; horror film; Lisbon; Lusophone African Countries; masculinity; music; narrative; neolibralism; Plantation Memories; Portuguese culture; Portuguese literature; Postcolonial studies; protest music; rap; revolution; Sao Paulo; Slavery; street art; urban space; violence
    Weitere Schlagworte: Spanische Literatur; Spanien; Portugiesische Literatur; Portugal; Moderne (1500 -; Literarische Strömungen & Epochen
    Umfang: xi, 231 Seiten, 617 grams
    Bemerkung(en):

    Introduction, Margarida Rendeiro and Federica Lupati; 1. Bridging Borders: Travelling through Ruy Duarte de Carvalho’s Life and Works; Hilarino da Luz; 2.Spousal Violence: Violent Masculinity in Ferréz and Marcelino Freire; André Nascimento; 3. An Infernal Eden: Postmodern Apocalyptic Tone in Deus-dará and its Use as a Critique of Lusophone Racism; Maggie L.N. Felisberto; 4. To Decolonize is to Perform:The Theory-in-Praxisof Grada Kilomba; Inês Beleza Barreiros and Joacine Katar Moreira; 5. Recognition on the Walls: Street Art and Pixo in São Paulo, Alexandre Barbosa Pereira; 6. Streets of Revolution: Analyzing Representations of the Carnation Revolution in Street Art; Margarida Rendeiro; 7. "Dance is a Disguise": Batida and the ‘infrapolitics’ of Dance Music in Postcolonial Portugal; Pedro Schacht Pereira; 8. The Luso and Rap: The Political Reinvention of Language; Susan de Oliveira; 9. Revolution and Poetry: Portuguese Rap as a Contemporary Practice of Protest Songs; Federica Lupati; 10. Tragic Revolutions on Screen: Decolonization revisited in Cavalo Dinheiro [Horse Money] (2014) by Pedro Costa and Virgem Margarida [Virgin Margarida] (2012) by Licínio Azevedo; Anna Mester; 11. Scaring the Canon, Criticizing the Country: Brazilian Horror Film in the 21st Century; Jeremy Lehnen; 12. Filming Ghosts: Reviving Memories in Haunted Spaces, Personal Reflections; Pedro Neves