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  1. Pushkin’s Monument and Allusion
    Poem, Statue, Performance
    Autor*in: Dement, Sidney Eric
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto

    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the... mehr

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    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487532239
    Weitere Identifier:
    Schlagworte: Bulgakov; Pushkin; Russia; Russian sculpture; allusion; cultural history; cultural memory; history of reading; lifelike statue; monuments; LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); Lyrik; Denkmal; Anspielung
    Weitere Schlagworte: Puškin, Aleksandr Sergeevič (1799-1837)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  2. Virgil and the Mountain Cat
    Poems
    Autor*in: Lau, David
    Erschienen: [2009]; ©2009
    Verlag:  University of California Press, Berkeley, CA

    At once uncompromising and highly inventive, David Lau's poems are imbued with a musicality that lightens the dark undertones of spoliation and entropy. Many of the poems embody a nexus of interaction with historical events, films, modernist poetic... mehr

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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    At once uncompromising and highly inventive, David Lau's poems are imbued with a musicality that lightens the dark undertones of spoliation and entropy. Many of the poems embody a nexus of interaction with historical events, films, modernist poetic texts, and works of art—but from this allusion and evocation, a multifarious voice emerges. In these pages, the electric linguistic experiment meets a new urban, postnatural poetics, one in which poetry is not just a play of signs and seemings but also a prismatic investigation of our contemporary order: "Hurry up before our factory leaves. / The first column of the Freedom Tower / traduces its ensorcellment in the facade." Here is a poetry both deeply lyrical and resistant, a poetry relentless in its invention and its stance against the apathy of convention and consumption

     
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  3. Memory as overt allusion trigger in ancient literature
    Autor*in: Adams, Sean A.
    Erschienen: 2022

    This paper begins with a brief definition of allusion. The majority of the paper investigates the ways that memory language was used by ancient authors (Jewish, Greek, and Latin) as a literary technique to signal overt intertextual and intratextual... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Fernleihe:
    keine Fernleihe

     

    This paper begins with a brief definition of allusion. The majority of the paper investigates the ways that memory language was used by ancient authors (Jewish, Greek, and Latin) as a literary technique to signal overt intertextual and intratextual allusions. I argue that this is a recognized, intentional, and cross-cultural phenomenon with varied practices and that scholars need to consider this in future studies of intertextuality.

     
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Journal for the study of the pseudepigrapha; London : Sage, 1987; 32(2022), 2, Seite 110-126; Online-Ressource

    Schlagworte: new testament; memory; Jewish; intertextuality; Graeco-Roman; allusion
  4. Pushkin’s Monument and Allusion
    Poem, Statue, Performance
    Autor*in: Dement, Sidney Eric
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto

    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition. The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future

     
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  5. Detecting allusions in Mackenzie Crook's detectorists
    an illustrated guide
    Autor*in: Wahlbrinck, Bernd
    Erschienen: [2021]
    Verlag:  Tumbelweed, [Rheine]

  6. Egyptian and American Stand-up Comedy
    Move Analysis and Linguistic Features of Humor
    Autor*in: E. Lotfy, Nohayer
    Erschienen: 2021
    Verlag:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9786203853216; 6203853216
    Weitere Identifier:
    9786203853216
    Auflage/Ausgabe: 1. Auflage
    Weitere Schlagworte: (Produktform)Electronic book text; stand-up comedy; humor; Move Analysis; genre analysis; incongruity; hyperboles; allusion; obscenity; Egypt; US; (BISAC region code)3.1.3.0.0.0.0; (VLB-WN)1564: Englische Sprachwissenschaft, Literaturwissenschaft
    Umfang: Online-Ressource, 256 Seiten
    Bemerkung(en):

    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  7. Transferring Allusion to Nichol's The Stone Angel Arabic Translation
    Allusions in the Arabic Translation of The Stone Angel
    Autor*in: Aldeeb, Najlaa
    Erschienen: 2017
    Verlag:  Noor Publishing, Saarbrücken

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783330975392; 3330975393
    Weitere Identifier:
    9783330975392
    Auflage/Ausgabe: 1. Auflage
    Weitere Schlagworte: (Produktform)Electronic book text; Intertextuality; allusion; culture bump; performability; typography; (VLB-WN)1560: Sprachwissenschaft, Literaturwissenschaft
    Umfang: Online-Ressourcen, 196 Seiten
    Bemerkung(en):

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  8. Zechariah's Horse Visions and Angelic Intermediaries
    Translation, Allusion, and Transmission in Early Judaism
    Autor*in: Allen, Garrick V.
    Erschienen: [2017]

    In this article, I examine the interplay of transmission and exegesis in Zechariah's textual history, analyzing the strategies that early interpreters employed to create coherence in a difficult text. I use Zechariah's horse visions as examples,... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Signatur:
    FTHNT097714/79/ANG
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    In this article, I examine the interplay of transmission and exegesis in Zechariah's textual history, analyzing the strategies that early interpreters employed to create coherence in a difficult text. I use Zechariah's horse visions as examples, exploring their presentation in the early versions and the Book of Revelation. The following examination explores the form of Zechariah used by these ancient interpreters and the habits of reading that are implied in their presentation of reused material. The evidence suggests that, by the late Second Temple period, the majority of readers conceptualized Zech 1:8 and 6:1-5 as coreferential visions and that this linking was representative of a larger strategy of coherence. This strategy is also part of a wider tradition of correlating Zechariah's horses with other heavenly figures in the Hebrew Bible, a tradition that is most prevalent in Targum Jonathan.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic University of America Press, 1939; 79(2017), 2, Seite 222-239

    Schlagworte: Pferd; Tiere; Schutzengel; Apokalyptik; Übersetzung; allusion; ALLUSIONS; angel; apocalypse; BIBLE; BIBLE; BIBLE. Revelation; BIBLE. Zechariah; coherence; JUDAISM; Septuagint; Targum Jonathan; translation; Zechariah
    Weitere Schlagworte: Sacharja Prophet
  9. Intertextuality in New Testament Scholarship
    Significance, Criteria, and the Art of Intertextual Reading
    Autor*in: Emadi, Samuel
    Erschienen: [2015]

    ‘Intertextuality’ is currently a hot topic among biblical interpreters. However, a great deal of debate regarding the locus, purpose, and meaning-effect of an intertextual event, the criteria used to discern the presence of intertexts (if in fact... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Fernleihe:
    keine Fernleihe

     

    ‘Intertextuality’ is currently a hot topic among biblical interpreters. However, a great deal of debate regarding the locus, purpose, and meaning-effect of an intertextual event, the criteria used to discern the presence of intertexts (if in fact there are any), and the theological value of intertextuality in Scripture still exists. This article surveys these interpretive questions and discusses how the foremost contributors to the conversation have aimed at resolving these hermeneutical tensions. In this article, I examine and compare the hermeneutical methodologies of Richard Hays, Michael Thompson, Dale Allison, Greg Beale, Christopher Beetham, Leroy Huizenga, and Peter Leithart with respect to intertextuality. My aim is to identify the strengths of each contributor’s hermeneutical method, while clarifying where these scholars share similar hermeneutical convictions, as well as where they part ways with one another’s convictions about the practice of intertextual reading.

     
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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Currents in biblical research; London [u.a.] : Sage, 2002; 14(2015), 1, Seite 8-23; Online-Ressource

    Schlagworte: allusion; BIBLE; BIBLE. New Testament; Christopher Beetham; Dale Allison; echo; Greg Beale; Hermeneutics; inner-biblical interpretation; Intertextuality; Leroy Huizenga; Michael Thompson; New Testament use of the Old Testament; Peter Leithart; Richard Hays