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  1. Bardic Nationalism
    The Romantic Novel and the British Empire
    Erschienen: [2021]; ©1997
    Verlag:  Princeton University Press, Princeton, NJ

    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism,... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia

     

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  2. Ambassadors of culture
    the transamerican origins of Latino writing
    Erschienen: ©2002
    Verlag:  Princeton University Press, Princeton, N.J

    "Alone with the terrible hurricane" : the occluded history of transamerican literature ; Geografia nueva : an alternate history of the American world system ; Citizen, ambassador : stations of literary representation ; The transamerican archive :... mehr

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    "Alone with the terrible hurricane" : the occluded history of transamerican literature ; Geografia nueva : an alternate history of the American world system ; Citizen, ambassador : stations of literary representation ; The transamerican archive : poetry as daily practice ; Vernacular authorship, or the imitator's agency -- The chain of American circumstance : from Niagara to Cuba to Panama ; Meditations on Niagara : transnational pilgrims and the American sublime ; The Cuban star over New York : Heredia's translated nationhood ; Republics in chains : from Bryant's prairies to the Mexican meseta ; Vistas del infierno : the racial dilemma of María del Occidente -- Tasks of the translator : imitative literature, the Catholic South, and the invasion of Mexico ; "A mist of lurid light" : translation practice in the Americas ; Ecos de México : Whittier, Longfellow, and the case against expansion ; Converting Evangeline to Evangelina ; In the vernacular : translation on the border -- The mouth of a new empire : New Orleans in the transamerican print trade ; New Orleans, capital of the (other) nineteenth century ; The fertile crescent : Whitman's immersion in the "Spanish element" ; Reading La patria : Hispanophone print culture and the annexation question ; Songs of exile : the Laúd poets and Quintero's pearls -- The deep roots of our America : two new worlds, and their resistors ; Diplomatic license : Pombo in New York ; Staging gender on the California borderlands ; Brave mundo nuevo : the marketing of transnational Spanish culture ; Most faithful Fidel : Guillermo Prieto's reconstruction travelogue -- Coda : The future's past : Latino ghosts in the U.S. canon.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691221304; 0691221308
    RVK Klassifikation: HT 1520 ; IQ 11170 ; IQ 11179
    Schriftenreihe: Translation/transnation
    Schlagworte: Hispanic American literature (Spanish); American literature; Geschichte; Literatur; American literature; Hispanic American literature (Spanish); International relations; Letterkunde; Hispanos; Literatur; LITERARY CRITICISM / American / Hispanic American; Criticism, interpretation, etc; Littérature américaine (espagnole) - Histoire et critique; American literature - 19th century - History and criticism; Hispanic American literature (Spanish) - History and criticism; Littérature américaine - 19e siècle - Histoire et critique
    Weitere Schlagworte: Anzaldúa, Gloria; Augier, Angel; Bennett, Paula B; Brodhead, Richard H; Bryant, William Cullen; Catholicism: defense of; Clay, Henry; Cortés, Hernán; Ellert, Elizabeth; Espronceda, José de; Fliegelman, Jay; Free Soil Party; Gustafson, Zadel Barnes; Gómez de Avellaneda, Gertrudis; Hispanophilia in United States; Iturbide, Agustin de; Jefferson, Thomas; Kanellos, Nicolás; Kennedy, James; Lincoln, Abraham; Martell, Helvetia; Matthiessen, F. O; Mignolo, Walter; Mississippi River; Norton, Anne; Orientalism; Piñeyro, Enrique; abolitionism; ballad form; captivity narratives; del Monte, Domingo; intellectuals; public sphere
    Umfang: 1 Online-Ressource (xxi, 293 pages)
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    Includes bibliographical references (pages 255-278) and index

  3. From School to Salon
    Reading Nineteenth-Century American Women's Poetry
    Erschienen: [2004]; ©2004
    Verlag:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it.... mehr

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    With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.

     

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