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  1. Herstories on screen
    feminist subversions of frontier myths
    Autor*in: Cummins, Kathleen
    Erschienen: 2020
    Verlag:  Wallflower Press, New York

    Introduction -- 1. Women's Storytelling: Narrative, Genre, and the Female Voice -- 2. Debunking the Cult of True Womanhood/Motherhood on the Frontier -- 3. Feminist Symbolic Frontier: Landscapes -- Conclusion -- Appendix A: The Films. "From the late... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- 1. Women's Storytelling: Narrative, Genre, and the Female Voice -- 2. Debunking the Cult of True Womanhood/Motherhood on the Frontier -- 3. Feminist Symbolic Frontier: Landscapes -- Conclusion -- Appendix A: The Films. "From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries' popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won new access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films-invariably featuring a lone white male hero pitted against the "savage" and "uncivilized" native terrain-these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffat, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers' efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231189514; 9780231189507
    Schlagworte: Feminist films; Feminism and motion pictures; Women in motion pictures; Frontier and pioneer life; Motion pictures and women; Women in the motion picture industry; Women motion picture producers and directors
    Umfang: 323 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. The Cinema of Marguerite Duras
    Multisensoriality and Female Subjectivity
    Autor*in: Royer, Michelle
    Erschienen: [2022]; ©2019
    Verlag:  Edinburgh University Press, Edinburgh

    Examines how the films of Marguerite Duras create a multisensorial experience for spectatorsThe writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy... mehr

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examines how the films of Marguerite Duras create a multisensorial experience for spectatorsThe writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective.Key featuresExamines how the director's filmic innovations create a sensorial space for the female experience to be expressedBuilds on recent work on film as a multisensory mediumCovers Duras's entire film production, including short films and early adaptations

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474427869
    Schriftenreihe: Array
    Schlagworte: Motion pictures; Women motion picture producers and directors; Film, Media & Cultural Studies; PERFORMING ARTS / Film & Video / Direction & Production
    Umfang: 1 Online-Ressource (144 p.), 12 colour illustrations
  3. Spaces of women's cinema
    space, place and genre in contemporary women's filmmaking
    Autor*in: Thornham, Sue
    Erschienen: 2019
    Verlag:  BFI, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781844579129; 1844579123; 9781844579112; 1844579115
    Schlagworte: Space and time in motion pictures; Women in motion pictures; Women motion picture producers and directors
    Umfang: ix, 226 Seiten, Illustrationen, 24 cm
  4. Visions of struggle in women's filmmaking in the Mediterranean
    Beteiligt: Laviosa, Flavia (Hrsg.)
    Erschienen: 2010
    Verlag:  Palgrave Macmillan, New York, NY

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    Quelle: Verbundkataloge
    Beteiligt: Laviosa, Flavia (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780230617360
    Schriftenreihe: Comparative feminist studies series
    Schlagworte: Feminist films; Women in motion pictures; Women motion picture producers and directors
    Umfang: XXXII, 224 S., Ill.
    Bemerkung(en):

    Literaturangaben
  5. Women film directors of Indian cinema
    a study of their cinematic representations
    Autor*in: Anitha, R.
    Erschienen: 2017
    Verlag:  New Bhartiya Book Corporation, Delhi, India

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signatur:
    200 kul 2018/1299
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788183153140; 8183153143
    Auflage/Ausgabe: 1st edition
    Schlagworte: Women motion picture producers and directors; Motion pictures
    Umfang: x, 188 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  6. Spaces of women's cinema
    space, place and genre in contemporary women's filmmaking
    Autor*in: Thornham, Sue
    Erschienen: 2019; ©2019
    Verlag:  British Film Institute, London

    Cover -- Contents -- List of Figures -- Acknowledgements -- Introduction: Space and Women's Cinema -- 1 Wilderness Spaces -- 2 City Spaces -- 3 Interior Spaces -- 4 Border Spaces -- 5 Doubled Spaces: The Landscapes of Adaptation -- Afterword --... mehr

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    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Cover -- Contents -- List of Figures -- Acknowledgements -- Introduction: Space and Women's Cinema -- 1 Wilderness Spaces -- 2 City Spaces -- 3 Interior Spaces -- 4 Border Spaces -- 5 Doubled Spaces: The Landscapes of Adaptation -- Afterword -- Bibliography -- Filmography -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781911239178
    RVK Klassifikation: AP 53970
    Schlagworte: Space and time in motion pictures; Women in motion pictures; Women motion picture producers and directors; Space and time in motion pictures; Women in motion pictures; Women motion picture producers and directors; Electronic books
    Umfang: 1 Online-Ressource (ix, 226 Seiten), Illustrationen
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  7. Herstories on screen
    feminist subversions of frontier myths
    Autor*in: Cummins, Kathleen
    Erschienen: 2020
    Verlag:  Wallflower Press, New York

    Introduction -- 1. Women's Storytelling: Narrative, Genre, and the Female Voice -- 2. Debunking the Cult of True Womanhood/Motherhood on the Frontier -- 3. Feminist Symbolic Frontier: Landscapes -- Conclusion -- Appendix A: The Films. "From the late... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 100731
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- 1. Women's Storytelling: Narrative, Genre, and the Female Voice -- 2. Debunking the Cult of True Womanhood/Motherhood on the Frontier -- 3. Feminist Symbolic Frontier: Landscapes -- Conclusion -- Appendix A: The Films. "From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries' popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won new access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films-invariably featuring a lone white male hero pitted against the "savage" and "uncivilized" native terrain-these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffat, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers' efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231189514; 9780231189507
    Schlagworte: Feminist films; Feminism and motion pictures; Women in motion pictures; Frontier and pioneer life; Motion pictures and women; Women in the motion picture industry; Women motion picture producers and directors
    Umfang: 323 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  8. Toxicology
    Autor*in: Hagedorn, Jessica Tarahata
    Erschienen: 2011
    Verlag:  Viking, New York [u.a.]

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780670022571; 9780670022908
    RVK Klassifikation: HU 9800
    Schlagworte: Neighbors; Women motion picture producers and directors; Women authors; Older women; Female friendship
    Umfang: 225 S., 24 cm
  9. Contemporary women's cinema, global scenarios and transnational contexts
    Beteiligt: Pravadelli, Veronica (HerausgeberIn)
    Erschienen: [2017]
    Verlag:  Mimesis international, Milan

    Introduction / Veronica Pravadelli -- 1. Traumatic dystopian futurist scenarios : documentary film, gender, and witnessing in Jennifer Baichwal's Manufactured landscapes / E. Ann Kaplan -- 2. Female friendship, globalization and women's filmmakingin... mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2019/2987
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction / Veronica Pravadelli -- 1. Traumatic dystopian futurist scenarios : documentary film, gender, and witnessing in Jennifer Baichwal's Manufactured landscapes / E. Ann Kaplan -- 2. Female friendship, globalization and women's filmmakingin the Mediterranean / Veronica Pravadelli -- 3. Gendered borderlands: screens as contact zones in contemporary women's cinema in India / Neepa Majumdar -- 4. Global change as a scenario in recent films by British women directors / Antonia Lant -- 5. Crossing the (inner) borders : aesthetics and identity policies in contemporary European cinema / Ilaria A. De Pascalis -- 6. Everyday labyrinths : bodies of memory in the films of Verónica Chen / Adrián Pérez Melgosa -- 7. No country for women? The place of Top of the lake and Perfect strangers in New Zealand cinema / Hilary Radner -- 8. Women filmmakers in contemporary Greece / Eliza Anna Delveroudi -- 9. Perceptions of feminismin Iranian women's cinema / Somayeh Ghazizadeh -- 10. Colonial imaginaries : white women and world cinema authorship / Patricia White -- 11. The sound of place, the place of sound : Lucrecia Martel's acoustic imaginary / Kathleen M. Vernon -- 12. Out of step with autobiographical temporality : the politics of the affective in Petra Costa's Elena / Luz Horne -- 13. The topographies of ethnicity in Kym Ragusa's Passing, Fuori/outside, and The skin between us / Sabrina Vellucci -- 14. Subversive strategies in Lucrecia Martel's cinema / Uta Felten -- 15. Visual encounters in Lost and delirious and Blue Is the warmest color / Maria Anita Stefanelli -- 16. Her blog : women's cinema in the digital age / Rosanna Maule -- 17. Women make movies and the politics of contemporary feminist film distribution / Kristen M. Fallica -- 18. Nesting instincts? Women filmmakers and TV directors in Turkey / Melis Behlil

     
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    Quelle: Verbundkataloge
    Beteiligt: Pravadelli, Veronica (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788869770999; 8869770990
    Schriftenreihe: Sunrise.Cinema, Visual Culture and Contemporary Thought ; n. 1
    Schlagworte: Women in motion pictures; Women motion picture producers and directors
    Umfang: 281 Seiten, Illustrationen, 21 cm
    Bemerkung(en):

    Includes bibliographical references and index
  10. Women's cinema in contemporary Portugal
    Beteiligt: Owen, Hilary (HerausgeberIn); Liz, Mariana (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, New York

    "Shows how women film directors in Portugal have made a significant and highly distinctive gender mark on the emergence of Portuguese cinema, both nationally following the 1974 Revolution and African decolonisation, and increasingly internationally,... mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A/761629
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shows how women film directors in Portugal have made a significant and highly distinctive gender mark on the emergence of Portuguese cinema, both nationally following the 1974 Revolution and African decolonisation, and increasingly internationally, on the art cinema and festival circuit, in the last four decades"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Owen, Hilary (HerausgeberIn); Liz, Mariana (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501349720; 1501349724
    Schlagworte: Women motion picture producers and directors; Women in the motion picture industry; Women in motion pictures; Feminism and motion pictures; Motion pictures; Feminism and motion pictures; Motion pictures; Women in motion pictures; Women in the motion picture industry; Women motion picture producers and directors; Portugal; Criticism, interpretation, etc
    Umfang: XIII, 251 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  11. Sans Capote ni Kalachnikov
    roman
    Autor*in: Ndala, Blaise
    Erschienen: [2017]; © 2017
    Verlag:  Mémoire d'encrier, Montréal, Québec

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    03.c.7818
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782897124298
    Schriftenreihe: Roman
    Schlagworte: Child soldiers; Canadians; Women motion picture producers and directors; Women; Mining corporations; Revenge
    Umfang: 274 Seiten, 22 cm
  12. Transnational Africana women's fictions
    Beteiligt: Sterling, Cheryl (Herausgeber)
    Erschienen: 2022
    Verlag:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "This book explores the works of women writers and filmmakers across the African and African Diaspora world, reflecting on how the transnational sphere can serve to highlight voices that were at the margins of gender and race hierarchies. The book... mehr

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    Hessisches BibliotheksInformationsSystem hebis
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    "This book explores the works of women writers and filmmakers across the African and African Diaspora world, reflecting on how the transnational sphere can serve to highlight voices that were at the margins of gender and race hierarchies. The book demonstrates how in discourse and theory Africana women are the centers of their own knowledge production and agency, as the artists and their characters point the way forward. Their multiperspectivism leads to avenues of selective mutuality and influence, to generate transformative creative work, scholarship, and practices. Writers included are Sylvia Wynter, Edwidge Danticat, Werewere Liking, Chimamanda Ngozi Adiche, Sefi Atta, NoViolet Bulawayo, Nnedi Okorafor, Ama Ata Aidoo, Igiaba Scego, Leonara Miano, Gisèle Hountondji, Monique Ilboudo, and Maryse Condé, as well as the filmmaker, Kemi Adetiba.Over the course of the book, the contributors critically explore and update the canon on women in the African and African Diaspora Literary sphere, highlighting their contributions to theoretical debates, and providing substantive nuance to diasporic subjectivity. This book will be of interest to scholars of African and Africana Studies, comparative literature and women and gender studies"--...

     
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    Quelle: Verbundkataloge
    Beteiligt: Sterling, Cheryl (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000461039; 1000461033; 9781003177272; 1003177271; 9781000461046; 1000461041
    Schriftenreihe: Routledge African diaspora literary and cultural studies
    Schlagworte: African literature; European literature; European literature; Motion pictures; Women motion picture producers and directors; African diaspora in literature; LITERARY CRITICISM / African; LITERARY CRITICISM / Women Authors
    Umfang: 1 Online-Ressource (xi, 237 pages)
  13. Discurso femenino actual
    Erschienen: 1995
    Verlag:  Ed. de la Univ. de Puerto Rico, San Juan

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0847702340
    RVK Klassifikation: IP 1630
    Auflage/Ausgabe: 1. ed
    Schriftenreihe: Colección mujeres de palabra ; 2
    Weitere Schlagworte: Spanish literature; Spanish literature; Spanish American literature; Spanish American literature; Women in literature; Women motion picture producers and directors; Women motion picture producers and directors; Women and literature; Women and literature; Women in motion pictures
    Umfang: IX, 379 S
  14. Female narratives in Nollywood melodramas
    Autor*in: Johnson, Elizabeth; Culverson, Donald R.
    Erschienen: [2016]
    Verlag:  Lexington Books, Lanham ; Boulder ; New York ; London

    "Female Narratives in Nollywood Melodramas investigates the role of women in nine Nollywood melodramas with attention to the changing landscape of filmmaking and film viewing. By incorporating Black feminist, audience reception, social identity, and... mehr

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    PAF 330:25
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Female Narratives in Nollywood Melodramas investigates the role of women in nine Nollywood melodramas with attention to the changing landscape of filmmaking and film viewing. By incorporating Black feminist, audience reception, social identity, and cultivation theories, Johnson and Culverson provide insight into how identities for West African women are created and recreated through the broad interplay of Nollywood film viewing on social and individual levels. This book addresses how Nollywood is a product and contributor to evolving processes of globalization."...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498524742
    RVK Klassifikation: AP 59774 ; MS 3010
    Schlagworte: Women in motion pictures; Melodrama in motion pictures; Motion pictures; Women in the motion picture industry; Women motion picture producers and directors; Frau <Motiv>; Rezeption; Filmregisseurin; Melodrama <Film>
    Umfang: xi, 167 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references, appendices, and filmography
  15. African pasts, presents, and futures
    generational shifts in African women's literature, film, and internet discourse
    Autor*in: Khannous, Touria
    Erschienen: 2013
    Verlag:  Lexington Books, Lanham, Md. [u.a.]

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    angl890.k45
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780739170410
    Schriftenreihe: After the empire
    Schlagworte: African literature; Women and literature; Women and literature; Motion pictures; Women motion picture producers and directors; Internet; Internet and women
    Umfang: XXV, 202 S., 23 cm
  16. The body and the screen
    female subjectivities in contemporary women's cinema
    Autor*in: Ince, Kate
    Erschienen: Winter 2017
    Verlag:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    anga877.i36
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781623562922; 9781623565817
    Schriftenreihe: Thinking cinema ; Volume 5
    Schlagworte: Motion pictures and women; Women motion picture producers and directors; Subjektivität; Frau <Motiv>; Film; Frauenfilm; Regisseurin
    Umfang: vii, 194 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index. - Includes filmography
  17. Herstories on screen
    feminist subversions of frontier myths
    Autor*in: Cummins, Kathleen
    Erschienen: [2020]; © 2019
    Verlag:  Wallflower Press, New York

    From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional... mehr

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the "savage" and "uncivilized" native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view.Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression

     
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  18. The body and the screen
    female subjectivities in contemporary women's cinema
    Autor*in: Ince, Kate
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  19. Feminist medievalisms
    embodiment and vulnerability in literature and film
    Autor*in: Vishnuvajjala, Usha
    Erschienen: 2024
    Verlag:  Arc Humanities Press, Leeds

    This book examines feminist textual and cinematic engagements with the idea of the Middle Ages in the nineteenth and twentieth centuries, arguing that the idea of the medieval past is central to the work of novelists and directors interested in... mehr

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    This book examines feminist textual and cinematic engagements with the idea of the Middle Ages in the nineteenth and twentieth centuries, arguing that the idea of the medieval past is central to the work of novelists and directors interested in embodiment and vulnerability. Careful and illuminating analysis of particular moments in fiction, film, and political discourse dismantles the false binary between popular and intellectual medievalisms, which rests on gendered understandings of genre and audience, while demonstrating that masculinist or patriarchal medievalisms have an equal but understudied counterpart.The book's first three chapters cover Jane Austen's Northanger Abbey and its afterlives, the final works of Virginia Woolf, and late twentieth-century film and music videos from the United States. The final chapter examines the treatment of women's bodies and vulnerability in both political theory and recent electoral politics, arguing that they share a common thread of misogyny rooted in the idea of the medieval past, and that one way to challenge that misogyny is by looking at complex feminist engagements with that same past, both real and imagined.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781802701531; 9781641893831
    Schriftenreihe: Arc medievalist
    Schlagworte: English literature; Women motion picture producers and directors; Women in literature; Women in motion pictures; Middle Ages in literature; Middle Ages in motion pictures; Medievalism in literature
    Umfang: 1 online resource (viii, 131 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Mar 2024)
  20. Visions of struggle in women's filmmaking in the Mediterranean
    Beteiligt: Laviosa, Flavia (HerausgeberIn); Mulvey, Laura (VerfasserIn eines Vorworts)
    Erschienen: 2010
    Verlag:  Palgrave Macmillan, New York, NY

    In this survey, contributors examine issues of women's rights violations in Mediterranean countries as represented in politically engaged films of the region mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In this survey, contributors examine issues of women's rights violations in Mediterranean countries as represented in politically engaged films of the region

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Laviosa, Flavia (HerausgeberIn); Mulvey, Laura (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780230105201; 0230617360; 1282908731; 9781282908734; 9780230617360
    Schriftenreihe: Comparative feminist studies series
    Schlagworte: Women motion picture producers and directors; Feminist films; Women in motion pictures; Feminist films -- Mediterranean Region -- History and criticism; Women motion picture producers and directors -- Mediterranean Region -- Biography; Feminist films ; Mediterranean Region ; History and criticism; Women in motion pictures; Women motion picture producers and directors ; Mediterranean Region ; Biography; Electronic books
    Umfang: Online-Ressource (xxxii, 224 p), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Cover; Contents; List of Illustrations; Series Editor's Foreword; Foreword; Acknowledgments; Notes on Contributors; Introduction; Israel: Orientalism and Europeanness; Maghreb: Political and Transcultural Resistance; Spain: Domestic Violence; France: Body Mutilation; Italy: Women of the Mafia; The Balkans: Peacekeeping and Women's (In)security; Greece: Women's New Roles and Identities; Turkey: Harsh Living Conditions; Syria: Female Identities and Political Resistance; Turkey, Jordan, Palestine: Honor Killings; Index

    Cover; Contents; List of Illustrations; Series Editor's Foreword; Foreword; Acknowledgments; Notes on Contributors; Introduction; Israel: Orientalism and Europeanness; Maghreb: Political and Transcultural Resistance; Spain: Domestic Violence; France: Body Mutilation; Italy: Women of the Mafia; The Balkans: Peacekeeping and Women's (In)security; Greece: Women's New Roles and Identities; Turkey: Harsh Living Conditions; Syria: Female Identities and Political Resistance; Turkey, Jordan, Palestine: Honor Killings; Index
  21. Transnational Africana women's fictions
    Beteiligt: Sterling, Cheryl (HerausgeberIn)
    Erschienen: 2022
    Verlag:  Routledge,, Abingdon, Oxon

    Introduction: Transnational F(r)ictions: The Word, the Gaze, and the Narrative / Cheryl Sterling -- Beyond the Profession: Sylvia Wynter's Decolonial University / Anthony Bayani Rodriguez -- Mapping Diasporic and Transnational Subjectivities: Edwidge... mehr

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    Introduction: Transnational F(r)ictions: The Word, the Gaze, and the Narrative / Cheryl Sterling -- Beyond the Profession: Sylvia Wynter's Decolonial University / Anthony Bayani Rodriguez -- Mapping Diasporic and Transnational Subjectivities: Edwidge Danticat's Narratives of Exile and Un-Belonging / Simone A. James Alexander -- Performing Africana Institutions: The Enchevêtrement of Futures and Faith in the Theater of Werewere Liking / Guillaume Semon Yoboué -- Memory, Identity and Change in Select Short Stories of Chimamanda Ngozi Adichie / Bernard Otonye Stephen -- Engaging the Diaspora in Contemporary Works by African Women Writers / Rose Sackeyfio -- Transnational Agency, Nollywood Feminist Auteurs and Patriarchy / Olusegun Soetan -- Speculation at the Limits? Articulating History, Genre and the Diasporic Fantastic in Nnedi Okorafor's Arro-yo Stories / Matthew Lecznar -- Going through So Long a Letter and Changes: African Women in the Process of Transformation / Cheryl Sterling -- Italy, Somalia, and the Black Mediterranean, or Reading Igiaba Scego's Adua alongside Bā, Mbembe, Waberi, and Somali Praise Poetry / Alessandra Benedicty-Kokken -- The Dismantling of Afropean Families in Léonora Miano's Afropean Soul / Johanna Montlouis-Gabriel -- Gendered Migrations: Transnationalisms and Intersectionalities in the Novels of Francophone African Women / Joyce Hope Scott -- 'A part le bonheur, il n'y a rien d'essentiel:' The Transnational Narrative Model in Maryse Condé's Desirada / Eliana Văgălău.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Sterling, Cheryl (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000461039; 1000461033; 9781003177272; 1003177271
    Schriftenreihe: Routledge African diaspora literary and cultural studies
    Schlagworte: African literature; European literature; European literature; Motion pictures; Women motion picture producers and directors; African diaspora in literature; Electronic books; LITERARY CRITICISM / African; LITERARY CRITICISM / Women Authors
    Umfang: 1 online resource (xi, 237 pages).
    Bemerkung(en):

    Includes bibliographical references and index
  22. Directoras de cine en España y América Latina
    nuevas voces y miradas
    Beteiligt: Feenstra, Pietsie (Hrsg.)
    Erschienen: 2014
    Verlag:  Peter Lang Ed., Frankfurt am Main

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Feenstra, Pietsie (Hrsg.)
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783631628591; 3631628595
    Weitere Identifier:
    9783631628591
    262859
    RVK Klassifikation: AP 59737 ; AP 59785 ; IP 16900 ; IP 2387 ; AP 44937 ; AP 50900
    Schriftenreihe: Wiener iberoromanistische Studien ; 7
    Schlagworte: Women motion picture producers and directors; Women motion picture producers and directors; Women in motion pictures
    Umfang: 458 S., Ill., 22 cm
    Bemerkung(en):

    Literaturangaben

    Pietsie Feenstra, Esther Gimeno Ugalde, Kathrin SartingenCómo leer los nuevos enfoques sobre mujeres directoras? : archivar, visibilizar, escenificar / Pietsie Feenstra: Nuevas voces y miradas, desde los 90 hasta hoy

    Esther Gimeno Ugalde: Presencias (in)visibles : directoras en el cine español y latinoamericano

    María Camí-Vela: Negociar con la otredad : la mirada fílmica de las directoras españolas del nuevo milenio

    Matthias Hausmann: Matar para salir de un ambiente patriarcal sofocante? : el mundo andino y el papel de las mujeres en Madeinusa (2006) de Claudia Llosa

    Maricruz Castro Ricalde: México, siglo XXI : cine hecho por mujeres: ¿para las mujeres?

    Sabine Schlickers --Miradas paralelas : cuerpo y deseo en XXY de Lucía Puenzo / Karen Poe: San(t)idad y aberración en La niña santa (2004) de Lucrecia Martel

    Leda Cavallini: La espera y el goce : La pasión de Nuestra Señora, un corto de Hilda Hidalgo Carolina Sanabria

    Anke van Haastrecht: Rebelión contra el poder : el discurso fílmico de María Luisa Bemberg

    Burkhard Pohl: Protagonismo femenino en el cine sobre la transición : el ejemplo de Yoyes (2000) de Helena Taberna

    Hanna Hatzmann: La memoria líquida : imaginarios colectivos y sus interrelaciones con la historia familiar en la obra de tres documentalistas españolas

    Inmaculada Sánchez Alarcón: Las mujeres invisibles ya tienen voz en la historia : Mujeres en pie de guerra (2004) de Susana Koska

    Diana Rey: El cortometraje "femenino" español del siglo XXI y la "Archivera de Sevilla" : hacia una neutralización de la mirada de género Marta Álvarez ; La articulación cinematográfica de la mirada femenina frente a la violencia machista en Te doy mis ojos (2003) de Icíar Bollaín

    Pietsie Feenstra: Escenificar la memoria en La vida secreta de las palabras (2005) de Isabel Coixet

    Nina Fanninger: Enfrentándose al trauma: la visión femenina de la guerra en La teta asustada (2009) de Claudia Llosa

    Wolfgang Bongers: Miradas incómodas : las estéticas cinematográficas de Anahí Berneri y Albertina Carri

    Esther Gimeno Ugalde.: Entrevista con Inés París (directora de cine y ex presidenta de CIMA, Asociación de Mujeres Cineastas)
  23. Desenfocadas
    cineastas españolas y discursos de género
    Autor*in: Zecchi, Barbara
    Erschienen: 2014
    Verlag:  Icaria, Barcelona

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788498885682
    RVK Klassifikation: AP 59737
    Schriftenreihe: Akademeia ; 147
    Mujeres y culturas
    Schlagworte: Feminism and motion pictures; Women in motion pictures; Women motion picture producers and directors; Feminism and motion pictures; Women in motion pictures; Spain; Women motion picture producers and directors
    Umfang: 248 S., Diagramme
  24. Et tu n'es pas revenu
    Autor*in: Loridan, Marceline
    Erschienen: 2015
    Verlag:  Grasset, Paris

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782246853916
    RVK Klassifikation: NQ 2350
    Auflage/Ausgabe: 1. éd.
    Schlagworte: Holocaust survivors; Women motion picture producers and directors
    Weitere Schlagworte: Loridan-Ivens, Marceline (1928-2018)
    Umfang: 106 S., 19 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  25. Italian women filmmakers and the gendered screen
    Beteiligt: Cantini, Maristella (HerausgeberIn)
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, New York

    <p >Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Cantini, Maristella (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137336507
    RVK Klassifikation: AP 59439 ; IV 3286
    Schriftenreihe: Italian and Italian American Studies
    Schlagworte: Women in the motion picture industry -- Italy; Women motion picture producers and directors -- Italy -- Interviews; Motion pictures -- Italy; Motion pictures and women -- Italy; Electronic books; Motion pictures and women; Women in the motion picture industry; Women motion picture producers and directors; Motion pictures
    Umfang: Online-Ressource (313 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Title; Copyright; Dedication; Contents; List of Figures; Foreword; Preface; Acknowledgments; Introduction; Part I; 1 Napoli Terra d'Amore: The Eye on the Screen of Elvira Notari; 2 Grotesque Bodies, Fragmented Selves: Lina Wertmüller's Women in Love and Anarchy (1973); 3 Don't Bring a Gun to a Fistfight: Deconstructing Hegemonic Masculinity through the Gun in Lina Wertmüller's Pasqualino Settebellezze; 4 Adventurous Identities: Cavani's Thematic Imaginary; 5 Healing the Daughter's Body in Francesca Archibugi's Il Grande Cocomero

    6 Motherhood Revisited in Francesca Comencini's Lo Spazio Bianco7 Women in the Deserted City: Urban Space in Marina Spada's Cinema; 8 Envisioning Our Mother's Face: Reading Alina Marazzi's Un'ora sola ti vorrei and Vogliamo anche le rose; 9 Alina Marazzi's Women: A Director in Search of Herself through a Female Genealogy; 10 Angela/o and the Gender Disruption of Masculine Society in Purple Sea; 11 Ilaria Borrelli: Cinema and Postfeminism; Part II; 12 Skype Interview with Alina Marazzi (June 2012); 13 Interview with Marina Spada (Milan, June 2012)

    14 Interview with Alice Rohrwacher (Rome, June 2012)15 Interview with Paola Randi (Rome, June 2012); 16 Interview with Costanza Quatriglio (July 2012); Notes on Contributors; Index