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Transatlantic fictions of 9/11 and the War on Terror
images of insecurity, narratives of captivity -
Writing on the Loose
Reading Florian Illies's "Generation Golf" ; Maurice G. Dantec's "Périphériques" , Joschka Fischer's "Mein langer Lauf zu mir selbst", and Frédéric Beigbeder's "Windows on the world" as examples of creative nonfiction -
Transatlantic fictions of 9/11 and the War on Terror
Images of Insecurity, Narratives of Captivity -
Transatlantic fictions of 9/11 and the war on terror
images of insecurity, narratives of captivity -
Writing on the loose
Reading Florian Illies's Generation Golf, Maurice G. Dantec's Périphériques, Joschka Fischer's Mein langer Lauf zu mir selbst, and Frédéric Beigbeder's Windows on the world as examples of creative nonfiction -
Writing on the loose
reading Florian Illies’s “Generation Golf”, Maurice G. Dantec’s “Périphériques”, Joschka Fischer’s “Mein langer Lauf zu mir selbst”, and Frédéric Beigbeder’s “Windows on the world” as examples of creative nonfiction -
Transatlantic fictions of 9/11 and the war on terror
images of insecurity, narratives of captivity -
Transatlantic fictions of 9/11 and the war on terror
images of insecurity, narratives of captivity -
Transatlantic fictions of 9/11 and the War on Terror
images of insecurity, narratives of captivity -
Transatlantic fictions of 9/11 and the war on terror
images of insecurity, narratives of captivity -
Writing on the loose
reading Florian Illies’s “Generation Golf”, Maurice G. Dantec’s “Périphériques”, Joschka Fischer’s “Mein langer Lauf zu mir selbst”, and Frédéric Beigbeder’s “Windows on the World” as examples of creative nonfiction -
Writing on the loose
reading Florian Illies’s “Generation Golf”, Maurice G. Dantec’s “Périphériques”, Joschka Fischer’s “Mein langer Lauf zu mir selbst”, and Frédéric Beigbeder’s “Windows on the World” as examples of creative nonfiction -
Transatlantic fictions of 9/11 and the war on terror
images of insecurity, narratives of captivity