-
Kara Walker: my complement, my enemy, my oppressor, my love
[published on the occasion of the Exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love" ... ; Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ; ARC/Musée de la Ville de Paris, Paris, France, June 19 - September 9, 2007 ; Whitney Museum of American Art New York, New York, October 11, 2007 - February 3, 2008 ; UCLA Hammer Museum Los Angeles, California, March 2 - June 8, 2008 ; Museum of Modern Art, Fort Worth, Texas, July 6 - October 19, 2008]
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
-
Collusions of fact & fiction
performing slavery in the works of Suzan-Lori Parks and Kara Walker
Fictions of history and historiopoetic performances of the past -- Digging, rep & rev-ing, faking: Suzan-Lori Parks's historiopoetic praxis -- A sidelong glance at history: unreliable narration and the silhouette as blickmaschine in Kara Walker --...
mehr
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Brechtbau-Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
Fictions of history and historiopoetic performances of the past -- Digging, rep & rev-ing, faking: Suzan-Lori Parks's historiopoetic praxis -- A sidelong glance at history: unreliable narration and the silhouette as blickmaschine in Kara Walker -- Stereotypes and theatricality: (Re)staging Black Venus -- Coda: wither historiopoiesis? "Collusions of Fact and Fiction is the first book-length study in the field to discuss the works of Suzan-Lori Parks and Kara Walker in conjunction with each other and to establish them as exemplary for a larger generational shift in how late twentieth century African American artists have been addressing the histories and legacies of New World slavery"--
|
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Staats- und Universitätsbibliothek Bremen
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video
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Kara Walker
my complement, my enemy, my oppressor, my love ; [catalog publ. on the occasion of of the exhibition at Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ...]
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
-
Kara Walker
my complement, my enemy, my oppressor, my love ; [catalog publ. on the occasion of of the exhibition at Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ...]
Standort:
Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Universitäts- und Landesbibliothek Bonn
Fernleihe:
Ausleihe von Bänden möglich, keine Kopien
Standort:
Universitätsbibliothek Dortmund
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Kunst- und Museumsbibliothek der Stadt Köln
Signatur:
KMB/K WALKER.08 4 2016
Fernleihe:
keine Fernleihe
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher
|
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Kara Walker: my complement, my enemy, my oppressor, my love ; [on the occasion of the Exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love", Walker Art Center Minneapolis, Minn. February 17 - May 13, 2007 ; Whitney Museum of American Art New York, October 11, 2007 - February 3, 2008 ; UCLA Hammer Museum Los Angeles, Calif. February 17 - May 11, 2008]
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher
|
-
Collusions of fact & fiction
performing slavery in the works of Suzan-Lori Parks and Kara Walker
"Collusions of Fact and Fiction is the first book-length study in the field to discuss the works of Suzan-Lori Parks and Kara Walker in conjunction with each other and to establish them as exemplary for a larger generational shift in how late...
mehr
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
"Collusions of Fact and Fiction is the first book-length study in the field to discuss the works of Suzan-Lori Parks and Kara Walker in conjunction with each other and to establish them as exemplary for a larger generational shift in how late twentieth century African American artists have been addressing the histories and legacies of New World slavery"--
|
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Kara Walker - white shadows in blackface
In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover....
mehr
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Universitätsbibliothek Erlangen-Nürnberg, Erziehungswissenschaftliche Zweigbibliothek Nürnberg
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva's concept of abjection, Stone Mountain's racist tourist attraction and the minstrel tradition
|
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Hochschulbibliothek der Fachhochschule Aachen
Fernleihe:
keine Fernleihe
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video ; Introduction
|
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
keine Fernleihe
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video
|
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
keine Fernleihe
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
documenta archiv, Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher
|
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Kara Walker
after the deluge
Inspired by Hurricane Katrina and its aftermath, an African-American artist explores the politics of race, slavery, and gender through a series of images from the South, with examples of her work juxtaposed with historical art works.
mehr
Standort:
Freie Universität Berlin, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universität der Künste Berlin, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
Inspired by Hurricane Katrina and its aftermath, an African-American artist explores the politics of race, slavery, and gender through a series of images from the South, with examples of her work juxtaposed with historical art works.
|
-
Collusions of fact & fiction
performing slavery in the works of Suzan-Lori Parks and Kara Walker
"Collusions of Fact and Fiction is the first book-length study in the field to discuss the works of Suzan-Lori Parks and Kara Walker in conjunction with each other and to establish them as exemplary for a larger generational shift in how late...
mehr
Standort:
Freie Universität Berlin, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
"Collusions of Fact and Fiction is the first book-length study in the field to discuss the works of Suzan-Lori Parks and Kara Walker in conjunction with each other and to establish them as exemplary for a larger generational shift in how late twentieth century African American artists have been addressing the histories and legacies of New World slavery"--
|
-
Kara Walker - white shadows in blackface
In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover....
mehr
Standort:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva's concept of abjection, Stone Mountain's racist tourist attraction and the minstrel tradition
|
-
Kara Walker
after the deluge
Inspired by Hurricane Katrina and its aftermath, an African-American artist explores the politics of race, slavery, and gender through a series of images from the South, with examples of her work juxtaposed with historical art works.
mehr
Standort:
Universitätsbibliothek Bayreuth
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
|
Inspired by Hurricane Katrina and its aftermath, an African-American artist explores the politics of race, slavery, and gender through a series of images from the South, with examples of her work juxtaposed with historical art works.
|
-
Consuming stories
Kara Walker and the imagining of American race
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a...
mehr
Standort:
Universitäts- und Landesbibliothek Bonn
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Dortmund
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Kunst- und Museumsbibliothek der Stadt Köln
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
"Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher
|
-
Kara Walker: my complement, my enemy, my oppressor, my love ; [on the occasion of the Exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love", Walker Art Center Minneapolis, Minn. February 17 - May 13, 2007 ; Whitney Museum of American Art New York, October 11, 2007 - February 3, 2008 ; UCLA Hammer Museum Los Angeles, Calif. February 17 - May 11, 2008]
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Hochschule für Bildende Künste Braunschweig, Bibliothek
Signatur:
K 5.1 Walker,K 3
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staats- und Universitätsbibliothek Bremen
Fernleihe:
keine Fernleihe
Standort:
Staats- und Universitätsbibliothek Bremen
Signatur:
a kun 880 wal/787
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Hochschule für Bildende Künste Dresden, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
Signatur:
Magazin Kü Walker, K. 2007
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
Signatur:
Kü Walker, K. 2007
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Freiburg
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Hildesheim
Signatur:
KUN 600 : W03-02
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Badische Landesbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Hochschulbibliothek Karlsruhe (PH)
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatliche Kunsthalle Karlsruhe, Bibliothek
Signatur:
B: Walker/26 B, 2007/01
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Hochschule für Grafik und Buchkunst, Bibliothek
Fernleihe:
keine Fernleihe
Standort:
Hochschule für Gestaltung, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Hochschule Pforzheim / Fakultät Gestaltung, Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatliche Akademie der Bildenden Künste Stuttgart, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Staatsgalerie Stuttgart, Bibliothek
Signatur:
W Walker, K. 2007
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Württembergische Landesbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Kara Walker: my complement, my enemy, my oppressor, my love
[published on the occasion of the Exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love" ... ; Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ; ARC/Musée de la Ville de Paris, Paris, France, June 19 - September 9, 2007 ; Whitney Museum of American Art New York, New York, October 11, 2007 - February 3, 2008 ; UCLA Hammer Museum Los Angeles, California, March 2 - June 8, 2008 ; Museum of Modern Art, Fort Worth, Texas, July 6 - October 19, 2008]
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
keine Fernleihe
Standort:
Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Osnabrück
Signatur:
KAT W 181 5074-234 7
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Kara Walker
bureau of refugees ; [this publication follows an exhibition at Sikkema Jenkins & Co. "Bureau of Refugees, Freedmen and Abandoned Lands - Records, "Miscellaneous Papers" National Archives M809 Roll 23. Search for Ideas Supporting the Black Man as a Work of Modern Art/Contemporary Painting. A Death without End: An Appreciation of the Creative Spirit of Lynch Mobs - New Work, Kara Walker", October 20 - November 21, 2007, New York, NY]
Standort:
Staats- und Universitätsbibliothek Bremen
Signatur:
a kun 880 wal/626
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
