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  1. Chaucer's "House of fame" and its Boccaccian intertexts
    image, vision, and the vernacular
    Autor*in: McKinley, Kathryn L.
    Erschienen: [2016]; ©2016
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an... mehr

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    67.3907
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an exciting window onto late medieval English literary culture at a moment of profound change. He, and they, newly took up the vernacular against conventional wisdom as the medium to explore philosophical, aesthetic, and theological questions. By reading the House of Fame only as a Dantean poem, many readers have done it a disservice and missed much of the poem's important dialogue with Boccaccio; he left many legacies for Chaucer, the most important of which was a vernacular model for departing from Dantean poetics. Boccaccio also foregrounded a poetics of mural ekphrasis. Chaucer eagerly adopts this, but also fills the House of Fame with a striking concentration of three-dimensional visual images, some evoking the religious statuary of his own time, and some the theme of Apocalypse then popular. Since for the later medieval layperson and cleric, visual literacy often took precedence over literacy of the written word, it is important that we read poetic texts in the context of images. In the House of Fame Chaucer begins to present his own vision (however unfinished) as commensurate with Dante's or even Boccaccio's; the poem has much to tell us about his early acquaintance with the Italian poets and his restless struggle to understand and visualize fame, even on their terms. It is a poem always on the move, always in the process of its own "makyng," flaws and all. We must take it as it is, but we must also see it as a "work in progress," a rich and fascinating record of Chaucer's discovery of new intellectual horizons in the years after his sojourns in Italy"-- Boccaccio's Narrative Arts: Text, Ekphrasis, Image -- Statuary and Ekphrasis in the House of Fame, Book 1: Rewriting Boccaccio -- House of Fame, Book 2: Renavigating Flight in the Dream Vision -- Visualizing Fame in House of Fame, Book 3 -- House of Fame, Book 3: Fame's Adherents and the House of Rumour

     
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  2. The visual dominant in eighteenth-century Russia
    Autor*in: Levitt, Marcus C.
    Erschienen: 2011; ©2011
    Verlag:  NIU Press, DeKalb, Illinois

    Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vision and the odes -- The staging of the self -- Virtue must advertise: The ethics of vision -- The... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

     

    Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vision and the odes -- The staging of the self -- Virtue must advertise: The ethics of vision -- The seen, the unseen, and the obvious -- The icon that started a riot -- The dialectic of vision in Radishchev's journey -- Conclusion: Russian culture as a mirage.

     
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    Quelle: Verbundkataloge
    Beteiligt: Allshouse, Shaun (DesignerIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781609090265; 1609090268; 087580442X; 9780875804422; 9781501757983; 1501757989
    Schlagworte: Russian literature; Visual perception in literature; Vision in literature; Russian literature; Vision in literature; Visual perception in literature; Criticism, interpretation, etc; Littérature russe - Histoire et critique - 18e siècle; Perception visuelle dans la littérature; Vision dans la littérature
    Umfang: 1 Online-Ressource (374 pages), illustrations
    Bemerkung(en):

    Includes index

    Includes bibliographical references and index
  3. Chaucer's House of Fame and its Boccaccian intertexts
    image, vision, and the vernacular
    Autor*in: Mackinley, Kathryn L.
    Erschienen: [2016]; © 2016
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto, Ontario

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an exciting window onto late medieval English literary culture at a moment of profound change. He, and they, newly took up the vernacular against conventional wisdom as the medium to explore philosophical, aesthetic, and theological questions. By reading the House of Fame only as a Dantean poem, many readers have done it a disservice and missed much of the poem's important dialogue with Boccaccio; he left many legacies for Chaucer, the most important of which was a vernacular model for departing from Dantean poetics. Boccaccio also foregrounded a poetics of mural ekphrasis. Chaucer eagerly adopts this, but also fills the House of Fame with a striking concentration of three-dimensional visual images, some evoking the religious statuary of his own time, and some the theme of Apocalypse then popular. Since for the later medieval layperson and cleric, visual literacy often took precedence over literacy of the written word, it is important that we read poetic texts in the context of images. In the House of Fame Chaucer begins to present his own vision (however unfinished) as commensurate with Dante's or even Boccaccio's; the poem has much to tell us about his early acquaintance with the Italian poets and his restless struggle to understand and visualize fame, even on their terms. It is a poem always on the move, always in the process of its own "makyng," flaws and all. We must take it as it is, but we must also see it as a "work in progress," a rich and fascinating record of Chaucer's discovery of new intellectual horizons in the years after his sojourns in Italy."--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780888442062; 0888442068
    Schriftenreihe: Studies and texts / Pontifical Institute of Mediaeval Studies ; 206
    Schlagworte: Kunst; Literatur; Wissen
    Weitere Schlagworte: Boccaccio, Giovanni (1313-1375): L' Amorosa Visione; Chaucer, Geoffrey (1343-1400): The house of fame; Chaucer, Geoffrey / -1400 / House of fame; Chaucer, Geoffrey / -1400 / Criticism and interpretation; Chaucer, Geoffrey / -1400 / Knowledge / Literature; Boccaccio, Giovanni / 1313-1375 / Influence; Dante Alighieri / 1265-1321 / Influence; English poetry / Italian influences; Imagery (Psychology) in literature; Vision in literature; Chaucer, Geoffrey / -1400 / House of fame; Chaucer, Geoffrey / -1400 / Critique et interprétation; Chaucer, Geoffrey / -1400 / Et la littérature; Boccaccio, Giovanni / 1313-1375 / Influence; Dante Alighieri / 1265-1321 / Influence; Poésie anglaise / Influence italienne; Imagerie (Psychologie) dans la littérature; Vision dans la littérature; Boccaccio, Giovanni / 1313-1375; Chaucer, Geoffrey / -1400; Dante Alighieri / 1265-1321; House of fame (Chaucer, Geoffrey); Art; English poetry / Italian influences; Imagery (Psychology) in literature; Influence (Literary, artistic, etc.); Vision in literature; Criticism, interpretation, etc; Literature
    Umfang: xvi, 228 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Boccaccio's Narrative Arts: Text, Ekphrasis, Image -- Statuary and Ekphrasis in the House of Fame, Book 1: Rewriting Boccaccio -- House of Fame, Book 2: Renavigating Flight in the Dream Vision -- Visualizing Fame in House of Fame, Book 3 -- House of Fame, Book 3: Fame's Adherents and the House of Rumour
  4. Allegorical remembrance
    a study of The Pilgrimage of the life of man as a medieval treatise on seeing and remembering
    Autor*in: Hagen, Susan K.
    Erschienen: 1990
    Verlag:  Univ. of Georgia Pr., Athens

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
  5. Chaucer's House of fame and its Boccaccian intertexts
    image, vision, and the vernacular
    Autor*in: McKinley, Kathryn L.
    Erschienen: [2016]; ©2016
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto, Ontario

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2018 A 2095
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    67.3907
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an exciting window onto late medieval English literary culture at a moment of profound change. He, and they, newly took up the vernacular against conventional wisdom as the medium to explore philosophical, aesthetic, and theological questions. By reading the House of Fame only as a Dantean poem, many readers have done it a disservice and missed much of the poem's important dialogue with Boccaccio; he left many legacies for Chaucer, the most important of which was a vernacular model for departing from Dantean poetics. Boccaccio also foregrounded a poetics of mural ekphrasis. Chaucer eagerly adopts this, but also fills the House of Fame with a striking concentration of three-dimensional visual images, some evoking the religious statuary of his own time, and some the theme of Apocalypse then popular. Since for the later medieval layperson and cleric, visual literacy often took precedence over literacy of the written word, it is important that we read poetic texts in the context of images. In the House of Fame Chaucer begins to present his own vision (however unfinished) as commensurate with Dante's or even Boccaccio's; the poem has much to tell us about his early acquaintance with the Italian poets and his restless struggle to understand and visualize fame, even on their terms. It is a poem always on the move, always in the process of its own "makyng," flaws and all. We must take it as it is, but we must also see it as a "work in progress," a rich and fascinating record of Chaucer's discovery of new intellectual horizons in the years after his sojourns in Italy"-- Boccaccio's Narrative Arts: Text, Ekphrasis, Image -- Statuary and Ekphrasis in the House of Fame, Book 1: Rewriting Boccaccio -- House of Fame, Book 2: Renavigating Flight in the Dream Vision -- Visualizing Fame in House of Fame, Book 3 -- House of Fame, Book 3: Fame's Adherents and the House of Rumour

     
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  6. How poets see the world
    the art of description in contemporary poetry
    Autor*in: Spiegelman, Willard
    Erschienen: 2005
    Verlag:  Oxford Univ. Press, New York [u.a.]

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work."--BOOK JACKET.

     
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  7. L' écriture du regard dans la représentation de la passion amoureuse et du désir
    étude comparative d'oeuvres choisies de Madame de Lafayette, Rousseau, Stendhal et Duras
    Autor*in: Léopold, Sandrine
    Erschienen: 2009
    Verlag:  Lang, Oxford [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  8. Seeing things
    vision, perception and interpretation in French studies
    Erschienen: 2002
    Verlag:  Lang, Oxford [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  9. Allegorical remembrance
    a study of The Pilgrimage of the life of man as a medieval treatise on seeing and remembering
    Autor*in: Hagen, Susan K.
    Erschienen: 1990
    Verlag:  Univ. of Georgia Pr., Athens

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  10. Rilke, la pensée des yeux
    Autor*in: Winkelvoss, Karine
    Erschienen: 2004
    Verlag:  PIA, Asnières

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 2910212297
    Schriftenreihe: Publications de l'Institut d'Allemand d'Asnières ; 35
    Schlagworte: Esthétique; Image; Perception visuelle; Regard; Vision dans la littérature; Vision in literature; Bildersprache; Auge <Motiv>; Sehen <Motiv>
    Weitere Schlagworte: Rilke, Rainer Maria <1875-1926> - Critique et interprétation; Rilke, Rainer Maria <1875-1926>; Rilke, Rainer Maria <1875-1926>; Rilke, Rainer Maria (1875-1926)
    Umfang: 360 S., [3] Bl., Ill.
    Bemerkung(en):

    Teilw. zugl.: Paris, Univ. de Paris 3 Sorbonne Nouvelle, Diss., 2001 u.d.T.: Winkelvoss, Karine: Image et écriture
  11. How poets see the world
    the art of description in contemporary poetry
    Autor*in: Spiegelman, Willard
    Erschienen: 2005
    Verlag:  Oxford Univ. Press, New York [u.a.]

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work."--BOOK JACKET.

     
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  12. Seeing things
    vision, perception and interpretation in French studies
    Erschienen: 2002
    Verlag:  Lang, Oxford [u.a.]

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  13. Optiques
    the science of the eye and the birth of modern French fiction
    Autor*in: Goulet, Andrea
    Erschienen: 2006
    Verlag:  Univ. of Pennsylvania Press, Philadelphia, PA

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0812239318
    Schriftenreihe: Critical authors & issues
    Schlagworte: Frans; Optica; Roman français - 19e siècle - Histoire et critique; Roman français - 20e siècle - Histoire et critique; Romans; Vision dans la littérature; Französisch; French fiction; French fiction; Vision in literature; Literatur; Französisch; Optik; Wahrnehmung
    Umfang: VIII, 272 S.
    Bemerkung(en):

    Includes bibliographical references and index
  14. Les avatars du regard
    Autor*in: Camus, Michel
    Verlag:  Opales, Pessac

  15. L' écriture du regard dans la représentation de la passion amoureuse et du désir
    étude comparative d'oeuvres choisies de Madame de Lafayette, Rousseau, Stendhal et Duras
    Autor*in: Léopold, Sandrine
    Erschienen: 2009
    Verlag:  Lang, Oxford [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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