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  1. If I say If: The Poems and Short Stories of Boris Vian
    Erschienen: 2014
    Verlag:  University of Adelaide Press, s.l.

    Boris Vian is a rare phenomenon. Nothing short of a national treasure in France, he is hardly known overseas. In his lifetime, he divided literary opinion with masterpieces that failed to sell and best sellers that caused outrage, trials and even... mehr

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    Evangelische Hochschule Berlin, Bibliothek
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    Boris Vian is a rare phenomenon. Nothing short of a national treasure in France, he is hardly known overseas. In his lifetime, he divided literary opinion with masterpieces that failed to sell and best sellers that caused outrage, trials and even deaths, including his own. As an impresario, he became the figurehead of the jazz scene that marked the French left bank at the end of the Second World War and was responsible for bringing Duke Ellington and Miles Davis to France. As a musician, he played his trumpet against the advice of cardiologists, sang pacifist songs before audiences of outraged patriots and, in passing, created French rock ‘n’ roll. Posthumously, he became known for his theatre, film scripts and poetry as well as for his novels. And in May ’68 he became a revolutionary icon

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781922064622
    Schlagworte: Literary studies: poetry & poets; Literary studies: fiction, novelists & prose writers
    Weitere Schlagworte: Vian, Boris / 1920-1959
    Umfang: 1 Online-Ressource (1 electronic resource (412 p.))
  2. If I say if
    the poems and short stories of Boris Vian
    Autor*in: Vian, Boris
    Erschienen: 2014
    Verlag:  The University of Adelaide Press, Adelaide

    In two posthumously published collections of short stories, translated for the first time in English in this volume, the France of Jean-Paul Sartre and Simone de Beauvoir is seen through Vian's idiosyncratic and often rather madcap lens. And... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In two posthumously published collections of short stories, translated for the first time in English in this volume, the France of Jean-Paul Sartre and Simone de Beauvoir is seen through Vian's idiosyncratic and often rather madcap lens. And alongside them there is another voice entirely, a side of Vian that blends his dry irony with deep, at times startling, emotion. His poems, again published in English here for the first time, give a counter-point to the public figure loved throughout France but never quite admitted into the Pantheon of her great artists. For those who may have read L’Écume des jours or J'irai cracher sur vos tombes, or heard someone singing 'Le Déserteur' on the Paris Métro, or for those who are discovering him for the first time, here are both sides of the incomparable and never quite self-coinciding Boris Vian

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Freij, Maria; Hodges, Peter; Rolls, Alistair (Hrsg.); West-Sooby, John (Hrsg.); Fornasiero, F. J. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781922064622
    Weitere Schlagworte: Vian, Boris / 1920-1959
    Umfang: 1 online resource (xi, 396 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  3. Swing troubadours
    Brassens, Vian, Gainsbourg ; les Trente Glorieuses en 33 tours
    Erschienen: 2011
    Verlag:  Summa Publ., Birmingham, AL

    "This study focuses on three singer-songwriters of French popular music who emerged in the 1950s. Combining a literary and socio-historical approach of texts and contexts, Olivier Bourderionnet examines the concept of chanson as a vibrant testimony... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study focuses on three singer-songwriters of French popular music who emerged in the 1950s. Combining a literary and socio-historical approach of texts and contexts, Olivier Bourderionnet examines the concept of chanson as a vibrant testimony to cultural shifts within French society in the second half of the twentieth century. The author also considers popular song as a new form of orality in French poetry while examining the post-surrealist blurring of frontiers between chanson and poetry in the effervescent and jazz-infused decades that followed World War II. He argues that this period points towards a liberation of language as well as to a changing conception of "literarity" at a time when the State is taking on the task of generalizing access to culture" -- Olivier Bourderionnet

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Schlagworte: Composers / France / 20th century; Singers / France / 20th century; Popular music / France / 1945-1995; Swing; Zeithintergrund; Mündliche Literatur; Chanson
    Weitere Schlagworte: Brassens, Georges; Gainsbourg, Serge; Vian, Boris / 1920-1959; Brassens, Georges (1921-1981); Gainsbourg, Serge (1928-1991); Vian, Boris (1920-1959)
    Umfang: 156 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (p.[141]-144) and index

    Discography and filmography: p. [145]-146

  4. If I say if
    the poems and short stories of Boris Vian
    Autor*in: Vian, Boris
    Erschienen: 2014
    Verlag:  The University of Adelaide Press, Adelaide

    In two posthumously published collections of short stories, translated for the first time in English in this volume, the France of Jean-Paul Sartre and Simone de Beauvoir is seen through Vian's idiosyncratic and often rather madcap lens. And... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In two posthumously published collections of short stories, translated for the first time in English in this volume, the France of Jean-Paul Sartre and Simone de Beauvoir is seen through Vian's idiosyncratic and often rather madcap lens. And alongside them there is another voice entirely, a side of Vian that blends his dry irony with deep, at times startling, emotion. His poems, again published in English here for the first time, give a counter-point to the public figure loved throughout France but never quite admitted into the Pantheon of her great artists. For those who may have read L’Écume des jours or J'irai cracher sur vos tombes, or heard someone singing 'Le Déserteur' on the Paris Métro, or for those who are discovering him for the first time, here are both sides of the incomparable and never quite self-coinciding Boris Vian

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Freij, Maria; Hodges, Peter; Rolls, Alistair (Hrsg.); West-Sooby, John (Hrsg.); Fornasiero, F. J. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781922064622
    Weitere Schlagworte: Vian, Boris / 1920-1959
    Umfang: 1 online resource (xi, 396 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  5. Swing troubadours
    Brassens, Vian, Gainsbourg ; Les Trente Glorieuses en 33 tours
    Erschienen: 2011
    Verlag:  Summa Publ., Birmingham, AL

    "This study focuses on three singer-songwriters of French popular music who emerged in the 1950s. Combining a literary and socio-historical approach of texts and contexts, Olivier Bourderionnet examines the concept of chanson as a vibrant testimony... mehr

     

    "This study focuses on three singer-songwriters of French popular music who emerged in the 1950s. Combining a literary and socio-historical approach of texts and contexts, Olivier Bourderionnet examines the concept of chanson as a vibrant testimony to cultural shifts within French society in the second half of the twentieth century. The author also considers popular song as a new form of orality in French poetry while examining the post-surrealist blurring of frontiers between chanson and poetry in the effervescent and jazz-infused decades that followed World War II. He argues that this period points towards a liberation of language as well as to a changing conception of "literarity" at a time when the State is taking on the task of generalizing access to culture" -- Olivier Bourderionnet

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1883479649
    RVK Klassifikation: LS 48240 ; IH 21641 ; IH 88641 ; LR 53357
    Schlagworte: Composers / France / 20th century; Singers / France / 20th century; Popular music / France / 1945-1995
    Weitere Schlagworte: Brassens, Georges; Gainsbourg, Serge; Vian, Boris / 1920-1959
    Umfang: 156 S., Ill.
    Bemerkung(en):

    Literaturverz., Diskogr. u. Filmogr. S. [141] - 146