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  1. Modern Manuscripts and the Pre-History of Digital Humanities
    Paper Processors
    Autor*in: Christie, Alex
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: While text processing is often associated with the digital humanities, it is still seen as worlds apart from literary modernism and its aesthetic preoccupations. This book upsets that narrative. Examining literary manuscripts from... mehr

     

    Zusammenfassung: While text processing is often associated with the digital humanities, it is still seen as worlds apart from literary modernism and its aesthetic preoccupations. This book upsets that narrative. Examining literary manuscripts from some of the twentieth century's best-known and lesser-known novelists, from Marcel Proust to Mina Loy, Alex Christie reveals where authors experimented with proto-digital writing methods by hand. Instead of looking to computers as sources of inspiration, the authors discussed turned to twentieth-century media for their ability to reveal new layers of the material world. From analog fantasies of contacting the dead to digital anxieties of invisible information, the aesthetic ambitions of these novels can be traced back to their author's interest in emerging media devices and their technical operation. To capture the magic of such devices through writing, these authors devised radical methods for generating literary text, anticipating today's digital humanities. Alex Christie is Associate Professor of Digital Prototyping at Brock University's Department of Digital Humanities, Canada. He has published in Digital Humanities Quarterly, Journal of Interactive Technology and Pedagogy, and Reading Modernism with Machines; he co-edited American Science Fiction Television and Space; his digital projects include z-axis research and Pedagogy Toolkit

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031560002
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Material Modernisms
    Weitere Schlagworte: (lcsh)Literature and technology.; (lcsh)Mass media and literature.; (lcsh)Fiction.; (lcsh)Creative nonfiction.; (lcsh)Literature, Modern--20th century.; (lcsh)Literature.; Literature and Technology.; Fiction Literature.; Non-Fiction Literature.; Twentieth-Century Literature.; Literary Methods.
    Umfang: Online-Ressource, XIII, 195 p. 6 illus., 5 illus. in color., online resource.
    Bemerkung(en):

    1. Introduction -- Part I. Analog: Dreams of a Lost Past -- 2. Writing Rules: Raymond Roussel’s Impressions -- 3. Writing Time: Marcel Proust’s Optics -- Part II. Digital: Anxious in the Now -- 4. Calculating Humans: Samuel Beckett’s Encipherment -- 5. The Medium in Sight: Mina Loy’s Vision -- 6. Conclusion: Humanities Computing

  2. Coward the Dramatist
    Morals and Manners
    Autor*in: Kojecky, Roger
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context,... mehr

     

    Zusammenfassung: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123) Roger Kojecky: After an Oxford University English Faculty D. Phil. he held teaching positions in Tokyo and London University (lecturing on drama). He has been Secretary of the Christian Literary Studies Group, Oxford, and edits The Glass, covering a range of academic literature with articles and reviews.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031522840
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Bernard Shaw and His Contemporaries
    Weitere Schlagworte: (lcsh)Theater--History.; (lcsh)Literature, Modern--20th century.; (lcsh)Drama.; Playwrights and Playwriting.; Theatre History.; Twentieth-Century Literature.; Drama.
    Umfang: Online-Ressource, XII, 188 p. 1 illus., online resource.
    Bemerkung(en):

    Chapter 1: Introduction -- Chapter 2: Love and Marriage -- Chapter 3: Morals and Manners -- Chapter 4: Comedies of Realism and Romance -- Chapter 5: The Theatre of War -- Chapter 6: Deeper Waters -- Chapter 7: Drama and Contemporary Society -- Chapter 8: Post-War Drama and Fiction -- Chapter 9: Last Plays -- Chapter 10: The Entertainer

  3. Beckett Ongoing
    Aesthetics, Ethics, Politics
    Beteiligt: Krimper, Michael (Herausgeber); Quigley, Gabriel (Herausgeber)
    Erschienen: 2024
    Verlag:  Springer International Publishing, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about... mehr

     

    Zusammenfassung: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary. Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues. Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies

     

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    Beteiligt: Krimper, Michael (Herausgeber); Quigley, Gabriel (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031420306
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: New Interpretations of Beckett in the Twenty-First Century
    Weitere Schlagworte: (lcsh)Literature, Modern--20th century.; (lcsh)Critical theory.; (lcsh)Literature--Aesthetics.; (lcsh)Continental Philosophy.; Twentieth-Century Literature.; Critical Theory.; Literary Aesthetics.; Continental Philosophy.
    Umfang: Online-Ressource, IX, 193 p. 1 illus., online resource.
    Bemerkung(en):

    Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside) -- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University) -- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison) -- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto) -- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh) -- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania) -- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University) -- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto) -- Chapter 9: “The Grammar of Absurdity and Affective Crisis: Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University)

  4. Bernard Shaw’s and Virginia Woolf’s Interior Authors
    Censored and Modern
    Erschienen: 2024
    Verlag:  Springer International Publishing, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf... mehr

     

    Zusammenfassung: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women’s rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors may be considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process. Lagretta Tallent Lenker, Ph.D., retired from the University of South Florida, University College, USA, where she served as founding director of the Graduate Certificate Program, the Bachelor of General Studies, and other adult and professional programs. She has taught in the USF English Department where she specialized in early modern, modern, late Victorian, and American drama. She has written or edited eight books and numerous articles, primarily on the works of Christopher Marlowe, William Shakespeare and Bernard Shaw, including Fathers and Daughters in Shakespeare and Shaw (2001). She was guest editor of SHAW 28: Shaw and War. Five of Lenker’s books were co-edited with Dr. Sara M. Deats and focus on literature and social issues, including Aging and Identity: A Humanities Perspective (1999).

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031496042
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Bernard Shaw and His Contemporaries
    Weitere Schlagworte: (lcsh)Playwriting.; (lcsh)Dramatists.; (lcsh)Literature, Modern--20th century.; (lcsh)Social history.; Playwrights and Playwriting.; Twentieth-Century Literature.; Social History.
    Umfang: Online-Ressource, X, 233 p. 3 illus., online resource.
    Bemerkung(en):

    Chapter 1 : Introduction -- Chapter 2: The Novels of Bernard Shaw -- Chapter 3: The Plays of Bernard Shaw -- Chapter 4: Transition to Virginia Woolf -- Chapter 5: The Novels of Virginia Woolf -- Chapter 6: Conclusion

  5. Peter S. Beagle's “The Last Unicorn”
    A Critical Companion
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: This book assesses the work of one of the foundational figures of American fantasy, Peter S. Beagle. Through its focused analysis of The Last Unicorn, this study contextualises Beagle’s work in relation to the popularity of the... mehr

     

    Zusammenfassung: This book assesses the work of one of the foundational figures of American fantasy, Peter S. Beagle. Through its focused analysis of The Last Unicorn, this study contextualises Beagle’s work in relation to the popularity of the fantasy genre, following its growing success in the aftermath of Tolkien’s The Lord of the Rings. In addition, through reference to the film adaptation of The Last Unicorn and also Beagle’s other works, this study highlights the author’s longevity and the influence that his metafictional and comedic work has had on contemporary fantasy. Timothy S. Miller is an Assistant Professor of English at Florida Atlantic University, USA, where he contributes to the department’s MA degree concentration in Science Fiction and Fantasy. He has previously written a critical companion on Ursula K. Le Guin’s novel A Wizard of Earthsea for the series ‘Palgrave Science Fiction and Fantasy: A New Canon’, and now serves as series co-editor with Dr. Anna McFarlane

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031534256
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Palgrave Science Fiction and Fantasy: A New Canon
    Weitere Schlagworte: (lcsh)Literature, Modern--20th century.; (lcsh)America--Literatures.; (lcsh)Literary form.; Twentieth-Century Literature.; North American Literature.; Literary Genre.
    Umfang: Online-Ressource, X, 144 p., online resource.
    Bemerkung(en):

    Chapter 1: Beagle’s Early Career and a New Chapter in American Fantasy -- Chapter 2: Death and the Desire for Deathlessness: Beagle and J. R. R. Tolkien on Fantasy and Mortality -- Chapter 3: Unicorn Lore: The Multiple Mythologies Behind The Last Unicorn -- Chapter 4: Metafiction and Metafantasy: Comic Fantasy as Mirror for the Genre -- Chapter 5: Unicorn Variations: Continuity and Change in the Many Versions of The Last Unicorn -- Chapter 6: Conclusion: Peter S. Beagle’s Immortal Unicorn

  6. The Early Post-Suffrage Fiction of Constance Nina Boyle
    Autor*in: Allen, Nicola
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: This book offers the first comprehensive treatment of the fiction of Constance Antonina (Nina) Boyle: a suffragette described in one obituary as 'second only to Mrs Pankhurst'. Boyle was a well-known campaigner and was the first... mehr

     

    Zusammenfassung: This book offers the first comprehensive treatment of the fiction of Constance Antonina (Nina) Boyle: a suffragette described in one obituary as 'second only to Mrs Pankhurst'. Boyle was a well-known campaigner and was the first woman to stand for selection as a candidate in an election in the UK. However, her novels have been all but forgotten. This study explores Boyle's early fiction and focuses on her first five novels - each of which represents a retelling of established narratives. It explores how Boyle used her fiction to voice her radical gender politics within a culture that was becoming increasingly hostile to even discussing women's rights outside of the extension of the franchise. This book will be of interest to scholars of women's suffrage as well as anyone interested in popular fiction of the 1920s. Nicola Allen is Senior Lecturer in English Literature and Co-Course Leader for MA English at the University of Wolverhampton, UK. She is author of Marginality in the Contemporary British Novel (2008)

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031526732
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Weitere Schlagworte: (lcsh)Literature, Modern--20th century.; (lcsh)Literature--Philosophy.; (lcsh)Feminism and literature.; (lcsh)Fiction.; (lcsh)Women--History.; Twentieth-Century Literature.; Feminist Literary Theory.; Fiction Literature.; Women's History / History of Gender.
    Umfang: Online-Ressource, XV, 208 p. 1 illus., online resource.
    Bemerkung(en):

    1. Introduction: Walking into the Future -- 2 From Campaigner to Novelist: The Lives of Constance Antonina Boyle -- 3 Out of the Frying Pan -- 4 What Became of Mr Desmond -- 5 Nor All Thy Tears -- 6 Anna's -- 7 The Stranger Within the Gates -- 8 Conclusion: Deeds and Words

  7. Simenon
    Ermittlungen, Existenzen, Atmosphären
    Beteiligt: Doetsch, Hermann (Herausgeber); Nitsch, Wolfram (Herausgeber)
    Erschienen: 2024
    Verlag:  Springer Berlin Heidelberg, Imprint: J.B. Metzler, Berlin, Heidelberg

    Zusammenfassung: Dieser Band würdigt Simenons lange unterschätztes Romanwerk in vierfacher Hinsicht. In gattungsgeschichtlicher Perspektive arbeitet er die Originalität der Ermittlerfigur Maigret sowie die Affinität der „harten Romane“ zum... mehr

     

    Zusammenfassung: Dieser Band würdigt Simenons lange unterschätztes Romanwerk in vierfacher Hinsicht. In gattungsgeschichtlicher Perspektive arbeitet er die Originalität der Ermittlerfigur Maigret sowie die Affinität der „harten Romane“ zum Existentialismus heraus. Unter subjektgeschichtlichem Aspekt legt er dar, wie die Protagonisten gerade dieser Romane mit Prozessen sozialer Modernisierung und biopolitischer Kontrolle in Konflikt geraten. In medientheoretischer Hinsicht wird beleuchtet, wie genau Simenon moderne Techniken der Untersuchung und der Überwachung beobachtet hat. Unter raumtheoretischem Gesichtspunkt schließlich behandelt er seinen ausgeprägten Sinn für Milieus und Atmosphären

     

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    Quelle: Verbundkataloge
    Beteiligt: Doetsch, Hermann (Herausgeber); Nitsch, Wolfram (Herausgeber)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783662679906
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Kriminalität in Literatur und Medien ; 5
    Schlagworte: Kriminalroman; Literatur
    Weitere Schlagworte: Simenon, Georges (1903-1989); (lcsh)Literature, Modern--20th century.; (lcsh)Prose literature.; Twentieth-Century Literature.; Narrative Text and Prose.
    Umfang: Online-Ressource, VIII, 341 S., online resource.
    Bemerkung(en):

    Einleitung -- Teil I Traditionen -- Simenon als Romancier des Realen -- Simenon: Gründe eines literarischen Erfolgs -- Teil II Ermittlungs- und Erzählverfahren -- Maigret: ein experimenteller Kriminalroman -- Der Kommissar als Soziologe. Milieu und Habitus in den Maigret-Romanen von Simenon -- Maigret und der Rechtsvergleich -- Absolutes Erzählen. Erzähltechnische Bemerkungen zur Erzeugung von Atmosphäre in Le train de Venise -- Teil III Räume -- Maigrets Paris -- Das Hotel als sozialer Mikrokosmos bei Simenon -- Maigret und die Geheimnisse des geschlossenen Raums. Überlegungen zu Maigret à l’école -- Teil IV Umwelten und Infrastrukturen -- Es ist wie das Wetter: (Dauer-)Regen und Kälte bei Simenon -- Figuren der Isolation in Romanen Simenons -- Lebenslinien. Infrastrukturen und Institutionen von Normalität in Simenons Romanen -- Mobile Krisenherde. Fahrzeuge in Simenons „harten“ Romanen -- Teil V Identitätskonstruktionen -- „Le métier d’homme est difficile.“ Zur Konstruktion von Männlichkeit in La neige était sale -- Maigret und die Grenzen der Aufklärung. Elemente des Antisemitismus in ausgewählten Romanen Simenons -- Antiradikale Revolte. Simenons Bezug zur anarchistischen Anschauung und Ästhetik anhand des ‚Attentatsromans‘ Le suspect -- Teil VI Übertragungen -- Simenon-Verfilmungen -- Der Schriftsteller und der Regisseur. Ein Gespräch

  8. Modernekritik und Fortschrittsskepsis bei Robert Musil
    Freuds Triebtheorie im Typologiekreis der Wiener Moderne
    Autor*in: Wimmer, Gernot
    Erschienen: 2024
    Verlag:  Springer Berlin Heidelberg, Imprint: J.B. Metzler, Berlin, Heidelberg

    Zusammenfassung: Wenngleich der Forschungsstand, wenn es sich um die intendierte Textaussage des Musil’schen Œuvre handelt, durch das Fehlen einer Opinio communis gekennzeichnet ist, tritt die vorliegende Studie den Beweis an, dass eine ebensolche... mehr

     

    Zusammenfassung: Wenngleich der Forschungsstand, wenn es sich um die intendierte Textaussage des Musil’schen Œuvre handelt, durch das Fehlen einer Opinio communis gekennzeichnet ist, tritt die vorliegende Studie den Beweis an, dass eine ebensolche freizulegen ist. In Musils Opus magnum laufen die konzeptionellen Fäden zusammen, die bereits in seinem ersten Roman angelegt sind. In seiner trieb-teleologischen Skepsis beschäftigte ihn die Realisierbarkeit eines neuen Menschentypus – eines Mannes ohne Eigenschaften –, dessen Zweck darin bestanden hätte, dem Zueilen auf den großen Weltuntergang etwas von seiner Dynamik zu nehmen und möglichen Großkonflikten so vorzubeugen. Denn die Freud’sche Triebskepsis, die Musil früh zu eigen war, wurde zu seinem treuen weltanschaulichen Begleiter und gewann von Werk zu Werk an geschichtlicher Schärfe. Der Autor Gernot Wimmer lehrt Neuere deutsche Literatur und Komparatistik an der Universität Wien. Er hat zu Kafkas Romanfragment Der Verschollene promoviert. Seine Arbeitsschwerpunkte sind Neuere deutsche Literatur und Weltliteratur

     

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    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783662687673
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Weitere Schlagworte: Musil, Robert (1880-1942); Musil, Robert (1880-1942): Der Mann ohne Eigenschaften; (lcsh)Literature, Modern--20th century.; (lcsh)Comparative literature.; Twentieth-Century Literature.; Comparative Literature.
    Umfang: Online-Ressource, VII, 381 S., online resource.
    Bemerkung(en):

    Einleitung -- Überwindung der Subjektkrise qua Geist: „worin man sich Herr im Hause fühlt“ -- Konklusion

  9. Aldous Huxley's Short Fiction
    Autor*in: Matić, Andrija
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: Aldous Huxley’s Short Fiction analyzes Huxley’s short stories within a modernist context, highlighting that he shared more characteristics with distinguished modernists than is usually believed. The book also explores other features... mehr

     

    Zusammenfassung: Aldous Huxley’s Short Fiction analyzes Huxley’s short stories within a modernist context, highlighting that he shared more characteristics with distinguished modernists than is usually believed. The book also explores other features of Huxley’s short stories, focusing on themes such as consumerism, mainstream education, shallow intellectualism, women’s emancipation, toxic masculinity, and sensational journalism, themes that correspond with both Huxley’s time and our world, and position him among the most prophetic authors of the twentieth century. This study demonstrates that Huxley’s short fiction can provide answers to questions that remain confusing or partially explained in the research on Huxley’s work. It illustrates the constants and changes in Huxley’s opinions on organized religion, mysticism, and the relation between sexuality and spirituality, while also clarifying Huxley’s political opinion, which is often misunderstood due to his advocacy of pacifism. Finally, the in-depth interpretations of Huxley’s short stories reveal the dynamics of his literary style, especially his complex humor and irony, areas he developed more than any other modernist author of short fiction. Andrija Matić is an adjunct assistant professor at Baruch College, The City University of New York, USA. He is the author of five novels, a collection of short stories, and a study on T. S. Eliot’s complete works. He has also published many articles on Anglo-American literature, especially on modernist poetry and short fiction. Andrija Matić has taught at universities in Serbia, Kuwait, Thailand, Turkey, and the USA. He lives in Brooklyn, New York

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031557750
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Weitere Schlagworte: (lcsh)Literature, Modern--20th century.; (lcsh)Fiction.; (lcsh)Literature--History and criticism.; Twentieth-Century Literature.; Fiction Literature.; Literary Criticism.
    Umfang: Online-Ressource, IX, 187 p. 1 illus., online resource.
    Bemerkung(en):

    1: Introduction -- 2: Initiation in Limbo -- 3: Toxic Masculinity, Pseudo-Intellectualism, and “Sexo-Religious Psychology” in Mortal Coils -- 4: Irony, Popular Art, and Progressive Education in Little Mexican -- 5: Nonsense, the Other, and Applied Science in Two or Three Graces -- 6: Religion, Seduction and Spiritual Education in Brief Candles -- 7: Uncollected Stories -- 8: Conclusion.

  10. Günter Grass
    Autor*in: Neuhaus, Volker
    Erschienen: 2010
    Verlag:  J.B. Metzler, Stuttgart ; Springer International Publishing AG, Cham

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783476050861; 3476050866
    Weitere Identifier:
    RVK Klassifikation: GN 5052
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Auflage/Ausgabe: 3rd ed. 2010
    Schriftenreihe: Sammlung Metzler
    Schlagworte: European literature; Literature, Modern—20th century; Literature, Modern—21st century; European Literature.; Twentieth-Century Literature.; Contemporary Literature.
    Weitere Schlagworte: Grass, Günter (1927-2015)
    Umfang: 1 Online-Ressource (IX, 284 Seiten)
  11. Empire Under the Microscope
    Parasitology and the British Literary Imagination, 1885–1935
    Erschienen: 2022
    Verlag:  Springer International Publishing, Cham ; Springer International Publishing AG

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    ISBN: 9783030847173; 3030847179
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022
    Schriftenreihe: Palgrave Studies in Literature, Science and Medicine
    Schlagworte: Literature, Modern—19th century; Literature, Modern—20th century; Fiction; Nineteenth-Century Literature.; Twentieth-Century Literature.; Fiction.
    Umfang: 1 Online-Ressource (XIII, 294 Seiten)
  12. Pynchon and Philosophy
    Wittgenstein, Foucault and Adorno
    Erschienen: 2014
    Verlag:  Palgrave Macmillan UK, London ; Springer International Publishing AG, Cham

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137405500; 1137405503
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2014
    Schlagworte: Literature—Philosophy; Culture—Study and teaching; Philosophy; Language and languages—Philosophy; Literature, Modern—20th century; Fiction; Literary Theory.; Cultural Theory.; Philosophy, general.; Philosophy of Language.; Twentieth-Century Literature.; Fiction.
    Umfang: 1 Online-Ressource (XIII, 229 Seiten)